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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Cat 3
Sheetmusicplus
Non classifié
3 948
Piano & claviers
Piano seul
3 995
Piano grosses notes
903
Orgue
896
Piano, Voix
577
Piano Facile
496
Piano, Voix et Guitare
322
Instruments en Do
151
Accompagnement Piano
106
1 Piano, 4 mains
61
Piano Trio: piano, violon, violoncelle
40
Clavier
31
Piano (partie séparée)
14
Piano Quatuor: piano, violon, alto, violoncelle
13
Clavecin
11
2 Pianos, 4 mains
10
Accordéon
8
Orgue, Trompette (duo)
5
Piano Quintette: piano, 2 violons, alto, violoncelle
4
1 Piano, 6 mains
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Piano (duo)
1
2 Pianos, 8 mains
1
+ 17 instrumentations
Retracter
Guitares
Guitare
233
Guitare notes et tablatures
123
Basse electrique
122
Paroles et Accords
71
Ukulele
33
2 Guitares (duo)
32
Ligne De Mélodie, (Paroles) et Accords
28
Guitare (partie séparée)
23
3 Guitares (trio)
9
Dulcimer
7
Ensemble de guitares
5
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
2
Mandoline, Guitare (duo)
2
Mandoline
2
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
850
Chorale 3 parties
772
Voix duo, Piano
143
Chorale 2 parties
135
Chorale TTBB
133
Chorale Unison
117
Chorale SSAA
102
Voix duo
35
Voix Tenor, Piano
31
Voix Soprano, Piano
26
Voix seule
17
Pack Instrumental pour Chorale
15
Voix basse, Piano
14
Voix haute
13
Voix Baryton, Piano
12
Voix Alto, Piano
12
Voix moyenne, Piano
12
Voix Tenor
4
Voix Soprano
3
Voix basse
2
Soli, choeur mixte et accompagnement
1
Chorale
1
+ 17 instrumentations
Retracter
Vents
Flûte traversière et Piano
332
Clarinette et Piano
289
Hautbois, Piano (duo)
274
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
266
Saxophone Alto et Piano
234
Ocarina
222
Flûte à bec Soprano
213
Saxophone Tenor et Piano
181
Quatuor de Saxophones: 4 saxophones
175
Flûte à bec Alto
173
Flûte, Hautbois, Clarinette, Basson
171
2 Flûtes traversières (duo)
166
2 Saxophones (duo)
145
3 Saxophones (trio)
144
Quintette de Saxophone: 5 saxophones
135
Quatuor de Clarinettes: 4 clarinettes
133
Saxophone Baryton, Piano
131
3 Clarinettes (trio)
130
Flûte traversière
123
Clarinette
112
Saxophone (partie séparée)
107
2 Clarinettes (duo)
94
Trio de Flûtes: 3 flûtes
92
Saxophone Soprano et Piano
89
Quatuor de Flûtes : 4 flûtes
77
Ensemble de Clarinettes
69
Hautbois (partie séparée)
65
Clarinette Basse, Piano
61
Saxophone Alto
59
Quintette de Clarinettes: 5 clarinettes
53
Ensemble de saxophones
48
Flûte, Hautbois, Clarinette (trio)
41
Flûte, Clarinette (duo)
41
Cor anglais, Piano
40
Ensemble de Flûtes
39
Flûte, Clarinette et Basson
37
2 Hautbois (duo)
36
Quintette de Flûte : 5 flûtes
36
Saxophone Tenor
36
Flûte à bec Alto, Piano
33
Hautbois, Clarinette, Basson (trio d'anches)
32
Clarinette (partie séparée)
31
Hautbois, Clarinette (duo)
27
2 Flûte à bec (duo)
26
Ensemble De Flûte à bec
26
Clarinette, Basson (duo)
25
Hautbois
24
Flute (partie séparée)
22
Hautbois, Basson (duo)
21
Flûte à Bec
17
3 Flûtes à bec (trio)
17
Clarinette, Violon (duo)
17
Saxophone, Clarinette (duo)
17
Flûte et Guitare
16
Saxophone Soprano
15
Quatuor de Flûtes à bec
14
Hautbois, Flûte
14
Flûte, Violoncelle
14
Flûte, Violon
14
Saxophone Baryton
13
Clarinette, Trompette (duo)
12
Flûte, Hautbois (duo)
11
Flûte, Alto (duo)
10
Hautbois, Violoncelle
10
Clarinette, Guitare (duo)
10
Clarinette, Violoncelle (duo)
9
Flûte à bec Tenor
8
Flûte, Saxophone (duo)
8
Flûte, Trompette (duo)
7
Cor Anglais
7
Piccolo, Piano
7
Clarinette et Alto
7
2 Clarinettes, Basson
7
Flûte, Violon et Violoncelle
6
Flûte, Clarinette, Piano (trio)
5
Flûte, Violoncelle, Piano (trio)
5
3 Hautbois
5
Clarinette, Harpe (duo)
4
Flûte, Basson et Piano
4
Flûte, Hautbois, Basson
4
Hautbois et alto (duo)
4
Flûte, Violon, Piano
4
Flûte, Hautbois, Piano (trio)
4
Hautbois, violon (duo)
4
