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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Both parts are Level 2
Sheetmusicplus
Non classifié
1 044
Piano & claviers
Piano Trio: piano, violon, violoncelle
60
1 Piano, 4 mains
57
Accompagnement Piano
47
Piano, Voix et Guitare
19
Piano Quatuor: piano, violon, alto, violoncelle
18
Piano seul
17
2 Pianos, 4 mains
16
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano, Voix
6
Piano Facile
5
Orgue
5
Piano Quintette: piano, 2 violons, alto, violoncelle
3
1 Piano, 6 mains
3
Instruments en Do
2
Orgue, Trompette (duo)
1
Clavier
1
2 Pianos, 8 mains
1
+ 12 instrumentations
Retracter
Guitares
2 Guitares (duo)
39
Guitare
25
Guitare notes et tablatures
14
2 Dulcimers (duo)
8
Basse electrique
8
4 Guitares (Quatuor)
8
Ensemble de guitares
5
Ukulele
4
Mandoline, Guitare (duo)
3
Piano, Guitare (duo)
2
Mandoline
2
2 Ukuleles
2
3 Guitares (trio)
1
Ligne De Mélodie, (Paroles) et Accords
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
45
Chorale 2 parties
38
Chorale 3 parties
15
Voix duo, Piano
7
Chorale TTBB
3
Chorale Unison
3
Chorale SSAA
1
Voix duo
1
+ 3 instrumentations
Retracter
Vents
2 Saxophones (duo)
326
2 Clarinettes (duo)
201
2 Flûtes traversières (duo)
152
Quintette de Saxophone: 5 saxophones
52
2 Hautbois (duo)
39
Clarinette, Violon (duo)
35
Flûte, Clarinette (duo)
34
Flûte, Hautbois, Clarinette, Basson
33
Clarinette, Trompette (duo)
31
Quatuor de Saxophones: 4 saxophones
30
Saxophone, Clarinette (duo)
29
Flûte et Guitare
24
Ensemble de saxophones
23
Hautbois, Basson (duo)
19
Flûte traversière et Piano
18
Hautbois, Clarinette (duo)
18
Flûte, Alto (duo)
18
Clarinette et Alto
18
Flûte, Violon
18
Hautbois, Piano (duo)
14
Flûte, Saxophone (duo)
14
Flûte, Hautbois (duo)
13
Clarinette et Piano
11
Quatuor de Clarinettes: 4 clarinettes
11
Hautbois, violon (duo)
11
Cor anglais, Piano
10
2 Flûte à bec (duo)
10
Flûte, Trompette (duo)
10
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
9
Flûte, Violon, Piano
9
Quatuor de Flûtes : 4 flûtes
9
Saxophone Alto et Piano
6
Saxophone Soprano et Piano
6
Ensemble de Clarinettes
5
Saxophone Tenor et Piano
5
Ensemble De Flûte à bec
4
Flûte, Clarinette, Piano (trio)
4
Quatuor de Flûtes à bec
4
3 Saxophones (trio)
4
3 Clarinettes (trio)
3
Flûte à bec Tenor
2
Clarinette, Guitare (duo)
2
Flûte à bec Soprano
2
Clarinette, Tuba
2
Ocarina
2
Quintette de Flûte : 5 flûtes
2
Hautbois, Flûte
2
Clarinette, Basson (duo)
2
Quintette de Clarinettes: 5 clarinettes
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Flûte traversière
1
Flûte, Violon et Violoncelle
1
Trio de Flûtes: 3 flûtes
1
Saxophone Alto
1
Clarinette, Harpe (duo)
1
Hautbois (partie séparée)
1
Saxophone et Orgue
1
Clarinette
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Basson et Piano
1
Ensemble de Flûtes
1
2 Clarinettes, Piano
1
Flûte, Violoncelle
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
2 Flûtes traversières, Piano
1
Saxophone (partie séparée)
1
+ 64 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
129
Quatuor de Cuivres : 2 trompettes, trombone, tuba
115
Quatuor de Cuivres: 2 trompettes, Cor, trombone
42
2 Trombones (duo)
39
2 Trompettes (duo)
38
Trompette, Trombone (duo)
20
2 Cors (duo)
20
Trompette, Saxophone (duo)
17
Trombone et Piano
16
Quatuor de Cuivres
15
Cor anglais, Piano
10
3 Trombones (trio)
8
Trompette, Piano
8
Trombone (partie séparée)
6
Trompette (partie séparée)
5
Trompette, Tuba (duo)
4
Cor et Piano
4
Euphonium, Tuba (duo)
4
Clarinette, Cor (duo)
3
2 Euphoniums (duo)
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Euphonium, Piano (duo)
