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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Dance I
Non classifié
739
Piano & claviers
Piano seul
553
Piano, Voix et Guitare
433
Piano Facile
221
Piano, Voix
141
Instruments en Do
34
2 Pianos, 4 mains
25
Accordéon
25
Orgue
21
1 Piano, 4 mains
17
Piano grosses notes
16
Piano Trio: piano, violon, violoncelle
6
Accompagnement Piano
4
2 Accordéons
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Accordéon, Voix
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
Piano (partie séparée)
1
+ 15 instrumentations
Retracter
Guitares
Guitare notes et tablatures
82
Ligne De Mélodie, (Paroles) et Accords
81
Guitare
53
Ukulele
32
Paroles et Accords
18
Basse electrique
10
2 Guitares (duo)
7
Piano, Guitare (duo)
6
Mandoline
6
Guitare (partie séparée)
3
Banjo
2
Dulcimer
2
Basse électrique (partie séparée)
2
4 Guitares (Quatuor)
1
2 Ukuleles
1
Mandoline, Guitare (duo)
1
Guitare, Violon, Violoncelle (trio)
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
123
Chorale 3 parties
49
Chorale TTBB
41
Chorale SSAA
27
Chorale 2 parties
24
Pack Instrumental pour Chorale
18
Chorale Unison
8
Chorale
7
Voix duo
6
Voix seule
6
Voix Alto, Piano
3
Voix haute
2
Voix Soprano, Piano
2
Voix duo, Piano
2
Voix Tenor, Piano
1
Chorale SSATB
1
Chorale SSATTB
1
+ 12 instrumentations
Retracter
Vents
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
99
Flûte traversière
68
Clarinette
65
Quintette de Saxophone: 5 saxophones
59
Quatuor de Saxophones: 4 saxophones
53
Saxophone
51
Saxophone (partie séparée)
38
Saxophone Tenor
37
Flûte traversière et Piano
36
Quatuor de Clarinettes: 4 clarinettes
35
Saxophone Alto
35
Flûte, Hautbois, Clarinette, Basson
32
Ensemble de Clarinettes
30
Quatuor de Flûtes : 4 flûtes
20
Hautbois, Piano (duo)
18
Hautbois (partie séparée)
18
Clarinette et Piano
17
Clarinette (partie séparée)
15
2 Saxophones (duo)
14
Saxophone Tenor et Piano
14
Flûte à Bec
12
Saxophone Alto et Piano
12
Ensemble de saxophones
11
2 Flûtes traversières (duo)
11
2 Clarinettes (duo)
10
Flute (partie séparée)
9
Hautbois
8
Ensemble de Flûtes
8
Quintette de Flûte : 5 flûtes
7
Saxophone Soprano
4
Saxophone Baryton, Piano
4
3 Clarinettes (trio)
4
2 Hautbois (duo)
4
Flûte, Clarinette (duo)
4
Cor Anglais
3
Flûte et Guitare
3
Flûte, Violon
3
Flûte, Violon et Violoncelle
3
Saxophone Soprano et Piano
3
Flûte à bec Soprano
3
Clarinette Basse, Piano
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette, Basson (duo)
3
Clarinette, Guitare (duo)
2
Cor anglais, Piano
2
Flûte à bec Alto
2
Ocarina
2
Hautbois, Basson (duo)
2
Clarinette, Violon (duo)
2
Instruments en Mib
2
Flûte, Hautbois (duo)
1
Flûte et Trio à cordes
1
Flûte, Saxophone (duo)
1
Clarinette, Trombone (duo)
1
Flûte, Trombone (duo)
1
Clarinette et Alto
1
3 Saxophones (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Violon, Piano
1
Clarinette Basse
1
2 Flûte à bec (duo)
1
Piccolo
1
Quatuor de Flûtes à bec
1
3 Flûtes à bec (trio)
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Flûte, Alto et Piano
1
Flûte, Violoncelle, Piano (trio)
1
Harmonica
1
+ 63 instrumentations
Retracter
Cuivres
Trompette
60
Trombone
55
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
50
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Cor
29
Trompette (partie séparée)
19
Trombone et Piano
18
Trombone (partie séparée)
15
Tuba
15
Trompette, Piano
13
Quatuor de Cuivres: 2 trompettes, Cor, trombone
12
Ensemble de Trombones
10
Quatuor de Cuivres
9
Cor et Piano
8
Cor (partie séparée)
7
Euphonium, Piano (duo)
7
Euphonium
6
Ensemble de Trompettes
5
Tuba et Piano
5
Quatuor de cuivres: 4 trombones
4
2 Trombones (duo)
4
2 Trompettes (duo)
4
Cor Anglais
3
2 Cors (duo)
3
Bass Clef Instruments
3
Tuba (partie séparée)
3
Cor anglais, Piano
2
Instruments en Sib
2
Cornet A Pistons
2