Saxophone et Guitare
3
Hautbois, Harpe
3
Clarinette Basse
3
2 Flûtes traversières, Piano
3
Flute, harpe et violon
3
Flûte à bec Soprano, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
5 Flûtes à bec
3
Flûte traversière, Orgue (duo)
2
Flûte, Trombone (duo)
2
2 Clarinettes, Piano
2
Clarinette, Basson, Piano (trio)
2
Clarinette, Orgue
2
Ensemble à vent
2
Hautbois, trombone (duo)
2
Clarinette, trompette et piano
2
2 Saxophones, Piano
2
Flûte à Bec, Piano
2
Cor anglais, Guitare (duo)
2
Flûte, Alto et Violoncelle
2
Flûte, trombone et piano
2
Flûte, Harpe et Violoncelle
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Basson et Piano
1
Flûte et Trio à cordes
1
Flûte, Tuba (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon, Violoncelle et Piano
1
Saxophone et Harpe
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec, Piano
1
Hautbois, Guitare (duo)
1
Clarinette, Trombone (duo)
1
Ensemble de Hautbois
1
Clarinette, Contrebasse (duo)
1
4 Hautbois
1
Flûte, Clarinette, Violon (trio)
1
Piccolo
1
Hautbois, Violoncelle et Piano
1
Saxophone et Orgue
1
Cor anglais et Harpe (duo)
1
Clarinette, Tuba
1
+ 121 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
291
Trompette, Piano
237
Trombone et Piano
221
Cor et Piano
207
Tuba et Piano
144
Trompette
141
Quatuor de Cuivres : 2 trompettes, trombone, tuba
107
Cor
84
Trombone
77
Trombone (partie séparée)
74
Euphonium, Piano (duo)
73
Trompette (partie séparée)
68
2 Trompettes (duo)
66
Tuba
65
Quatuor de Cuivres: 2 trompettes, Cor, trombone
58
Cor anglais, Piano
40
Trompette, Trombone (duo)
36
2 Trombones (duo)
36
2 Cors (duo)
32
Quatuor de Cuivres
32
Quatuor de cuivres: 4 trombones
27
Cor (partie séparée)
25
3 Trombones (trio)
21
2 Tubas (duo)
14
Trompette, Saxophone (duo)
12
Tuba (partie séparée)
11
3 Tubas (trio)
10
Ensemble de Trombones
9
Quatuor de cuivres: 4 cors
8
3 Trompettes (trio)
8
Cor Anglais
7
Trombone basse et Piano
7
Trompette, Cor (duo)
7
Ensemble de Trompettes
7
Quatuor de cuivres: 4 trompettes
6
Trio de Cuivres
6
Trompette, Violoncelle (duo)
5
Ensemble de Cors
5
Trompette, Basson (duo)
4
Euphonium
3
Cor et Harpe
3
2 Euphoniums (duo)
3
4 Tubas
2
Cor anglais, Guitare (duo)
2
2 Euphoniums et 2 Tubas
2
Instruments en Sib
2
Cor, Violoncelle (duo)
2
Trompette, Harpe
2
Tuba ou Euphonium ou Saxhorn
2
Cor et Basson (duo)
2
Trombone, Orgue
1
Trombone basse
1
Trombone, Violon (duo)
1
3 Cors (trio)
1
Trombone, Tuba (duo)
1
Ensemble de Tubas
1
4 Euphoniums
1
Trombone et orchestre
1
Cornet et orchestre
1
Trompette, Tuba (duo)
1
Clarinette, Cor (duo)
1
Euphonium, Tuba (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trompette, Trombone, Piano
1
Cor anglais et Harpe (duo)
1
Trompette et Guitare
1
+ 61 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
767
Violon et Piano
422
Violoncelle, Piano
306
Alto, Piano
278
Violon
193
Violoncelle
151
Trio à Cordes: violon, alto, violoncelle
131
Contrebasse, Piano (duo)
130
Harpe
123
Violon, Violoncelle (duo)
116
2 Violons (duo)
105
2 Violoncelles (duo)
85
Alto seul
85
Trio à Cordes: 2 violons, violoncelle
67
Violon, Alto (duo)
66
Contre Basse
63
Trio à cordes: 3 violins
54
2 Altos (duo)
54
Quintette à cordes: 2 violons, alto, violoncelle, basse
51
Trio à Cordes: 3 violoncelles
37
Violon (partie séparée)
34
Alto (partie séparée)
32
Trio à cordes: 3 altos
23
4 Violoncelles
21
Alto, Violoncelle (duo)
19
2 Contrebasses (duo)
18
Contrebasse (partie séparée)
17
Piano Trio: Violon, Alto, Piano
17
2 Harpes (duo)
16
Trio à Cordes: 2 violons, alto
15
Violon, Basson (duo)
13
Violon, Guitare (duo)
11
Harpe, Flûte (duo)
11
Harpe, Violon (duo)
7
Violoncelle , Guitare (duo)
7
Alto, Guitare (duo)
7
Violoncelle (partie séparée)
6
Alto et Basson
5
Ensemble d'Altos
5
Ensemble de Violons
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Quatuor à cordes: 4 violons
4
Violon, Clarinette, Piano (trio)