3
Tuba et Piano
2
2 Euphoniums et 2 Tubas
2
Trio de Cuivres
2
Trombone, Tuba (duo)
2
Trombone, Orgue
2
Ensemble de Trombones
2
2 Tubas (duo)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor
1
Tuba
1
Cor (partie séparée)
1
Trompette, Cor (duo)
1
Cor anglais et Harpe (duo)
1
Cor Anglais
1
Quatuor de cuivres: 4 cors
1
Trompette, Violoncelle (duo)
1
Trombone
1
Euphonium
1
Ensemble de Trompettes
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
217
2 Violons (duo)
121
Violon et Piano
102
Violon, Violoncelle (duo)
96
2 Violoncelles (duo)
75
Violoncelle, Piano
66
2 Altos (duo)
60
Violon, Alto (duo)
38
Alto, Violoncelle (duo)
38
Trio à Cordes: violon, alto, violoncelle
32
Trio à Cordes: 2 violons, violoncelle
31
Harpe
31
Alto, Piano
21
2 Harpes (duo)
21
Violon, Guitare (duo)
17
Quintette à cordes: 2 violons, alto, violoncelle, basse
13
Violoncelle
12
Contrebasse, Piano (duo)
6
2 Contrebasses (duo)
5
Violon
5
Violoncelle , Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Violoncelle, Contrebasse (duo)
4
4 Violoncelles
3
2 Violons, Piano
3
Harpe, Violon, Violoncelle
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
1
Alto seul
1
Harpe et Piano
1
Harpe, Voix
1
Violon, Clarinette, Piano (trio)
1
Alto, Guitare (duo)
1
2 Violoncelles, Piano
1
Violon, Basson (duo)
1
Quatuor à cordes: 4 violons
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
111
Ensemble de cuivres
82
Orchestre à Cordes
56
Orchestre
48
Ensemble Jazz
27
Fanfare
23
Cloches
15
Orchestre de chambre
14
Ensemble de Percussions
10
Jazz combo
6
Piano et Orchestre
1
Xylophone, Piano
1
Vibraphone et Marimba
1
+ 8 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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Partitions Gratuites
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Partitions Numériques
14
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
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SheetMusicPlus
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Nouveautes
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difficulté (tous)
débutant
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avancé
expert
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Vous avez sélectionné:
Both parts are Level 2
SheetMusicPlus
Partitions à imprimer
14 partitions trouvées
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1
The Emergence, Parts 1 & 2
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Trey Demmond
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The Emergence, Parts 1 & 2
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TreyD Music & Media, LLC
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1009779 Composed by (Gustav Mahler). Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 20 page...
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Chamber Orchestra - Level 5 - SKU: A0.1009779 Composed by (Gustav Mahler). Arranged by Trey Demmond. 20th Century,Contemporary. Score and parts. 20 pages. TreyD Music & Media, LLC #28413. Published by TreyD Music & Media, LLC (A0.1009779). Both Parts 1 & 2 of The Emergence are joined to project the birth, glory, and fading of something truly amazing! For me, it was watching a dragonfly emerge from its pupa casing!
$55.00
Concerto for Trumpet and Orchestra (score, piano reduction, solo trumpet parts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Gary Friedman
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Concerto for Trumpet and Orche
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Gary Friedman
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. P...
