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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bach: Sinfonia
Non classifié
161
Piano & claviers
Piano seul
163
Orgue
19
Piano Facile
12
Accompagnement Piano
2
1 Piano, 4 mains
2
2 Pianos, 4 mains
2
Clavier
1
Clavecin
1
Piano, Voix
1
Orgue, Trompette (duo)
1
+ 5 instrumentations
Retracter
Guitares
2 Guitares (duo)
8
Guitare notes et tablatures
6
Guitare
4
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
1
Banjo
1
Ukulele
1
+ 2 instrumentations
Retracter
Voix
Chorale Unison
1
Chorale, Orgue
1
Chorale SATB
1
Vents
3 Clarinettes (trio)
30
Hautbois, Clarinette, Basson (trio d'anches)
19
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Saxophone Tenor
8
3 Flûtes à bec (trio)
8
Flûte traversière
8
2 Saxophones (duo)
7
Clarinette et Piano
7
Clarinette
7
2 Flûte à bec (duo)
6
Flûte à Bec
6
Flûte traversière et Piano
6
Saxophone Alto
6
2 Flûtes traversières (duo)
5
Saxophone Alto et Piano
5
Hautbois, Piano (duo)
5
Quatuor de Saxophones: 4 saxophones
5
Trio de Flûtes: 3 flûtes
5
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
4
Saxophone Tenor et Piano
3
Clarinette (partie séparée)
3
Clarinette Basse, Piano
3
Quatuor de Clarinettes: 4 clarinettes
3
Saxophone Soprano et Piano
3
2 Hautbois (duo)
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Clarinette (duo)
2
Flûte, Clarinette (duo)
2
Saxophone (partie séparée)
2
Saxophone Baryton, Piano
2
Flute (partie séparée)
2
2 Clarinettes (duo)
2
Flûte, Hautbois (duo)
2
Hautbois
2
Piccolo, Piano
2
Ensemble de Clarinettes
2
Flûte, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
Flûte, Hautbois, Clarinette (trio)
1
Hautbois, Harpe
1
Clarinette, Harpe (duo)
1
Quatuor de Flûtes : 4 flûtes
1
Ensemble De Flûte à bec
1
+ 41 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trompette
7
Cor
5
Trombone et Piano
5
Trombone
5
3 Trombones (trio)
4
Trio de Cuivres
4
Cor et Piano
4
Trompette (partie séparée)
3
Trombone (partie séparée)
3
Trompette, Piano
3
2 Tubas (duo)
2
2 Cors (duo)
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Tuba
2
Quatuor de Cuivres: 2 trompettes, Cor, trombone
2
2 Trompettes (duo)
2
Cor (partie séparée)
2
Tuba et Piano
2
Quatuor de Cuivres
2
Euphonium, Piano (duo)
2
3 Euphoniums
2
Tuba (partie séparée)
1
2 Trompettes, Clavier (piano ou orgue)
1
Tuba et Orgue
1
Cor et Harpe
1
+ 23 instrumentations
Retracter
Cordes
Trio à Cordes: violon, alto, violoncelle
38
Violon, Violoncelle (duo)
23
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon (partie séparée)
12
Violon, Alto (duo)
12
Violon et Piano
9
2 Violons (duo)
9
Alto seul
7
Violoncelle
6
Harpe
6
Violon
6
Alto, Piano
6
Alto (partie séparée)
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Trio à Cordes: 3 violoncelles
4
Violoncelle, Piano
4
2 Harpes (duo)
4
Ensemble de Violoncelles
3
Contrebasse, Piano (duo)
3
Contre Basse
3
2 Contrebasses (duo)
2
Violoncelle (partie séparée)
2
2 Altos (duo)
2
Violoncelle, Orchestre
2
Contrebasse (partie séparée)
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
1
Violon, Guitare (duo)
1
Harpe, Violon (duo)
1
Harpe, Flûte (duo)
1
Trio à Cordes: 2 violons, alto
1
Harpe, Violoncelle (duo)
1
Trio à cordes
1
Trio à cordes: 3 violins
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
11
Ensemble de cuivres
6
Orchestre
4
Orchestre de chambre
4
Orchestre d'harmonie
4
Vibraphone
1
Percussion (partie séparée)
1
Timbales (partie séparée)
1
Xylophone, Piano
1
+ 4 instrumentations
Retracter
Autres
Formation musicale - Solfège
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
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UKULELE
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Vous avez sélectionné:
Bach: Sinfonia
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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1
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Bachata Sinfónica (Symphony Bachata) - Baila Conmigo
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Orchestre de chambre
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AVANCÉ
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Roberto Pálmer
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Bachata Sinfónica
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Roberto Pálmer Music
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1341672 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary,Latin. 62 pages. Roberto P...
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Chamber Orchestra - Level 5 - SKU: A0.1341672 By Roberto Pálmer. By Roberto Pálmer. 21st Century,Classical,Contemporary,Latin. 62 pages. Roberto Pálmer Music #927221. Published by Roberto Pálmer Music (A0.1341672). BAILA CONMIGO es el segundo movimiento de la tercera sinfonia del compositor español Roberto Pálmer. Se trata de una pieza única por tratarse de musica original (no es una adaptacion u orquestacion) escrita para orquesta sinfonica, sin letra, sin voz y sin los instrumentos y percusion propios de la bachata. Son los instrumentos de cuerda y viento habituales de la orquesta sinfonica los que realizan la percusion para recrear el ritmo de bachata, de una manera novedosa en la practica instrumental.BAILA CONMIGO is the second movement of the third symphony of the spanish composer Roberto Palmer. it is an unique piece of original music (not an arrangement nor an orchestration) written for symphony orchestra, with no lyrics, no singer and none of the bachata traditional instruments and percussion. Are the strings and winds sections of the orchestra who play their instruments in new different ways to recreate bachata rhythm.Web
$30.00
Concerto Grosso in F minor.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 4 - SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
Concerto Grosso Opus 6 No 1 HWV 319
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Orchestre de chambre
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AVANCÉ
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Classique
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso Opus 6 No 1 HW
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score...
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Chamber Orchestra - Level 5 - SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
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Bach: Sinfonia
