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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bassoon(s)
Non classifié
3 601
Piano & claviers
Piano seul
26
Instruments en Do
14
Accompagnement Piano
13
Piano, Voix
6
Piano, Voix et Guitare
6
Orgue, Trompette (duo)
2
Piano Quatuor: piano, violon, alto, violoncelle
2
Orgue
2
1 Piano, 4 mains
1
Piano Trio: piano, violon, violoncelle
1
+ 5 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
5
Guitare notes et tablatures
1
Guitare
1
Voix
Chorale SATB
62
Pack Instrumental pour Chorale
51
Chorale 3 parties
7
Chorale SSAA
5
Chorale 2 parties
4
Voix Tenor, Piano
3
Voix duo
3
Chorale Unison
3
Chorale TTBB
2
Voix moyenne, Piano
2
Voix Soprano, Piano
2
Voix d'Enfants
2
Voix Alto, Piano
1
Voix haute
1
Voix Baryton, Piano
1
Soli, choeur mixte et accompagnement
1
Voix duo, Piano
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2 378
Flûte, Hautbois, Clarinette, Basson
2 019
Hautbois, Basson (duo)
257
Flûte, Clarinette et Basson
170
Clarinette, Basson (duo)
129
Flûte, Hautbois, Basson
127
Hautbois, Clarinette, Basson (trio d'anches)
126
Hautbois, Piano (duo)
86
2 Clarinettes, Basson
39
Flûte, Basson et Piano
34
Flûte, Clarinette, Cor, Basson (Quartet)
32
Saxophone Alto et Piano
31
2 Flûtes traversières (duo)
29
Flûte traversière et Piano
26
Clarinette et Piano
20
Saxophone Tenor et Piano
19
Clarinette (partie séparée)
19
2 Clarinettes (duo)
17
Hautbois (partie séparée)
15
Saxophone (partie séparée)
15
Ensemble de Flûtes
12
Quatuor de Saxophones: 4 saxophones
12
Clarinette
11
2 Hautbois (duo)
11
Flute (partie séparée)
10
Quatuor de Clarinettes: 4 clarinettes
9
Quintette de Saxophone: 5 saxophones
8
3 Clarinettes (trio)
8
2 Saxophones (duo)
8
Clarinette Basse, Piano
6
Clarinette, Basson, Piano (trio)
5
Saxophone Baryton, Piano
5
3 Saxophones (trio)
4
Saxophone Soprano et Piano
4
Saxophone Alto
4
Flûte et Guitare
4
Flûte traversière
3
Clarinette, Guitare (duo)
3
Flûte à bec Tenor
3
Quintette de Clarinettes: 5 clarinettes
3
Cor anglais, Guitare (duo)
3
Hautbois, Basson et Piano
3
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Violoncelle (duo)
2
3 Hautbois
2
Flûte à bec Alto
2
Flûte, Hautbois, Clarinette (trio)
2
Trio de Flûtes: 3 flûtes
2
Ensemble De Flûte à bec
2
Ensemble à vent
2
Hautbois, Violoncelle
2
Flûte, Violoncelle
2
Saxophone, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à Bec
1
Saxophone et Guitare
1
Flûte à bec Soprano, Piano
1
2 Hautbois, 2 Cors et 2 Bassons
1
Ensemble de saxophones
1
Quatuor de Flûtes à bec
1
2 Cors Anglais Et Pianoforte
1
2 Saxophones, Piano
1
Ensemble de Clarinettes
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
Clarinette et Alto
1
+ 61 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
97
Bass Clef Instruments
29
Trompette, Basson (duo)
26
Trombone et Piano
26
Trompette, Piano
16
Cor et Basson (duo)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Cor et Piano
14
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Trompette
8
Trompette (partie séparée)
6
Cor (partie séparée)
5
Tuba et Piano
4
Tuba
3
Cor anglais, Guitare (duo)
3
Euphonium, Piano (duo)
3
Quatuor de cuivres: 4 trompettes
2
Trombone basse
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
Trombone
2
Cor, Violoncelle (duo)
1
Trompette, Tuba (duo)
1
Quatuor de cuivres: 4 cors
1
Tuba (partie séparée)
1
Cor
1
2 Tubas (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Trombone (duo)
1
Euphonium
1
+ 25 instrumentations
Retracter
Cordes
Violon, Basson (duo)
74
Alto et Basson
45
Violoncelle, Piano
41
Violon et Piano
27
Contrebasse (partie séparée)
26
Quatuor à cordes: 2 violons, alto, violoncelle
25
Alto, Piano
20
Violon, Violoncelle (duo)
16
Trio à Cordes: violon, alto, violoncelle
15
Violon
15
Harpe
11
Violoncelle
9
Quintette à cordes: 2 violons, alto, violoncelle, basse
8
2 Violoncelles (duo)
7
Alto et Harpe
6
Harpe, Violon (duo)
6
Harpe, Flûte (duo)
6
Violoncelle (partie séparée)
6
Harpe, Violoncelle (duo)
6
Contrebasse, Piano (duo)
6
2 Altos (duo)
5
Alto seul
5
Flûte, Contrebasse (duo)
4
Alto, Violoncelle (duo)
4
2 Harpes (duo)
3
Alto (partie séparée)
3
Harpe, Voix
2
Trio à Cordes: 2 violons, violoncelle
2
Violon (partie séparée)
2
Trio à cordes: 3 violins
2
4 Violoncelles
1
Trio à cordes: 3 altos
1
Trio à Cordes: 3 violoncelles
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
679
Orchestre
324
Orchestre de chambre
125
Orchestre à Cordes
14
Ensemble de cuivres
10
Percussion (partie séparée)
9
Cloches
6
Ensemble Jazz
5
Ensemble de Percussions
4
Xylophone, Piano
3
Piano et Orchestre
1
Timbales (partie séparée)
1
+ 7 instrumentations
Retracter