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Chamber Orchestra - Level 4 - SKU: A0.889880 Composed by Gary Friedman. Contemporary,Romantic Period. Score and parts. 87 pages. Gary Friedman #12841. Published by Gary Friedman (A0.889880). Concerto for Trumpet and Orchestra The first and third movements are lively, the second is reflective. There are several solo passages for other players. This was first performed by professional musicians including John Thomas, trumpet soloist, at a composers' workshop at Bard College on August 1, 2003. The orchestra was tiny, with only one player per string part, one each of flute, oboe/English horn, clarinet, bassoon, French horn, trombone, and two percussionists and very little rehearsing was possible. The audio clip is of that performance, 3rd movement. Please listen to the other movements at my website, www.garyfriedmanmusic.net. Provided here are the complete orchestra score, a piano reduction of the orchestra, and the solo trumpet parts for both B flat and E flat trumpet. Each has been preferred by some soloists. A complete set of parts is available separately for $20. Also available separately for $20 is an arrangement for brass septet with the 2 trumpet players sharing the solo part. Included with the septet is an arrangement of the 3rd movement for brass dectet. Duration: about 15 minutes Year: 2003.
$20.00
Carson Cooman: The Sky About to Open (2004) for orchestra, score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: The Sky About t
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533602 Composed by Carson Cooman. Contemporary. Score and parts. 22 pages. Musik Fabrik Music Publishing #3030515....
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Chamber Orchestra - Level 4 - SKU: A0.533602 Composed by Carson Cooman. Contemporary. Score and parts. 22 pages. Musik Fabrik Music Publishing #3030515. Published by Musik Fabrik Music Publishing (A0.533602). The Sky About to Open (2004) for orchestra was written for and is dedicated to composerJudith Weir, on the occasion of her 50th birthday.The work is based on musical material from Desiring the Solicitude of Rain (2003-04) fortenor and chamber orchestra, based on a text of Kathleen Wakefield. The title of this workcomes from the poem. (The title also references Weir's work The Welcome Arrival of Rain(2000) for orchestra.)The work is a brief fanfare of spacious character -- filled with anticipatory energy: the skypregnant with rain about to fall.InstrumentationFluteOboeClarinet in Bb2 Horns in FTrumpet in CPercussion (1 player: tubular bells)(requires both 2 normal chime beaters)Strings(minimum of 2.2.2.2.1;larger section preferred)
$38.95
In Memoriam - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A....
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Chamber Orchestra - Level 3 - SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
Sir Galahad And The Holy Grail
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Orchestre de chambre
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FACILE
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Contemporain
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Ana Tipton
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Curtis Tipton
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Sir Galahad And The Holy Grail
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #...
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Chamber Orchestra - Level 2 - SKU: A0.978394 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 16 pages. Curtis Tipton #6866859. Published by Curtis Tipton (A0.978394). compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire arrangement go to https://soundcloud.com/user-138852143/sir-galahad-and-the-holy-grail-2.
$20.00
Journey To Inner Worlds
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Orchestre de chambre
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FACILE
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Contemporain
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Ana Tipton
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Curtis Tipton
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Journey To Inner Worlds
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Curtis Tipton
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #...
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Chamber Orchestra - Level 2 - SKU: A0.978391 Composed by Ana Tipton. Arranged by Curtis Tipton. Contemporary. Score and parts. 15 pages. Curtis Tipton #6866405. Published by Curtis Tipton (A0.978391). I compose in the fantasy genre as it at evokes a sense of adventure and imagination. I take pride in producing music that is both very teachable and playable. While ensuring the advancement and success of young musicians, my greatest success is creating music that captivates children and adults alike. I compose with the added mindset of music educators. While my pieces are lush, inspiring, and rich in concept, I know that rehearsal time is limited. Students, faculty and parents alike expect a great performance experience and a successful concert. My mission is to create beautiful spaces and opportunities for the self expression, inspiration and success of young musicians. To hear the entire piece go to https://soundcloud.com/user-138852143/journey-to-inner-world-50337-pm.
$20.00
Wolfgang Amadeus Mozart: Concerto for flute and harp, K. 299, solo harp part
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Orchestre de chambre
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AVANCÉ
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Classique
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Wolfgang Amadeus Mozart, Marie
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Wolfgang Amadeus Mozart: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 46 pages. Mu...
