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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Carl E
Non classifié
238
Piano & claviers
Piano, Voix
288
Piano seul
241
Piano Facile
37
Instruments en Do
18
Piano (partie séparée)
18
Piano grosses notes
18
Piano, Voix et Guitare
15
Orgue
13
Orgue, Piano (duo)
2
1 Piano, 4 mains
1
Accordéon
1
2 Pianos, 4 mains
1
+ 7 instrumentations
Retracter
Guitares
Guitare
75
Guitare (partie séparée)
36
Guitare notes et tablatures
12
2 Guitares (duo)
6
Basse électrique (partie séparée)
5
Basse electrique
5
Ligne De Mélodie, (Paroles) et Accords
5
Piano, Guitare (duo)
4
Banjo
2
Mandoline
2
4 Guitares (Quatuor)
1
Orchestre à Plectres
1
Ukulele
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
42
Voix seule
8
Voix Mezzo-Soprano, Piano
6
Chorale 3 parties
6
Voix Soprano, Piano
6
Chorale TTBB
6
Chorale 2 parties
5
Chorale Unison
4
Voix duo
2
Voix haute
2
Voix Alto, Piano
2
Voix basse, Piano
1
Voix duo, Piano
1
Chorale SSAA
1
+ 9 instrumentations
Retracter
Vents
Saxophone (partie séparée)
350
Clarinette (partie séparée)
148
Hautbois (partie séparée)
105
Flute (partie séparée)
66
Flûte traversière
19
Clarinette et Piano
18
Clarinette
16
Quatuor de Clarinettes: 4 clarinettes
16
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
15
Saxophone Tenor
13
Quatuor de Saxophones: 4 saxophones
13
Quintette de Saxophone: 5 saxophones
13
Flûte traversière et Piano
13
Saxophone Alto
11
2 Saxophones (duo)
9
Flûte, Hautbois, Clarinette, Basson
9
Saxophone Alto et Piano
9
Quintette de Clarinettes: 5 clarinettes
8
2 Clarinettes (duo)
8
Hautbois, Piano (duo)
7
2 Flûtes traversières (duo)
5
Saxophone Tenor et Piano
5
Ensemble de Clarinettes
3
Saxophone Soprano et Piano
3
3 Clarinettes (trio)
3
Flûte et Guitare
2
Flûte, Clarinette (duo)
2
Quatuor de Flûtes : 4 flûtes
2
Clarinette, Orchestre
2
Cor anglais, Piano
1
Saxophone, Clarinette (duo)
1
Clarinette Basse, Piano
1
Flûte traversière, Basse continue
1
2 Flûte à bec (duo)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Clarinette, Violon (trio)
1
Saxophone Baryton, Piano
1
2 Clarinettes, Basson
1
2 Hautbois (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Flûte, Violon, Piano
1
2 Cors Anglais Et Pianoforte
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Ensemble de saxophones
1
Flûte, Hautbois, Basson
1
Flûte, Violon
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Flûte et Trio à cordes
1
Flûte, Violon et Violoncelle
1
Ensemble de Flûtes
1
Saxophone Soprano
1
+ 47 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
263
Trompette (partie séparée)
195
Cor (partie séparée)
85
Tuba (partie séparée)
62
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette
13
Trombone
12
Tuba
9
Quatuor de Cuivres
8
Cor
7
Trompette, Piano
6
Trombone et Piano
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Cor et Piano
3
Cor anglais, Piano
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Tuba et Piano
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
2 Trompettes (duo)
1
Euphonium, Piano (duo)
1
Euphonium, Tuba (duo)
1
2 Trombones (duo)
1
2 Cors (duo)
1
Trompette, Trombone (duo)
1
Trombone, Tuba (duo)
1
+ 22 instrumentations
Retracter
Cordes
Violon (partie séparée)
64
Alto (partie séparée)
53
Contrebasse (partie séparée)
51
Quatuor à cordes: 2 violons, alto, violoncelle
41
Violon
26
Violoncelle (partie séparée)
19
Violon et Piano
12
Violoncelle
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Alto, Piano
8
Violoncelle, Piano
8
Trio à Cordes: 2 violons, violoncelle
5
2 Violons (duo)
5
Violon, Violoncelle (duo)
4
Alto seul
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à Cordes: violon, alto, violoncelle
3
Harpe
2
Alto, Guitare (duo)
2
Violon, Alto (duo)
1
Violon, Guitare (duo)
1
2 Violoncelles (duo)
1
4 Violoncelles
1
2 Altos (duo)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Contre Basse
1
+ 21 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
103
Percussion (partie séparée)
72
Timbales (partie séparée)
30
Batterie (partie séparée)
29
Orchestre à Cordes
13
Ensemble Jazz
11
Orchestre
8
Orchestre de chambre
6
Jazz combo
3
Fanfare
3
Cloches
2
Ensemble de cuivres
2
Quintette à Vent
1
+ 8 instrumentations
Retracter
Autres
Instruments
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CITHARE
CLAIRON
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
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PAS DE PART…
