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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Charles E.
Sheetmusicplus
Non classifié
442
Piano & claviers
Orgue
235
Piano seul
119
Piano, Voix
111
Piano, Voix et Guitare
44
Piano grosses notes
23
Piano Facile
20
Piano (partie séparée)
20
Accompagnement Piano
11
Instruments en Do
4
2 Orgues (duo)
3
1 Piano, 4 mains
3
Orgue, Piano (duo)
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare (partie séparée)
17
Guitare
9
Guitare notes et tablatures
6
Ligne De Mélodie, (Paroles) et Accords
5
Ukulele
5
Basse electrique
3
Piano, Guitare (duo)
2
Basse électrique (partie séparée)
1
Banjo
1
2 Guitares (duo)
1
+ 5 instrumentations
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Voix
Chorale SATB
98
Chorale 3 parties
13
Voix duo
10
Chorale Unison
9
Chorale SSAA
7
Chorale 2 parties
5
Chorale TTBB
5
Voix Soprano, Piano
5
Voix Tenor, Piano
3
Voix Tenor
2
Voix duo, Piano
1
Voix, Guitare
1
+ 7 instrumentations
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Vents
Saxophone (partie séparée)
234
Clarinette (partie séparée)
76
Hautbois (partie séparée)
63
Flute (partie séparée)
36
Clarinette et Piano
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Saxophone Alto et Piano
14
Quatuor de Clarinettes: 4 clarinettes
14
Clarinette
9
Ensemble de Clarinettes
9
Quatuor de Saxophones: 4 saxophones
7
Flûte traversière et Piano
7
Quintette de Clarinettes: 5 clarinettes
6
Saxophone Soprano et Piano
5
Hautbois, Piano (duo)
5
Flûte, Hautbois, Clarinette, Basson
5
Flûte et Guitare
4
2 Saxophones (duo)
4
2 Clarinettes (duo)
4
Saxophone Alto
3
Flûte traversière, Orgue (duo)
3
Saxophone Tenor
2
Flûte à bec Soprano
2
Trio de Flûtes: 3 flûtes
2
Flûte traversière
2
2 Flûtes, 2 Clarinettes (Quatuor)
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Tenor et Piano
2
Clarinette, Orgue
2
Quatuor de Flûtes : 4 flûtes
2
Quatuor de Flûtes à bec
2
Flûte à bec Alto, Piano
1
Flûte à bec Soprano, Piano
1
Clarinette Basse
1
2 Flûtes traversières (duo)
1
3 Clarinettes (trio)
1
3 Saxophones (trio)
1
Flûte à Bec
1
Quintette de Flûte : 5 flûtes
1
+ 34 instrumentations
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Cuivres
Trompette (partie séparée)
165
Trombone (partie séparée)
164
Cor (partie séparée)
41
Tuba (partie séparée)
20
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
10
Trombone et Piano
8
Trompette, Piano
8
Trompette
4
Ensemble de Trompettes
4
Trombone
4
Ensemble de Cors
2
2 Trompettes (duo)
2
Tuba et Piano
2
Ensemble de Tubas
2
Quatuor de Cuivres
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
2
Euphonium (partie séparée)
2
Trio de Cuivres
1
Euphonium, Piano (duo)
1
Cor et Piano
1
+ 15 instrumentations
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Cordes
Contrebasse (partie séparée)
35
Violon (partie séparée)
29
Alto (partie séparée)
29
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violoncelle (partie séparée)
13
Violon et Piano
7
Violoncelle, Piano
5
Alto, Piano
5
Violon
4
Trio à Cordes: violon, alto, violoncelle
4
Violon, Violoncelle (duo)
3
Alto seul
2
Violoncelle
2
2 Violons (duo)
2
2 Violoncelles (duo)
1
Harpe et Orgue
1
Harpe
1
Alto, Violoncelle (duo)
1
Violon, Alto (duo)
1
Trio à Cordes: 2 violons, violoncelle
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Harpe (partie séparée)
1
+ 17 instrumentations
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Orchestre & Percussions
Percussion (partie séparée)
41
Orchestre d'harmonie
35
Ensemble Jazz
25
Batterie (partie séparée)
18
Timbales (partie séparée)
14
Cloches
12
Orchestre à Cordes
11
Jazz combo
10
Orchestre
5
Vibraphone (partie séparée)
4
Fanfare
3
Orchestre de chambre
2
Ensemble de cuivres
2
Batterie
2
Xylophone, Piano
1
Marimba
1
Ensemble de Percussions
1
Vibraphone
1
+ 13 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
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Crtitères actifs :
Charles E.
SheetMusicPlus
Partitions à imprimer
2 partitions trouvées
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Kyrie, Gott heiliger Geist BWV 671 - AWV 9
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach
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Charles E
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Kyrie, Gott heiliger Geist BWV
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Askew Music Productions
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1305511 Composed by Johann Sebastian Bach. Arranged by Charles E. Askew. Baroque,Christian,Religious,Sacred. 48 pa...
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Chamber Orchestra - Level 4 - SKU: A0.1305511 Composed by Johann Sebastian Bach. Arranged by Charles E. Askew. Baroque,Christian,Religious,Sacred. 48 pages. Askew Music Productions #894959. Published by Askew Music Productions (A0.1305511). BWV 671 is one of my favorite chorale preludes. I think that it is an excellent teaching piece for understanding species counterpoint. I had always wondered how it would sound if orchestrated, but I could not find any examples. So, I decided to create my own.It is scored for Flute, 2 Clarinets, Bassoon, Contrabassoon, 2 Horns, Piano, and Strings (Orchestra or Quintet). Parts are included.
$40.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
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Charles E.
