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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Blue On Blue
Non classifié
694
Piano & claviers
Piano seul
825
Accordéon
339
Piano, Voix et Guitare
284
Piano Facile
197
Instruments en Do
132
Piano, Voix
129
Piano grosses notes
92
Orgue
47
1 Piano, 4 mains
30
2 Pianos, 4 mains
8
Accompagnement Piano
7
Piano (partie séparée)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Clavier
3
Clavecin
3
Accordéon, Corde(s)
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare notes et tablatures
328
Guitare
165
Basse electrique
153
Ligne De Mélodie, (Paroles) et Accords
114
Ukulele
79
Paroles et Accords
64
Banjo
24
Mandoline
15
Guitare (partie séparée)
13
Ensemble de guitares
10
Dulcimer
8
Piano, Guitare (duo)
5
Dobro
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Guitare Pedal Steel
1
+ 11 instrumentations
Retracter
Voix
Chorale SATB
133
Chorale 3 parties
47
Chorale TTBB
42
Chorale 2 parties
29
Chorale SSAA
22
Chorale Unison
15
Voix duo, Piano
8
Voix seule
6
Voix, Guitare
4
Voix duo
4
Voix Alto, Piano
4
Voix haute
3
Voix Soprano, Piano
1
Voix Tenor, Piano
1
Voix Soprano
1
Chorale
1
Pack Instrumental pour Chorale
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix Tenor
1
+ 15 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
88
2 Saxophones (duo)
85
Saxophone
80
Saxophone (partie séparée)
68
Flûte traversière
56
Clarinette
44
2 Clarinettes (duo)
42
Saxophone Alto
41
Flûte traversière et Piano
38
2 Flûtes traversières (duo)
37
Flûte, Hautbois, Clarinette, Basson
36
Clarinette et Piano
35
Saxophone Alto et Piano
29
Saxophone, Clarinette (duo)
29
Quatuor de Clarinettes: 4 clarinettes
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
27
Saxophone Tenor
23
Hautbois, Piano (duo)
21
Harmonica
21
Clarinette, Violon (duo)
21
2 Hautbois (duo)
18
Clarinette, Trompette (duo)
17
Flûte, Clarinette (duo)
16
Saxophone Tenor et Piano
15
Hautbois (partie séparée)
12
Flûte, Violon
12
3 Clarinettes (trio)
12
Hautbois, Basson (duo)
11
Flûte, Saxophone (duo)
11
3 Saxophones (trio)
11
Trio de Flûtes: 3 flûtes
11
Clarinette (partie séparée)
10
Quatuor de Flûtes : 4 flûtes
10
Quintette de Clarinettes: 5 clarinettes
10
Saxophone Soprano et Piano
9
Hautbois, Flûte
9
Flûte, Alto (duo)
8
Hautbois, Clarinette (duo)
8
Clarinette Basse, Piano
8
Clarinette et Alto
8
Saxophone Baryton, Piano
8
Flûte, Trompette (duo)
7
Quintette de Saxophone: 5 saxophones
7
Flute (partie séparée)
7
Clarinette, Harpe (duo)
6
Clarinette, Guitare (duo)
6
Ensemble de saxophones
5
Flûte et Guitare
4
Saxophone Soprano
4
2 Flûte à bec (duo)
3
Ensemble de Clarinettes
3
Hautbois, Guitare (duo)
3
Instruments en Mib
2
3 Flûtes à bec (trio)
2
Quatuor de Flûtes à bec
2
Ensemble de Flûtes
2
Saxophone et Guitare
2
2 Saxophones, Piano
2
Saxophone et Piano
1
Saxophone, Tuba (duo)
1
Flûte, Clarinette et Basson
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
2 Clarinettes, Basson
1
Flûte à Bec
1
Flûte à bec Tenor
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Soprano
1
+ 64 instrumentations
Retracter
Cuivres
Trompette
74
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
44
Trombone
43
Trombone (partie séparée)
39
Trompette (partie séparée)
36
2 Trombones (duo)
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
25
Trompette, Saxophone (duo)
23
2 Trompettes (duo)
22
Trombone et Piano
18
Trompette, Piano
16
Trompette, Trombone (duo)
12
Quatuor de Cuivres
11
Quatuor de Cuivres: 2 trompettes, Cor, trombone
10
Cor et Piano
10
2 Cors (duo)
7
Cor
7
Trio de Cuivres
6
Bass Clef Instruments
6
Tuba et Piano
6
Tuba (partie séparée)
6
Ensemble de Trombones
5
Cor (partie séparée)
5
Trompette, Harpe
4
2 Euphoniums et 2 Tubas
4
3 Trompettes (trio)
3
2 Tubas (duo)
3
Tuba
3
Instruments en Sib
3
Quatuor de cuivres: 4 trombones
2
Cor et Harpe
2
Euphonium, Piano (duo)
2
2 Euphoniums (duo)
2
Trombone, Tuba (duo)
1
Trombone basse
1
Ensemble de Tubas
1
Trompette, Trombone, Piano
1
Quatuor de cuivres: 4 cors
1
Clarinette, Cor (duo)
1
Trombone basse et Piano
1
+ 35 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
113
Violon
63
Violon et Piano
41
Harpe
37
Violoncelle, Piano
28
Violoncelle
27
2 Violons (duo)
26
Violon, Violoncelle (duo)
23
Alto seul
20
2 Violoncelles (duo)
20
2 Altos (duo)
19
Alto, Piano
15
Violon, Alto (duo)
15
Contrebasse (partie séparée)
13
Violon (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Trio à Cordes: violon, alto, violoncelle
11
Contre Basse
9
Alto (partie séparée)
8
2 Harpes (duo)
7
Trio à Cordes: 2 violons, violoncelle
7
Harpe, Flûte (duo)
6
Contrebasse, Piano (duo)
6
Harpe, Violon (duo)
4
Trio à cordes: 3 violins
4
Violon, Guitare (duo)
4
Trio à cordes
3
2 Contrebasses (duo)
2
Quatuor à cordes : 4 altos
2
Violoncelle , Guitare (duo)
2
Violoncelle (partie séparée)
2
Autoharp
1
Violoncelle, Orgue
1
2 Violoncelles, Piano
1
Harpe et mandoline
1
Alto, Guitare (duo)
1
4 Harpes
1
Alto, Violoncelle (duo)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
248
Ensemble Jazz
248
Jazz combo
77
Orchestre
58
Orchestre à Cordes
45
Batterie
35
Fanfare
32
Ensemble de cuivres
27
Ensemble de Percussions
12
Cloches
10
Orchestre de chambre
7
Batterie (partie séparée)
7
Ensemble d'École
4
Percussion (partie séparée)
4
Xylophone, Piano
2
Marimba
1
Xylophone
1
Vibraphone
1
+ 13 instrumentations
Retracter
Autres
Théorie de la musique
1
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
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Nouveautes
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Vous avez sélectionné:
Blue On Blue
Orchestre de chambre
Partitions à imprimer
7 partitions trouvées
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1
Amber Light on a Blue Night
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Orchestre de chambre
