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CHANT - CHO…
CHARANGO
CITHARE
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CLARINETTE
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CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
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Non classifié
361
PIANO & CLAVIERS
Piano seul
251
Piano Facile
66
Piano, Voix et Guitare
31
Piano, Voix
17
1 Piano, 4 mains
11
Instruments en Do
7
Orgue
6
Piano Trio: piano, violon, violoncelle
5
2 Pianos, 4 mains
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Accordéon
2
Accompagnement Piano
1
Piano grosses notes
1
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GUITARES
Guitare
27
Guitare notes et tablatures
23
2 Guitares (duo)
9
4 Guitares (Quatuor)
8
Ligne De Mélodie, (Paroles) et Accords
2
Banjo
2
Ukulele
1
Basse electrique
1
Guitare, Violon, Violoncelle (trio)
1
Ensemble de guitares
1
Mandoline
1
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VOIX
Chorale SATB
39
Chorale 2 parties
6
Chorale 3 parties
5
Chorale Unison
4
Chorale TTBB
3
Chorale SSAA
3
Voix basse
2
Chorale SSATB
2
Voix Soprano, Piano
2
Voix seule
1
Voix Baryton, Piano
1
Voix Tenor, Piano
1
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VENTS
Quatuor de Saxophones: 4 saxophones
28
Quatuor de Clarinettes: 4 clarinettes
28
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
24
Ensemble de Clarinettes
17
Flûte traversière et Piano
16
2 Flûtes traversières (duo)
12
Quintette de Saxophone: 5 saxophones
11
Flûte, Hautbois, Clarinette, Basson
11
Flûte traversière
11
2 Saxophones (duo)
10
Clarinette et Piano
10
Saxophone Alto et Piano
10
Hautbois, Piano (duo)
10
Quatuor de Flûtes : 4 flûtes
8
Flûte et Guitare
7
Saxophone Tenor et Piano
7
Clarinette
7
Saxophone Baryton, Piano
6
Ensemble de saxophones
6
2 Clarinettes (duo)
6
Saxophone, Clarinette (duo)
6
2 Hautbois (duo)
5
Trio de Flûtes: 3 flûtes
4
Ensemble de Flûtes
4
Flûte, Violon
3
Clarinette Basse, Piano
3
Saxophone (partie séparée)
3
Clarinette, Trompette (duo)
3
Flûte, Clarinette (duo)
3
Clarinette, Violon (duo)
3
Saxophone Soprano et Piano
3
Flûte à bec Soprano
3
Flûte, Trompette (duo)
2
Clarinette, Guitare (duo)
2
Flûte, Clarinette et Basson
2
Hautbois (partie séparée)
2
Hautbois, Clarinette (duo)
2
Clarinette et Alto
2
Hautbois, Flûte
2
Flûte, Violoncelle, Piano (trio)
2
Flûte, Saxophone (duo)
2
Clarinette (partie séparée)
2
Flûte à Bec
2
Saxophone Alto
1
Quatuor de Flûtes à bec
1
Piccolo, Piano
1
Flûte à bec Alto, Piano
1
Harmonica
1
Flûte, Alto (duo)
1
Quintette de Flûte : 5 flûtes
1
Flûte à bec Tenor
1
Hautbois, Basson (duo)
1
Flûte irlandaise
1
Flûte à Bec, Piano
1
4 Hautbois
1
Flute, harpe et violon
1
Flûte, Violon, Piano
1
2 Flûte à bec (duo)
1
Clarinette, Basson (duo)
1
Flûte à bec Soprano, Piano
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
24
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
Trompette, Piano
10
Quatuor de Cuivres: 2 trompettes, Cor, trombone
9
Trombone et Piano
9
Cor et Piano
7
Trompette
5
Ensemble de Trombones
4
Trompette, Saxophone (duo)
4
Euphonium, Piano (duo)
4
2 Trompettes (duo)
3
Tuba et Piano
3
Tuba
3
Quatuor de Cuivres
3
Trompette, Trombone (duo)
2
Trombone basse et Piano
2
Ensemble de Trompettes
2
2 Trombones (duo)
2
Quatuor de cuivres: 4 trombones
2
Ensemble de Cors
1
Cor
1
Quatuor de cuivres: 4 cors
1
Cor (partie séparée)
1
Euphonium
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
65
Violon et Piano
33
Violon
23
Harpe
16
Violoncelle, Piano
16
Violon, Violoncelle (duo)
13
Alto, Piano
11
Violoncelle (partie séparée)
11
Alto seul
10
Contre Basse
8
Trio à Cordes: 2 violons, violoncelle
8
Trio à Cordes: violon, alto, violoncelle
6
2 Violons (duo)
6
2 Violoncelles (duo)
6
Violon, Guitare (duo)
5
2 Altos (duo)
5
Violon, Alto (duo)
