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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Bring It All - Percussion 1
Non classifié
376
Piano & claviers
Piano Facile
138
Piano, Voix
115
Piano seul
56
Instruments en Do
26
Piano, Voix et Guitare
25
Orgue
7
1 Piano, 4 mains
5
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano (partie séparée)
2
2 Pianos, 4 mains
2
2 Pianos, 8 mains
2
Clavecin
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare
18
Guitare notes et tablatures
11
Guitare (partie séparée)
8
Basse electrique
6
2 Guitares (duo)
6
Ligne De Mélodie, (Paroles) et Accords
2
Ukulele
2
Ensemble de guitares
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
21
Pack Instrumental pour Chorale
14
Chorale 3 parties
13
Voix Soprano, Piano
8
Chorale 2 parties
7
Chorale SSAA
7
Chorale TTBB
7
Chorale Unison
2
Voix Alto, Piano
2
Voix Baryton, Piano
1
Voix basse, Piano
1
+ 6 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
54
Clarinette et Piano
50
Clarinette
44
Flûte traversière
40
Hautbois, Piano (duo)
38
2 Saxophones (duo)
35
Flûte traversière et Piano
32
2 Flûtes traversières (duo)
31
Saxophone (partie séparée)
26
Ensemble de saxophones
23
Hautbois (partie séparée)
20
Hautbois
18
Quatuor de Saxophones: 4 saxophones
15
3 Saxophones (trio)
11
Ensemble de Clarinettes
11
Quatuor de Flûtes : 4 flûtes
10
2 Clarinettes (duo)
10
Saxophone Alto
9
Quatuor de Clarinettes: 4 clarinettes
9
2 Hautbois (duo)
8
Flûte, Hautbois, Clarinette, Basson
8
Flute (partie séparée)
6
Saxophone Alto et Piano
6
Saxophone Tenor et Piano
5
3 Clarinettes (trio)
5
Trio de Flûtes: 3 flûtes
5
Ensemble de Flûtes
5
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
Flûte, Violon, Piano
4
Flûte, Basson et Piano
4
3 Flûtes à bec (trio)
4
Flûte, Hautbois, Basson
4
Saxophone Baryton, Piano
4
Saxophone Tenor
4
Flûte, Hautbois, Clarinette (trio)
3
Ensemble De Flûte à bec
3
Quintette de Flûte : 5 flûtes
3
Flûte, Clarinette et Basson
3
Clarinette et Alto
2
Clarinette, Violon (duo)
2
Saxophone Soprano et Piano
2
Clarinette Basse, Piano
2
Piccolo, Piano
2
Clarinette, Basson (duo)
2
Hautbois, Violoncelle
2
Flûte, Hautbois (duo)
1
Clarinette, Trompette (duo)
1
Clarinette, Violoncelle (duo)
1
5 Flûtes à bec
1
Cor Anglais
1
Flûte, Violoncelle
1
Ocarina
1
Flûte, Alto (duo)
1
Clarinette, Tuba
1
Flûte, Trompette (duo)
1
Flûte, Tuba (duo)
1
Hautbois et alto (duo)
1
Hautbois, Basson (duo)
1
4 Hautbois
1
Hautbois, Trompette (duo)
1
2 Flûte à bec (duo)
1
Hautbois, violon (duo)
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Trombone (duo)
1
Flûte à bec Soprano
1
Flûte, Violon
1
Hautbois, Clarinette (duo)
1
Quatuor de Flûtes à bec
1
Clarinette, Trombone (duo)
1
Hautbois, trombone (duo)
1
Clarinette, Contrebasse (duo)
1
+ 68 instrumentations
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Cuivres
Tuba
48
Quatuor de Cuivres : 2 trompettes, trombone, tuba
42
Cor
29
Trombone
29
Cor et Piano
23
Trombone et Piano
23
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trombone (partie séparée)
14
Trompette
13
Trompette (partie séparée)
10
2 Trompettes (duo)
10
2 Trombones (duo)
9
Tuba et Piano
9
2 Cors (duo)
9
Trompette, Piano
8
Ensemble de Trombones
7
Cor anglais, Piano
5
2 Tubas (duo)
4
Cor (partie séparée)
4
Quatuor de cuivres: 4 trombones
3
Ensemble de Trompettes
3
Tuba et Orgue
2
Quatuor de Cuivres
2
Tuba (partie séparée)
2
3 Trompettes (trio)
1
Ensemble de Cors
1
Trompette, Basson (duo)
1
Quatuor de cuivres: 4 cors
1
Cor Anglais
1
2 Euphoniums et 2 Tubas
1
Quatuor de cuivres: 4 trompettes
1
Trombone, Violon (duo)
1
+ 28 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violoncelle, Piano
41
Violoncelle
36
Alto, Piano
28
Violon
22
Contre Basse
21
Violon et Piano
19
2 Violons (duo)
19
Contrebasse, Piano (duo)
18
2 Violoncelles (duo)
15
Trio à Cordes: violon, alto, violoncelle
13
Violon, Violoncelle (duo)
13
2 Altos (duo)
11
Alto seul
10
Violon, Alto (duo)
8
Violoncelle, Contrebasse (duo)
7
2 Contrebasses (duo)
