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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Blue Ice
Non classifié
731
Piano & claviers
Piano, Voix et Guitare
4 112
Piano, Voix
1 485
Piano seul
493
Piano Facile
434
Instruments en Do
127
Piano grosses notes
110
Clavecin
14
Ligne De Mélodie, Piano
12
Orgue
6
1 Piano, 4 mains
4
Accompagnement Piano
4
Accordéon, Voix
4
Piano (partie séparée)
3
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
1
Piano Trio: piano, violon, violoncelle
1
+ 12 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
2 141
Guitare notes et tablatures
1 108
Ukulele
167
Basse electrique
155
Guitare
60
Mandoline
11
Paroles et Accords
8
Guitare (partie séparée)
8
2 Guitares (duo)
4
Piano, Guitare (duo)
3
Banjo
2
Dulcimer
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
155
Voix, Guitare
78
Voix seule
68
Chorale TTBB
61
Chorale 3 parties
57
Chorale 2 parties
38
Voix duo, Piano
38
Voix haute
29
Chorale Unison
27
Chorale SSAA
25
Voix Alto, Piano
13
Voix Soprano, Piano
7
Voix duo
7
Voix Tenor, Piano
5
Chorale
3
Voix Tenor
3
Voix moyenne, Piano
2
Voix Baryton, Piano
2
Pack Instrumental pour Chorale
2
Voix Soprano
1
Voix basse, Piano
1
+ 16 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
39
Clarinette et Piano
31
Flûte traversière et Piano
26
2 Saxophones (duo)
25
Saxophone (partie séparée)
23
Flûte, Hautbois, Clarinette, Basson
23
Saxophone Alto
19
Instruments en Mib
19
Saxophone Alto et Piano
18
Saxophone Tenor et Piano
17
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
17
Flûte traversière
17
Hautbois, Piano (duo)
16
Quatuor de Clarinettes: 4 clarinettes
15
2 Clarinettes (duo)
12
Clarinette
11
Saxophone Tenor
9
Saxophone Baryton, Piano
8
Saxophone Soprano et Piano
8
Quintette de Saxophone: 5 saxophones
7
2 Flûtes traversières (duo)
6
Hautbois (partie séparée)
5
Clarinette, Harpe (duo)
4
2 Hautbois (duo)
4
Saxophone, Clarinette (duo)
3
Flûte et Guitare
3
Clarinette Basse, Piano
3
3 Clarinettes (trio)
3
Flûte, Clarinette, Piano (trio)
3
Flute (partie séparée)
3
Flûte, Violon
2
2 Flûtes traversières, Piano
2
3 Saxophones (trio)
2
Cor anglais, Piano
2
Saxophone
2
Flûte, trombone et piano
2
Ensemble de saxophones
2
Clarinette, Trompette (duo)
2
Clarinette, Violon (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Harmonica
1
Hautbois, Clarinette (duo)
1
Clarinette (partie séparée)
1
Trio de Flûtes: 3 flûtes
1
Flûte, Alto (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Tenor
1
Quintette de Clarinettes: 5 clarinettes
1
Hautbois, Basson (duo)
1
Flûte, Violon et Violoncelle
1
Flûte à bec Soprano
1
Ensemble de Flûtes
1
Flûte, Trompette (duo)
1
Piccolo
1
Flûte, Alto et Piano
1
Ensemble de Clarinettes
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
Clarinette, trompette et piano
1
Clarinette et Alto
1
Hautbois, Flûte
1
Flûte, Clarinette (duo)
1
Flûte, Saxophone (duo)
1
+ 57 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Trompette
24
Trompette, Piano
23
Bass Clef Instruments
22
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Instruments en Sib
17
Trombone (partie séparée)
17
Trompette (partie séparée)
12
Cor et Piano
11
Trombone et Piano
10
Trombone
8
2 Trombones (duo)
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
7
Cor
7
2 Trompettes (duo)
6
Trompette, Trombone (duo)
5
Quatuor de Cuivres
4
Tuba (partie séparée)
3
Cor (partie séparée)
3
Tuba et Piano
3
Cor anglais, Piano
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Tuba
2
2 Cors (duo)
2
Ensemble de Tubas
1
Quatuor de cuivres: 4 cors
1
Quatuor de cuivres: 4 trompettes
1
Trio de Cuivres
1
Quatuor de cuivres: 4 trombones
1
+ 25 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon et Piano
29
Harpe
28
Violoncelle, Piano
23
Alto, Piano
20
Violon
19
Violoncelle
15
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
2 Violoncelles (duo)
9
Alto seul
7
Harpe, Flûte (duo)
6
2 Violons (duo)
6
2 Altos (duo)
5
Contrebasse, Piano (duo)
5
Trio à Cordes: violon, alto, violoncelle
4
Contrebasse (partie séparée)
3
Violon, Violoncelle (duo)
3
Contre Basse
3
Trio à cordes: 3 violins
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Violon (duo)
2
2 Contrebasses (duo)
2
Violon, Guitare (duo)
2
2 Harpes (duo)
2
Alto (partie séparée)
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
Harpe et mandoline
1
Violon, Alto (duo)
1
Piano Trio: Violon, Alto, Piano
