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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Come Home - Bassoon
Non classifié
404
Piano & claviers
Piano seul
314
Piano, Voix et Guitare
166
Piano, Voix
156
Piano Facile
70
Instruments en Do
24
1 Piano, 4 mains
12
Orgue
11
Accompagnement Piano
7
Piano Trio: piano, violon, violoncelle
7
Piano grosses notes
6
Piano (partie séparée)
5
Accordéon
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Clavier
1
Ligne De Mélodie, Piano
1
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Orgues (duo)
1
+ 12 instrumentations
Retracter
Guitares
Guitare notes et tablatures
81
Ligne De Mélodie, (Paroles) et Accords
55
Ukulele
34
Guitare
28
Basse electrique
14
Paroles et Accords
10
Guitare (partie séparée)
8
Mandoline
3
2 Guitares (duo)
3
Banjo
3
Basse électrique (partie séparée)
1
3 Dulcimers (trio)
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
164
Chorale 3 parties
62
Chorale 2 parties
30
Chorale TTBB
27
Pack Instrumental pour Chorale
22
Chorale SSAA
17
Chorale Unison
16
Voix seule
10
Chorale
9
Voix duo, Piano
6
Voix haute
5
Voix Soprano, Piano
4
Voix duo
4
Voix Alto, Piano
2
Voix Baryton
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
+ 12 instrumentations
Retracter
Vents
Saxophone (partie séparée)
32
Flûte traversière et Piano
25
Saxophone
24
Quatuor de Saxophones: 4 saxophones
24
Flûte traversière
23
Clarinette
20
2 Saxophones (duo)
20
Saxophone Tenor et Piano
19
2 Flûtes traversières (duo)
19
Hautbois, Piano (duo)
18
Saxophone Alto et Piano
18
Clarinette et Piano
18
Quintette de Saxophone: 5 saxophones
18
Saxophone Tenor
15
Clarinette (partie séparée)
12
Saxophone Alto
12
2 Clarinettes (duo)
11
Ensemble de saxophones
11
Ensemble de Clarinettes
9
Flûte, Clarinette (duo)
8
Hautbois (partie séparée)
8
Quatuor de Clarinettes: 4 clarinettes
8
Saxophone Soprano et Piano
7
Saxophone Baryton, Piano
7
Ensemble de Flûtes
7
3 Clarinettes (trio)
7
Flute (partie séparée)
6
2 Hautbois (duo)
4
Ocarina
4
Flûte à bec Soprano
3
Quatuor de Flûtes : 4 flûtes
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
Flûte à Bec
3
Cor anglais, Piano
3
Flûte, Violon
3
Flûte à Bec, Piano
2
Harmonica
2
Flûte à bec Soprano, Piano
2
Flûte et Guitare
2
Flûte, Violoncelle
2
Ensemble De Flûte à bec
2
Piccolo, Piano
2
2 Flûte à bec (duo)
2
Flûte à bec Tenor
2
3 Saxophones (trio)
2
Flûte à bec Alto, Piano
2
Flûte à bec Alto
1
Quatuor de Flûtes à bec
1
Saxophone et Guitare
1
Hautbois, Flûte
1
Flûte à bec Alto, Basse continue
1
Flûte, Violon, Piano
1
Hautbois, Guitare (duo)
1
+ 50 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
32
Quatuor de Cuivres : 2 trompettes, trombone, tuba
27
Trompette
27
Trombone (partie séparée)
26
Trombone et Piano
21
Trompette (partie séparée)
20
Trombone
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
16
Trompette, Piano
14
Cor et Piano
11
Cor (partie séparée)
9
Tuba et Piano
9
Ensemble de Trombones
8
Cor
8
2 Trompettes (duo)
7
Quatuor de Cuivres
7
2 Trombones (duo)
7
Tuba (partie séparée)
6
Euphonium, Piano (duo)
5
Tuba
4
2 Cors (duo)
4
Quatuor de cuivres: 4 trombones
4
Ensemble de Trompettes
3
2 Euphoniums et 2 Tubas
3
Cor anglais, Piano
3
2 Tubas (duo)
2
Trompette, Cor (duo)
2
Trompette, Saxophone (duo)
2
Trombone basse et Piano
2
Instruments en Sib
1
Tuba et Orgue
1
Euphonium
1
Trio de Cuivres
1
+ 28 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
73
Violon, Violoncelle (duo)
39
Violon et Piano
34
Violoncelle, Piano
29
Violon
24
Violoncelle
22
Trio à Cordes: 2 violons, violoncelle
20
2 Violoncelles (duo)
20
Alto, Piano
19
Violon, Alto (duo)
17
Alto, Violoncelle (duo)
14
2 Violons (duo)
11
Trio à Cordes: violon, alto, violoncelle
11
Alto seul
10
Violon (partie séparée)
8
Harpe
7
Trio à cordes
6
Contrebasse, Piano (duo)
6
2 Altos (duo)
6
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Ensemble de Violons
3
Contre Basse
3
Ensemble d'Altos
3
Violoncelle , Guitare (duo)
2
2 Contrebasses (duo)
2
2 Violons, Piano
1
Harpe, Voix
1
Piano Trio: Violon, Alto, Piano
1
Violoncelle (partie séparée)
1
+ 25 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
93
Batterie
41
Orchestre
36
Ensemble Jazz
32
Fanfare
27
Orchestre à Cordes
24
Ensemble de cuivres
20
Cloches
15
Batterie (partie séparée)
6
Orchestre de chambre
4
Percussion (partie séparée)
3
Xylophone, Piano
2
Xylophone
2
2 Marimbas
1
Piano et Orchestre
1
Marimba
1
Jazz combo
1
Ensemble de Percussions
1
Vibraphone
1
Percussion
1
+ 15 instrumentations
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Autres
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
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TROMBONE
TROMPETTE
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UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
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FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Crtitères actifs :
Come Home - Bassoon
Orchestre de chambre
Partitions à imprimer
4 partitions trouvées
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1
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
When Johnny Comes Marching Home
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Orchestre de chambre
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FACILE
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Patrick Gilmore
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Dan Severino
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When Johnny Comes Marching Hom
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6...
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Chamber Orchestra - Level 2 - SKU: A0.864731 Composed by Patrick Gilmore. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 6 pages. Piano Teacher Press #48783. Published by Piano Teacher Press (A0.864731). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. Here’s an early intermediate arrangement originates from the American Civil War. Each performer must learn to be both melodist and accompanist, thus learning one of the major elements of playing in ensemble with other musicians.
$3.99
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Sebastian Bach and Neth
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein H
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis ...
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Chamber Orchestra - Level 4 - SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
The Bremen Town Musicians for String Quartet and Narrator (score & narration)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Douglas Meyer
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The Bremen Town Musicians for
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Douglas Meyer
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.873786 Composed by Douglas Meyer. Romantic Period. Score and parts. 33 pages. Douglas Meyer #5952753. Published by...
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Chamber Orchestra - Level 4 - SKU: A0.873786 Composed by Douglas Meyer. Romantic Period. Score and parts. 33 pages. Douglas Meyer #5952753. Published by Douglas Meyer (A0.873786). The full score that goes with The Bremen Town Musicians for String Quartet and Narrator (narration included) The story of a donkey, a dog, a cat, and a rooster, all past their prime years in life and usefulness on their respective farms, soon to be discarded or mistreated by their masters. One by one they leave their homes and set out together. They decide to go to Bremen, known for its freedom, to live without owners and become Bremen Town Musician. Story by the Brothers Grimm and music a parody on music of Saint-Saens, Liszt, Elgar and many others. Narration included.
$10.95
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Come Home - Bassoon