Tuba ou Euphonium ou Saxhorn
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
2 Euphoniums (duo)
1
4 Tubas
1
Ensemble de Cors
1
Trompette, violon (duo)
1
Euphonium, Tuba (duo)
1
3 Cors (trio)
1
3 Trombones (trio)
1
Trombone basse et Piano
1
Cor, Violoncelle (duo)
1
2 Euphoniums et 2 Tubas
1
Trompette, Cor (duo)
1
+ 38 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
163
Violon
73
Violoncelle
59
Violon et Piano
49
Alto seul
48
Trio à Cordes: violon, alto, violoncelle
27
Harpe
27
Violon, Violoncelle (duo)
24
Alto, Piano
23
Violoncelle, Piano
22
2 Violons (duo)
17
2 Harpes (duo)
15
Contre Basse
15
Trio à Cordes: 2 violons, violoncelle
12
Violon (partie séparée)
12
Alto (partie séparée)
10
Quintette à cordes: 2 violons, alto, violoncelle, basse
9
2 Violoncelles (duo)
7
2 Altos (duo)
7
Contrebasse (partie séparée)
7
Violon, Guitare (duo)
6
Ensemble de Violons
6
Ensemble d'Altos
6
Violon, Alto (duo)
5
Contrebasse, Piano (duo)
4
Violoncelle, Contrebasse (duo)
3
Violoncelle (partie séparée)
3
4 Contrebasses
3
Alto, Violoncelle (duo)
3
Quatuor à cordes: 4 violons
2
Piano Trio: Violon, Alto, Piano
2
Violoncelle , Guitare (duo)
2
Harpe, Violon (duo)
1
Harpe et Piano
1
2 Contrebasses (duo)
1
Quatuor à cordes : 4 altos
1
4 Violoncelles
1
Harpe, Voix
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
154
Orchestre à Cordes
89
Orchestre
72
Fanfare
54
Ensemble Jazz
44
Ensemble de cuivres
26
Orchestre de chambre
20
Jazz combo
13
Cloches
13
Batterie
11
Ensemble de Percussions
10
Percussion (partie séparée)
9
Marimba
6
Percussion
5
Batterie (partie séparée)
4
Xylophone, Piano
2
Xylophone
2
Quintette de Cuivres: autres combinaisons
2
2 Xylophones
2
Timbales (partie séparée)
2
Timbales
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Dance I
Orchestre de chambre
Partitions à imprimer
20 partitions trouvées
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1
Into the Dancesness for Euphonium and Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
William Pagan-Perez
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Into the Dancesness for Euphon
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William Pagan-Perez
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #88774...
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Chamber Orchestra - Level 4 - SKU: A0.1297771 Composed by William Pagan-Perez. 21st Century,Latin. Score and Parts. 58 pages. William Pagan-Perez #887746. Published by William Pagan-Perez (A0.1297771). The word Dancesness doesn't exist but I use it to describe an extasis during a dance. This is a single-movement piece for Euphonium Solo with a Chamber Orchestra accompaniment.
$25.00
Where Have I Danced With You Before
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Orchestre de chambre
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FACILE
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Return To Forever
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Jeff Tincher
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Where Have I Danced With You B
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Jeff Tincher
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pag...
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Chamber Orchestra - Level 2 - SKU: A0.1275397 By Return To Forever. By Chick Corea. Arranged by Jeff Tincher. Contemporary,Jazz. Score and Parts. 26 pages. Jeff Tincher #867324. Published by Jeff Tincher (A0.1275397). Here is a short lively composition from Jazz Fusion artists Return To Forever. It highlights Chick Corea's composition and playing styles. In the original key from their Where Have I Known You Before LP. Duration = 1:18. Visit my websites: https://jefftincher.wixsite.com/sheetmusic, https://jefftincher.wixsite.com/music, https://www.facebook.com/jefftincherpublishing/.