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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OPERA
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Bassoon(s)
Orchestre de chambre
Partitions à imprimer
125 partitions trouvées
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101
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
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Orchestre de chambre
#
AVANCÉ
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Carson Cooman
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Carson Cooman: Quintet for Bas
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
Abendlied for Bassoon Sextet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Josef Gabriel Rheinberger
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Stephen Rockey
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Abendlied for Bassoon Sextet
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Stephen Rockey
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.761369 Composed by Josef Gabriel Rheinberger. Arranged by Stephen Rockey. Christian,Concert,Graduation,Romantic Pe...
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Chamber Orchestra - Level 4 - SKU: A0.761369 Composed by Josef Gabriel Rheinberger. Arranged by Stephen Rockey. Christian,Concert,Graduation,Romantic Period,World. Score and parts. 14 pages. Stephen Rockey #6053775. Published by Stephen Rockey (A0.761369). Josef Rheinberger's Abendlied arranged for Bassoon Sextet, 5 x Bassoons and Contrabassoon. Not a too easy to play arrangement, but a beautiful setting. Suitable for concerts, recitals etc. Please enjoy!
$6.00
Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Co...
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Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
Marcello Oboe Concerto in A Minor for Bassoon
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Orchestre de chambre
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INTERMÉDIAIRE
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Rainer's Rainbow
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R G Roth
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Marcello Oboe Concerto in A Mi
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Rainer's Rainbow
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1095385 By Rainer's Rainbow. By Alessandro Marcello 1684-1750. Arranged by R G Roth. 20th Century,Baroque,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.1095385 By Rainer's Rainbow. By Alessandro Marcello 1684-1750. Arranged by R G Roth. 20th Century,Baroque,Classical,Early Music,Romantic Period. Score and Parts. 66 pages. Rainer's Rainbow #699402. Published by Rainer's Rainbow (A0.1095385). In 1715 Marcello borrowed Bach's Piano piece BWV 974 and made an Oboe concerto out of it. The Adagio has become one of the most famous melodies played on Oboe and various other woodwinds. It is arranged here in the key of A Minor for Solo Bassoon. All parts and scores are provided. It can be played with just the solo bassoon and piano part.
$19.99
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Vivaldi - Concerto in F major RV 569 for Two Oboes, Bassoon, Two Horns, Violin, Cello, Strings and C
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Santino Cara
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Santino Cara
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Vivaldi - Concerto in F major
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1083697 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 169 pages. Santin...
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Chamber Orchestra - Level 4 - SKU: A0.1083697 By Santino Cara. By Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 169 pages. Santino Cara #687906. Published by Santino Cara (A0.1083697). Complete score and Parts of the Concerto in F major RV 569 for Oboes, Bassoon, Horns, Violin and Cello concertanti, Strings and Cembalo. Composed in Venice in 1718? by Antonio Vivaldi. Reconstructed and elaborated in Rome in 2019 by Santino Cara. 3 Movements: 1. Allegro, 2. Grave, 3. Allegro. Instrumentation: Oboe 1 and 2, Bassoon, Horn 1 and 2 in F, Violin concertante, Cello concertante, Violins 1 and 2 ripieni, Violas, Violoncellos, Double Basses, Cembalo. Sources: On the manuscript it says: Concerto with several instruments probably refers to the Concerto Grosso No.3. In the section of the Horns it says: Hunting horns. Documents found at the Pio Ospedale della Pietà in Venice dating back to 1710/1730 speak of Vivaldi's composition of a Concerto Grosso with oboes and hunting horns.
