English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
119
Partitions
Numériques
7
Librairie
Musicale
0
Matériel
de Musique
407
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
579
PIANO & CLAVIERS
Piano seul
282
Piano Facile
136
Piano, Voix et Guitare
115
Piano, Voix
79
Instruments en Do
37
Orgue
13
Accompagnement Piano
5
1 Piano, 4 mains
4
Piano (partie séparée)
4
Piano Trio: piano, violon, violoncelle
2
2 Pianos, 4 mains
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano grosses notes
1
Accordéon
1
Instrumentations suivantes
Retracter
GUITARES
Guitare notes et tablatures
37
Guitare
28
Ligne De Mélodie, (Paroles) et Accords
25
Ukulele
21
Basse electrique
14
Paroles et Accords
10
Guitare (partie séparée)
9
2 Guitares (duo)
4
Dulcimer
3
2 Ukuleles
3
Mandoline
2
Piano, Guitare (duo)
1
Ensemble de guitares
1
Basse électrique (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale SATB
143
Chorale 3 parties
56
Chorale 2 parties
37
Chorale TTBB
26
Chorale Unison
14
Chorale SSAA
13
Voix seule
11
Voix Soprano, Piano
3
Voix haute
1
Voix basse, Piano
1
Chorale
1
Instrumentations suivantes
Retracter
VENTS
2 Saxophones (duo)
83
Quintette de Saxophone: 5 saxophones
65
Quatuor de Saxophones: 4 saxophones
59
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
59
Saxophone (partie séparée)
59
Flûte traversière
57
Saxophone
52
Flûte, Hautbois, Clarinette, Basson
52
Clarinette
50
Hautbois, Piano (duo)
33
Flûte traversière et Piano
32
Clarinette et Piano
31
Saxophone Alto
26
Saxophone Alto et Piano
25
Ensemble de saxophones
24
Saxophone Soprano et Piano
24
2 Clarinettes (duo)
24
Saxophone Baryton, Piano
23
Saxophone Tenor et Piano
22
Hautbois
18
2 Flûtes traversières (duo)
18
2 Hautbois (duo)
16
Quatuor de Clarinettes: 4 clarinettes
14
Saxophone Tenor
14
Saxophone Baryton
13
Saxophone Soprano
13
Hautbois (partie séparée)
12
Ensemble de Clarinettes
9
Saxophone, Clarinette (duo)
8
Ensemble de Flûtes
7
Clarinette, Trompette (duo)
6
Flûte à bec Soprano
6
Clarinette, Violon (duo)
5
Flute (partie séparée)
5
3 Clarinettes (trio)
5
Quatuor de Flûtes : 4 flûtes
5
Clarinette (partie séparée)
5
Flûte à bec Tenor
4
Flûte à bec Alto
4
Cor anglais, Piano
4
Flûte à Bec
4
Quintette de Flûte : 5 flûtes
4
Flûte, Clarinette (duo)
4
Flûte, Trompette (duo)
3
Flûte, Alto (duo)
3
Hautbois, Clarinette (duo)
3
3 Saxophones (trio)
3
Clarinette et Alto
3
Clarinette, Violoncelle (duo)
3
Hautbois, Basson (duo)
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Trio de Flûtes: 3 flûtes
2
Quintette de Clarinettes: 5 clarinettes
2
Flûte, Saxophone (duo)
2
Flute, harpe et violon
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Violon
1
5 Flûtes à bec
1
Flûte à bec Alto, Piano
1
Flûte et Guitare
1
Flûte à bec Soprano, Piano
1
Clarinette, Trombone (duo)
1
Hautbois, Flûte
1
Instrumentations suivantes
Retracter
CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
76
Quatuor de Cuivres: 2 trompettes, Cor, trombone
57
Trompette
54
Trombone
45
Tuba et Piano
35
Trombone (partie séparée)
34
Trompette, Piano
31
Trombone et Piano
31
Quatuor de Cuivres : 2 trompettes, trombone, tuba
29
Tuba
27
Cor
26
Trompette (partie séparée)
25
Cor et Piano
25
2 Trompettes (duo)
18
2 Trombones (duo)
17
2 Cors (duo)
15
Ensemble de Trompettes
11
Ensemble de Trombones
9
2 Tubas (duo)
8
Cor (partie séparée)
8
Tuba (partie séparée)
5
Trompette, Saxophone (duo)
5
Cor anglais, Piano
4
Euphonium, Piano (duo)
4
Trompette, Trombone (duo)
4
Ensemble de Cors
3
2 Euphoniums et 2 Tubas
2
Quatuor de Cuivres
2
Quatuor de cuivres: 4 trombones
2
Trio de Cuivres
2
Tuba ou Euphonium ou Saxhorn
1
3 Cors (trio)
1
Quatuor de cuivres: 4 cors
1
Bass Clef Instruments
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Cor et Harpe
1
