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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Can You Feel It
Non classifié
559
Piano & claviers
Piano seul
316
Piano, Voix
75
Piano, Voix et Guitare
72
Piano Facile
56
Instruments en Do
27
Orgue
11
1 Piano, 4 mains
8
Accompagnement Piano
2
2 Pianos, 4 mains
2
Piano (partie séparée)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
1
Piano grosses notes
1
Orgue, Piano (duo)
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Trio: piano, violon, violoncelle
1
+ 11 instrumentations
Retracter
Guitares
Guitare
15
Guitare notes et tablatures
14
Paroles et Accords
8
Ukulele
6
Ligne De Mélodie, (Paroles) et Accords
5
Basse electrique
5
Guitare (partie séparée)
3
2 Guitares (duo)
2
4 Guitares (Quatuor)
1
3 Guitares (trio)
1
Mandoline
1
Piano, Guitare (duo)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
93
Chorale 3 parties
41
Chorale 2 parties
18
Chorale TTBB
14
Chorale SSAA
10
Voix Alto, Piano
10
Chorale Unison
5
Voix Soprano, Piano
4
Voix duo, Piano
3
Voix Soprano
1
Voix haute
1
Chorale SSAB, Piano
1
+ 7 instrumentations
Retracter
Vents
Quintette de Saxophone: 5 saxophones
36
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
34
Ensemble de saxophones
27
Quatuor de Saxophones: 4 saxophones
27
Flûte traversière et Piano
25
Flûte traversière
21
Hautbois, Piano (duo)
21
Ensemble de Clarinettes
18
2 Flûtes traversières (duo)
17
Saxophone (partie séparée)
16
Flûte, Hautbois, Clarinette, Basson
16
Saxophone Alto
15
Quatuor de Clarinettes: 4 clarinettes
13
Saxophone Alto et Piano
13
Clarinette et Piano
12
Hautbois (partie séparée)
12
Ensemble de Flûtes
11
2 Saxophones (duo)
11
Saxophone Tenor et Piano
9
2 Clarinettes (duo)
9
Quatuor de Flûtes : 4 flûtes
8
Saxophone Tenor
7
Saxophone Soprano et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Quintette de Flûte : 5 flûtes
6
2 Hautbois (duo)
5
Flûte, Violon
4
Clarinette, Guitare (duo)
3
Flûte et Guitare
3
Flûte, Violon, Piano
3
Saxophone, Clarinette (duo)
3
Clarinette, Trompette (duo)
3
Trio de Flûtes: 3 flûtes
2
Clarinette
2
Saxophone Baryton, Piano
2
Clarinette Basse, Piano
2
Flute (partie séparée)
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Clarinette, Violon (duo)
2
Flûte, Clarinette (duo)
1
Hautbois, Basson (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Saxophone et Orgue
1
Flûte, Hautbois, Basson
1
3 Saxophones (trio)
1
Hautbois, Flûte
1
5 Flûtes à bec
1
Clarinette et Alto
1
Flûte, Alto (duo)
1
Cor anglais, Piano
1
Flûte, Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Hautbois
1
3 Clarinettes (trio)
1
Flûte, Saxophone (duo)
1
+ 51 instrumentations
Retracter
Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
33
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
28
Trompette
25
Trombone et Piano
19
Trompette, Piano
16
Quatuor de Cuivres: 2 trompettes, Cor, trombone
14
Cor et Piano
13
Ensemble de Trombones
12
Trombone (partie séparée)
9
Trombone
9
Cor
7
Ensemble de Trompettes
7
Trompette, Trombone (duo)
7
Tuba
6
Trompette (partie séparée)
6
2 Trompettes (duo)
6
Tuba et Piano
5
2 Cors (duo)
5
2 Tubas (duo)
4
2 Trombones (duo)
4
Quatuor de cuivres: 4 trombones
3
Quatuor de Cuivres
2
Trompette, Saxophone (duo)
2
Euphonium, Piano (duo)
2
Trio de Cuivres
2
Ensemble de Cors
2
Cor (partie séparée)
1
Euphonium
1
Cor anglais, Piano
1
Trompette, Euphonium (duo)
1
2 Euphoniums et 2 Tubas
1
Tuba (partie séparée)
1
+ 27 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
226
Violon, Violoncelle (duo)
164
Violon
158
Trio à Cordes: violon, alto, violoncelle
131
Violoncelle
38
Violon et Piano
34
Quintette à cordes: 2 violons, alto, violoncelle, basse
30
Trio à Cordes: 2 violons, violoncelle
19
Alto, Piano
15
Violoncelle, Piano
14
2 Violons (duo)
9
Violon, Alto (duo)
9
Harpe
9
2 Violoncelles (duo)
8
Ensemble de Violons
6
2 Altos (duo)
6
Alto seul
6
Ensemble d'Altos
4
Contrebasse, Piano (duo)
4
Alto (partie séparée)
3
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
2
Contre Basse
2
4 Violoncelles
2
Contrebasse (partie séparée)
2
Quatuor à cordes : 4 altos
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Trio à Cordes: 2 violons, alto
1
Trio à Cordes: 3 violoncelles
1
Violon, Guitare (duo)
1
Violon, Tuba (duo)
1
Violon (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
108
Ensemble Jazz
50
Orchestre d'harmonie
38
Orchestre
23
Ensemble de cuivres
12
Orchestre de chambre
10
Batterie
10
Jazz combo
7
Ensemble de Percussions
6
Cloches
4
Fanfare
3
Batterie (partie séparée)
2
Xylophone, Piano
1
Vibraphone
1
Percussion
1
Ensemble d'École
1
+ 11 instrumentations
Retracter
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Can You Feel It
Orchestre de chambre
Partitions à imprimer
10 partitions trouvées
