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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
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CLARINETTE
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CORNET
DEEJAY
DIDGERIDOO
DULCIMER
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MANDOLINE
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OCARINA
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SAXOPHONE
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VIBRAPHONE
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XYLOPHONE
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Non classifié
211
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23
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8
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5
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4
Orgue
3
Piano Trio: piano, violon, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon
1
Instruments en Do
1
+ 4 instrumentations
Retracter
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Guitare notes et tablatures
2
Ukulele
1
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1
Guitare
1
Voix
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16
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4
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2
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2
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2
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2
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1
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1
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1
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1
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6
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1
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1
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1
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2
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1
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1
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Ensemble de Trombones
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1
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1
+ 3 instrumentations
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13
Violon
3
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 2 violons, violoncelle
1
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Harpe
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Piano Trio: Violon, Alto, Piano
1
Violon et Piano
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Alto (partie séparée)
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Ensemble de Percussions
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Exsultate, jubilate, K.165 (A4 Size) (Score and Parts) feat. Mozart Alleluja
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Sandstone Music
#
Exsultate, jubilate, K.165
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Sandstone Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.978442 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.978442 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and parts. 77 pages. Sandstone Music #6062343. Published by Sandstone Music (A0.978442). This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this score and parts with a new piano vocal score (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities.
$99.99
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Exsultate, jubilate, K.165 (Letter Size) (Score and Parts) feat. Mozart Alleluja
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Wolfgang Amadeus Mozart
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Sandstone Music
#
Exsultate, jubilate, K.165
#
Sandstone Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.978441 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and par...
(+)
Chamber Orchestra - Level 4 - SKU: A0.978441 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and parts. 76 pages. Sandstone Music #6062339. Published by Sandstone Music (A0.978441). This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this score and parts with a new piano vocal score (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities.
$99.99
Exsultate, jubilate, K.165 Conductor Score (A4 Size) feat. Mozart Alleluja
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Sandstone Music
#
Exsultate, jubilate, K.165 Con
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Sandstone Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.978444 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and par...
(+)
Chamber Orchestra - Level 4 - SKU: A0.978444 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and parts. 26 pages. Sandstone Music #6062359. Published by Sandstone Music (A0.978444). This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this conductor score with a new piano vocal score and orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the piano vocal score, conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities.
$31.99
Exsultate, jubilate, K.165 Conductor Score (Letter Size) feat. Mozart Alleluja
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Wolfgang Amadeus Mozart
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Sandstone Music
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Exsultate, jubilate, K.165 Con
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Sandstone Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.978443 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and par...
(+)
Chamber Orchestra - Level 4 - SKU: A0.978443 Composed by Wolfgang Amadeus Mozart. Arranged by Sandstone Music. Christian,Classical,Sacred. Score and parts. 26 pages. Sandstone Music #6062357. Published by Sandstone Music (A0.978443). This newly edited version of Mozart's 'Exsultate, jubilate' (K.165), including the famous 'Alleluja', matches up this conductor score with a new piano vocal score and orchestra parts (available separately). Previous versions of this work by other publishers are traditionally littered with mistakes and wrong notes / instructions / inconsistent dynamics, which have been fixed in this edition, including the addition of rehearsal marks which correspond with the piano vocal score, conductor score and orchestra parts. Mozart's 1773 work is a motet consisting of four sections: Exsultate, jubilate (Allegro, F Major), Fulget amica dies (Secco Recitative), Tu virginum corona (Andante, A Major) and Alleluja (Molto allegro, F Major). It has become one of the most popular works for sopranos and mezzo-sopranos, notably the finale (Alleluja) and is frequently a major study work at conservatoires and universities.
$31.99
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Symphony No. 6, "Villa Barbarigo" In 4 Movements for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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Symphony No. 6, "Villa Ba
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.730420 Composed by James Nathaniel Holland. Baroque,Concert,Contemporary,Graduation,Wedding. Score and parts. 247 ...
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Chamber Orchestra - Level 4 - SKU: A0.730420 Composed by James Nathaniel Holland. Baroque,Concert,Contemporary,Graduation,Wedding. Score and parts. 247 pages. James Nathaniel Holland #3379675. Published by James Nathaniel Holland (A0.730420). YouTube video Presentation: https://www.youtube.com/playlist?list=PLEcbVsA36MCtYsvYbVODufyXi0Oy2k2QmYou have heard of your period play, period movie, period special event, well this is your period symphony with a 21st century sensibility straight from American Costa Rican composer James Nathaniel Holland and inspired by the famous Italian villa near Venice, Villa Barbarigo. Witty and fun as a costume ball. Perfect for fundraisers, Moliere plays, incidental music, community orchestras, weddings, or parties or a fresh addition to the classical concert.Full score and parts included.Instrumentation: Fl12, ob12, clBb12, bsn12, hrn 12, tpt12, timp, and stringsDuration: 27:37 Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlYouTube Channel: https://youtu.be/Y4IjbGVoXbw
$21.95
Tears for the Death of an Infant, Solo Cello (Violin or Viola) and Orchestra from the Snow Queen Bal
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Orchestre de chambre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Tears for the Death of an Infa
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James Nathaniel Hollan...
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Chamber Orchestra - Level 3 - SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James Nathaniel Holland #3365251. Published by James Nathaniel Holland (A0.730410). Excerpt from Act 2, Scene 1 Gerde Mourns the Death of Kai from the ballet The Snow Queen Trio for Solo Cello (or Solo Violin, or Solo Viola, and small orchestra by American Costa Rican composer James Nathaniel Holland. Sad and moving. Full score (in Concert pitch) and Individual parts (including solo parts) included. Piano reduction scores sold separately but measures match up to any arrangement and scores from the full ballet. Can be augmented with optional piano or organ from the reduction scores.Instrumentation: 1fl, 1clBb, 1bsn, 4 hrns in F, Chimes, solo cello (or solo violin or solo viola), stringsDuration: 4:29 minutesYouTube presentation (with cello): https://youtu.be/7bHPvmjvY_4Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook: https://www.facebook.com/jamesnathanielholland.
$15.95
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