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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
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BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
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CLARINETTE
CLAVECIN
CLOCHES
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CORNEMUSE
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PIANO & CLAVIERS
Piano seul
457
Piano, Voix et Guitare
449
Piano, Voix
173
Piano Facile
70
Orgue
38
Instruments en Do
25
Piano Quatuor: piano, violon, alto, violoncelle
12
Piano Trio: piano, violon, violoncelle
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
1 Piano, 4 mains
8
Accompagnement Piano
6
2 Pianos, 4 mains
5
Accordéon
5
Clavecin
4
Piano (partie séparée)
3
Piano grosses notes
2
Orgue, Trompette (duo)
1
2 Pianos, 8 mains
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
49
Guitare
42
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14
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10
Basse electrique
8
Guitare (partie séparée)
5
2 Guitares (duo)
5
Paroles et Accords
4
Dulcimer
2
Banjo
1
Mandoline, Guitare (duo)
1
4 Guitares (Quatuor)
1
Guitare, Orchestre
1
Guitare, Violon, Violoncelle (trio)
1
3 Guitares (trio)
1
Piano, Guitare (duo)
1
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VOIX
Chorale SATB
241
Chorale 3 parties
55
Chorale TTBB
49
Chorale 2 parties
36
Chorale Unison
27
Chorale SSAA
19
Voix duo, Piano
10
Voix duo
7
Voix Soprano, Piano
4
Chorale
3
Voix haute
3
Voix basse
2
Chorale SSAATTBB
1
Voix Mezzo-Soprano, Piano
1
Voix Alto, Piano
1
Voix moyenne, Piano
1
Voix Tenor
1
Voix seule
1
Instrumentations suivantes
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
124
Quintette de Saxophone: 5 saxophones
120
Quatuor de Saxophones: 4 saxophones
89
Ensemble de saxophones
73
Flûte traversière et Piano
66
Clarinette
50
Flûte, Hautbois, Clarinette, Basson
49
Clarinette et Piano
48
Hautbois, Piano (duo)
42
Saxophone Tenor et Piano
40
Flûte traversière
36
Quatuor de Clarinettes: 4 clarinettes
36
Ensemble de Clarinettes
36
Saxophone Alto et Piano
35
Saxophone (partie séparée)
33
2 Saxophones (duo)
31
Saxophone Baryton, Piano
30
Saxophone Alto
30
Saxophone Soprano et Piano
25
Ensemble de Flûtes
22
2 Flûtes traversières (duo)
21
Cor anglais, Piano
20
Quatuor de Flûtes : 4 flûtes
19
Quintette de Flûte : 5 flûtes
19
3 Saxophones (trio)
18
Hautbois (partie séparée)
15
Clarinette Basse, Piano
15
Saxophone Tenor
14
2 Clarinettes (duo)
13
Saxophone Soprano
11
2 Flûte à bec (duo)
11
Quatuor de Flûtes à bec
10
Flûte à bec Soprano
10
Clarinette, Basson (duo)
9
3 Clarinettes (trio)
8
Trio de Flûtes: 3 flûtes
8
5 Flûtes à bec
7
Flûte, Clarinette (duo)
7
Flûte et Guitare
6
Quintette de Clarinettes: 5 clarinettes
6
Clarinette, Guitare (duo)
5
3 Flûtes à bec (trio)
5
Flûte à Bec
4
Hautbois, Clarinette, Basson (trio d'anches)
4
Piccolo, Piano
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
2
Hautbois, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Ensemble de Hautbois
2
Flûte, Hautbois, Clarinette (trio)
2
4 Hautbois
2
Flûte à bec Alto
2
Saxophone
2
Flute (partie séparée)
2
2 Saxophones, Piano
2
Flûte à bec Tenor
2
Clarinette, Trombone (duo)
2
Flûte, Violon, Piano
1
Clarinette, Violoncelle (duo)
1
Quatuor de Clarinettes: Clarinette, Violon, Alto, Violoncelle
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Alto (duo)
1
Flûte, Hautbois, Piano (trio)
1
Piccolo
1
Hautbois, Basson (duo)
1
Flûte, Violoncelle
1
Cor Anglais
1
Flûte irlandaise
1
Flûte et Trio à cordes
1
Hautbois, Flûte
1
Clarinette, Orgue
1
Flûte, Violon et Violoncelle
1
Cor anglais, Guitare (duo)
1
Instrumentations suivantes
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
103
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
81
Trompette
38
Cor et Piano
31
Trombone et Piano
30
Ensemble de Trombones
29
Quatuor de Cuivres: 2 trompettes, Cor, trombone
29
Trompette, Piano
24
Trombone
21
Cor anglais, Piano
20
Quatuor de Cuivres
19
Ensemble de Trompettes
19
Euphonium, Piano (duo)
18
Tuba et Piano
14
Cor
12
Trombone (partie séparée)
11
Ensemble de Cors
10
Trompette (partie séparée)
9
Quatuor de cuivres: 4 trombones
9
Trompette, Trombone (duo)
8
Quatuor de cuivres: 4 trompettes
6
3 Trombones (trio)
6
4 Tubas
5
Tuba
4
2 Trompettes (duo)
4
2 Trombones (duo)
4
2 Cors (duo)
4
Cor (partie séparée)
3
3 Cors (trio)
3
Trio de Cuivres
3
2 Tubas (duo)
3
3 Tubas (trio)
3
Quatuor de cuivres: 4 cors
3
Trompette, Cor (duo)
3
Tuba et Orgue
2
Trombone, Cor (duo)
2
Trompette, Euphonium (duo)
1
Bass Clef Instruments
1
3 Trompettes (trio)
1
Trompette, Saxophone (duo)
1
Cor Anglais
1
Ensemble de Tubas
1
3 Euphoniums
1
Cor anglais, Guitare (duo)
1
Tuba (partie séparée)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
140
Violon et Piano
71
Violon
49
Alto, Piano
49
Violoncelle, Piano
48
Harpe
25
Violon, Violoncelle (duo)
22
Violoncelle
21
Violoncelle (partie séparée)
20
2 Violons (duo)
15
Ensemble de Violons
14
Ensemble d'Altos
14
Violon, Alto (duo)
14
Trio à Cordes: violon, alto, violoncelle
12
Alto seul
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
10
Contrebasse, Piano (duo)
8
Trio à Cordes: 2 violons, violoncelle
8
2 Violoncelles (duo)
7
Quatuor à cordes: 4 violons
6
2 Altos (duo)
6
Contre Basse
6
Trio à cordes: 3 altos
5
4 Violoncelles
5
Trio à cordes: 3 violins
5
Trio à Cordes: 3 violoncelles
5
Alto, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Contrebasse (partie séparée)
3
Violoncelle , Guitare (duo)
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Harpe, Flûte (duo)
2
Alto et Harpe
2
Harpe et Piano
1
Violoncelle, Contrebasse (duo)
1
Violon, Basson (duo)
1
Violon (partie séparée)
1
Alto (partie séparée)
1
Piano Trio: Violon, Alto, Piano
1
Alto et Basson
1
2 Harpes (duo)
1
Trio à Cordes: 2 violons, alto
1
Ensemble de Violoncelles
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
137
Orchestre à Cordes
56
Orchestre
51
Ensemble de cuivres
35
Ensemble Jazz
27
Cloches
16
Ensemble de Percussions
13
Orchestre de chambre
12
Jazz combo
8
Batterie (partie séparée)
4
Batterie
3
Fanfare
3
Marimba
2
Quintette de Cuivres: autres combinaisons
2
Xylophone
1
Piano et Orchestre
1
2 Xylophones
1
Xylophone, Piano
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
