Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Aria - Clarinet and Piano
Non classifié
1 171
Piano & claviers
Piano, Voix
5 501
Piano seul
2 185
Piano, Voix et Guitare
1 068
Piano Facile
676
1 Piano, 4 mains
127
Accompagnement Piano
94
Piano Trio: piano, violon, violoncelle
50
Instruments en Do
41
Piano grosses notes
36
Orgue
28
Piano Quintette: piano, 2 violons, alto, violoncelle
21
2 Pianos, 4 mains
19
Piano Quatuor: piano, violon, alto, violoncelle
19
Piano Quatuor: piano, 2 violons, violoncelle
14
Piano (partie séparée)
6
Orgue, Piano (duo)
6
1 Piano, 6 mains
4
2 Pianos, 8 mains
3
Orgue, Voix
1
Clavecin
1
+ 15 instrumentations
Retracter
Guitares
Piano, Guitare (duo)
33
Ligne De Mélodie, (Paroles) et Accords
26
Guitare
9
Guitare notes et tablatures
8
2 Guitares (duo)
4
Basse electrique
2
Mandoline, Piano (duo)
1
+ 2 instrumentations
Retracter
Voix
Chorale SATB
238
Chorale 2 parties
176
Chorale 3 parties
170
Voix Soprano, Piano
148
Voix duo, Piano
148
Voix seule
99
Voix haute
80
Voix Tenor, Piano
65
Voix Alto, Piano
53
Chorale Unison
45
Voix duo
31
Chorale TTBB
31
Voix Baryton, Piano
30
Voix moyenne, Piano
27
Voix basse, Piano
22
Voix Mezzo-Soprano, Piano
20
Chorale SSAA
14
Chorale
10
Voix Tenor
8
Voix basse
4
Voix haute, Piano
3
Voix Soprano
2
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
421
Saxophone Alto et Piano
255
Hautbois, Piano (duo)
246
Saxophone Tenor et Piano
189
Saxophone Soprano et Piano
136
Saxophone Baryton, Piano
67
Cor anglais, Piano
43
2 Saxophones (duo)
40
Flûte traversière
37
Quatuor de Saxophones: 4 saxophones
29
2 Flûtes traversières (duo)
19
Flûte, Violon, Piano
16
Saxophone Tenor
14
Flûte à bec Alto, Piano
14
Piccolo, Piano
12
Saxophone Alto
12
Hautbois
11
Quatuor de Flûtes : 4 flûtes
11
Quintette de Saxophone: 5 saxophones
11
3 Saxophones (trio)
10
2 Saxophones, Piano
10
2 Flûtes traversières, Piano
9
Saxophone
8
Flûte, trombone et piano
8
Flûte à bec Soprano
7
2 Hautbois (duo)
6
Hautbois (partie séparée)
6
Flûte, Basson et Piano
5
Ensemble de saxophones
5
Trio de Flûtes: 3 flûtes
5
Flûte à Bec, Piano
5
Flûte à bec Soprano, Piano
5
Flûte, Alto et Piano
5
Flûte, Hautbois, Piano (trio)
5
Saxophone Baryton
4
Saxophone Soprano
4
Flûte, Violon, Violoncelle et Piano
4
2 Flûte à bec (duo)
4
Flûte à bec Alto
3
Flûte, Violoncelle, Piano (trio)
3
Flûte à bec Tenor
2
Ensemble De Flûte à bec
2
Flûte à Bec
2
Ensemble de Flûtes
2
Hautbois, Basson et Piano
1
Saxophone et Piano
1
Saxophone (partie séparée)
1
Flûte à bec, Guitare (duo)
1
Hautbois, Harpe
1
Flûte et Guitare
1
+ 45 instrumentations
Retracter
Cuivres
Trompette, Piano
239
Trombone et Piano
213
Cor et Piano
170
Tuba et Piano
105
Trompette
68
Euphonium, Piano (duo)
61
Cor anglais, Piano
43
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
20
Trombone
19
2 Trompettes (duo)
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Cor
12
2 Trombones (duo)
12
Quatuor de Cuivres : 2 trompettes, trombone, tuba
8
Tuba
8
Quatuor de Cuivres
7
Euphonium
7
2 Cors (duo)
7
Trombone basse et Piano
6
Trompette, Cor (duo)
4
Quatuor de cuivres: 4 trombones
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de cuivres: 4 cors
2
Saxhorn basse ou Euphonium ou Tuba et Piano
2
Quatuor de cuivres: 4 trompettes
2
Trompette, Violoncelle et Piano
2
Trompette, Trombone, Piano
1
2 Euphoniums (duo)
1
Tuba et Orgue
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Trombones, Piano
1
Cor et Orgue
1
Trompette, Trombone (duo)
1
+ 28 instrumentations
Retracter
Cordes
Violon et Piano
576
Violoncelle, Piano
375
Alto, Piano
299
Contrebasse, Piano (duo)
80
Quatuor à cordes: 2 violons, alto, violoncelle
77
Violon
64
Violoncelle
29
Trio à Cordes: violon, alto, violoncelle
22
2 Violons (duo)
22
Alto seul
16
2 Violoncelles (duo)
14
Harpe
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contre Basse
10
Piano Trio: Violon, Alto, Piano
10
2 Altos (duo)
9
2 Violons, Piano
9
2 Violoncelles, Piano
5
Violon, Basse continue
4
Harpe, Violon (duo)
4
2 Altos, Piano
4
4 Violoncelles
3
Trio à Cordes: 2 violons, alto
3
Violon (partie séparée)
3
Violon, Violoncelle (duo)
3
Trio à cordes: 3 violins
2
Violon, Alto (duo)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto et orchestre
1
Harpe et Piano
1
Violoncelle , Guitare (duo)
1
Alto, Violoncelle (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
Harpe, Violon, Violoncelle
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
+ 36 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
48
Orchestre de chambre