4
Harpe, Voix
4
Violon, Orgue
3
Violoncelle, Contrebasse (duo)
3
Alto et Harpe
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Flûte, Contrebasse (duo)
2
Harpe, Violon, Violoncelle
2
3 Contrebasses
2
3 Harpes
2
4 Contrebasses
2
2 Violons et Basse continue
1
Harpe et Piano
1
Harpe, Violoncelle (duo)
1
Violon, Basse continue
1
Quatuor à cordes : 4 altos
1
Harpe et mandoline
1
Ensemble de Violoncelles
1
2 Violoncelles, Piano
1
Violoncelle, Basse continue
1
Violon, Tuba (duo)
1
+ 58 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
887
Cloches
508
Orchestre à Cordes
352
Orchestre
186
Ensemble Jazz
150
Ensemble de cuivres
116
Orchestre de chambre
93
Fanfare
48
Jazz combo
37
Batterie
34
Ensemble de Percussions
28
Xylophone, Piano
25
Percussion (partie séparée)
16
Marimba
13
Batterie (partie séparée)
11
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
6
Xylophone
6
Vibraphone
4
Ensemble d'École
3
Orchestre, Violon
3
Timbales
3
2 Xylophones
2
Big band
1
Percussion
1
Piano et Orchestre
1
Vibraphone et Marimba
1
3 Percussions
1
2 Marimbas
1
+ 23 instrumentations
Retracter
Autres
Formation musicale - Solfège
6
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Crtitères actifs :
Cat 3
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Partitions à imprimer
93 partitions trouvées
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76
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
#
AVANCÉ
#
Christian contemporain
#
Musique Sacrée
#
Carson Cooman
#
Carson Cooman: Symphony No. 3,
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
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Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
#
Flavio Regis Cunha
#
MADAMINA
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
Monteverdi - L'orfeo Toccata SET OF PARTS
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
#
Claudio Monteverdi
#
Matthew Toogood
#
Monteverdi - L'orfeo Toccata S
#
Matthew Toogood
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1011696 Composed by Claudio Monteverdi. Arranged by Matthew Toogood. Opera,Renaissance,Sacred,Wedding. Score and p...
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Chamber Orchestra - Level 3 - SKU: A0.1011696 Composed by Claudio Monteverdi. Arranged by Matthew Toogood. Opera,Renaissance,Sacred,Wedding. Score and parts. 10 pages. Matthew Toogood #3621513. Published by Matthew Toogood (A0.1011696). Original source: Monteverdi's opera L'orfeo
$15.00
Monteverdi - L'orfeo Toccata FULL SCORE
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Claudio Monteverdi
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Matthew Toogood
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Monteverdi - L'orfeo Toccata F
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Matthew Toogood
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1011695 Composed by Claudio Monteverdi. Arranged by Matthew Toogood. Opera,Renaissance,Sacred,Wedding. Score and p...
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Chamber Orchestra - Level 3 - SKU: A0.1011695 Composed by Claudio Monteverdi. Arranged by Matthew Toogood. Opera,Renaissance,Sacred,Wedding. Score and parts. 6 pages. Matthew Toogood #3621497. Published by Matthew Toogood (A0.1011695). Original source: Monteverdi's opera L'orfeo
$10.00
Concerto for 3 Violins in F Major, RV 551
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Orchestre de chambre
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AVANCÉ
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Classique
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Antonio Vivaldi
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Arte Nova Music Lab
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Concerto for 3 Violins in F Ma
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and pa...
