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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aria: \\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\\
Non classifié
4 248
Piano & claviers
Piano, Voix
5 994
Piano seul
3 482
Piano, Voix et Guitare
1 147
Piano Facile
992
Instruments en Do
422
Orgue
407
1 Piano, 4 mains
128
Accompagnement Piano
116
Accordéon
90
Piano Trio: piano, violon, violoncelle
73
Piano grosses notes
53
2 Pianos, 4 mains
27
Piano Quatuor: piano, violon, alto, violoncelle
22
Piano Quintette: piano, 2 violons, alto, violoncelle
21
Piano Quatuor: piano, 2 violons, violoncelle
15
Orgue, Trompette (duo)
13
Orgue, Piano (duo)
7
Clavecin
7
Instrument seul et Orgue
6
2 Accordéons
6
Piano (partie séparée)
6
Orgue, Voix
4
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Ensemble d'Accordéons
2
Clavier
1
+ 21 instrumentations
Retracter
Guitares
Guitare notes et tablatures
339
Guitare
318
Ligne De Mélodie, (Paroles) et Accords
190
Ukulele
130
Basse electrique
90
Paroles et Accords
55
2 Guitares (duo)
54
Piano, Guitare (duo)
33
Mandoline
19
4 Guitares (Quatuor)
18
Banjo
9
3 Guitares (trio)
8
Guitare (partie séparée)
5
Ensemble de guitares
5
Dulcimer
5
Basse électrique (partie séparée)
2
Mandoline, Guitare (duo)
1
Mandoline, Piano (duo)
1
Ukulele Baryton
1
+ 14 instrumentations
Retracter
Voix
Chorale SATB
1 146
Chorale 3 parties
474
Chorale 2 parties
326
Voix Soprano, Piano
243
Voix seule
227
Chorale TTBB
170
Voix duo, Piano
163
Voix Tenor, Piano
153
Chorale SSAA
134
Voix duo
95
Voix haute
91
Pack Instrumental pour Chorale
88
Voix Alto, Piano
87
Voix Baryton, Piano
80
Chorale
75
Chorale Unison
73
Voix basse, Piano
52
Voix Mezzo-Soprano, Piano
45
Voix moyenne, Piano
28
Voix Tenor
15
Chorale SSATB
9
Voix Soprano
9
Voix et basse continue
8
Chorale SSATTB
6
Voix basse
5
Chorale SSAATTBB
5
Voix duo, Orgue
4
Voix haute, Piano
3
Voix, Guitare
3
Chorale SATBB
2
Chorale SATTB
2
Chorale SSAB a cappella
2
Voix Moyenne
2
Voix Baryton
1
Voix Soprano, Orchestre
1
Chorale, Orgue
1
Chorale SSAATB
1
+ 32 instrumentations
Retracter
Vents
Flûte traversière et Piano
439
Clarinette et Piano
365
Flûte traversière
357
Clarinette
327
Saxophone Alto et Piano
278
Hautbois, Piano (duo)
267
Quatuor de Saxophones: 4 saxophones
264
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
229
Saxophone Alto
204
Saxophone Tenor et Piano
198
2 Saxophones (duo)
184
Saxophone (partie séparée)
183
Quatuor de Clarinettes: 4 clarinettes
165
Flûte, Hautbois, Clarinette, Basson
159
Saxophone Soprano et Piano
148
Saxophone Tenor
138
2 Flûtes traversières (duo)
128
Hautbois (partie séparée)
114
Saxophone
113
2 Clarinettes (duo)
112
Quatuor de Flûtes : 4 flûtes
96
Quintette de Saxophone: 5 saxophones
77
Clarinette (partie séparée)
73
Ensemble de Clarinettes
73
Flûte à Bec
68
Saxophone Baryton, Piano
67
Ensemble de saxophones
62
Ensemble de Flûtes
57
Flûte, Clarinette (duo)
56
3 Saxophones (trio)
56
Flûte et Guitare
55
Cor anglais, Piano
49
Quatuor de Flûtes à bec
48
Hautbois
35
Quintette de Clarinettes: 5 clarinettes
32
Saxophone Soprano
29
3 Flûtes à bec (trio)
28
3 Clarinettes (trio)
28
Flute (partie séparée)
26
2 Hautbois (duo)
26
Clarinette Basse, Piano
26
Clarinette, Violon (duo)
24
Flûte, Violon, Piano
24
Trio de Flûtes: 3 flûtes
23
Flûte à bec Soprano
23
Saxophone, Clarinette (duo)
20
Hautbois, Basson (duo)
20
Flûte, Clarinette, Piano (trio)
17
2 Clarinettes, Piano
17
Flûte, Hautbois, Clarinette (trio)
16
Flûte, Violon
16
5 Flûtes à bec
15
2 Flûte à bec (duo)
15
Flûte à bec Alto, Piano
14
Saxophone Baryton
14
Instruments en Mib
14
2 Saxophones, Piano
13
Flûte, Violon et Violoncelle