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
6
Alto (partie séparée)
5
Ensemble de Violons
4
Alto, Violoncelle (duo)
4
Ensemble d'Altos
4
Trio à cordes: 3 violins
4
Trio à Cordes: 2 violons, violoncelle
4
Contrebasse (partie séparée)
4
Violon, Basson (duo)
3
Harpe
3
Violon (partie séparée)
3
2 Harpes (duo)
2
Trio à Cordes: 3 violoncelles
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 altos
2
Violon, Clarinette, Piano (trio)
2
Alto et Basson
1
Trio à Cordes: 2 violons, alto
1
Violoncelle (partie séparée)
1
Violon, Tuba (duo)
1
Flûte, Contrebasse (duo)
1
+ 33 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
169
Ensemble de cuivres
28
Orchestre à Cordes
13
Orchestre
10
Jazz combo
6
Ensemble Jazz
5
Orchestre de chambre
4
Marimba
3
Cloches
3
Batterie (partie séparée)
2
+ 5 instrumentations
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BANJO
BASSE
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Vous avez sélectionné:
Bring It All - Percussion 1
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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1
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Gar
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681....
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Chamber Orchestra - SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
BH017REC - Recorder Quartet Songs, Book 17 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH017REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921199 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 110 pages. Carl V...
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Chamber Orchestra - Level 3 - SKU: A0.921199 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 110 pages. Carl Van Pevenage #4324595. Published by Carl Van Pevenage (A0.921199). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 16 1 Fun song: A goodie Chansonnette 162 The grasshopper Chansonnette 163 Pop song: Little by little grow the bananas Chansonnette 164 Crying for freedom Chansonnette 165 Largo: A spicy relax Chansonnette 166 Romantic song: A reed cutters rest Chansonnette 167 Folk song: A middle age evening Chansonnette 168 Christmas carol: Night walks 1 Chansonnette 169 Christmas carol: White trees Chansonnette 170 Little trippling feet Chansonnette 170B Little waltzing feet.
$9.95
Prelude in C - JS Bach-Gounod (Chamber Ensemble)
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Orchestre de chambre
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INTERMÉDIAIRE
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JS Bach-Gounod
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Boni de Souza
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Prelude in C - JS Bach-Gounod
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De Souza et Music LLP
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Standards,Wedding. ...
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Chamber Orchestra - Level 3 - SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Standards,Wedding. Score and parts. 11 pages. De Souza et Music LLP #3681153. Published by De Souza et Music LLP (A0.887511). This arrangement of JS Bach-Gounod's Prelude in C also known as Ave Maria was customised to bring out the best tonal colour of an Octet It is written for a String Quartet (1st Violin, 2nd Violin, Viola, Cello) as well as a Piano Quintet but can be used in a combination comprising Violin 1, Violin 2, Viola, Cello, Flute, Double Bass, Piano and Drums. The level of difficulty is Intermediate. Useful as music for Weddings, Worship, Ceremonies as well as lunchtime or School,College Concerts. The piece would also be very useful as a teaching tool for a small ensemble in schools and colleges. It is appropriate for Public Events or Concerts requiring some easy listening Classical music as it is arranged to appeal to a wide audience.
$21.99
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Bring It All - Percussion 1
