English version
PARTITIONS GRATUITES
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Accueil
Instrumentations
Compositeurs
Nouveautés
Top 100
Métronome
Portées musicales
ACHATS POUR MUSICIENS
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
Partitions
Gratuites
953
Partitions
Numériques
33
Librairie
Musicale
4
Matériel
de Musique
103
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Non classifié
782
PIANO & CLAVIERS
Piano, Voix
363
Piano seul
212
Accompagnement Piano
71
Orgue
43
Piano Facile
23
1 Piano, 4 mains
13
Piano Trio: piano, violon, violoncelle
6
Instruments en Do
6
Piano, Voix et Guitare
6
Orgue, Trompette (duo)
4
Piano (partie séparée)
3
Piano Quatuor: piano, 2 violons, violoncelle
3
Clavecin
3
2 Pianos, 4 mains
3
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Instrumentations suivantes
Retracter
GUITARES
Guitare
20
Piano, Guitare (duo)
9
Guitare notes et tablatures
5
3 Guitares (trio)
3
Ukulele
2
2 Guitares (duo)
2
4 Guitares (Quatuor)
2
Guitare (partie séparée)
2
Basse électrique (partie séparée)
1
Instrumentations suivantes
Retracter
VOIX
Chorale 3 parties
136
Chorale 2 parties
134
Chorale SATB
130
Voix Soprano, Piano
52
Voix duo
47
Voix duo, Piano
46
Voix Tenor, Piano
23
Voix haute
19
Voix Alto, Piano
18
Chorale TTBB
16
Voix moyenne, Piano
15
Chorale Unison
14
Chorale SSAA
13
Chorale
8
Voix seule
7
Voix Tenor
6
Voix basse
3
Voix Soprano
3
Voix basse, Piano
1
Voix Baryton, Piano
1
Voix, Guitare
1
Instrumentations suivantes
Retracter
VENTS
Flûte traversière et Piano
84
Saxophone Alto et Piano
67
Hautbois, Piano (duo)
64
Saxophone Tenor et Piano
59
Saxophone (partie séparée)
58
Quatuor de Saxophones: 4 saxophones
55
Clarinette et Piano
53
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
50
Clarinette (partie séparée)
49
Saxophone Soprano et Piano
48
Clarinette
47
Flûte, Hautbois, Clarinette, Basson
44
2 Saxophones (duo)
44
Quatuor de Clarinettes: 4 clarinettes
35
Ensemble de saxophones
29
Quintette de Saxophone: 5 saxophones
27
2 Clarinettes (duo)
22
2 Flûtes traversières (duo)
21
Saxophone Baryton, Piano
19
3 Saxophones (trio)
19
Flûte, Clarinette (duo)
18
Quatuor de Flûtes : 4 flûtes
17
Ensemble de Clarinettes
16
Clarinette, Violon (duo)
16
2 Clarinettes, Piano
15
Flûte traversière
13
Cor anglais, Piano
13
Hautbois (partie séparée)
12
3 Clarinettes (trio)
12
Saxophone, Clarinette (duo)
12
Ensemble de Flûtes
12
Flute (partie séparée)
11
Flûte, Clarinette, Piano (trio)
9
Flûte, Hautbois, Clarinette (trio)
8
2 Hautbois (duo)
8
Flûte, trombone et piano
8
Saxophone Alto
8
Hautbois
7
Saxophone Soprano
6
Flûte, Violon
6
Clarinette, Trompette (duo)
6
Saxophone Tenor
6
Saxophone Baryton
6
Flûte, Violon et Violoncelle
6
Clarinette, Violoncelle, Piano (trio)
6
Hautbois, Clarinette (duo)
5
Flûte, Violon, Piano
5
Quintette de Clarinettes: 5 clarinettes
5
Clarinette Basse, Piano
5
Hautbois, Basson (duo)
5
Flûte, Saxophone (duo)
5
Clarinette et Alto
5
Hautbois, Clarinette, Basson (trio d'anches)
4
Flûte, Alto et Piano
4
Saxophone et Orgue
4
Flûte, Clarinette et Basson
4
Flûte, Trompette (duo)
4
Clarinette Basse
4
2 Flûtes traversières, Piano
4
Cor Anglais
3
Quintette de Flûte : 5 flûtes
3
Trio de Flûtes: 3 flûtes
3
Flûte, Alto (duo)
3
Flûte, Hautbois, Piano (trio)
3
Flûte, Basson et Piano
3
Flûte, Hautbois, Basson
3
Clarinette, trompette et piano
2
Flûte et Guitare
2
Flûte à bec Soprano
2
Clarinette, Orchestre
2
Flûte, Violon, Violoncelle et Piano
2
Clarinette, Guitare (duo)
2
Flûte, Violoncelle, Piano (trio)
2
2 Saxophones, Piano
2
4 Hautbois
2
Clarinette, Saxophone, Piano
1
Flûte, Violoncelle, Guitare
1
5 Flûtes à bec
1
Harmonica
1
Flûte à bec Tenor
1
Piccolo, Piano
1
Piccolo
1
Clarinette, Orgue
1
Clarinette, Harpe (duo)