1
4 Harpes
1
Alto, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Ensemble Jazz
120
Orchestre d'harmonie
117
Jazz combo
46
Orchestre
27
Batterie
23
Orchestre à Cordes
14
Ensemble de cuivres
13
Cloches
12
Vibraphone
6
Fanfare
5
Orchestre de chambre
5
Ensemble d'École
4
Batterie (partie séparée)
3
Marimba
2
Ensemble de Percussions
2
Xylophone, Piano
1
Caisse Claire
1
Xylophone
1
+ 13 instrumentations
Retracter
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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ORGUE
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PERCU. ORCH…
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SAXOPHONE
SYNTHE
TROMBONE
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Note4Piano
Noviscore
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Blue Ice
Orchestre de chambre
Partitions à imprimer
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The Bla Bla Blues
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1327677 Composed by Henry Bu…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1327677 Composed by Henry Busse, Buster Johnson and Gus Mueller. Arranged by Frank Barry, Fiona Hickie. Jazz,Ragtime. 53 pages. Fiona Alice Hickie #915721. Published by Fiona Alice Hickie (A0.1327677). Who could resist the title? A bit of 1920s fun for orchestra with saxophone parts.
$24.99
23 €
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Orchestre de chambre
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Henry Busse, Buster Johnson and Gus Mueller
#
Frank Barry, Fiona Hickie
#
The Bla Bla Blues
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Fiona Alice Hickie
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SheetMusicPlus
Charlie Parker: Blues For Alice - chamber ensemble (Transcribed Score)
Orchestre de chambre
Instantly printable sheet music by Charlie Parker for chamber ensemble (Transcribed Score)…
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Instantly printable sheet music by Charlie Parker for chamber ensemble (Transcribed Score) of MEDIUM skill level. / blues,jazz,standards
$7.97
7.33 €
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Orchestre de chambre
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Charlie Parker
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Virtualsheetmusic
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.53 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Andante and Allegro for Horn and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #31223. Published by MaryJaneLang (A0.889300). This price includes the score and all parts. When you listen to the recording you will catch the optimistic spirit as only the horn can exude. You might find it humorous that the horn soloist, and other wind players, have such phenomenal breath control -- a by-product of the synthesized, digitized recording. :) It still gives you an idea of what this is like and is sure to inspire performers and audience alike. The picture on the title page is a scene of mountain ranges from the Blue Ridge Parkway. You can almost imagine an alphorn player around the echoes of your mind.
$45.99
42.32 €
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Orchestre de chambre
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Mary Jane Lang
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Andante and Allegro for Horn and Chamber Orchestra
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MaryJaneLang
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SheetMusicPlus
Call Off The Search
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1493121 Composed by Michael Batt. Arra…
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Chamber Orchestra - Digital Download SKU: A0.1493121 Composed by Michael Batt. Arranged by Greg Eaton. Blues,Classical,Jazz,Pop. 25 pages. Greg Eaton #1069793. Published by Greg Eaton (A0.1493121). Arranged for voice, flute, clarinet, trumpet, French horn, trombone, drums, piano, violins 1, violins 2, violas, cello's, bass.
$49.99
46.01 €
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Orchestre de chambre
#
Michael Batt
#
Greg Eaton
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Call Off The Search
#
Greg Eaton
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SheetMusicPlus
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