PERCU. ORCH…
PERCUSSION
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SAXOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
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COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
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FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
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Vous avez sélectionné:
Carl E
Orchestre de chambre
Partitions à imprimer
6 partitions trouvées
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C.P.E.Bach-Solfeggio in C minor Ensemble (Sextet)
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Orchestre de chambre
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FACILE
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Classique
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Carl Philipp Emanuel Bach
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Yongliang Li
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C.P.E.Bach-Solfeggio in C mino
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Yongliang Li
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1029996 Composed by Carl Philipp Emanuel Bach. Arranged by Yongliang Li. Baroque,Concert,Standards. Score and part...
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Chamber Orchestra - Level 2 - SKU: A0.1029996 Composed by Carl Philipp Emanuel Bach. Arranged by Yongliang Li. Baroque,Concert,Standards. Score and parts. 15 pages. Yongliang Li #5982835. Published by Yongliang Li (A0.1029996). Solfeggio, often called Solfeggietto, this well-known piece, published in 1770, is the most famous of Carl Philipp Emanuel Bach's keyboard works.This is a Sextet piece for Piano, 2 Violins, Viola, Cello and Double Bass. It is arranged using Baroque compositional style on orchestration, with personal musical ideas in terms of tones and texture. Piano is original composition while the strings mostly serve as accompaniment yet there are sections show the Call and Response between piano and strings. It is great for ensemble playing. Enjoy!It is included the full score and individual parts.Performance duration: 1 minute 20 seconds.
$9.99
Flute Concerto Nr. 7 in e min.
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Francois Devienne
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Flute Concerto Nr. 7 in e min.
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Carlos Ramírez
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SheetMusicPlus
Composed by Francois Devienne (1759-1803). Arranged by Carlos Ramírez Guzmán. Classical. Score and parts. 80 pages. Carlos Ramírez ...
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Composed by Francois Devienne (1759-1803). Arranged by Carlos Ramírez Guzmán. Classical. Score and parts. 80 pages. Carlos Ramírez #6659305. Published by Carlos Ramírez
$100.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Contrabass Concerto Kr. 172
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Carl Ditters von Dittersdorf
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José F
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Contrabass Concerto Kr. 172
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José F. Anello
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1089456 Composed by Carl Ditters von Dittersdorf. Arranged by José F. Anello. Baroque,Classical,Romantic Period...
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Chamber Orchestra - Level 4 - SKU: A0.1089456 Composed by Carl Ditters von Dittersdorf. Arranged by José F. Anello. Baroque,Classical,Romantic Period. Score and Parts. 104 pages. José F. Anello #693658. Published by José F. Anello (A0.1089456). This is one of the greates concerts of the Double Bass repertoire. In this edition you can found 2 options to perform this masterpiece. According to the original Double Bass soloist tuning, you will need a Double Bass D Major part, with the orchestra in E Major. The other option is to play the soloist without an specially tuned Double Bass with an E Major part, the same with the orchestra. Buying this edition you will have the two options. Included: + D Major Solo Double Bass part + E Major Solo Double Bass part + Orchestral E Major parts + French Horn in F transposition Part.
$20.00
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
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Carl E