1
Clarinette, Basson (duo)
1
Flûte à bec, Guitare (duo)
1
Flûte à bec Soprano, Piano
1
Hautbois, Flûte
1
Flûte à bec, Harpe
1
2 Flûte à bec (duo)
1
Quatuor de Flûtes à bec
1
Instrumentations suivantes
Retracter
CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
58
Trompette, Piano
52
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Trombone et Piano
44
Quatuor de Cuivres: 2 trompettes, Cor, trombone
40
Trombone (partie séparée)
38
Trompette
33
Trompette (partie séparée)
29
Cor et Piano
27
Tuba et Piano
17
Cor (partie séparée)
16
Tuba (partie séparée)
16
Euphonium, Piano (duo)
16
Cor
15
Quatuor de Cuivres
13
Cor anglais, Piano
13
Trompette, Trombone (duo)
11
2 Trompettes (duo)
11
2 Trombones (duo)
11
Trompette, Saxophone (duo)
10
Quatuor de cuivres: 4 trombones
10
Trombone
9
Tuba
8
Quatuor de cuivres: 4 cors
8
Ensemble de Trompettes
6
2 Cors (duo)
5
Ensemble de Trombones
5
Quatuor de cuivres: 2 trompettes, 2 trombones
4
Trio de Cuivres
3
Trompette, Cor (duo)
3
Cor Anglais
3
4 Tubas
3
Quatuor de cuivres: 4 trompettes
3
2 Euphoniums et 2 Tubas
2
Trompette et Guitare
2
Trombone, Orgue
2
Euphonium
2
Ensemble de Cors
2
2 Trompettes, Clavier (piano ou orgue)
1
Trombone, Tuba (duo)
1
2 Tubas (duo)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
111
Violon et Piano
100
Violoncelle, Piano
69
Alto, Piano
66
Trio à Cordes: violon, alto, violoncelle
30
Violon
27
Violon, Violoncelle (duo)
17
2 Violoncelles (duo)
17
2 Violons (duo)
15
2 Altos (duo)
14
Alto seul
12
Violoncelle
12
Contrebasse, Piano (duo)
12
Violon, Alto (duo)
11
Harpe
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
Violoncelle (partie séparée)
9
4 Violoncelles
9
Trio à Cordes: 2 violons, violoncelle
8
Contre Basse
7
Quatuor à cordes: 4 violons
7
Alto, Violoncelle (duo)
7
Violon (partie séparée)
5
Contrebasse (partie séparée)
5
Alto (partie séparée)
4
Harpe, Violon (duo)
4
Quatuor à cordes : 4 altos
4
Violon, Guitare (duo)
4
Piano Trio: Violon, Alto, Piano
4
Trio à cordes: 3 violins
4
Ensemble de Violons
3
Alto, Guitare (duo)
3
Violoncelle, Contrebasse (duo)
3
Violoncelle, Orgue
3
Harpe, Flûte (duo)
2
Ensemble d'Altos
2
Trio à Cordes: 3 violoncelles
2
2 Violons, Piano
1
4 Contrebasses
1
Harpe, Quatuor à cordes
1
Harpe, Voix
1
Violon, Orgue
1
Instrumentations suivantes
Retracter
PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
694
Orchestre
95
Orchestre à Cordes
74
Orchestre de chambre
33
Percussion (partie séparée)
25
Ensemble de cuivres
19
Ensemble Jazz
16
Timbales (partie séparée)
9
Ensemble de Percussions
9
Percussion
8
Cloches
7
Jazz combo
5
Batterie (partie séparée)
5
Marimba
4
Xylophone
3
Xylophone, Piano
2
Piano et Orchestre
2
Fanfare
2
Batterie
2
Quintette à Vent
1
Instrumentation Flexible
1
Instrumentations suivantes
Retracter
AUTRES
Vous avez sélectionné:
Concert Aria
Orchestre de chambre
Partitions à imprimer
33 partitions trouvées
<
1
26
Concerto Grosso Opus 6 No 1 HWV 319
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Fr…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742428 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 125 pages. Arte Nova Music Lab #3682165. Published by Arte Nova Music Lab (A0.742428). The Concerti Grossi, Op. 6, or Twelve Grand Concertos, HWV 319–330, are 12 concerti grossi by George Frideric Handel for aconcertino trio of two violins and violoncello and a ripieno four-part string orchestra with harpsichord continuo. First published by subscription in London by John Walsh in 1739, in the second edition of 1741 they became Handel's Opus 6. Taking the olderconcerto da chiesa and concerto da camera of Arcangelo Corelli as models, rather than the later three-movement Venetian concerto of Antonio Vivaldi favoured by