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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Called
Non classifié
937
Piano & claviers
Piano seul
735
Piano, Voix
176
Piano, Voix et Guitare
169
Piano Facile
169
Instruments en Do
110
Orgue
40
1 Piano, 4 mains
38
Accompagnement Piano
27
Piano Trio: piano, violon, violoncelle
18
Accordéon
13
2 Pianos, 4 mains
10
Piano (partie séparée)
8
Piano grosses notes
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Orgue, Piano (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Ligne De Mélodie, Piano
1
Fake Book
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 14 instrumentations
Retracter
Guitares
Guitare
119
Guitare notes et tablatures
94
Ligne De Mélodie, (Paroles) et Accords
65
Basse electrique
25
Paroles et Accords
25
Ukulele
23
Guitare (partie séparée)
15
Mandoline
8
Banjo
4
2 Guitares (duo)
3
4 Guitares (Quatuor)
2
Piano, Guitare (duo)
2
Ukulele Baryton
1
Mandoline, Guitare (duo)
1
+ 9 instrumentations
Retracter
Voix
Chorale SATB
280
Chorale 3 parties
60
Chorale TTBB
48
Chorale Unison
42
Chorale 2 parties
36
Pack Instrumental pour Chorale
26
Chorale SSAA
21
Voix Alto, Piano
10
Voix seule
10
Voix duo
10
Voix haute
9
Chorale
8
Voix Soprano, Piano
8
Voix duo, Piano
4
Voix moyenne, Piano
3
Voix Tenor, Piano
3
Voix Soprano
3
Voix basse
2
Chorale SSAATTBB
2
Voix Baryton, Piano
2
Voix Tenor
2
Chorale SSATB
1
Chorale SSATTB
1
+ 18 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
86
Flûte traversière et Piano
78
Saxophone (partie séparée)
74
Flûte traversière
61
Quatuor de Saxophones: 4 saxophones
60
Clarinette et Piano
58
Quatuor de Clarinettes: 4 clarinettes
57
Saxophone Alto et Piano
50
2 Saxophones (duo)
48
Quintette de Saxophone: 5 saxophones
43
Hautbois, Piano (duo)
41
Flûte, Hautbois, Clarinette, Basson
40
Saxophone Alto
32
Quatuor de Flûtes : 4 flûtes
31
Saxophone Tenor et Piano
29
Saxophone Soprano et Piano
28
Ensemble de Clarinettes
28
Ensemble de saxophones
28
Clarinette
26
2 Clarinettes (duo)
24
Saxophone Tenor
24
Ensemble de Flûtes
23
2 Flûtes traversières (duo)
21
3 Saxophones (trio)
21
Saxophone Baryton, Piano
16
Saxophone
15
Clarinette, Guitare (duo)
15
Cor anglais, Piano
14
3 Clarinettes (trio)
14
Quintette de Clarinettes: 5 clarinettes
14
Hautbois
13
Clarinette Basse, Piano
13
Clarinette (partie séparée)
12
Trio de Flûtes: 3 flûtes
12
Flute (partie séparée)
10
Flûte, Clarinette (duo)
10
Quintette de Flûte : 5 flûtes
10
Clarinette, Violon (duo)
9
Flûte et Guitare
7
2 Flûte à bec (duo)
7
Flûte, Violon, Piano
7
Hautbois (partie séparée)
7
2 Hautbois (duo)
6
Clarinette, Trompette (duo)
6
Saxophone, Clarinette (duo)
6
Hautbois, Basson (duo)
6
Flûte, Violon
5
Clarinette, Basson (duo)
5
Flûte, Hautbois, Clarinette (trio)
4
Flûte, Violon et Violoncelle
4
Flûte à Bec
4
Quatuor de Flûtes à bec
4
Flûte, Saxophone (duo)
4
3 Flûtes à bec (trio)
4
Hautbois, Flûte
4
Clarinette et Alto
3
Flûte à bec Soprano
3
Flûte, Hautbois, Basson
3
Flûte, Alto (duo)
3
Hautbois, Clarinette, Basson (trio d'anches)
3
Hautbois, Clarinette (duo)
3
Flûte, Trompette (duo)
3
5 Flûtes à bec
2
Flûte à bec Soprano, Piano
2
Saxophone Soprano
2
Flute, harpe et violon
2
Flûte et Trio à cordes
2
Flûte à bec Alto, Piano
2
Flûte, Violoncelle
1
Clarinette, Trombone (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Hautbois (duo)
1
Hautbois, Guitare (duo)
1
Saxophone et Orgue
1
Flûte irlandaise
1
Flûte, alto et harpe
1
Ensemble De Flûte à bec
1
Clarinette, Violoncelle, Piano (trio)
1
Instruments en Mib
1
Flûte à bec Alto, Basse continue
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte à bec Alto
1
Ensemble de Hautbois
1
Flûte, Trombone (duo)
1
Flûte à bec Tenor
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
87