13
Flûte, Clarinette et Basson
13
Clarinette, Guitare (duo)
13
Cor Anglais
12
Ensemble De Flûte à bec
12
Hautbois, Clarinette, Basson (trio d'anches)
12
Piccolo, Piano
12
Hautbois, Clarinette (duo)
11
Clarinette, Trompette (duo)
10
2 Flûtes traversières, Piano
10
Flûte à bec Tenor
10
Flûte, Hautbois, Basson
8
Hautbois, Flûte
8
Quintette de Flûte : 5 flûtes
8
Flûte, trombone et piano
8
Clarinette, Violoncelle (duo)
8
Flûte, Violoncelle
8
Flûte, Saxophone (duo)
8
Flûte à Bec, Piano
7
Flûte à bec Alto
7
Saxophone et Guitare
7
Clarinette, Violoncelle, Piano (trio)
7
Piccolo
7
Clarinette et Alto
7
Ocarina
7
Flûte, Hautbois, Piano (trio)
7
Flûte à bec Soprano, Piano
6
Flûte, Trompette (duo)
6
Clarinette, Basson (duo)
6
Clarinette, Harpe (duo)
6
Saxophone et Orgue
6
Flûte, Alto (duo)
6
Flûte, Alto et Piano
5
Flûte, Violoncelle, Piano (trio)
5
Flûte, Basson et Piano
5
Flûte, Violon, Violoncelle et Piano
4
Clarinette Basse
4
Flûte, Hautbois (duo)
4
Flûte à bec, Guitare (duo)
4
Quintette de Clarinette: Clarinette, Quatuor à Cordes
4
4 Hautbois
3
Harmonica
3
Hautbois, Harpe
3
Saxophone et Piano
3
Clarinette, Orchestre
3
Hautbois, Violoncelle
2
Clarinette, Trombone (duo)
2
Clarinette, trompette et piano
2
Flûte, Violoncelle, Guitare
2
Cor anglais, Guitare (duo)
2
2 Hautbois, Piano
2
Hautbois, Guitare (duo)
2
Clarinette, Basson, Piano (trio)
2
3 Hautbois
2
Flûte traversière, Orgue (duo)
1
Clarinette, Saxophone, Piano
1
2 Flûtes, Basse continue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et violoncelle
1
Flûte traversière, Basse continue
1
Hautbois, Basson et Piano
1
Clarinette, Contrebasse (duo)
1
Flûte et Trio à cordes
1
Flûte à bec, Harpe
1
Flûte à bec Alto, Basse continue
1
Flûte et Quatuor à Cordes
1
Saxophone et Harpe
1
Flute, harpe et violon
1
Clarinette, Orgue
1
+ 121 instrumentations
Retracter
Cuivres
Trompette
325
Trompette, Piano
264
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
222
Trombone
220
Trombone et Piano
217
Cor et Piano
171
Cor
167
Quatuor de Cuivres : 2 trompettes, trombone, tuba
121
Tuba et Piano
107
Tuba
89
Trombone (partie séparée)
76
Trompette (partie séparée)
74
Quatuor de Cuivres: 2 trompettes, Cor, trombone
72
Euphonium, Piano (duo)
66
2 Trompettes (duo)
63
Cor anglais, Piano
49
Quatuor de Cuivres
48
2 Trombones (duo)
45
Quatuor de cuivres: 4 trombones
43
Quatuor de cuivres: 4 cors
42
Trompette, Trombone (duo)
31
Cor (partie séparée)
25
Tuba (partie séparée)
24
Euphonium
23
2 Cors (duo)
19
Ensemble de Trombones
19
Trompette, Saxophone (duo)
18
2 Euphoniums et 2 Tubas
17
Trompette, Cor (duo)
16
Instruments en Sib
14
Quatuor de cuivres: 4 trompettes
13
4 Tubas
13
Cor Anglais
12
Ensemble de Cors
12
3 Trombones (trio)
9
Ensemble de Trompettes
9
Trio de Cuivres
9
Bass Clef Instruments
8
2 Tubas (duo)
6
Trombone basse et Piano
6
Trombone, Orgue
4
Trombone basse
4
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Cor, Violoncelle (duo)
4
3 Trompettes (trio)
3
Trompette, Violoncelle (duo)
3
Trombone, Tuba (duo)
3
Trompette et Guitare
3
2 Trompettes, Clavier (piano ou orgue)
3
Cor et Orgue
2
Trombone, Cor (duo)
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Trompette, Harpe
2
Cor, Tuba (duo)
2
Cor anglais, Guitare (duo)
2
Trompette, Violoncelle et Piano
2
Cor et Harpe
2
Tuba et Orgue
1
Cor et Basson (duo)
1
Instruments en Fa
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Trombone, violoncelle (duo)
1
2 Euphoniums (duo)
1
Trompette, Basson (duo)
1
Trompette, Tuba (duo)
1
2 Trombones, Piano
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
+ 64 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
925
Violon et Piano
587