Johann Sebastian Bach, they were written to be played during performances of Handel's oratorios and odes. Despite the conventional model, Handel incorporated in the movements the full range of his compositional styles, including trio sonatas, operatic arias, French overtures, Italian sinfonias, airs, fugues, themes and variations and a variety of dances. The concertos were largely composed of new material: they are amongst the finest examples in the genre of baroque concerto grosso.Taken from https://en.wikipedia.org/wiki/Concerti_grossi,_Op._6_(Handel)
$50.00
46.08 €
#
Orchestre de chambre
#
George Frideric Handel
#
Arte Nova Music Lab
#
Concerto Grosso Opus 6 No 1 HWV 319
#
Arte Nova Music Lab
#
SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.5 €
#
Orchestre de chambre
#
Johann Sebastian Bach and Netherlands Bach Society
#
Flavio Regis Cunha
#
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
#
Flavio Regis Cunha
#
SheetMusicPlus
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian B…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597237 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and parts. 21 pages. Flavio Regis Cunha #4603489. Published by Flavio Regis Cunha (A0.597237). The St Matthew Passion (German: Matthäus-Passion), BWV 244, is a Passion, a sacred oratorio written by Johann Sebastian Bach in 1727 for solo voices, double choir and double orchestra, with libretto by Picander. It sets chapters 26 and 27 of the Gospel of Matthew (in the Luther Bible) to music, with interspersed chorales and arias. It is widely regarded as one of the masterpieces of classical sacred music. The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo.Flavio Regis Cunha is a pianist, conductor and composer from São Paulo - Brasil. He is currently finishing his doctorate at Mackenzie Presbyterian University where he works as conductor of the Mackenzie University Orchestra and resident composer. For more arrangements like this, works by commission or for any questions you can contact Flavio Regis Cunha at his facebook page: https://www.facebook.com/flavioregiscunhaIntermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$14.99
13.81 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Flávio Régis Cunha
#
Aria: Erbarme Dich, mein Gott from Matthäuspassion
#
Flavio Regis Cunha
#
SheetMusicPlus
Aria: Erbarme Dich, mein Gott from Matthäuspassion (Flute Solo, Oboe d'Amore and Strings)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.496445 By Johann Sebastian B…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.496445 By Johann Sebastian Bach. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Classical,Easter,Praise & Worship,Sacred. Score and parts. 21 pages. FRC Music #110623. Published by FRC Music (A0.496445). The original Latin title Passio Domini nostri J.C. secundum Evangelistam Matthæum translates to The Passion of our Lord Jesus Christ according to the Evangelist Matthew Originally for alto voice, violin solo and string orchestra. The arias are in da capo format (ternary form). Erbarme dich, for alto, and Mache dich, mein Herze, rein, for bass, are examples of such arias in Part Two of the oratorio. In these movements the singers are accompanied by one or a few solo instruments and continuo, occasionally completed by other instrument groups of the orchestra.This Aria was originally composed by J.S. Bach for Violin Solo, strings and alto solo was now arranged for Flute (optional recorder), oboe d'Amore and strings. The flute replaces the solo violin very well, just as the oboe d'Amore's sonority fits wonderfully well by replacing the traditional contralto solo. Intermediate Level Fomat: Concert 9 x 12 inches. 21 pages.