Quatuor de Cuivres : 2 trompettes, trombone, tuba
67
Trombone (partie séparée)
53
Trompette
50
Trombone et Piano
46
Trompette (partie séparée)
45
Trompette, Piano
29
Trombone
27
Cor et Piano
23
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de cuivres: 4 trombones
15
Cor anglais, Piano
14
Euphonium, Piano (duo)
13
Cor (partie séparée)
12
Ensemble de Trombones
12
Cor
12
Quatuor de Cuivres
12
2 Trompettes (duo)
9
Tuba et Piano
9
Trompette, Trombone (duo)
8
2 Trombones (duo)
7
Ensemble de Trompettes
7
Trompette, Saxophone (duo)
6
Tuba (partie séparée)
6
Tuba
6
2 Cors (duo)
5
4 Tubas
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 cors
4
Quatuor de cuivres: 4 trompettes
4
Ensemble de Cors
3
Trompette, Cor (duo)
3
3 Cors (trio)
2
3 Tubas (trio)
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
1
Euphonium, Tuba (duo)
1
Trombone, Cor (duo)
1
Trompette, Euphonium (duo)
1
Trombone et orchestre
1
Ensemble de Tubas
1
Trombone basse et Piano
1
+ 37 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
166
Violon et Piano
87
Harpe
67
Violoncelle, Piano
57
Violon
56
Alto, Piano
47
Violoncelle
35
Violon, Violoncelle (duo)
25
Trio à Cordes: violon, alto, violoncelle
23
Violon, Alto (duo)
17
2 Violons (duo)
17
Alto seul
16
Trio à Cordes: 2 violons, violoncelle
14
2 Violoncelles (duo)
12
Contrebasse (partie séparée)
10
2 Harpes (duo)
9
Violon, Guitare (duo)
8
Alto, Guitare (duo)
7
4 Violoncelles
7
2 Altos (duo)
7
Alto, Violoncelle (duo)
6
Trio à cordes: 3 violins
5
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Alto (partie séparée)
5
Violoncelle , Guitare (duo)
4
Ensemble de Violons
4
Violon (partie séparée)
4
Trio à cordes: 3 altos
4
Trio à Cordes: 3 violoncelles
3
Quatuor à cordes: 4 violons
3
Contrebasse, Piano (duo)
3
Piano Trio: Violon, Alto, Piano
2
Violoncelle (partie séparée)
2
Violoncelle, Contrebasse (duo)
2
Ensemble d'Altos
2
Harpe, Flûte (duo)
2
Contre Basse
2
Quatuor à cordes : 4 altos
2
Trio à cordes
1
Trio à Cordes: 2 violons, alto
1
Violoncelle, Orgue
1
Harpe, Voix
1
Ensemble de Violoncelles
1
Harpe, Violon (duo)
1
+ 39 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
267
Orchestre
91
Ensemble Jazz
68
Orchestre à Cordes
60
Ensemble de cuivres
47
Batterie
25
Cloches
21
Orchestre de chambre
20
Fanfare
14
Jazz combo
14
Ensemble de Percussions
10
Batterie (partie séparée)
8
Percussion (partie séparée)
5
Vibraphone
5
Marimba
4
Percussion
2
Orchestre, Violon
1
Timbales (partie séparée)
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone et Marimba
1
Timbales
1
+ 16 instrumentations
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Autres
Papeterie
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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CORNET
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Story No. 2, for narrator and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-A…
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Chamber Orchestra - Digital Download SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
33.19 €
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Orchestre de chambre
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Music by Ofer Ben-Amots, Story by Eugene Ionesco
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Story No. 2, for narrator and chamber orchestra
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The Composer's Own Press
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SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9.21 €
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Orchestre de chambre
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Dust On The Apron
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th…