40
Orchestre
37
Ensemble Jazz
32
Orchestre d'harmonie
31
Cloches
27
Jazz combo
18
Batterie
11
Ensemble de cuivres
7
Fanfare
4
Vibraphone (partie séparée)
3
Piano et Orchestre
3
Xylophone, Piano
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Ensemble de Percussions
1
Marimba, Piano (duo)
1
Marimba ou Xylophone et Piano
1
+ 13 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 505
Partitions Numériques
40
Librairie Musicale
1
Matériel de Musique
63
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Aria - Clarinet and Piano
Orchestre de chambre
Partitions à imprimer
40 partitions trouvées
<
1
26
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (G majo
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aur
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062547. Published by Really Good Music, LLC. (A0.868991). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of G major (D4 – G5) for high voice.
$24.00
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (F majo
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aur
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868990 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062545. Published by Really Good Music, LLC. (A0.868990). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of F major (C4 – F5) for low voice.
$24.00
VIVALDI Antonio: Gelido in ogni vena, aria from the opera Il Farnace, score and parts (D minor)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Gelido in ogn
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868986 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868986 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 20 pages. Really Good Music, LLC. #6058513. Published by Really Good Music, LLC. (A0.868986). Gelido in ogni vena is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement.The aria is available in the key of D minor (A3 – E5) for low voice.
$29.00
VIVALDI Antonio: Gelido in ogni vena, aria from the opera Il Farnace, score and parts (F minor)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Gelido in ogn
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868988 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868988 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 20 pages. Really Good Music, LLC. #6058505. Published by Really Good Music, LLC. (A0.868988). Gelido in ogni vena is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of F minor (C4 – G5) for high voice.
$29.00
VIVALDI Antonio: Trovo negli occhi tuoi, aria from the opera L'Atenaide, score and parts (G minor)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Trovo negli o
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.868993 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 3 - SKU: A0.868993 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 16 pages. Really Good Music, LLC. #6065019. Published by Really Good Music, LLC. (A0.868993). Trovo negli occhi tuoi is an aria from the opera L'Atenaide, composed in 1728 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei PICHUGIN. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of G minor (D4 – Eb5) for low voice.
$25.00
VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts (D minor)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Vedrò
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructiona...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 17 pages. Really Good Music, LLC. #6067151. Published by Really Good Music, LLC. (A0.868996). Vedrò con mio diletto is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the key of D minor (E4 – A5) for high voice.
$25.00
VIVALDI Antonio: Tu m'offendi mà non rendi, aria from the opera La verità in cimento, score and pa
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Tu m'offendi
#
Really Good Music, LLC.
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.868994 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.868994 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Instructional,Opera,Standards. Score and parts. 18 pages. Really Good Music, LLC. #6065509. Published by Really Good Music, LLC. (A0.868994). Tu m’offendi mà non rendi is an aria from from the opera La verità in cimento (Truth in Contention), composed in 1720 by Antonio VIVALDI (1678 – 1741). It has been realized from the score manuscript of the opera and arranged by Sergei PICHUGIN. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the original key of G minor (F4 – G5) for high voice.