$18.49
17.04 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Flavio Regis Cunha
#
Aria: Erbarme Dich, mein Gott from Matthäuspassion
#
FRC Music
#
SheetMusicPlus
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
9.21 €
#
Orchestre de chambre
#
Wolfgang Amadeus Mozart
#
Flavio Regis Cunha
#
MADAMINA
#
Flavio Regis Cunha
#
SheetMusicPlus
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts (G majo
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.868991 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.868991 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 15 pages. Really Good Music, LLC. #6062547. Published by Really Good Music, LLC. (A0.868991). Scherza l'aura lusinghiera is an aria from the opera Il Farnace, composed by Antonio VIVALDI (1678 – 1741) in 1727 and revised several times for its following productions. The realization of the aria, made by Sergei Pichugin, is based on the score manuscript of the version of the opera from 1731. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. The aria is available in the key of G major (D4 – G5) for high voice.
$24.00
22.12 €
#
Orchestre de chambre
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Scherza l'aura lusinghiera, aria from the opera Il Farnace, score and parts
#
Really Good Music, LLC.
#
SheetMusicPlus
VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts (D minor)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.868996 Composed by Antonio V…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.868996 Composed by Antonio VIVALDI (1678 – 1741). Arranged by Sergei PICHUGIN. Baroque,Concert,Instructional,Opera,Standards. Score and parts. 17 pages. Really Good Music, LLC. #6067151. Published by Really Good Music, LLC. (A0.868996). Vedrò con mio diletto is an aria from the opera Il Giustino, composed in 1724 by Antonio VIVALDI (1678 – 1741). It has been realized from the manuscript of the opera and arranged by Sergei Pichugin. It should be noted that the Cembalo/Piano part in the score is not intended for solo performance of the aria as voice and piano arrangement. It is available in the key of D minor (E4 – A5) for high voice.
$25.00
23.04 €
#
Orchestre de chambre
#
Antonio VIVALDI
#
Sergei PICHUGIN
#
VIVALDI Antonio: Vedrò con mio diletto, aria from the opera Il Giustino, score and parts
#
Really Good Music, LLC.
#
SheetMusicPlus
ARIA for Violin Solo and String Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.882277 Composed by A. Dougla…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.882277 Composed by A. Douglas Biggs. Concert,Contemporary,Sacred,Standards. Score and parts. 35 pages. Adrian D Biggs #6423113. Published by Adrian D Biggs (A0.882277). Aria arises from the general idea of an aria. It is an expressive and melodic work, incorporating modal and jazz inflected harmonies for the solo violin and orchestra to sing together. It is appropriate for intermediate to advance players, offering beautiful, soaring melodies, interesting harmonies and ample opportunity for ensemble interplay.