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Chamber Orchestra - Digital Download SKU: A0.1022718 Composed by Andy Fielman. 20th Century,Contemporary. Score and parts. 36 pages. Gisela August Publishing #3002969. Published by Gisela August Publishing (A0.1022718). Inspired by a trip to the local pizzeria, this easily could have been called Flour On The Apron. The word Dust, though, makes it suitable for not only aficionados of fine dining, but the tenders of home, hearth, garden, and workshop as well. Ah, heck, it’s suitable for anyone and everyone. Dust On The Apron is a picturesque and fun little piece written in a 20th Century style. It clocks in at 3:25. Andy Fielman is a member of ASCAP
$22.95
21.16 €
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Orchestre de chambre
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Andy Fielman
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Dust On The Apron
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Gisela August Publishing
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SheetMusicPlus
C.P.E.Bach-Solfeggio in C minor Ensemble (Sextet)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1029996 Composed by Carl Phi…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1029996 Composed by Carl Philipp Emanuel Bach. Arranged by Yongliang Li. Baroque,Concert,Standards. Score and parts. 15 pages. Yongliang Li #5982835. Published by Yongliang Li (A0.1029996). Solfeggio, often called Solfeggietto, this well-known piece, published in 1770, is the most famous of Carl Philipp Emanuel Bach's keyboard works.This is a Sextet piece for Piano, 2 Violins, Viola, Cello and Double Bass. It is arranged using Baroque compositional style on orchestration, with personal musical ideas in terms of tones and texture. Piano is original composition while the strings mostly serve as accompaniment yet there are sections show the Call and Response between piano and strings. It is great for ensemble playing. Enjoy!It is included the full score and individual parts.Performance duration: 1 minute 20 seconds.
$9.99
9.21 €
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Orchestre de chambre
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Carl Philipp Emanuel Bach
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Yongliang Li
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C.P.E.Bach-Solfeggio in C minor Ensemble
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Yongliang Li
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SheetMusicPlus
A Dream from the Past
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
23.05 €
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Orchestre de chambre
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
Piccolo concerto "Auvers-sur-Oise" - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262564 Composed by Davide R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1262564 Composed by Davide Riva. 21st Century,Classical,Contemporary. 29 pages. Davide Riva #855582. Published by Davide Riva (A0.1262564). Piccolo concerto is inspired by the little french town called Auvers-sur-Oise, where lived and died the famous painter Vincent Van Gogh.This concerto is composed by the italian composer Davide Riva and is dedicate to the piccolist M° Raphael Leone.Duration: 16 min c.caQuesto concerto per ottavino e orchestra è ispirato al piccolo paese Auvers-sur-Oise situato al nord della Francia, dove Vincent Van Gogh visse e passò gli ultimi giorni della sua vita.Scritto dal compositore italiano Davide Riva, è dedicato al Maestro Raphael Leone.I. ModeratoII. AdagioIII. Allegro con brioSCORING - ORGANICOPiccolo flute (solo)2 HornsTimpaniStringsOrchestral score only (no performance material).