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INTERMÉDIAIRE
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Zoe Felton
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Amber Light on a Blue Night
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Zoe Felton
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1292420 Composed by Zoe Felton. 21st Century,Contemporary. Score and Parts. 34 pages. Zoe Felton #882991. Publishe...
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Chamber Orchestra - Level 3 - SKU: A0.1292420 Composed by Zoe Felton. 21st Century,Contemporary. Score and Parts. 34 pages. Zoe Felton #882991. Published by Zoe Felton (A0.1292420). A short piece of atmospheric music for orchestra.
$10.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Andante and Allegro for Horn and Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Mary Jane Lang
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Andante and Allegro for Horn a
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MaryJaneLang
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #3...
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Chamber Orchestra - Level 5 - SKU: A0.889300 Composed by Mary Jane Lang. 20th Century,Contemporary,Standards. Score and parts. 56 pages. MaryJaneLang #31223. Published by MaryJaneLang (A0.889300). This price includes the score and all parts. When you listen to the recording you will catch the optimistic spirit as only the horn can exude. You might find it humorous that the horn soloist, and other wind players, have such phenomenal breath control -- a by-product of the synthesized, digitized recording. :) It still gives you an idea of what this is like and is sure to inspire performers and audience alike. The picture on the title page is a scene of mountain ranges from the Blue Ridge Parkway. You can almost imagine an alphorn player around the echoes of your mind.
$45.99
Balloon Ride
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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James Alexander Pavlic
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Balloon Ride
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James A. Pavlic
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Publish...
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Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
Mountains Of The Moon
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Orchestre de chambre
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INTERMÉDIAIRE
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The Grateful Dead
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Lee Johnson
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Mountains Of The Moon
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Lee Johnson Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Con...
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Chamber Orchestra - Level 3 - SKU: A0.1181592 By The Grateful Dead. By Jerry Garcia and Robert Hunter. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary,Contest,Festival,Folk. Score and Parts. 40 pages. Lee Johnson Music #781381. Published by Lee Johnson Music (A0.1181592). MOUNTAINS of the MOON - for string orchestra and harp - is inspired by and written in tribute to the music of the Grateful Dead and comes from the world-renowned Dead Symphony no. 6 by composer and arranger Lee Johnson. It is a modern cross-over symphony recorded by the Russian National Orchestra and conducted by Lee Johnson that charted at #20 on Billboard’s Best Classical Albums. Dead Symphony no. 6 has been performed by the Baltimore Symphony Orchestra, The Cabrillo Festival Orchestra, The Indianapolis Symphony Orchestra, The California Symphony Orchestra, and many others both professional and academic. It has been broadcast on Sirius/XM, WNYC, NPR, and dozens of syndicated radio programs and stations. Each movement may be purchased and performed separately.If your orchestra would like to do a complete performance of Dead Symphony no. 6, simply use the following order:If I Had the World To GiveSt. StephenHere Comes SunshineMountains of the MoonBlues for AllahSugar MagnoliaTo Lay Me DownBird SongChina DollDead Overture and FinaleFor more information on composer Lee Johnson please visit: www.leejohnsonmusic.comKings Bishop Productions YouTube Channel Â
$49.99
Divagações Sobre a Noite - for Alto Saxophone & Strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Alexandre Guerra
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Alexandre Guerra
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Divagações Sobre
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Alexandre Guerra
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.499346 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 140 ...
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Chamber Orchestra - Level 4 - SKU: A0.499346 By Alexandre Guerra. By Alexandre Guerra. Arranged by Alexandre Guerra. Contemporary. Score and Parts. 140 pages. Alexandre Guerra #112752. Published by Alexandre Guerra (A0.499346). Divagações Sobre a Noite is a suite in 6 movements for Alto Saxophone & Strings inspired on drawings about the night by the Brazilian artist Oswaldo Goeldi. Each movement dialogs with a genre of music associated with the the night, from the Tango to the blues.
$39.00
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites fro
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Keith Terrett
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,...
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Chamber Orchestra - Level 3 - SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
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