Violon
416
Violoncelle, Piano
413
Violoncelle
325
Alto, Piano
319
Alto seul
201
Harpe
186
Trio à Cordes: violon, alto, violoncelle
161
Violon, Violoncelle (duo)
156
2 Violons (duo)
119
Violon (partie séparée)
88
Contrebasse, Piano (duo)
82
Contre Basse
79
2 Violoncelles (duo)
77
Violon, Alto (duo)
59
Alto (partie séparée)
57
2 Altos (duo)
56
4 Violoncelles
45
Trio à Cordes: 2 violons, violoncelle
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
36
Violoncelle , Guitare (duo)
30
Violon, Guitare (duo)
29
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
Violoncelle (partie séparée)
27
Contrebasse (partie séparée)
26
Alto, Violoncelle (duo)
25
Quatuor à cordes: 4 violons
17
Trio à Cordes: 3 violoncelles
16
Trio à cordes: 3 violins
16
Quatuor à cordes : 4 altos
14
Piano Trio: Violon, Alto, Piano
14
Alto, Guitare (duo)
14
Trio à cordes
12
Trio à Cordes: 2 violons, alto
12
Harpe, Violon (duo)
11
2 Violons, Piano
10
2 Harpes (duo)
10
Quintette à cordes : 2 violons, alto et 2 violoncelles
9
Harpe, Flûte (duo)
7
Violoncelle, Contrebasse (duo)
7
Violon, Basse continue
6
2 Violoncelles, Piano
6
Violoncelle, Orgue
5
Trio à cordes: 3 altos
4
2 Altos, Piano
4
Violon, Orgue
4
Ensemble de Violons
3
Flûte, Contrebasse (duo)
3
Violon, Basson (duo)
3
Ensemble d'Altos
2
2 Contrebasses (duo)
2
4 Contrebasses
2
Ensemble de Violoncelles
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
2
Harpe, Voix
2
Alto et orchestre
1
Alto et Basson
1
Alto et Harpe
1
Harpe, Violoncelle (duo)
1
Harpe, Violon, Violoncelle
1
Harpe et Piano
1
Harpe, Quatuor à cordes
1
3 Contrebasses
1
+ 60 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
717
Orchestre à Cordes
368
Orchestre
367
Batterie
233
Instrumentation Flexible
233
Orchestre de chambre
177
Ensemble de cuivres
131
Ensemble Jazz
102
Fanfare
97
Cloches
70
Percussion (partie séparée)
39
Jazz combo
33
Ensemble de Percussions
29
Marimba
19
Timbales (partie séparée)
13
Batterie (partie séparée)
13
Percussion
13
Quintette à Vent
8
Xylophone
5
Piano et Orchestre
4
Vibraphone
4
Xylophone, Piano
3
Vibraphone (partie séparée)
3
Quatuor à Vent : 4 instruments à vents
2
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Caisse Claire
1
Voix et Orchestre
1
Marimba, Piano (duo)
1
2 Xylophones
1
Marimba ou Xylophone et Piano
1
Big band
1
Marimba et Orgue
1
Quintette de Cuivres: autres combinaisons
1
Timbales
1
+ 29 instrumentations
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Instruments
ACCORDEON
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
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--INSTRUMENTS--
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BANJO
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BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
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COR ANGLAIS
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CORNET
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176
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Flávio Régis Cunha
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Aria: Erbarme Dich, mein Gott
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,E...
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Chamber Orchestra - Level 4 - SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: Erbarme Dich, mein Gott
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FRC Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easte...
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Chamber Orchestra - Level 3 - SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$18.49
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Flavio Regis Cunha