$10.99
10.13 €
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Orchestre de chambre
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Davide Riva
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Piccolo concerto "Auvers-sur-Oise" - Score Only
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Davide Riva
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SheetMusicPlus
Three Laments of Heloise for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McK…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
92.19 €
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Orchestre de chambre
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Dosia McKay
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Three Laments of Heloise for Chamber Orchestra
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Gavia Music
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Set of Parts
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088281 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. Set of parts. 17 pages. Ondine Press #692535. Published by Ondine Press (A0.1088281). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a set of parts to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The full score is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$20.00
18.44 €
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Orchestre de chambre
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
How Many Times
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. …
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Chamber Orchestra - Digital Download SKU: A0.992207 Composed by David Keith Jones. Contemporary. Score and parts. 3 pages. David Keith Jones #3422323. Published by David Keith Jones (A0.992207). David Keith Jones is an independent arranger and vocalist with digital albums in several genres including Arie Antiche and Musicals. This love song is part of an eclectic album called 'All My Own' due for release in 2018. The string parts can be played on a piano. Verse 2 lyrics are under the violin part.
$1.99
1.83 €
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Orchestre de chambre
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David Keith Jones
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How Many Times
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David Keith Jones
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SheetMusicPlus
The Star Spangled Banner (US National Anthem) for Chamber Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Sta…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1088278 Composed by John Stafford Smith. Arranged by Yoon Jae Lee. Classical,Instructional,Patriotic,Standards,Traditional. 7 pages. Ondine Press #692531. Published by Ondine Press (A0.1088278). Instrumentation: 2. 2. 2. 2 – 2. 2. 0. 0 – tp – str This is a full score to Yoon Jae Lee's arrangement of the Star Spangled Banner for chamber orchestra. The set of parts is available separately. Throughout history, popular tunes have been adapted to suit the changing tastes and styles of the times. The US national anthem is no different. Originally based on a popular tune called “The Anacreontic Song†in a brisk 6/4 meter, it gradually transformed into the solemn 3/4 meter anthem we now so commonly hear. This newly orchestrated arrangement of the Star Spangled Banner for classical chamber orchestra is in the period style of the late 18th century and based on the first printed edition of the anthem in 1814. Upbeat and refreshing, it reflects the optimistic spirit of a young nation with a bright future ahead of it. Audiences everywhere will be delighted by this historically informative yet entertaining rendition of the US national anthem! Perusal Score: https://issuu.com/ondinepress/docs/the_star_spangled_banner_chamber_orchestra.
$8.00
7.38 €
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Orchestre de chambre
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John Stafford Smith
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Yoon Jae Lee
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The Star Spangled Banner
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Ondine Press
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SheetMusicPlus
Via Crucis (The Way of the Cross) (Calea Crucii) - miniature on religious theme for oboe and strings
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lu…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.912982 Composed by Andrei-Lucian Dragoi. Contemporary,Sacred,Standards. Score and Parts. 14 pages. Andrei-Lucian Dragoi #3054507. Published by Andrei-Lucian Dragoi (A0.912982). 2017 Chamber Music Contest EntryThis piece is a miniature (on a religious theme) for oboe and strings orchestra. It is related to Easter, as it evokes Jesus Christ walking on the way to his crucifixion on the so-called Via Dolorosa.This work was first played at the Romanian Atheneum in April 2015:https://www.youtube.com/watch?v=TgjBJARkpRghttps://www.youtube.com/watch?v=pERhBUpIn9IFor other compositions in audio format see my website:http://muzm.dragoii.com/ Music by: Andrei-Lucian Drăgoi (www.smp.dragoii.com, www.yt.dragoii.com, www.gcp.dragoii.com, www.gci.dragoii.com, www.ms.dragoii.com, www.dragoii.com) Video score on YouTube at URL: https://www.youtube.com/watch?v=UePIaKwhzoA.