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Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan Mar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
3.67 €
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Orchestre de chambre
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Juan MarÃa Solare
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Speak to Your Mountain And Move it [chamber orchestra
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Juan Maria Solare
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SheetMusicPlus
Christmas Eve 10PM for piccolo and chamber group
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.957971 Composed by Nancy Sha…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.957971 Composed by Nancy Shafer Rohar. Christmas,Contemporary. Score and parts. 77 pages. Nancy Shafer Rohar #3860767. Published by Nancy Shafer Rohar (A0.957971). Piccolo is prominent in this piece that was inspired by the joy and anticipation felt by children on Christmas Eve. The piece tells the story of children that are trying to stay awake to watch for Santa, and they also can't sleep because it's getting close to Christmas morning. They start out full of energy and try to sneak down the stairs to peek at packages under the tree. They run back up to their rooms and look out the window just in time to see the snow start to fall. Just before they nod off they think they DO hear Santa on the roof, and they try again to keep their eyes open but they can't, and they drift off to sleep. In the final bars you can imagine them dreaming of Santa flying on to the next house, while they are snug and warm in their beds.
$10.00
9.18 €
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Orchestre de chambre
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Nancy Shafer Rohar
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Christmas Eve 10PM for piccolo and chamber group
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Nancy Shafer Rohar
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.66 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
ALES STENAR, suite for violin and chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. B…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1145526 By Stefano Olcese. By Stefano Olcese. Arranged by Stefano Olcese. Chamber,Classical,Contemporary,Film/TV,Romantic Period. 28 pages. Stefano Olcese #745768. Published by Stefano Olcese (A0.1145526). ----> IMPORTANT
$19.99
18.36 €
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Orchestre de chambre
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Stefano Olcese
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Stefano Olcese
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ALES STENAR, suite for violin and chamber orchestra - Score Only
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Stefano Olcese
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.95 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.83 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto for solo cello and sinfonietta op.3
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
10.93 €
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Orchestre de chambre
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Angus Ludfranz
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Concerto for solo cello and sinfonietta op.3
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Angus Ludfranz
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By H…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
32.13 €
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Orchestre de chambre
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Judy Garland
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Keith Moss
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
Nocturne for Strings- Op. 26
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Tayl…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.987737 Composed by Dana Taylor. Contemporary. Score and parts. 13 pages. Dana Taylor Music #28939. Published by Dana Taylor Music (A0.987737). Nocturne for Strings is a rondo where each section of the orchestra has a chance to stand out. I chose Advanced Intermediate because the mode tends to be mixolydian, with shifting tonal centers and keys, but always melodic,and the parts are interesting. Depending on your group Nocturne is full of teachable moments, from what makes it modal to how go we modulate from one key to the next, and why. And your musicians and audience alike will be humming this afterward. Parts sold separately.
$30.00
27.55 €
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Orchestre de chambre
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Dana Taylor
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Nocturne for Strings- Op. 26
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Dana Taylor Music
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SheetMusicPlus
Meditation XVII - Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contem…
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Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
18.37 €
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Orchestre de chambre
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
L'Après-midi d'un faun (2021) for soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867). Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title. Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. I divided the poem into five parts. 1. Ces nymphes, je les veux perpétuer ... 2. O bords siciliens d'un marécage ... 3. Tâche donc, instrument des fuites ... 4. O nymphes, regonflons des Souvenirs divers ... 5. Tant pis! vers le bonheur d'autres m'entraîneront ...
$9.99
9.17 €
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Orchestre de chambre
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Thomas Oboe Lee
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L'Après-midi d'un faun
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Thomas Oboe Lee
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SheetMusicPlus
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