$20.00
18.43 €
#
Orchestre de chambre
#
A
#
ARIA for Violin Solo and String Orchestra
#
Adrian D Biggs
#
SheetMusicPlus
Piano Concerto No. 1 - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
23.04 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - Score Only
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.41 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - FIRST movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.41 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - SECOND movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.41 €
#
Orchestre de chambre
#
Juan MarÃa Solare
#
Piano Concerto No. 1 - THIRD movement [score and parts]
#
Juan Maria Solare
#
SheetMusicPlus
Ave Maria (for String Quartet - Organ Accompaniment)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.620446 Composed by Franz Sch…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.620446 Composed by Franz Schubert. Arranged by Stephen DeCesare. Christian,Contemporary,Sacred,Wedding. Score and parts. 25 pages. Exultet Music #3375499. Published by Exultet Music (A0.620446). One of Schubert's most popular works, this piece has been freshly arranged for String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. Appropriate and accessible for any church or concert setting. Most appropriate during weddings, funerals, Christmas, and any Marian feast day.
$12.99
11.97 €
#
Orchestre de chambre
#
Franz Schubert
#
Stephen DeCesare
#
Ave Maria
#
Exultet Music
#
SheetMusicPlus
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra (D major Version)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Ha…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597235 By George Frideric Handel. By George Frideric Handel. Arranged by Flávio Régis Cunha. Baroque,Contest,Easter,Festival,Film/TV,Sacred. Score and Parts. 46 pages. Flavio Regis Cunha #4602725. Published by Flavio Regis Cunha (A0.597235). Händel: The Trumpet Shall Sound for Trumpet, Strings, Bass Solo and Harpsichord (D major Version)The trumpet shall sound Are you looking for a beautiful and exciting piece of music perfect to perform in a church, school or professional orchestra? Look no further!  Introducing 'The Trumpet Shall Sound' composed by Georg Friedrich Händel. This transcendent, multi-instrumental work will leave your audience awe-struck! Get the full sheet music arrangement, designed to be performed with Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings in D major.  Experience this masterpiece the way it was intended - bring it to life in concert field! Perfect for churches, schools and orchestras. Download 'The Trumpet Shall Sound' now and make your performance extra special!The Air for bass The trumpet shall sound, marked Pomposo, ma non allegro, is a da capo aria. In the work's only instrumental solo, the trumpet provides motifs which the bass picks up. In and we shall be changed, the word changed is treated in inventive ever-changing melismas of up to six measures. In the middle section, the word immortality is expressed in a lively melisma of first eight, then nine measures.Advanced Intermediate.Format: A446 pagesFull Score and Orchestral PartsBb Major version:  https://www.sheetmusicplus.com/title/hndel-the-trumpet-shall-sound-for-bassoon-trumpet-in-bb-bass-solo-harpsichord-and-strings-digital-sheet-music/22572767?aff_id=728965
$18.99
17.5 €
#
Orchestre de chambre
#
George Frideric Handel
#
Flávio Régis Cunha
#
Händel: Basss Aria "The Trumpet Shall Sound" for Bass Solo and Chamber Orchestra
#
Flavio Regis Cunha
#
SheetMusicPlus
Aria: 'Kommt, ihr angefochtnen Sünder' (from Cantata No. 30 - 'Freue dich, erlöste Schar', BWV 30)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597312 Composed by Johann Se…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597312 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Concert,Easter,Sacred,Wedding. Score and parts. 36 pages. Flavio Regis Cunha #5316987. Published by Flavio Regis Cunha (A0.597312). New edition with clean ornament indications and Alto Solo part was written for Oboe Solo.Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30.2, BWV 30, is a church cantata by Johann Sebastian Bach. It is one of his later realisations in the genre: he composed it for the Feast of John the Baptist (24 June) in 1738, and based its music largely on Angenehmes Wiederau, a secular cantata which he had composed a year earlier. Christian Friedrich Henrici (Picander), the librettist of the secular model of the cantata, is likely also the author of the sacred cantata's version of the text. Composition
$18.49
17.04 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Flavio Regis Cunha
#
Aria: 'Kommt, ihr angefochtnen Sünder'
#
Flavio Regis Cunha
#
SheetMusicPlus
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Ado…
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
23.91 €
#
Orchestre de chambre
#
1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe
#
Louis Adolphe Mayeur
#
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Veracini - Violin Concerto in A major CSV1R for Violin, Strings and Cembalo
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517130 Composed by Veracini …
(+)
Chamber Orchestra - Level 4 - Digital Download SKU: A0.517130 Composed by Veracini Francesco Maria. Arranged by Santino Cara. Baroque. Score and parts. 65 pages. Santino Cara #3490049. Published by Santino Cara (A0.517130). Complete score and parts of the Violin Concerto in A major for Violin concertante, Strings and Cembalo, by Francesco Maria Veracini. Reconstructed by Santino Cara.
$19.80
18.25 €
#
Orchestre de chambre
#
Veracini Francesco Maria
#
Santino Cara
#
Veracini - Violin Concerto in A major CSV1R for Violin, Strings and Cembalo
#
Santino Cara
#
SheetMusicPlus
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963753 Composed by RACHMANIN…
(+)
Chamber Orchestra - Level 5 - Digital Download SKU: A0.963753 Composed by RACHMANINOV. Arranged by Ian Butterworth. Romantic Period. Score and Parts. 59 pages. Ian Butterworth #5998723. Published by Ian Butterworth (A0.963753). An early piece originally written for violin & piano. A lively dance with slower sections - 6 mins approx. The orchestration (1.2.0.2:2.0.0.0) is similar to many 18th Century symphonies and so the piece makes a striking contrast in a concert programme.  Copying of individual string parts for sole use by the purchaser is permitted. A version for strings arranged by Ian Butterworth is also available. Through his experience of teaching the violin at all levels and conducting youth orchestras over many years, Ian Butterworth’s large number of compositions and arrangements have been enjoyed by youth and amateur players. www.ianbutterworthmusic.co.uk
$12.99
11.97 €
#
Orchestre de chambre
#
RACHMANINOV
#
Ian Butterworth
#
piano
#
RACHMANINOV Hungarian Dance Op.6 No.2 for chamber orchestra
#
Ian Butterworth
#
SheetMusicPlus
Ave Maria - Schubert (Piano-Strings Octet)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.887509 Composed by Franz Sch…
(+)
Chamber Orchestra - Level 2 - Digital Download SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic Period,Wedding. Score and parts. 9 pages. De Souza et Music LLP #3680517. Published by De Souza et Music LLP (A0.887509). This composition Ave Maria has been re-arranged in an 8pc ensemble combination of String Quartet plus Flute, Piano, Double Bass and optional Drums part. The song could be done with optional drums in a contemporary style. The arrangement of the harmony and counterpoint is an original arrangement that I have created. The level of difficulty is Early-Intermediate and is playable by non professionals as well as professionals. This is part of my original arrangement EZY Band Arrangements compilation that I have arranged specially for music enthusiasts who are at the Early Intermediate level.
$18.99
17.5 €
#
Orchestre de chambre
#
Franz Schubert
#
Boni de Souza
#
Ave Maria - Schubert
#
De Souza et Music LLP
#
SheetMusicPlus
Ave Maria, F.Schubert
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.943215 Composed by Franz Sch…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.943215 Composed by Franz Schubert. Arranged by George Dousis. Romantic Period. Score and parts. 16 pages. George Dousis #6038761. Published by George Dousis (A0.943215). This is a version of Schubert's Ave Maria, for string quartet and Harp. The main melody appears mainly on the cello while the harp accompanies throughout the piece. This version has been performed live in concert.Visit my website and youtube channel:www.georgedousis.comwww.youtube.com/georgescoring
$9.99
9.21 €
#
Orchestre de chambre
#
Franz Schubert
#
George Dousis
#
Ave Maria, F.Schubert
#
George Dousis
#
SheetMusicPlus
Mariä Wiegenlied A flat majeur
Orchestre de chambre
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano…
(+)
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken - Streicher (5.5.4.3.2) soprano and chamber orchestra - intermediate - Digital Download SKU: S9.Q6456 Aus Schlichte Weisen. Composed by Max Reger. This edition: score. Downloadable, Score. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6456. Published by Schott Music - Digital (S9.Q6456). Key: A flat major. German.The vocal oeuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$15.99
14.74 €
#
Orchestre de chambre
#
Max Reger
#
Mariä Wiegenlied A flat majeur
#
Schott Music - Digital
#
SheetMusicPlus
Mariä Wiegenlied A flat majeur
Orchestre de chambre
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken, Violine 1, Violine 2, Viola, V…
(+)
Flöte, Oboe, Klarinette in B, Fagott, Horn in F, Pauken, Violine 1, Violine 2, Viola, Violoncello, Kontrabass soprano and chamber orchestra - intermediate - Digital Download SKU: S9.Q6457 Aus Schlichte Weisen. Composed by Max Reger. This edition: set of parts. Downloadable, Set of parts. Op. 76/52. Duration 6 minutes. Schott Music - Digital #Q6457. Published by Schott Music - Digital (S9.Q6457). Key: A flat major. German.The vocal œuvre of Max Reger is quite comprehensive but only few of his more than 300 works have become firmly established in the concert repertoire. One song, however, was to become a real big seller: Mariä Wiegenlied in which the composer had woven the old Christmas carol Joseph, lieber Joseph mein. Because of its huge success, Max Reger recommended to his publisher an instrumentation which he actually realized later: This gem for piano was turned into an atmospheric piece of pastoral music for voice and chamber orchestra.
$45.99
42.38 €
#
Orchestre de chambre
#
Max Reger
#
Mariä Wiegenlied A flat majeur
#
Schott Music - Digital
#
SheetMusicPlus
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. B…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
92.16 €
#
Orchestre de chambre
#
Arkady Leytush
#
Arkady Leytush
#
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
#
Arkady Leytush
#
SheetMusicPlus
Prelude in C - JS Bach-Gounod (Chamber Ensemble)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-G…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.887511 Composed by JS Bach-Gounod. Arranged by Boni de Souza. Baroque,Concert,Praise & Worship,Standards,Wedding. Score and parts. 11 pages. De Souza et Music LLP #3681153. Published by De Souza et Music LLP (A0.887511). This arrangement of JS Bach-Gounod's Prelude in C also known as Ave Maria was customised to bring out the best tonal colour of an Octet It is written for a String Quartet (1st Violin, 2nd Violin, Viola, Cello) as well as a Piano Quintet but can be used in a combination comprising Violin 1, Violin 2, Viola, Cello, Flute, Double Bass, Piano and Drums. The level of difficulty is Intermediate. Useful as music for Weddings, Worship, Ceremonies as well as lunchtime or School,College Concerts. The piece would also be very useful as a teaching tool for a small ensemble in schools and colleges. It is appropriate for Public Events or Concerts requiring some easy listening Classical music as it is arranged to appeal to a wide audience.
$21.99
20.27 €
#
Orchestre de chambre
#
JS Bach-Gounod
#
Boni de Souza
#
Prelude in C - JS Bach-Gounod
#
De Souza et Music LLP
#
SheetMusicPlus
Turandot Nessun dorma
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.916140 Composed by Giacomo P…
(+)
Chamber Orchestra - Level 3 - Digital Download SKU: A0.916140 Composed by Giacomo Puccini. Arranged by Aleksander Gref vel Alex Sanders. 20th Century,Concert,Opera,World. Score and parts. 14 pages. Alex Sanders #6347687. Published by Alex Sanders (A0.916140). Puccini, string orchestra, Turandot, Nessun dorma, aria, opera, chamber orchestra.
$14.90
13.73 €
#
Orchestre de chambre
#
Giacomo Puccini
#
Turandot Nessun dorma
#
Alex Sanders
#
SheetMusicPlus
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