$50.00
Arabian Dance (Coffee) P.I. Tchaikovsky
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Orchestre de chambre
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INTERMÉDIAIRE
#
Classique
#
Peter Ilyich Tchaikovsky
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Timothy Maloof
#
Arabian Dance
#
Timothy Maloof
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1023272 Composed by Peter Ilyich Tchaikovsky. Arranged by Timothy Maloof. Children,Christmas,Romantic Period. Scor...
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Chamber Orchestra - Level 3 - SKU: A0.1023272 Composed by Peter Ilyich Tchaikovsky. Arranged by Timothy Maloof. Children,Christmas,Romantic Period. Score and parts. 20 pages. Timothy Maloof #5756219. Published by Timothy Maloof (A0.1023272). Arranged for: Violin I, Violin II, Cello, Accordion (Piano), Guitar (Oud), Percussion (Tambourine, Triangle, two percussionists)
$25.00
Tchaikovsky: Dance of the Sugar Plum Fairy from the Nutcracker
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
#
Classique
#
P
#
Joshua Feltman
#
Tchaikovsky: Dance of the Suga
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Ryan Blauvelt
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.921875 Composed by P. I. Tchaikovsky. Arranged by Joshua Feltman. Christmas,Classical. Score and parts. 17 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.921875 Composed by P. I. Tchaikovsky. Arranged by Joshua Feltman. Christmas,Classical. Score and parts. 17 pages. Ryan Blauvelt #3692809. Published by Ryan Blauvelt (A0.921875). This iconic selection from the Nutcracker is a Christmas favorite. This arrangement features a piano in place of the original celeste and incorporates several different technical levels, making it ideal for the small differentiated high school music ensemble .
$40.00
I Saw Thee Ships for String Quartet (or Mixed Quartet or Piano Quintet)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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I Saw Thee Ships for String Qu
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Last Resort Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages....
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Chamber Orchestra - Level 4 - SKU: A0.530721 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887799. Published by Last Resort Music Publishing (A0.530721). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
Six Dances for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
#
Alan Bullard
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Alan Bullard
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Six Dances for Small Orchestra
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Colne Edition / BullardMusic
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Editio...
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Chamber Orchestra - Level 3 - SKU: A0.1457320 Composed by Alan Bullard. Arranged by Alan Bullard. Classical,Multicultural,World. 120 pages. Colne Edition / BullardMusic #1036364. Published by Colne Edition / BullardMusic (A0.1457320). These light-hearted dances for small orchestra comprise six movements: · Three-quarter time · Serenade · Mambo · Valse Française · Smooth and Spanish · Celebration! They are an orchestral arrangement of Alan Bullard's piano duets, 'Six Dances for Four Hands' (which were themselves originally published as volume 3 of the series 'I Love Piano Duets'). Scoring:2 Flutes, 1 Oboe, 2 Clarinets in B flat, 1 Bassoon2 Horns in F, 1 Trumpet in B flatViolins 1 and 2, Violas, Cellos, Double Basses This download contains full score and all parts – feel free to print out as many string parts as you need for your orchestra. This edition is copyright © Alan Bullard 2024. All Rights Reserved. Published by www.colneedition.co.uk For details of all Alan Bullard's music please visit www.alanbullard.co.uk.
$50.00
Two Ecosaisses for Orchestra (or Strings Alone), WoO 22-23
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Ludwig van Beethoven
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Joel Jacklich (ASCAP)
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Two Ecosaisses for Orchestra
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Joel Jacklich
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Period. Score and p...
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Chamber Orchestra - Level 3 - SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Period. Score and parts. 24 pages. Joel Jacklich #5304807. Published by Joel Jacklich (A0.723152). Beethoven wrote a number of ecossaises for the piano. These two had been scored for military band. It can be played by the full orchestration here, or by just the strings. The ecossaise is an energetic country dance in duple time in which couples form lines facing each other. Ecossaises were usually danced in 2/4 time. Although the word ecossaise is derived from the mid-Fench term for Scotland, any connection with Scotland is unclear. The orchestration is for Flute (with Piccolo doubling at the octave), 2 Oboes, 2 Clarinets in A (Clarinets in B-flat are also included in the set), 2 Bassoons; 2 Horns in F, 2 Trumpets in B-flat; Timpani (G2, A2, D3), Triangle, Snare Drum, Bass Drum, Crash Cymbals; Violin I, Violin I, Viola, Violoncello, and Contrabass.
$25.00
Speak to Your Mountain And Move it [chamber orchestra (2222.2200.timp.strings)]
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Orchestre de chambre
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FACILE
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Juan MarÃa Solare
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Speak to Your Mountain And Mov
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. J...
