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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Blue Light
Non classifié
241
Piano & claviers
Piano seul
216
Piano, Voix et Guitare
103
Piano Facile
41
Accordéon
26
Piano, Voix
24
Instruments en Do
12
1 Piano, 4 mains
8
Clavecin
5
Orgue
2
Piano grosses notes
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Piano (partie séparée)
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
84
Ligne De Mélodie, (Paroles) et Accords
51
Guitare
49
Ukulele
31
Paroles et Accords
19
Basse electrique
16
2 Guitares (duo)
4
Guitare (partie séparée)
2
Banjo
2
Piano, Guitare (duo)
1
Mandoline
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
75
Chorale 3 parties
30
Chorale TTBB
21
Chorale SSAA
13
Chorale Unison
10
Chorale 2 parties
9
Pack Instrumental pour Chorale
6
Chorale
6
Voix, Guitare
2
Voix Soprano, Piano
2
Voix basse, Piano
1
Voix Alto, Piano
1
Chorale SSATB
1
Voix haute
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
26
Saxophone (partie séparée)
21
Clarinette et Piano
18
Quatuor de Saxophones: 4 saxophones
14
2 Clarinettes (duo)
12
Saxophone Alto et Piano
11
Clarinette
11
Flûte traversière et Piano
11
2 Flûtes traversières (duo)
10
Saxophone
8
Flûte, Hautbois, Clarinette, Basson
7
2 Hautbois (duo)
7
Saxophone Baryton, Piano
6
Hautbois, Piano (duo)
6
Flûte traversière
6
Saxophone Tenor et Piano
6
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
6
Quatuor de Clarinettes: 4 clarinettes
5
Saxophone Alto
4
Saxophone Tenor
4
Hautbois (partie séparée)
4
Flûte, Clarinette (duo)
3
Quintette de Saxophone: 5 saxophones
3
Clarinette Basse, Piano
3
Clarinette (partie séparée)
3
Ensemble de saxophones
3
Clarinette, Harpe (duo)
2
Saxophone Soprano et Piano
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Clarinette et Basson
2
Instruments en Mib
2
Flûte et Guitare
1
Flûte, Violon, Guitare
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Guitare (duo)
1
3 Clarinettes (trio)
1
Quatuor de Flûtes : 4 flûtes
1
Flûte, Violon
1
Flute, harpe et violon
1
+ 34 instrumentations
Retracter
Cuivres
Trompette (partie séparée)
17
Trombone (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
14
Trombone et Piano
12
Trompette
11
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
Trompette, Piano
9
Cor et Piano
8
2 Trombones (duo)
8
2 Trompettes (duo)
7
Trombone
6
Cor
5
2 Cors (duo)
4
Tuba et Piano
3
Quatuor de Cuivres
3
Tuba
3
Euphonium, Piano (duo)
2
2 Euphoniums (duo)
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trombones
2
Trompette, Trombone (duo)
2
Instruments en Sib
1
2 Euphoniums et 2 Tubas
1
Cor (partie séparée)
1
Ensemble de Trombones
1
Trombone, Tuba (duo)
1
Trio de Cuivres
1
Bass Clef Instruments
1
2 Tubas (duo)
1
Tuba (partie séparée)
1
Ensemble de Tubas
1
+ 26 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
35
Harpe
19
Violon et Piano
18
Violoncelle
15
Violoncelle, Piano
15
Alto seul
14
Violon
14
2 Violoncelles (duo)
11
Harpe, Flûte (duo)
6
Alto, Piano
6
Contre Basse
6
2 Violons (duo)
6
2 Altos (duo)
5
Violon (partie séparée)
5
Contrebasse, Piano (duo)
5
Contrebasse (partie séparée)
4
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
4
Violon, Guitare (duo)
3
Violon, Violoncelle (duo)
3
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
2
2 Contrebasses (duo)
2
Trio à Cordes: violon, alto, violoncelle
2
Alto (partie séparée)
2
Trio à Cordes: 2 violons, violoncelle
2
4 Harpes
1
Trio à cordes: 3 violins
1
Harpe et mandoline
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
108
Ensemble Jazz
54
Fanfare
30
Jazz combo
23
Orchestre
19
Batterie
18
Orchestre à Cordes
9
Ensemble de cuivres
7
Cloches
4
Ensemble de Percussions
3
Orchestre de chambre
3
Percussion (partie séparée)
3
Xylophone, Piano
1
Xylophone
1
Batterie (partie séparée)
1
+ 10 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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Crtitères actifs :
Blue Light
Orchestre de chambre
Partitions à imprimer
3 partitions trouvées
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Amber Light on a Blue Night
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Orchestre de chambre
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INTERMÉDIAIRE
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Zoe Felton
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Amber Light on a Blue Night
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Zoe Felton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1292420 Composed by Zoe Felton. 21st Century,Contemporary. Score and Parts. 34 pages. Zoe Felton #882991. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.1292420 Composed by Zoe Felton. 21st Century,Contemporary. Score and Parts. 34 pages. Zoe Felton #882991. Published by Zoe Felton (A0.1292420). A short piece of atmospheric music for orchestra.
$10.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Balloon Ride
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
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Blue Light