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Chamber Orchestra - Level 5 - SKU: A0.742470 Composed by Antonio Vivaldi. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 73 pages. Arte Nova Music Lab #4598409. Published by Arte Nova Music Lab (A0.742470). Antonio Lucio Vivaldi (Italian: [anˈtÉ”Ënjo ˈluËtʃo viˈvaldi]; 4 March 1678 – 28 July 1741) was an Italian Baroque musical composer, virtuoso violinist, teacher, and priest. Born in Venice, the capital of the Venetian Republic, he is regarded as one of the greatest Baroque composers, and his influence during his lifetime was widespread across Europe. He composed many instrumental concertos, for the violin and a variety of other instruments, as well as sacred choral works and more than fortyoperas. His best-known work is a series of violin concertos known as the Four Seasons. Many of his compositions were written for the all-female music ensemble of the Ospedale della Pietà , a home for abandoned children. Vivaldi had worked there as a Catholic priest for 1 1/2 years and was employed there from 1703 to 1715 and from 1723 to 1740. Vivaldi also had some success with expensive stagings of his operas in Venice, Mantua and Vienna. After meeting the Emperor Charles VI, Vivaldi moved to Vienna, hoping for royal support. However, the Emperor died soon after Vivaldi's arrival, and Vivaldi himself died, in poverty, less than a year later. Taken from https://en.wikipedia.org/wiki/Antonio_Vivaldi
$30.00
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
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Orchestre de chambre
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AVANCÉ
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Igor Korneitchouk
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The Disqualification of Harry
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Studio at the Post
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #...
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Chamber Orchestra - Level 5 - SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
Aria from Orchestral Suite No. 3, in D Major
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Dico
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Aria from Orchestral Suite No.
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.842931 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Contemporary,Wedding. Score and parts. 18 page...
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Chamber Orchestra - Level 4 - SKU: A0.842931 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Contemporary,Wedding. Score and parts. 18 pages. Dico #6401225. Published by Dico (A0.842931). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. Â
$20.00
Orchestral Suite No 3 in D Major BWV 1068
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Orchestre de chambre
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AVANCÉ
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Classique
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Maj
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score ...
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Chamber Orchestra - Level 5 - SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
BH013REC - Recorder Quartet Songs, Book 13 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH013REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921172 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 98 pages. Carl Van Peve...
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Chamber Orchestra - Level 3 - SKU: A0.921172 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 98 pages. Carl Van Pevenage #3011791. Published by Carl Van Pevenage (A0.921172). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 121 Picure paints a thousand wordsChansonnette 122 To delicate to flyChansonnette 123 Le the cat out of the badChansonnette 124 Your guess is as good as mineChansonnette 125 Pastorale: In harmony with natureChansonnette 126 Once in a blue moonChansonnette 127 A gentle tapping at the windowChansonnette 128 Folk dance: The speedy spiky waltzChansonnette 129 Danno DannoChansonnette 130 A funny dance at the palace
$9.95
O Holy Night for Vocal Solo and/or String Quartet B-flat
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Adolphe-Charles Adam
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Kovats Istvan
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O Holy Night for Vocal Solo an
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Kovats Istvan
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 8 pages....
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Chamber Orchestra - Level 3 - SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 8 pages. Kovats Istvan #6645087. Published by Kovats Istvan (A0.764307). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts.-I've added two viola parts, first with HIGHER pizzicatos, the second with LOWER pizzicatos, You can choose which one You like better.-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
Piccolo concerto "Auvers-sur-Oise" - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Davide Riva
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Piccolo concerto "Auvers-
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Davide Riva
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1262564 Composed by Davide Riva. 21st Century,Classical,Contemporary. 29 pages. Davide Riva #855582. Published by ...
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Chamber Orchestra - Level 3 - SKU: A0.1262564 Composed by Davide Riva. 21st Century,Classical,Contemporary. 29 pages. Davide Riva #855582. Published by Davide Riva (A0.1262564). Piccolo concerto is inspired by the little french town called Auvers-sur-Oise, where lived and died the famous painter Vincent Van Gogh.This concerto is composed by the italian composer Davide Riva and is dedicate to the piccolist M° Raphael Leone.Duration: 16 min c.caQuesto concerto per ottavino e orchestra è ispirato al piccolo paese Auvers-sur-Oise situato al nord della Francia, dove Vincent Van Gogh visse e passò gli ultimi giorni della sua vita.Scritto dal compositore italiano Davide Riva, è dedicato al Maestro Raphael Leone.I. ModeratoII. AdagioIII. Allegro con brioSCORING - ORGANICOPiccolo flute (solo)2 HornsTimpaniStringsOrchestral score only (no performance material).