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Chamber Orchestra - Level 2 - SKU: A0.596576 Composed by Juan MarÃa Solare. 20th Century,Christian,Contemporary,Wedding. Score and parts. 12 pages. Juan Maria Solare #4810669. Published by Juan Maria Solare (A0.596576). Meditative piece for chamber orchestra (2222.2200.timp.strings) Character: noble and majestic. Reflective, meditative. The title is an allusion to the Bible (Mark 11:23, Matthew 17:20, Matthew 21:21). If you have faith as small as a mustard seed, you can say to this mountain, ‘Move from here to there,’ and it will move. One possible interpretation is that the inner mountain symbolize those troubles and issues that you can speak to, i.e. face, and therefore solve. Listen to it on all usual streaming platforms: Spotify: https://open.spotify.com/album/5kuPwSQGnXK9CY9QNX4fks Apple Music: https://music.apple.com/us/album/speak-to-your-mountain-and-move-it-single/1462303377 Bandcamp: https://juanmariasolare.bandcamp.com/album/speak-to-your-mountain-and-move-it Nico Zwaneveld from the blog Christian Dance wrote (10 August 2019): Maybe you can appreciate the works of Hans Zimmer, Gustav Mahler, Edvard Grieg... or maybe this introduction to Juan Maria Solare will cause you to add him to the same list when you are looking for additions to your music collection... let's just say for those special moments where other music genres will not be able to bring you the same feelings of hope, serenity, calmness, nobleness, or tranquility. (http://blog.christiandance.eu/2019/08/juan-maria-solare-speak-to-your.html) As for the parts, contact the composer (www.JuanMariaSolare.com) or search (soon) in Sheet Music Plus (https://www.sheetmusicplus.com/publishers/juan-maria-solare-sheet-music/3003582?aff_id=565049)
$4.00
Dreams - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062...
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Chamber Orchestra - Level 3 - SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Concertino - for clarinet, mandolin and symphony orchestra
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Orchestre de chambre
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Klezmer
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Ofer Ben-Amots
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Concertino - for clarinet, man
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
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Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Vivaldi: The Four Seasons Complete for Flute & String Quartet
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Orchestre de chambre
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AVANCÉ
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Classique
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Antonio Vivaldi
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James Guthrie, ASCAP
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Vivaldi: The Four Seasons Comp
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedd...
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Chamber Orchestra - Level 5 - SKU: A0.551487 Composed by Antonio Vivaldi. Arranged by James Guthrie, ASCAP. Baroque,Concert,Instructional,Standards,Wedding. Score and parts. 282 pages. Jmsgu3 #5306251. Published by jmsgu3 (A0.551487). Antonio Vivaldi (1676-1741) The Four Seasons Complete, Op. 8 No. 1-4Contents:SPRINGSpring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.SUMMERVivaldi: Summer from the Four Seasons, Op. 8 No. 2 (RV315) Score: 31 pages, Duration: ca 10:00, 3 movements
$59.95
Perky Polka (light orchestral)
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Orchestre de chambre
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FACILE
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Tilly Lockwood
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Perky Polka
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Surrey Dance Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1301095 Composed by Tilly Lockwood. 19th Century. Score and Parts. 26 pages. Surrey Dance Music #890773. Published...
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Chamber Orchestra - Level 2 - SKU: A0.1301095 Composed by Tilly Lockwood. 19th Century. Score and Parts. 26 pages. Surrey Dance Music #890773. Published by Surrey Dance Music (A0.1301095). I've stopped short of full symphony orchestra (omitting trumpets, tuba, harp and percussion), to give this the small-European-orchestra feel that a piece with polka in the title needs. Great for a young orchestra.
$29.99
Vivaldi: Spring from the Four Seasons for Flute & String Quartet
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Orchestre de chambre
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AVANCÉ
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Classique
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Antonio Vivaldi
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James M
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Vivaldi: Spring from the Four
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.551459 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. ...