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MADAMINA
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (G majo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
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Chamber Orchestra - Level 4 - SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062547. Published by Really Good Music, LLC. (A0.868991). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of G major (D4 – G5) for high voice.
$24.00
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (F majo
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Scherza l'aur
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Really Good Music, LLC.
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
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Chamber Orchestra - Level 4 - SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062545. Published by Really Good Music, LLC. (A0.868990). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of F major (C4 – F5) for low voice.
$24.00
VIVALDI Antonio: Gelido in ogni vena, aria from the opera Il Farnace, score and parts (D minor)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Gelido in ogn
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Really Good Music, LLC.
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868986 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
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Chamber Orchestra - Level 4 - SKU: A0.868986 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 20 pages. Really Good Music, LLC. #6058513. Published by Really Good Music, LLC. (A0.868986). Gelido in ogni vena is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement.The aria is available in the key of D minor (A3 – E5) for low voice.
$29.00
VIVALDI Antonio: Gelido in ogni vena, aria from the opera Il Farnace, score and parts (F minor)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Gelido in ogn
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Really Good Music, LLC.
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868988 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
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Chamber Orchestra - Level 4 - SKU: A0.868988 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 20 pages. Really Good Music, LLC. #6058505. Published by Really Good Music, LLC. (A0.868988). Gelido in ogni vena is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of F minor (C4 – G5) for high voice.
$29.00
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris
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Arcadia Verlag
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,...
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Chamber Orchestra - Level 5 - SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
VIVALDI Antonio: Trovo negli occhi tuoi, aria from the opera L'Atenaide, score and parts (G minor)
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Trovo negli o
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Really Good Music, LLC.
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.868993 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
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Chamber Orchestra - Level 3 - SKU: A0.868993 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 16 pages. Really Good Music, LLC. #6065019. Published by Really Good Music, LLC. (A0.868993). Trovo negli occhi tuoi is an aria from the opera L'Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei PICHUGIN. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of G minor (D4 – Eb5) for low voice.