$29.00
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and complete par
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Autumn Sun Cant
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533666 Composed by Carson Cooman. Contemporary. Score and parts. 36 pages. Musik Fabrik Music Publishing #3036593. Published by Musik Fabrik Music Publishing (A0.533666). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$64.95
Carson Cooman: Autumn Sun Canticle (2006) for Bb or C trumpet and orchestra:, score and solo parts
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Carson Cooman
#
Carson Cooman: Autumn Sun Cant
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591....
(+)
Chamber Orchestra - Level 5 - SKU: A0.533665 Composed by Carson Cooman. Contemporary. Score and parts. 27 pages. Musik Fabrik Music Publishing #3036591. Published by Musik Fabrik Music Publishing (A0.533665). Autumn Sun Canticle (2006) for trumpet and orchestra was commissioned by The CommissionProject in memory of Bob Stata. Bob Stata was a jazz bassist and teacher, who died on June 14, 2005at the age of 52. (Stata commissioned and directed the premiere of Cooman's The Great Wilno(1999) for solo piano and wind ensemble.)This work has an autumnal spirit, but is lyrical and hopeful as well. An opening aria section leadstoward a chorale-like passage. A development of this material leads towards a passionate andsomewhat anguished climax. The opening aria returns, before an elegiac coda closes the work.Orchestration: 2222/0000/1perc/Solo Trumpet/stringsBoth Bb and C trumpets parts are included in the set. A version for trumpet and piano is also available for sale.
$19.95
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Flavio Regis Cunha
#
MADAMINA
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and par...
(+)
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
La Donna È Mobile (for String Quartet and Piano)
#
Orchestre de chambre
#
FACILE
#
Giuseppe Verdi
#
Stephen DeCesare
#
La Donna È Mobile
#
Exultet Music
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.611513 Composed by Giuseppe Verdi. Arranged by Stephen DeCesare. Film/TV,Opera,Romantic Period,Standards. Score an...
(+)
Chamber Orchestra - Level 2 - SKU: A0.611513 Composed by Giuseppe Verdi. Arranged by Stephen DeCesare. Film/TV,Opera,Romantic Period,Standards. Score and parts. 14 pages. Exultet Music #1909651. Published by Exultet Music (A0.611513). 2016 Arrangement New Release. Translated (A Woman Is Fickle). One of the most popular tenor arias ever written has now been arranged for String Quartet with an exciting end that will definitely bring any audience members to its feet in raucous applause. Scored for Violin 1 and 2, Viola, Cello, Flute, and Piano.
$12.95
Ave Maria - Schubert (Piano-Strings Octet)
#
Orchestre de chambre
#
FACILE
#
Classique
#
Franz Schubert
#
Boni de Souza
#
Ave Maria - Schubert
#
De Souza et Music LLP
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic Period,Wedding. S...
(+)
Chamber Orchestra - Level 2 - SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic Period,Wedding. Score and parts. 9 pages. De Souza et Music LLP #3680517. Published by De Souza et Music LLP (A0.887509). This composition Ave Maria has been re-arranged in an 8pc ensemble combination of String Quartet plus Flute, Piano, Double Bass and optional Drums part. The song could be done with optional drums in a contemporary style. The arrangement of the harmony and counterpoint is an original arrangement that I have created. The level of difficulty is Early-Intermediate and is playable by non professionals as well as professionals. This is part of my original arrangement EZY Band Arrangements compilation that I have arranged specially for music enthusiasts who are at the Early Intermediate level.
$18.99
AVE MARIA on Prelude n. 1 BWV 846 - For Soprano Solo, String Quartet and Piano
#
Orchestre de chambre
#
Renato Tagliabue
#
AVE MARIA on Prelude n. 1 BWV
#
Renato Tagliabue
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.724804 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score and parts. 12 pages. Renato Tagliabue #5...
(+)
Chamber Orchestra - SKU: A0.724804 Composed by Renato Tagliabue. Christian,Contemporary,Sacred,Spiritual. Score and parts. 12 pages. Renato Tagliabue #5420375. Published by Renato Tagliabue (A0.724804).
$18.90
Handel's Largo from Xerxes, for chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
G
#
Bob Delfausse
#
Handel's Largo from Xerxes, fo
#
Robert Delfausse
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.766988 Composed by G. F. Handel. Arranged by Bob Delfausse. Baroque,Concert. Score and parts. 36 pages. Robert Del...