$10.99
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
Downward Spiral
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Orchestre de chambre
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INTERMÉDIAIRE
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Sabrina Pena Young
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Downward Spiral
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Publish...
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Chamber Orchestra - Level 3 - SKU: A0.976917 Composed by Sabrina Pena Young. 20th Century,Contemporary. 7 pages. Sabrina Peña Young #3425623. Published by Sabrina Peña Young (A0.976917). Beautiful adagio work for strings. Can be adapted to string quartet, string orchestra or string ensemble. Intermediate to advanced 21st century work. Written by award-winning composer. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Sabrina Pena Young
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Song of the Forgotten Rose Tri
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Sabrina Peña Young
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432...
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Chamber Orchestra - Level 3 - SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Vivaldi - Violin Concerto No.6 in G minor Op.4 RV 316 for Violin solo, Strings and Cembalo
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Orchestre de chambre
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AVANCÉ
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Classique
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Antonio Vivaldi
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Santino Cara
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Vivaldi - Violin Concerto No.6
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.516888 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 54 pages. Santino Cara #29...
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Chamber Orchestra - Level 5 - SKU: A0.516888 Composed by Antonio Vivaldi. Arranged by Santino Cara. Baroque. Score and parts. 54 pages. Santino Cara #2949571. Published by Santino Cara (A0.516888). Violin Concerto in G minor RV 316 for Violin and Strings of Antonio Vivaldi. Dedicated to Signor Vettor Delfino and published in 1716 in La Stravaganza Op.4 No.6. Movements: 1. Allegro, 2. Largo cantabile, 3. Allegro. Along with the complete score of the concert, they are inserted separately all the instrumental parts.This concerto is a personal reconstruction made by Santino Cara viewing the manuscript kept at the National Library of Turin and cataloged in the transcriptions of Santino Cara with the code: CS2142.
$16.40
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Eddie Lewis
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Hopewell Farmscapes from Hopew
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Tiger Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A...
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Chamber Orchestra - Level 3 - SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
$17.79
Concertino for Flute and Strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Richard E Brown
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Concertino for Flute and Strin
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Dacker Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Publ...
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Chamber Orchestra - Level 4 - SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
Ave Maria (Gounod) in Eb - for 2 voices & orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Bach - Gounod
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Dico
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Ave Maria
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1093325 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and pa...
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Chamber Orchestra - Level 3 - SKU: A0.1093325 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 64 pages. Dico Ferreira #697399. Published by Dico Ferreira (A0.1093325). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. AVE MARIA (Gounod) in Eb - for 2 voices and orchestra - provided in many keys on my catalogue for all voice ranges. INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn 1, 2 | Pno | Str.
$22.00
Ave Maria (Gounod) in C - for 2 voices & orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Bach - Gounod
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Dico
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Ave Maria
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Dico Ferreira
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1093329 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and pa...
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Chamber Orchestra - Level 3 - SKU: A0.1093329 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 47 pages. Dico Ferreira #697403. Published by Dico Ferreira (A0.1093329). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog. AVE MARIA (Gounod) in C - for voices and orchestra - provided in many keys on my catalogue for all voice ranges. INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn | Tpt 1, 2 | Tbn 1, 2 | Perc | Pno | Str.
$22.00
Ave Maria (Gounod) in C - for 2 voices & orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Bach - Gounod
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Dico
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Ave Maria
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.843097 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.843097 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 47 pages. Dico #6606285. Published by Dico (A0.843097). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Gounod) in C - for voices and orchestra - provided in many keys on my catalogue for all voice ranges.INSTRUMENTATION: Score | Voices | Fl | Ob | Hrn | Tpt 1, 2 | Tbn 1, 2 | Perc | Pno | Str.
$22.00
Ave Maria (Gounod) in Bb - for 2 voices & orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Bach - Gounod
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Dico
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Ave Maria
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.843098 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and par...
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Chamber Orchestra - Level 3 - SKU: A0.843098 Composed by Bach - Gounod. Arranged by Dico. Christmas,Easter,Romantic Period,Sacred,Wedding. Score and parts. 64 pages. Dico #6606291. Published by Dico (A0.843098). WEDDING SERIES - A set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.AVE MARIA (Gounod) in Bb - for 2 voices and orchestra - provided in many keys on my catalogue for all voice ranges.INSTRUMENTATION:Voices | Flute | Oboe | Horn 1, 2 | Piano | Strings
$22.00
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