$3.00
2.77 €
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Orchestre de chambre
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Andrei-Lucian Dragoi
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Via Crucis
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Andrei-Lucian Dragoi
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
24.89 €
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Orchestre de chambre
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1200993 By Lucienne Renaudin Vary. By Jacques Offenbach. Arranged by Marcus Martin. 19th Century,Opera. Score and Parts. 34 pages. Cornelius Edition (uk) #799642. Published by Cornelius Edition (uk) (A0.1200993). This famous melody, from the Venetian scene in its composer's last opera, has a captivating charm that no amount of familiarity could ever dispel. The melody, here arranged for Solo Trumpet and Orchestra first appeared in a much earlier operetta called Die Rheinnixen but its universal fame dates from its use in The Tales of Hoffmann. A useful concert item, it requires 2 Flutes, 2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Harp and Strings.
$19.99
18.43 €
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Orchestre de chambre
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Lucienne Renaudin Vary
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Marcus Martin
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Entracte and Barcarolle from 'Tales of Hoffmann' Solo Trumpet and orchestra
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Cornelius Edition
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SheetMusicPlus
Pathos Chorodia
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976709 Composed by Hans Leo …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Score and parts. 25 pages. WheatMyer Music #4766879. Published by WheatMyer Music (A0.976709). PASSION CHORALE is the name given to a 1656 German tune which accompanies the words of the ancient hymn, O Sacred Head Now Wounded. This tune is clearly heard throughout this instrumental arrangement called Pathos Chorodia, which is a transliteration of the Greek for 'passion chorale.' I chose the Greek due to it being the common language of the First Century Near East with which the early Church was fluent. Although the familiar melody is heard clearly throughout, the setting will sound very foreign to most ears. In acknowledgment of the atonal origins of the pierrot ensemble, this arrangement embraces dissonance and chromaticism, and avoids clear statements of conventional harmony without, however, being altogether atonal. Thus, it is a most unusual setting of the tune, but one that poignantly paints the deep anguish expressed in the hymn text, the anguish of the crucifixion's witnesses. The music is simultaneously shocking and familiar, which seems a fitting way to present this familiar story in all its shocking horror.The music may be successfully performed with advanced high school or later musicians. It is not excessively technically demanding but will require artistic taste and expressiveness. It is good selection for chamber ensemble concerts and suited for either secular or sacred venues.
$19.99
18.43 €
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Orchestre de chambre
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Hans Leo Hassler
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Robert Myers
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Pathos Chorodia
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WheatMyer Music
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SheetMusicPlus
Bike Bike Bike - aka Biking
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024969 Composed by Simon M.…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1024969 Composed by Simon M. Sperl. Film/TV. Score and parts. 33 pages. Sperl Publishing #3684087. Published by Sperl Publishing (A0.1024969). Chamber orchestra score for a short film called Bike Bike Bike. The film and score (performed by a live orchestra) premiered at the 2016 MNKINO Film Score Fest in St. Paul, Minnesota.Listen: https://simonsperl.com/
$9.99
9.21 €
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Orchestre de chambre
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Simon M
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Bike Bike Bike - aka Biking
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Sperl Publishing
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.43 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.59 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.63 €
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Orchestre de chambre
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Carson Cooman
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Symphony No. 2, "Litanies of Love and Rain"
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Musik Fabrik Music Publishing
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SheetMusicPlus
Queen: Crazy Little Thing Called Love - chamber ensemble (Transcribed Score)
Orchestre de chambre
Instantly printable sheet music by Queen for chamber ensemble (Transcribed Score) of MEDIU…
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Instantly printable sheet music by Queen for chamber ensemble (Transcribed Score) of MEDIUM skill level. / pop,rock,standards
$9.97
9.19 €
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Orchestre de chambre
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Queen
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Virtualsheetmusic
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