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1
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
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Orchestre de chambre
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FACILE
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Juan MarÃa Solare
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Speak to Your Mountain And Mov
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. J...
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Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
The Christmas Song (chestnuts Roasting On An Open Fire)
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Orchestre de chambre
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INTERMÉDIAIRE
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Nat Cole With N
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Kyle Pudenz
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The Christmas Song
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ViolinVagabond Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
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Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
ALES STENAR, suite for violin and chamber orchestra - Score Only
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Orchestre de chambre
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AVANCÉ
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin
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Stefano Olcese
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,R...
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Chamber Orchestra - Level 5 - SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Scimitars of the Storm
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Orchestre de chambre
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INTERMÉDIAIRE
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Anthony Plominski
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Scimitars of the Storm
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Anthony Plominski
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plomins...
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Chamber Orchestra - Level 3 - SKU: A0.1459155 Composed by Anthony Plominski. Chamber. 13 pages. Anthony Plominski #1038126. Published by Anthony Plominski (A0.1459155). This is Scimitars of the Storm, an original orchestral composition made by Anthony Plominski. This piece includes 14 instruments of various types, though it can all be played one intrument, most commonly the piano. This piece has a dramatic, epic, battle sort of theme to it, which the many intruments help create. That epic feel keeps throughout the entire composition, though it still has variety and interesting parts to it. The difficulty of this piece can vary depending on what intrument is performing its part, though there is a decent amount of skill an experience required to play it.Loads of thought and effort went into this composition, despite it only being just over two minutes when correctly played. We hope that you enjoy playing this piece!
$10.00
Pano de Boca - full original soundtrack
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bisdré Santos
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Pano de Boca - full original s
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Soul - Musical Creations
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.949008 Composed by Bisdré Santos. Concert,Contemporary,Film/TV,Standards. 82 pages. Soul - Musical Creations #6...
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Chamber Orchestra - Level 4 - SKU: A0.949008 Composed by Bisdré Santos. Concert,Contemporary,Film/TV,Standards. 82 pages. Soul - Musical Creations #6495721. Published by Soul - Musical Creations (A0.949008). You can listen to the full soundtrack on soptfy, deezer, apple music and all streaming platforms. Pano de Boca premiered in July 2015 with Cia. Teatro do Incêndio. Emblematic work by Fauzi Arap (1938-2013), written over 40 years ago, had its only staging in 1976. The play portrays the implosion of a theater group after its members crossed all boundaries between art and life. I wrote this soundtrack totally immersed in the work of Canadian cellist Julia Kent and in the essays that accompany the creation of each scene. The grandeur of Fauzi's text required a soundtrack that gave the audience the feeling of participating in the story, and various instrumentations were used. It was the company's only soundtrack that needed to be fully recorded. Good studies! Bisdré Santos
$20.00
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Can You Feel It