3 Trombones (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
165
Violon, Violoncelle (duo)
79
Trio à Cordes: 2 violons, violoncelle
55
Violon
54
Violon et Piano
49
Quintette à cordes: 2 violons, alto, violoncelle, basse
46
Violoncelle (partie séparée)
38
Alto seul
37
Alto, Piano
35
Violoncelle, Piano
32
Violoncelle
31
Contre Basse
25
2 Violoncelles (duo)
25
Contrebasse, Piano (duo)
24
2 Violons (duo)
20
Trio à Cordes: violon, alto, violoncelle
18
2 Altos (duo)
18
Violon, Alto (duo)
14
Harpe
10
2 Contrebasses (duo)
8
Contrebasse (partie séparée)
7
Alto (partie séparée)
7
Violon (partie séparée)
4
4 Violoncelles
2
Ensemble de Violons
2
Alto et Harpe
2
Ensemble d'Altos
2
Harpe, Violon (duo)
1
Quatuor à cordes : 4 altos
1
Ensemble de Violoncelles
1
Harpe, Voix
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Quatuor à cordes: 4 violons
1
Alto et Basson
1
Alto, Violoncelle (duo)
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
201
Orchestre à Cordes
123
Orchestre
33
Batterie
25
Ensemble de cuivres
17
Fanfare
16
Ensemble Jazz
15
Cloches
10
Ensemble de Percussions
7
Orchestre de chambre
7
Percussion (partie séparée)
6
Jazz combo
6
Batterie (partie séparée)
5
Percussion
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Marimba
2
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
By Your Side
Orchestre de chambre
Partitions à imprimer
7 partitions trouvées
<
1
The President's Turkey-Pardon
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1191818 Composed by Gert Th.…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1191818 Composed by Gert Th. Walter. Arranged by Gert Th. Walter. Christmas,Holiday. Score and Parts. 54 pages. Gert Th. Walter #791325. Published by Gert Th. Walter (A0.1191818). Are you looking for modern and spirited Christmas music for your Chamber Orchestra? Here you go! Fl1.2 - Ob1.2 - Clar1.2 - Bsn1.2 - Hr1.2 - Trp1.2 - Timpani - Strings. Renewed © 2023 MusikVerlag Gert Walter, Germany. All Rights Reserved. Please also visit our website: https://www.musikverlaggertwalter.de. And now have fun making music!
$29.90
27.8 €
#
Orchestre de chambre
#
Gert Th
#
Gert Th
#
The President's Turkey-Pardon
#
Gert Th. Walter
#
SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.05 €
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditio…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
18.12 €
#
Orchestre de chambre
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
#
Suomi Music
#
SheetMusicPlus
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditio…
(+)
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
18.12 €
#
Orchestre de chambre
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
#
Suomi Music
#
SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
(+)
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.88 €
#
Orchestre de chambre
#
Frederik François Chopin
#
James Strauss
#
Variations on a Rossini Theme op.Posth
#
James Strauss
#
SheetMusicPlus
Secrets
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.939589 By OneRepublic. By Ry…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.939589 By OneRepublic. By Ryan Tedder. Arranged by Benjamin P. Snoek. Pop,Rock. Score and parts. 18 pages. Benjamin P. Snoek #3096787. Published by Benjamin P. Snoek (A0.939589). OneRepublic's hit ballad is now available for your orchestra to captivate audiences! This tender arrangement provides opportunities for students to unleash their expressive sides.
$42.99
39.97 €
#
Orchestre de chambre
#
OneRepublic
#
Benjamin P
#
Secrets
#
Benjamin P. Snoek
#
SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.97 €
#
Orchestre de chambre
#
Dosia McKay
#
Three Laments of Heloise for Chamber Orchestra
#
Gavia Music
#
SheetMusicPlus
<
1
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale