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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Conversation
Non classifié
297
Piano & claviers
Piano seul
133
Piano, Voix et Guitare
46
Piano, Voix
39
Piano Facile
21
Orgue
19
Instruments en Do
8
Piano Trio: piano, violon, violoncelle
6
2 Pianos, 4 mains
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Piano grosses notes
2
1 Piano, 4 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 7 instrumentations
Retracter
Guitares
Guitare notes et tablatures
18
Paroles et Accords
5
Guitare
5
Ukulele
4
Ligne De Mélodie, (Paroles) et Accords
2
Mandoline
2
2 Guitares (duo)
1
Dulcimer
1
Basse electrique
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
66
Chorale 2 parties
13
Chorale 3 parties
11
Chorale SSAA
9
Chorale TTBB
7
Chorale Unison
6
Voix seule
5
Voix duo
4
Voix duo, Piano
4
Voix Soprano, Piano
3
Voix haute
2
Voix Baryton, Piano
2
Voix basse, Piano
1
+ 8 instrumentations
Retracter
Vents
2 Saxophones (duo)
15
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
12
Saxophone Alto et Piano
12
2 Flûtes traversières (duo)
12
Flûte traversière et Piano
11
Clarinette et Piano
9
Hautbois, Piano (duo)
9
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
7
Quatuor de Saxophones: 4 saxophones
6
Hautbois, Basson (duo)
6
Cor anglais, Piano
5
Flûte, Clarinette (duo)
5
2 Clarinettes (duo)
4
Ensemble de Flûtes
4
Flûte traversière
4
Clarinette
3
Flûte, Violoncelle
3
Ensemble de Clarinettes
3
Saxophone, Clarinette (duo)
3
Flûte à Bec
3
Hautbois (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte, Hautbois, Clarinette, Basson
3
Flûte, Violon
3
3 Saxophones (trio)
3
Flûte et Guitare
3
Saxophone Baryton, Piano
3
Clarinette Basse, Piano
2
Flûte, Saxophone (duo)
2
Trio de Flûtes: 3 flûtes
2
Clarinette, Violon (duo)
2
2 Hautbois (duo)
2
3 Clarinettes (trio)
2
Saxophone Alto
2
Clarinette, Trompette (duo)
2
Flûte, Alto (duo)
2
Quatuor de Clarinettes: 4 clarinettes
2
Flûte, Hautbois (duo)
2
Clarinette et Alto
2
Hautbois, Flûte
1
Hautbois, Clarinette (duo)
1
Flûte, Clarinette, Piano (trio)
1
Saxophone (partie séparée)
1
Clarinette, Guitare (duo)
1
Flûte, Trompette (duo)
1
Flûte à bec Soprano, Piano
1
Flûte, Hautbois, Basson
1
Flûte, Trombone (duo)
1
Saxophone
1
Hautbois
1
Quintette de Saxophone: 5 saxophones
1
Saxophone Tenor
1
Clarinette Basse
1
Clarinette, Violoncelle (duo)
1
Hautbois, Guitare (duo)
1
Clarinette, Basson (duo)
1
Flûte, Hautbois, Clarinette (trio)
1
+ 53 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
8
Trombone et Piano
6
Trompette
6
Cor anglais, Piano
5
Trombone
5
Euphonium, Piano (duo)
4
Cor et Piano
4
2 Trompettes (duo)
3
Cor
3
Trompette, Piano
3
Tuba
3
Trompette, Saxophone (duo)
2
Euphonium, Tuba (duo)
2
Trompette, Basson (duo)
2
Trompette, Trombone (duo)
2
Cor, Violoncelle (duo)
1
Quatuor de Cuivres
1
Quatuor de cuivres: 4 cors
1
Trombone basse et Piano
1
Ensemble de Trompettes
1
Trompette (partie séparée)
1
Tuba et Piano
1
Cor et Basson (duo)
1
2 Trombones (duo)
1
+ 19 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
41
Harpe
13
Alto, Piano
10
Violon, Violoncelle (duo)
10
Violoncelle, Piano
8
Violon et Piano
8
Violon
8
Trio à Cordes: violon, alto, violoncelle
7
Violoncelle
6
2 Violons (duo)
3
Violon, Alto (duo)
3
Flûte, Contrebasse (duo)
3
Violon, Basson (duo)
2
Alto seul
2
Alto et Basson
2
Contrebasse, Piano (duo)
2
2 Altos (duo)
2
Alto, Violoncelle (duo)
2
Violon, Guitare (duo)
2
Contre Basse
2
2 Violoncelles (duo)
2
Contrebasse (partie séparée)
1
Harpe, Flûte (duo)
1
2 Violons, Piano
1
Violon (partie séparée)
1
Autoharp
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Violon, Clarinette, Piano (trio)
1
Violoncelle , Guitare (duo)
1
+ 24 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
27
Orchestre à Cordes
10
Orchestre de chambre
9
Orchestre
7
Jazz combo
7
Ensemble Jazz
5
Ensemble de Percussions
4
Ensemble de cuivres
4
Cloches
3
Percussion
2
Marimba
2
Xylophone, Piano
2
Batterie
1
Vibraphone et Marimba
1
Xylophone
1
Orchestre, Violon
1
2 Xylophones
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
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Vous avez sélectionné:
Conversation
Orchestre de chambre
Partitions à imprimer
9 partitions trouvées
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1
Conversations with Dead People
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Orchestre de chambre
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FACILE
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Jehad Choate
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Conversations with Dead People
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Jehad Choate
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1025415 Composed by Jehad Choate. Contemporary,Film/TV,Spiritual. Score and parts. 17 pages. Jehad Choate #5327333...
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Chamber Orchestra - Level 2 - SKU: A0.1025415 Composed by Jehad Choate. Contemporary,Film/TV,Spiritual. Score and parts. 17 pages. Jehad Choate #5327333. Published by Jehad Choate (A0.1025415). Conversations with Dead People positions the mood of what it would feel like to communicate with the loved ones we've lost. It was written in honor of a close friend who's life was cut short too soon. This is the arrangement and instrumentation used for the premiere with the New Score Chamber Orchestra in Orlando, Florida. Examples of this piece can be found on all major streaming platforms. .
$10.00
Passacaglic Conversations for Solo Percussion and Orchestra (Full Score)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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Tony Matthews
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Passacaglic Conversations for
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Archway Publications
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.945578 Composed by Tony Matthews. Contemporary. Score and parts. 42 pages. Archway Publications #6331845. Publishe...
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Chamber Orchestra - Level 4 - SKU: A0.945578 Composed by Tony Matthews. Contemporary. Score and parts. 42 pages. Archway Publications #6331845. Published by Archway Publications (A0.945578). A Short Percussion Concerto. A dialogue between the un-pitched percussion soloist at the pitched orchestra. A kind of pitched battle... Work was premiered at All Ears Festival in London, UK on the 27th September 2008Parts are available at:https://smppress.sheetmusicplus.com/p/manage-products/1008605Soloist : Gerard Rundle Orchestra:London Contemporary Chamber OrchestraConductor: Alan TaylorOriginally written, by request, for solo percussion. That version proved impossible to play. However, it seemed a shame to waste the material, so, this version was born. The melodic parts (vibraphone, marimba, glockenspiel) were used as the basis of the orchestral parts.Orchestral parts are available at:https://www.sheetmusicplus.com/title/21997631
$4.99
Story No. 2, for narrator and chamber orchestra
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Orchestre de chambre
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Contemporain
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Music by Ofer Ben-Amots, Story
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Story No. 2, for narrator and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's...
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Chamber Orchestra - SKU: A0.944028 Composed by Music by Ofer Ben-Amots, Story by Eugene Ionesco. Contemporary. Score and parts. 92 pages. The Composer's Own Press #4605319. Published by The Composer's Own Press (A0.944028). COMPOSER’S NOTE: Story Nr. 2 for chamber ensemble and a narrator, was written as a commission for the 1983 Children's Music Festival in St. Omer, France. Since its inception, the work has been widely performed in French, German and English. The narrative of Story Nr. 2 is a little known children's story by the great French author and playwright Eugene Ionesco (1912 – 1994). The story is about play on words. Little Josette has a conversation with her father who teaches her the new meaning of words: A Telephone is called Cheese, a Cheese is a Music Box, the Music Box is called a Rug and so on. The meanings become funnier and stranger ad absurdum. Then Josette and her father combine the words into sentences and practice the new mismatched names and objects. The characters participating in the story beside of Josette and her father are Josette's pretty mother and the maid Jacqueline. Each of the characters has its own musical theme and color represented by distinguished instrumentation: Jossette's theme is played by the flute, the father is represented by the trumpet and trombone, the pretty mother by the oboe and Jacqueline by the xylophone and piano. The new orchestral version which includes the string section was written in 1990. Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$36.00
Appassionato
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Orchestre de chambre
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Peter Nostrand
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Peter Nostrand
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the strings are supportive
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Appassionato
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Imagine Music - Digital
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SheetMusicPlus
Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagin...
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Chamber orchestra - Grade 3 - SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00
Entre Nous for Strings
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Orchestre de chambre
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DÉBUTANT
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D
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Entre Nous for Strings
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D. M. Gardner Music
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SheetMusicPlus
String Ensemble,String Quintet - Level 1 - SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Pu...
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String Ensemble,String Quintet - Level 1 - SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
The Tumult In The Heart - Voice and String Quartet
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Orchestre de chambre
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INTERMÉDIAIRE
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Kenneth Martin
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The Tumult In The Heart - Voic
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Martin Music Editions
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.839012 Composed by Kenneth Martin. Concert,Contemporary,Standards. Score and parts. 35 pages. Martin Music Edition...
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Chamber Orchestra - Level 3 - SKU: A0.839012 Composed by Kenneth Martin. Concert,Contemporary,Standards. Score and parts. 35 pages. Martin Music Editions #5207859. Published by Martin Music Editions (A0.839012). The Tumult In The HeartSolo Voice and String QuartetMusic by Kenneth Martinon Conversation by Elizabeth BishopIncludes:Score Vocal Score with String ReductionSet of parts for String Quartet
$5.99
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
The Wild Beast of the Bungalow (Orchestra Score) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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The Wild Beast of the Bungalow
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1368170 By Rachel J Peters. By Rachel J Peters. 21st Century,Broadway,Classical,Comedy,Musical/Show,Opera. 337 pages. Rachel J Peters #952492. Published by Rachel J Peters (A0.1368170). The Wild Beast of the Bungalow is a triptych of short operas (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself. Libretto by Royce Vavrek, based on and further inspired by the short story by Sheila Heti.CAST: 1 coloratura soprano plus eight additional principals playing multiple rolesINSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-ukulele (doubling banjo)/1.0.0.1.1 (Parts must be rented separately.)DURATION: 90 minutesPAGES: 337WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights and more information, please write to the composer at rachel@racheljpeters.com.
$70.00
Mermaid in the Jar Full Score - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Rachel J Peters
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Mermaid in the Jar Full Score
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Rachel J Peters
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. ...
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Chamber Orchestra - Level 4 - SKU: A0.1325451 By Rachel J Peters. By Rachel J. Peters. 21st Century,Classical,Opera. 86 pages. Rachel J Peters #913678. Published by Rachel J Peters (A0.1325451). A short chamber operaLibretto by Royce Vavrek, based on the short story by Sheila Heti.Mermaid in the Jar is the first short chamber opera in the Wild Beast of the Bungalow triptych (Mermaid in the Jar, Prairie Dogs, and Fine and Dandy), which takes place entirely within an eleven-year-old Girl’s bedroom as she overhears her parents’ volatile conversations. Over the course of a few days, a mermaid, a family of stuffed prairie dogs, and singing groups of chickenpox and shingles force her to confront what it means to care for others and be cared for herself.CAST: coloratura soprano, mezzo-soprano, bass-baritone, and three additional treble voices. (If the Prologue is omitted, no bass-baritone is required.)INSTRUMENTATION: 1.0.1 (doubling BCl.).1.bar.sax/0.0.1.0/pft-perc (1)-harp-1.0.0.1.1 (Parts need to be rented separately.)DURATION: 20 minutesPAGES: 86WORLD PREMIERE: Oberlin Conservatory, Winter 2020.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright.. For all performance inquiries, please write to rachel@racheljpeters.com.
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