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Chamber Orchestra - Level 5 - SKU: A0.551459 Composed by Antonio Vivaldi. Arranged by James M. Guthrie, ASCAP. Baroque,Instructional,Standards,Wedding. Score and Parts. 59 pages. Jmsgu3 #5219169. Published by jmsgu3 (A0.551459). Antonio Vivaldi (1676-1741) Spring from the Four Seasons (RV269; Op. 8, No. 1) Score: 23 pages. Duration ca. 10:42Contents:I. Allegro - Spring has returned. Song of the Birds. All is gay, and the birds sing happily.FLOWING FOUNTAINS: Fountains play in the breeze, constantly moving.THUNDER: The skies are dark; lightning flashes and thunder roars.SONG OF THE BIRDS: After the storm, the birds return with their song.II. Largo - THE SLEEPING GOATHERD: On the flowered meadow, the goatherd and his dog roam among the blossoming trees. The Barking DogsIII. Allegro - PASTORAL DANCE: Nymphs and shepherds dance to the bagpipes under the beautiful skies of spring.
$49.95
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
Ecossaise by Beethoven
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Orchestre de chambre
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FACILE
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L
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Dan Severino
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Ecossaise by Beethoven
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Piano Teacher Press
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 ...
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Chamber Orchestra - Level 2 - SKU: A0.864728 Composed by L.V. Beethoven. Arranged by Dan Severino. Children,Instructional,Standards. Score and parts. 5 pages. Piano Teacher Press #48773. Published by Piano Teacher Press (A0.864728). In my piano studio I encourage my students to play music together with their friends that play in their school bands and orchestras. So, I’ve needed to arrange some music for them so they would have something to play. An ecossaise is a lively energetic dance Scottish in origin mostly in 2/4 time often known for its quick dynamic contrasts. If both performers project the musical features of an ecossaise, a good performance will result.
$3.99
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
Conflusion - Suite - Wind Ensemble - Clarinet 2 in Bb
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages....
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Chamber Orchestra - Level 4 - SKU: A0.567878 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Contemporary,Jazz. Score and parts. 8 pages. Thomas Graf - the-hit-factory.com #1986061. Published by Thomas Graf - the-hit-factory.com (A0.567878). Conflusion Phantasy in 3 mouvements for large wind ensemble, double bass and percussion 1. Movement: Deux Caractères 3’59’’ 2. Movement: Dialogues 3’18’’ 3. Movement: Dance de Conflusion 4’24’’ Find all info’s on Youtube: https://youtu.be/Qa4uoTTQ2-o Tatl duration 10‘41‘‘ Instrumentation: 3 flutes (with Piccolo), 3 Clarinets (including bass clarinet), 2 Oboes, cor anglais, 2 Bassoons, contra-bassoon, 3 trumpets, 3 trombones, tuba, double bass, 2 percussion I'm looking for an open-minded Orchestra for a recording, as well as partner(Orchestra and/or conductor) for an arrangement for symphonic wind band. Thomas H. Graf.
$3.00
Beliebte Annen-Polka op. 137
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Orchestre de chambre
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FACILE
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Classique
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Johann Strauss Sr
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Wim Lasoen
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Beliebte Annen-Polka op. 137
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Newzenmusic.org
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmu...
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Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmusic.org #3601913. Published by Newzenmusic.org (A0.927361). Arrangement for Salon Orchestra (Flute, Clarinet, Piano, Violin I, Violin II, Cello and Double Bass)Strauss programmed this polka for the Austrian Empress's name-day in 1842. Name-day celebrations at court always meant a carnival for the inhabitants of Vienna in those days. Strauss sr. directed the music for the court balls, namely in the Volksgarten. At its première, this Anna Polka was encored four times. Only one week after the feast, the published edition of the piano reduction already appeared. Interesting detail: its the publisher who adds 'Popular' (Beliebte) to the title, which was a brilliant move crowned with success: not only would this piece become an enduring crowd-pleaser, it also launched the Polka as the new dance sensation.
$18.50
San Marco Suite for Flute, Oboe and String Quartet
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Piotr Szewczyk
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San Marco Suite for Flute, Obo
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Piotr Szewczyk
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.949220 Composed by Piotr Szewczyk. 20th Century,Contemporary. Score and parts. 137 pages. Piotr Szewczyk (www.Very...
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Chamber Orchestra - Level 5 - SKU: A0.949220 Composed by Piotr Szewczyk. 20th Century,Contemporary. Score and parts. 137 pages. Piotr Szewczyk (www.VeryNewMusic.com) #5897247. Published by Piotr Szewczyk (www.VeryNewMusic.com) (A0.949220). San Marco Suite for Flute, Oboe and String Quartet (2018) by Piotr SzewczykI - Imaginary DancesII - Midnight WaltzIII - Hendricks Avenue.
$24.99
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Dance I