$25.00
VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts (D minor)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Vedrò
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Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
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Chamber Orchestra - Level 4 - SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 17 pages. Really Good Music, LLC. #6067151. Published by Really Good Music, LLC. (A0.868996). Vedrò con mio diletto is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the key of D minor (E4 – A5) for high voice.
$25.00
VIVALDI Antonio: Tu m'offendi mà non rendi, aria from the opera La verità in cimento, score and pa
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Antonio VIVALDI
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Sergei PICHUGIN
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VIVALDI Antonio: Tu m'offendi
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Really Good Music, LLC.
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868994 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
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Chamber Orchestra - Level 4 - SKU: A0.868994 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 18 pages. Really Good Music, LLC. #6065509. Published by Really Good Music, LLC. (A0.868994). Tu m’offendi mà non rendi is an aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei PICHUGIN. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of G minor (F4 – G5) for high voice.
$29.00
ARIA for Violin Solo and String Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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A
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ARIA for Violin Solo and Strin
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Adrian D Biggs
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.882277 Composed by A. Douglas Biggs. Concert,Contemporary,Sacred,Standards. Score and parts. 35 pages. Adrian D Bi...
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Chamber Orchestra - Level 4 - SKU: A0.882277 Composed by A. Douglas Biggs. Concert,Contemporary,Sacred,Standards. Score and parts. 35 pages. Adrian D Biggs #6423113. Published by Adrian D Biggs (A0.882277). Aria arises from the general idea of an aria. It is an expressive and melodic work, incorporating modal and jazz inflected harmonies for the solo violin and orchestra to sing together. It is appropriate for intermediate to advance players, offering beautiful, soaring melodies, interesting harmonies and ample opportunity for ensemble interplay.
$20.00
Ave Maria (for String Quartet - Organ Accompaniment)
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Orchestre de chambre
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FACILE
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Classique
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Franz Schubert
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Stephen DeCesare
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Ave Maria
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.620446 Composed by Franz Schubert. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred,Wedding. Score and ...
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Chamber Orchestra - Level 2 - SKU: A0.620446 Composed by Franz Schubert. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred,Wedding. Score and parts. 25 pages. Exultet Music #3375499. Published by Exultet Music (A0.620446). One of Schubert's most popular works, this piece has been freshly arranged for String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Appropriate and accessible for any church or concert setting. Most appropriate during weddings, funerals, Christmas, and any Marian feast day.
$12.99
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flávio Régis Cunha
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Händel: Basss Aria "
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest...
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Chamber Orchestra - Level 4 - SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
Brahms: Hungarian Dance #5
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Johannes Brahms
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Joshua Feltman
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Brahms: Hungarian Dance #5
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Ryan Blauvelt
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921860 Composed by Johannes Brahms. Arranged by Joshua Feltman. Romantic Period. Score and parts. 23 pages. Ryan B...
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Chamber Orchestra - Level 3 - SKU: A0.921860 Composed by Johannes Brahms. Arranged by Joshua Feltman. Romantic Period. Score and parts. 23 pages. Ryan Blauvelt #3519233. Published by Ryan Blauvelt (A0.921860). This fun arrangement of the Hungarian Dance #5 features violin!Brahms fell in love with Hungarian folk music after touring as an accompanist for a Hungarian violinist. The Hungarian Dances attracted enormous attention when published and were subsequently arranged for many different ensembles.
$20.00
Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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Andrew Middleton
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Hungarian Dance No. 5 in F Sha
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Andrew Middleton
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages...
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Chamber Orchestra - Level 4 - SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages. Andrew Middleton #5033527. Published by Andrew Middleton (A0.735591). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have.As F sharp minor is not the most pleasant of keys there is also version available in G minor for the same instrumentation.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
VARIATION 25 (from the GOLDBERG VARIATIONS)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Stanley M
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VARIATION 25
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stanleymhoffman.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stan...