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Chamber Orchestra - Level 5 - SKU: A0.534110 Composed by Wolfgang Amadeus Mozart, Marie-Claire Jamet. Classical,Standards. Score and parts. 46 pages. Musik Fabrik Music Publishing #3113293. Published by Musik Fabrik Music Publishing (A0.534110). This edition of the Mozart flute and harp concert was directed by harpist Marie-Claire Jamet and flutist Chistien Lardé, both former teachers at the Paris Conservatory. The cadenzas were written by Madame Jamet, who also fingered, pedaled and provided ossias for a number of passages in the harp part. The flute part was completely annotated by Mr. Lardé.The orchestral score contains a number of ossias passages for the harp. The score and complete parts, a piano reduction and the solo parts, and the individual parts are all available for sale Orchestration: 2 oboes, 2 horns in C, stringsThe solo part for harp also contains a reduced version of the solo flute part, for ease of performance.
$12.95
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
"On the beaches of Tijuana"
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Luis Carlos Diaz
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Luis Carlos Diaz
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"On the beaches of Tijuan
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azdi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
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Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Serenade for flute, horn and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Anton Emil Titl
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James Strauss
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Serenade for flute, horn and o
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 3...
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Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
Summer Suite for trumpet & chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Greg Bartholomew
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Summer Suite for trumpet &
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Burke & Bagley
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787304 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 149 pages. Burk...
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Chamber Orchestra - Level 4 - SKU: A0.787304 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 149 pages. Burke & Bagley #10645. Published by Burke & Bagley (A0.787304). Summer Suite was composed for trumpeters Brian Chin (Seattle, Washington), Nathaniel Mayfield (Austin, Texas), Bryan Appleby-Wineberg (Glassboro, New Jersey), Adrian Kelly (Perth, Australia), Marco Esperti (Italy), and Matt Burke (Manchester, U.K.). James Ackley and the Palmetto Camerata recorded an arrangement of Summer Suite for trumpet with both piano and string quartet for their 2012 CD, New American Works for Trumpet, released on the Beauport Classical label. The accompaniment is available in arrangements for piano, string quartet, combined piano & string quartet, saxophone quartet, string orchestra, chamber orchestra, wind ensemble and organ. Instrumentation: Solo Trumpet, Flute, Oboe, Clarinet, Bassoon, Horn in F and Strings, with optional percussion. Part 1, POPSICLE ROCKET SUNRISE, is duration approximately 4 minutes. Percussion: triangle, snare & suspended cymbal. Part 2, STILL LIFE WITH MELON & SAND, is duration approximately 5-1/2 minutes. Percussion: timpani. Part 3, RED CHERRY LARK, is duration approximately 4 minutes. Percussion: marimba.
$69.99
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Arkady Leytush
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIAT
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Arkady Leytush
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady ...
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Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
Carson Cooman: The Sky About to Open (2004) for orchestra, score only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Carson Cooman
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Carson Cooman: The Sky About t
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.533603 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3030517....
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Chamber Orchestra - Level 4 - SKU: A0.533603 Composed by Carson Cooman. Contemporary. Score and parts. 10 pages. Musik Fabrik Music Publishing #3030517. Published by Musik Fabrik Music Publishing (A0.533603). The Sky About to Open (2004) for orchestra was written for and is dedicated to composerJudith Weir, on the occasion of her 50th birthday.The work is based on musical material from Desiring the Solicitude of Rain (2003-04) fortenor and chamber orchestra, based on a text of Kathleen Wakefield. The title of this workcomes from the poem. (The title also references Weir's work The Welcome Arrival of Rain(2000) for orchestra.)The work is a brief fanfare of spacious character -- filled with anticipatory energy: the skypregnant with rain about to fall.InstrumentationFluteOboeClarinet in Bb2 Horns in FTrumpet in CPercussion (1 player: tubular bells)(requires both 2 normal chime beaters)Strings(minimum of 2.2.2.2.1;larger section preferred)
$11.95
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Version intégrale
Both parts are Level 2