$24.40
Pharoah's Farewell for bassoon and strings
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Orchestre de chambre
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INTERMÉDIAIRE
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David Warin Solomons
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Pharoah's Farewell for bassoon
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.580722 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 31 pages. David Warin Solomon...
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Chamber Orchestra - Level 3 - SKU: A0.580722 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 31 pages. David Warin Solomons #6026329. Published by David Warin Solomons (A0.580722). Based on a musical interlude in the first act and Pharoah's farewell song in the last act of the opera ATON.
$12.00
Hallelujah (from “MESSIAH”) for Men’s Chorus (TTB) – FULL SCORE
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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G
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Charles A
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Drum)
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Hallelujah
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CG Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,...
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Chamber Orchestra - Level 4 - SKU: A0.1118209 By G. F. Handel. By G. F. Handel. Arranged by Charles A. Gravenhorst. Classical,Historic,Religious,Sacred,Traditional. Score and Parts. 23 pages. CG Publications #719721. Published by CG Publications (A0.1118209). Handel’s majestic chorus from “MESSIAH,†slightly abridged to ease performance, is here arranged and re-voiced for MEN’S CHORUS (T.T.B.) and small ensemble of instruments (Violin, Trumpet, Trombone, Keyboard & Drum). Requires an accomplished violinist, but only players of modest ability in the other instruments. Also, appropriate substitutions, such as clarinet, bassoon, or cello, etc., are permitted. Sheet music provided here includes FULL SCORE and PART SCORES for all instruments. A separate score of Vocal Parts alone may be obtained for a modest price, as well as other selections from the MEN’S MESSIAH SERIES arranged for T.T.B. Voices, from CG Publications through Sheet Music Direct/Sheet Music Plus.
$14.99
Galileo's Starry Messenger for Solo, Chorus, Speakers, and Instrumental Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Leslie Kleen
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Galileo's Starry Messenger for
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Music From Riverside
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1004810 Composed by Leslie Kleen. Contemporary. Score and parts. 92 pages. Music From Riverside #4800519. Publishe...
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Chamber Orchestra - Level 4 - SKU: A0.1004810 Composed by Leslie Kleen. Contemporary. Score and parts. 92 pages. Music From Riverside #4800519. Published by Music From Riverside (A0.1004810). The Full Score for Galileo's Starry Messenger, which is is a concert musical for Baritone Solo, Small chorus, speaking roles, and chamber orchestra. The orchestra consists of Piano, Flute, Oboe, Bb Clarinet, Bassoon, Violin 1, Violin 2, Viola, 'Cello.The score includes all stage directions, speaking lines, as well as sung and instrumental parts. Normally, only the conductor needs this score. Other singers and speaking parts can use the piano-vocal score.
$12.00
Haydn's Clock Symphony (slow mvt) amateur orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Franz Joseph Haydn
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Pam Moutoussi
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Haydn's Clock Symphony
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Pamela Moutoussi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.847041 Composed by Franz Joseph Haydn. Arranged by Pam Moutoussi. Classical,Concert,Graduation,Standards. Score an...
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Chamber Orchestra - Level 4 - SKU: A0.847041 Composed by Franz Joseph Haydn. Arranged by Pam Moutoussi. Classical,Concert,Graduation,Standards. Score and parts. 66 pages. Pamela Moutoussi #3627131. Published by Pamela Moutoussi (A0.847041). This arrangement was intended for a local Youth Orchestra, but keeps quite faithfully to the original spirit. Haydn's original parts can be added if required, as it is in the same key and time. The original oboe part is divided between the clarinets and flute. The upper bassoon part has been put on the clarinet and the trumpet changed to a Bflat instrument. The string parts are more challenging but all should be playable for an intermediate/upper intermediate group.
$17.00
Andante from Mendelssohn’s Violin Concerto // Piano Sextet (with solo French Horn)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Felix Bartholdy Mendelssohn
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Marc Papeghin
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Andante from Mendelssohn&rsquo
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Marc Papeghin
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.730607 Composed by Felix Bartholdy Mendelssohn. Arranged by Marc Papeghin. Romantic Period. Score and parts. 28 pa...
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Chamber Orchestra - Level 4 - SKU: A0.730607 Composed by Felix Bartholdy Mendelssohn. Arranged by Marc Papeghin. Romantic Period. Score and parts. 28 pages. Marc Papeghin #3075613. Published by Marc Papeghin (A0.730607). The Andante from Mendelssohn's Violin Concerto arranged for Solo French Horn, Piano, Flute, Bassoon, Oboe and Clarinet.
$9.99
Mourner's Kaddish (Chamber Orchestra Version)
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Orchestre de chambre
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FACILE
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Stephen DeCesare
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Stephen DeCesare
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Mourner's Kaddish
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1100194 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Mult...