(+)
Chamber Orchestra - Level 3 - SKU: A0.766988 Composed by G. F. Handel. Arranged by Bob Delfausse. Baroque,Concert. Score and parts. 36 pages. Robert Delfausse #5324251. Published by Robert Delfausse (A0.766988). Originally an aria in Handel's opera Xerxes, this Largo is the only part of the opera still performed today. It is majestic and highly expressive. This arrangement is for a chamber orchestra of strings, piano, single winds (fl, ob, cl, bsn, trpt, hrn, trbn), and timpani. Level: intermediate and above. Duration: 4 minutes, 40 seconds.
$20.00
Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johannes Brahms
#
Andrew Middleton
#
Hungarian Dance No. 5 in F Sha
#
Andrew Middleton
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages...
(+)
Chamber Orchestra - Level 4 - SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages. Andrew Middleton #5033527. Published by Andrew Middleton (A0.735591). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have.As F sharp minor is not the most pleasant of keys there is also version available in G minor for the same instrumentation.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
Ave Maria (Gounod) in Bb - for 2 voices & orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Bach - Gounod
#
Dico
#
Ave Maria
#
Dico
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.843098 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and par...
(+)
Chamber Orchestra - Level 3 - SKU: A0.843098 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 64 pages. Dico #6606291. Published by Dico (A0.843098). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Gounod) in Bb - for 2 voices and orchestra - provided in many keys on my catalogue for all voice ranges.INSTRUMENTATION:Voices | Flute | Oboe | Horn 1, 2 | Piano | Strings
$22.00
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Clémence de Grandval
#
Clémence de Grandval: R
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publish...
(+)
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Clémence de Grandval
#
Clémence de Grandval: R
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publish...
(+)
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
La Donna È Mobile- baritone solo and chamber ensemble
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Verdi & Piave
#
John Hoesly
#
Piave.
#
La Donna È Mobile- bari
#
PRS&B
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.753602 Composed by Verdi & Piave. Arranged by John Hoesly. Concert,Opera,Romantic Period. Score and parts. 16 page...
(+)
Chamber Orchestra - Level 3 - SKU: A0.753602 Composed by Verdi & Piave. Arranged by John Hoesly. Concert,Opera,Romantic Period. Score and parts. 16 pages. PRS&B #2928077. Published by PRS&B (A0.753602). La Donna È Mobile- Verdi & Piave. Famous aria from Rigoletto. This arrangement is for Baritone in the key of F Major. Violin, Cello and Harp provide the accompaniment. Piano may substitute for the harp.
$15.00
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
RACHMANINOV
#
Ian Butterworth
#
RACHMANINOV Hungarian Dance Op
#
Ian Butterworth
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butte...
(+)
Chamber Orchestra - Level 5 - SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butterworth #5998723. Published by Ian Butterworth (A0.963753). An early piece originally written for violin & piano. A lively dance with slower sections - 6 mins approx. The orchestration (1.2.0.2:2.0.0.0) is similar to many 18th Century symphonies and so the piece makes a striking contrast in a concert programme.  Copying of individual string parts for sole use by the purchaser is permitted. A version for strings arranged by Ian Butterworth is also available. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
Piano Concerto No. 1 - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score O
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Contemporain
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD m
#
Juan Maria Solare
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Ave Maria (Schubert) by for string quartet and guitar (D major)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Franz Schubert
#
Klas Krantz
#
Ave Maria
#
Amadeus Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.531156 Composed by Franz Schubert. Arranged by Klas Krantz. Christmas,Classical,Wedding. Score and Parts. 11 pages...
(+)
Chamber Orchestra - Level 3 - SKU: A0.531156 Composed by Franz Schubert. Arranged by Klas Krantz. Christmas,Classical,Wedding. Score and Parts. 11 pages. Amadeus Music #2030111. Published by Amadeus Music (A0.531156). Franz Schubert (1797 – 1828) was an Austrian composer of the late Classical and early Romantic eras. Despite his short lifetime, Schubert left behind a vast oeuvre, including more than 600 secular vocal works (mainly lieder), seven complete symphonies, sacred music, operas, incidental music, and a large body of piano and chamber music. Today, Schubert is ranked among the greatest composers of Western classical music and his music continues to be popular.
$15.95
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Aria - Clarinet and Piano