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Chamber Orchestra - Level 4 - SKU: A0.924813 Composed by Johann Sebastian Bach. Arranged by Stanley M. Hoffman. Baroque. Score and parts. 18 pages. Stanleymhoffman.com #3911845. Published by stanleymhoffman.com (A0.924813). This arrangement of VARIATION 25 from J. S. Bach's GOLDBERG VARIATIONS is transposed to the key of A minor to make it playable by the solo violin, and more easily playable by all performers. Duration: 12:00 with repeats.
$10.00
Stefano Maria Torchio: En Arche en o Logos - Full score
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #314240...
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Chamber Orchestra - Level 5 - SKU: A0.1022761 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 27 pages. Stefano Torchio #3142405. Published by Stefano Torchio (A0.1022761). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$19.50
Stefano Maria Torchio: En Arche en o Logos - Vocal score
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459...
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Chamber Orchestra - Level 5 - SKU: A0.1022760 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 8 pages. Stefano Torchio #3142459. Published by Stefano Torchio (A0.1022760). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter
$11.00
Stefano Maria Torchio: En Archè en o Logos - Violin 1 part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871...
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Chamber Orchestra - Level 5 - SKU: A0.1022759 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142871. Published by Stefano Torchio (A0.1022759). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comYou can find me also on: facebook, instagram and twitter.
$4.00
Stefano Maria Torchio: En Archè en o Logos - Violin 2 part
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Stefano Maria Torchio
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Stefano Maria Torchio: En Arch
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Stefano Torchio
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875...
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Chamber Orchestra - Level 5 - SKU: A0.1022758 Composed by Stefano Maria Torchio. Contemporary,Sacred. Score and parts. 6 pages. Stefano Torchio #3142875. Published by Stefano Torchio (A0.1022758). S. M. Torchio: En Archè en o Logos (2007)A deep and powerful reflection on the first lines of John's Gospel and the mistery of the Creation and of the beginning. The fascinating sound of ancient Greek creates a dialectic relationship with the modern international english language. All happens wihin a very interesting proposal for an avantgarde sacred music fitted for liturgical uses too. A considerable number of singers and of strings is required in order to create an adequate sound space and colour. Particular care is required by the intonation and the creation and substain of the right tone (which are perhaps the biggest challenge by the piece) but the entire music created by the phonemata and the training about it could be very funny and very precious and helpful for an interesting growth of a very fine Choir. The piece won the International Composition Competition Anima Mundi organized by the Opera Primaziale di Pisa in 2009.Stefano Maria TorchioItalian Violinist, Composer and Conductor, spent his education between Italy and the University of Music and Performing Art in Vienna, where he studied Orchestral Conducting with U. Lajovic and J. Wildner and Choir Conducting with E. Ortner and T. Lang. Further studies made Torchio in Violin, Composition and Organ at the Music Conservatory of Padua (his home town).He won prizes by international composition competitions like the Anima Mundi of the Opera Primaziale di Pisa, the A. Casella of the Accademia Chigiana of Siena, In memoriam... Johannes XXIII of Comune di Sotto il Monte, the MiniMusicDrama of Ovada and the Composition Prize of the Music Conservatory of Padua. He also participated by seminaries and masterclasses in Composition and Conducting with important Maestri like Z. Metha, F. Luisi, B. de Billy, S. Young, G. Andretta, A. Corghi, I. Fedele, C. Ambrosini, M. Lichtfuß and R. Vaglini by important Academies and Institution like the Accademia Chigiana in Siena, the R. Romanini Foundation in Brescia and the Accademia L. Perosi in Biella. For years he carries out an intense musical activity within several fields, by playing as solo or within chamber ensembles, composing, teaching and conducting also own works.Composer's e-mail: stefanotorchio84@gmail.comyou can find me also on: facebook, instagram and twitter.
$4.00
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