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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
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FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
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Christ Was Born
Non classifié
257
Piano & claviers
Piano seul
79
Piano, Voix
31
Piano, Voix et Guitare
29
Piano Facile
27
Orgue
19
Instruments en Do
14
Piano Trio: piano, violon, violoncelle
5
Piano grosses notes
2
Piano Quatuor: piano, 2 violons, violoncelle
1
Accompagnement Piano
1
Orgue, Piano (duo)
1
+ 6 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
12
Paroles et Accords
9
Ukulele
9
Guitare
3
Guitare notes et tablatures
3
Basse electrique
1
2 Guitares (duo)
1
Piano, Guitare (duo)
1
+ 3 instrumentations
Retracter
Voix
Chorale SATB
154
Chorale 3 parties
25
Chorale 2 parties
13
Chorale Unison
10
Chorale
7
Voix duo, Piano
7
Pack Instrumental pour Chorale
5
Voix, Guitare
3
Voix duo
3
Chorale SSAA
3
Chorale TTBB
2
Voix seule
1
Voix Soprano, Piano
1
Chorale SSAATTBB
1
+ 9 instrumentations
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Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
16
Flûte traversière et Piano
15
Saxophone Alto et Piano
13
2 Saxophones (duo)
12
Saxophone Alto
11
Flûte, Hautbois, Clarinette, Basson
10
Saxophone Tenor et Piano
10
Hautbois, Piano (duo)
9
Clarinette
8
2 Flûtes traversières (duo)
8
Flûte traversière
8
2 Clarinettes (duo)
8
Clarinette et Piano
8
Saxophone Soprano et Piano
7
3 Saxophones (trio)
7
Quatuor de Saxophones: 4 saxophones
7
Saxophone Tenor
6
Cor anglais, Piano
5
Saxophone Baryton, Piano
4
Ensemble de Clarinettes
3
Saxophone, Clarinette (duo)
3
Quintette de Clarinettes: 5 clarinettes
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette de Saxophone: 5 saxophones
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Clarinette, Piano (trio)
2
2 Saxophones, Piano
2
2 Flûtes traversières, Piano
2
Clarinette (partie séparée)
2
2 Hautbois (duo)
2
3 Clarinettes (trio)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Clarinette (duo)
2
Flûte, Clarinette et Basson
2
Trio de Flûtes: 3 flûtes
2
Ensemble de saxophones
2
Clarinette, Violon (duo)
2
Flûte, Violon
1
Flûte, Alto (duo)
1
Flûte, Violon, Piano
1
Clarinette, Harpe (duo)
1
Flute (partie séparée)
1
Hautbois, Basson (duo)
1
2 Flûte à bec (duo)
1
Flûte, Saxophone (duo)
1
Hautbois, Clarinette (duo)
1
Clarinette, Basson (duo)
1
Clarinette et Alto
1
Saxophone et Harpe
1
Hautbois
1
Hautbois (partie séparée)
1
Clarinette, Guitare (duo)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Clarinette Basse, Piano
1
Clarinette, Trompette (duo)
1
Flûte traversière, Orgue (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Flûte
1
Clarinette, Violoncelle (duo)
1
Flûte, Hautbois, Piano (trio)
1
Hautbois, Harpe
1
+ 59 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
19
Trompette
14
Trompette, Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
10
2 Trompettes (duo)
9
Cor
8
Trompette, Trombone (duo)
7
Trombone
6
Trombone et Piano
6
Cor anglais, Piano
5
Euphonium, Piano (duo)
4
Trompette (partie séparée)
4
Trombone (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
3
Quatuor de Cuivres
3
2 Trombones (duo)
3
Trompette, Saxophone (duo)
2
Trompette, Violoncelle et Piano
2
Ensemble de Trombones
2
Ensemble de Trompettes
2
2 Tubas (duo)
1
Cor et Harpe
1
3 Trompettes (trio)
1
Cor et Piano
1
Quatuor de cuivres: 4 trombones
1
2 Cors (duo)
1
Trompette, Harpe
1
Cor (partie séparée)
1
3 Cors (trio)
1
Trompette, Trombone, Piano
1
3 Trombones (trio)
1
Tuba et Piano
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
19
Violon et Piano
18
Violoncelle, Piano
18
2 Violons (duo)
12
Violoncelle
10
Alto seul
9
Violon
9
Alto, Piano
7
2 Violoncelles (duo)
6
Violon, Violoncelle (duo)
6
Harpe
6
Trio à Cordes: violon, alto, violoncelle
3
Violon (partie séparée)
2
2 Altos (duo)
2
Trio à cordes: 3 violins
2
Violon, Alto (duo)
2
2 Harpes (duo)
2
Violoncelle , Guitare (duo)
1
Contre Basse
1
Harpe, Violoncelle (duo)
1
Ensemble d'Altos
1
Alto, Violoncelle (duo)
1
Trio à cordes: 3 altos
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Trio à Cordes: 3 violoncelles
1
Harpe, Flûte (duo)
1
2 Violoncelles, Piano
1
2 Violons, Piano
1
Alto et Harpe
1
Trio à Cordes: 2 violons, violoncelle
1
Violoncelle (partie séparée)
1
+ 27 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
30
Orchestre
20
Cloches
11
Ensemble de cuivres
10
Orchestre de chambre
5
Orchestre à Cordes
2
Percussion (partie séparée)
1
Jazz combo
1
Marimba
1
Timbales
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
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FLUTE TRAVERSI…
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Vous avez sélectionné:
Christ Was Born
Orchestre de chambre
Partitions à imprimer
5 partitions trouvées
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A Child Was Born - Christmas - Strings and piano with parts
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Orchestre de chambre
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FACILE
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Connie Boss
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A Child Was Born - Christmas -
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801516 Composed by Connie Boss. Christian,Christmas,Sacred. Score and parts. 17 pages. Connie Boss #6070295. Publi...
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Chamber Orchestra - Level 2 - SKU: A0.801516 Composed by Connie Boss. Christian,Christmas,Sacred. Score and parts. 17 pages. Connie Boss #6070295. Published by Connie Boss (A0.801516). This original song is for strings - violin, viola and cello. I have used some lyrics from public domain songs. See lyrics below:
$5.50
Think About That Day - a Christmas Song - Strings with piano with parts
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Orchestre de chambre
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FACILE
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Noël
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Connie Boss
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See lyrics below:
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Think About That Day - a Chris
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Connie Boss
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Co...
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Chamber Orchestra - Level 2 - SKU: A0.801538 Composed by Connie Boss. Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6075855. Published by Connie Boss (A0.801538). This is a song that makes you wonder what it would have been like to be Mary and Joseph. Think about that day - the angel came, they traveled to Bethlehem, Jesus was born......This is for a string quartet but it is available in other versions as well. Lyrics and parts are included. cdboss@cvalley.net See lyrics below:
$5.50
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia
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Guido Menestrina
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido ...
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Chamber Orchestra - Level 3 - SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
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