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Chamber Orchestra - Level 2 - SKU: A0.1100194 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 15 pages. Exultet Music #704077. Published by Exultet Music (A0.1100194). Tender setting that is scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, and Cello.
$12.99
Baby, It's Cold Outside
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Orchestre de chambre
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FACILE
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Dean Martin & Martina Mcbride
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Paul Hemmer
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Baby, It's Cold Outside
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PJMS MUSIC
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1229674 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by Paul Hemmer. Christmas,Film/TV,Holiday,Jaz...
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Chamber Orchestra - Level 2 - SKU: A0.1229674 By Dean Martin & Martina Mcbride. By Frank Loesser. Arranged by Paul Hemmer. Christmas,Film/TV,Holiday,Jazz,Pop. Score and Parts. 42 pages. PJMS MUSIC #825439. Published by PJMS MUSIC (A0.1229674). This delightful winter season favorite is scored for a small orchestra with a vocal duet.Instrumentation is Flute, Clarinet 1 & 2, Bass Clarinet, Bassoon, Horn in F 1 & 2, Trumpet 1-2, Trombone 1-2, Violine I-II, Viola-Cello-String Bass and Drum Set.Â
$60.00
The Lord's Prayer - Woodwind Octet
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Orchestre de chambre
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DÉBUTANT
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Christian contemporain
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Musique Sacrée
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Douglas Clark
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Dedicated to William R
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The Lord's Prayer - Woodwind O
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Glass Bottom Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1019972 Composed by Douglas Clark. Contemporary,Sacred. Score and parts. 13 pages. Glass Bottom Music #4354433. Pu...
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Chamber Orchestra - Level 1 - SKU: A0.1019972 Composed by Douglas Clark. Contemporary,Sacred. Score and parts. 13 pages. Glass Bottom Music #4354433. Published by Glass Bottom Music (A0.1019972). A stunning original arrangement of the Lord's Prayer, set for Woodwind Ensemble (2 Oboes, 2 Bb Clarinets, 2 Horns in F, 2 Bassoons). Dedicated to William R. Shoppell, and the New Jersey Chamber Singers.
$43.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Sébéné Minimalist
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Orchestre de chambre
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FACILE
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Tresor Otshudi
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Sébéné Mi
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Tresor Otshudi
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1298952 Composed by Tresor Otshudi. Christian,Classical,Contemporary. Score and Parts. 24 pages. Tresor Otshudi #8...
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Chamber Orchestra - Level 2 - SKU: A0.1298952 Composed by Tresor Otshudi. Christian,Classical,Contemporary. Score and Parts. 24 pages. Tresor Otshudi #888328. Published by Tresor Otshudi (A0.1298952). For 7 instruments Classical guitar Acoustic guitar Electric guitar Xylophone Vibraphone Bassoon 5 strings Electric bass The Sebene is a kind of instrumental bridge typically executed on the electric guitar and is a characteristic element of the Congolese rumba.Minimal music is a form of art music or other compositional practice that employs limited or minimal musical materials. Prominent features of minimalist music include repetitive patterns or pulses, steady drones, consonant harmony, and reiteration of musical phrases or smaller units.
$5.99
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages....
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Chamber Orchestra - Level 4 - SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
Scherzo
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Orchestre de chambre
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AVANCÉ
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck...
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Conflusion - Suite - Wind Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Nimrod, by Edward Elgar, - Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Edward Elgar
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Bob Delfausse
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Nimrod, by Edward Elgar, - Cha
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.767005 Composed by Edward Elgar. Arranged by Bob Delfausse. Concert,Contemporary,Romantic Period,Standards. Score ...
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Chamber Orchestra - Level 3 - SKU: A0.767005 Composed by Edward Elgar. Arranged by Bob Delfausse. Concert,Contemporary,Romantic Period,Standards. Score and parts. 21 pages. Robert Delfausse #6474583. Published by Robert Delfausse (A0.767005). Nimrod, the ninth variation of Edward Elgar's Enigma Variations, is a slow movement of incredible emotional power. The wide leaps in the melody, as well as those in the inner parts, have a lot to do with this. I have tried to retain the original score's emotional power in this arrangement for chamber orchestra: strings plus seven single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone). There is also an optional piano part, which adds depth and can solidify intonation.Duration: 2 minutes, 58 seconds.chamber orchestra: strings plus seven single winds (flute, oboe, clarinet, bassoon, trumpet, horn, trombone). There is an optional piano part, which adds depth and can solidify intonation.Duration: 6 minutes.
$20.00
Press Play
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Orchestre de chambre
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AVANCÉ
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn...
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Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
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