4
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Violoncelle
3
Alto (partie séparée)
2
Alto, Guitare (duo)
2
Contrebasse, Piano (duo)
2
Violoncelle , Guitare (duo)
2
Alto, Violoncelle (duo)
2
Ensemble d'Altos
1
Piano Trio: Violon, Alto, Piano
1
Harpe et Piano
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
4 Violoncelles
1
Violoncelle, Orgue
1
Quatuor à cordes: 4 violons
1
Harpe, Violon (duo)
1
Ensemble de Violons
1
Autoharp
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
129
Orchestre
61
Timbales (partie séparée)
37
Orchestre à Cordes
33
Cloches
16
Orchestre de chambre
14
Ensemble de Percussions
13
Ensemble Jazz
10
Ensemble de cuivres
9
Timbales
5
Fanfare
2
Percussion
2
Piano et Orchestre
2
Marimba
1
2 Xylophones
1
Marimba, Piano (duo)
1
Jazz combo
1
Vibraphone
1
Percussion (partie séparée)
1
Quintette à Vent
1
Instrumentations suivantes
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AUTRES
Vous avez sélectionné:
Dance for Pan
Orchestre de chambre
Partitions à imprimer
14 partitions trouvées
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1
Druantia's Dance
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Sm…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.938726 Composed by Andrew Smith. Children,Contemporary. Score and parts. 15 pages. Andrew M. Smith #31125. Published by Andrew M. Smith (A0.938726). Druantia is an eternal Mother Goddess and Queen of the Druids in ancient Celtic folklore. She was known as the protector of forests, and a patron of knowledge, creativity, passion, sex, and fertility of both plants and animals. She is often portrayed as a beautiful, red-headed, slender woman with elven features, draped in forest-green robes. As the protector of forests, she was also guardian of forest spirits and sprites. These spirits are said to inhabit trees, a belief that spans across many cultures, like the Kodoma in Japanese folklore. Druantia’s Dance, a pizzicato string orchestra piece, depicts a joyous ritual of Druantia and her forest spirits; they scurry through the forest, dancing together, while creating new life and blessing the plants and animals around them, aiding in their growth.
$9.99
9.33 €
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Orchestre de chambre
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Andrew Smith
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Druantia's Dance
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Andrew M. Smith
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SheetMusicPlus
Pat-a-Pan for String Quartet (or Mixed Quartet or Piano Quintet)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.530720 Composed by Tradition…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.530720 Composed by Traditional. Arranged by Daniel Kelley. 20th Century,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887793. Published by Last Resort Music Publishing (A0.530720). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
9.29 €
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Orchestre de chambre
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Traditional
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Daniel Kelley
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Cello, Piano Quartet &
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Pat-a-Pan for String Quartet
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Last Resort Music Publishing
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SheetMusicPlus
Two Ecosaisses for Orchestra (or Strings Alone), WoO 22-23
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig va…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.723152 Composed by Ludwig van Beethoven. Arranged by Joel Jacklich (ASCAP). Classical,Romantic Period. Score and parts. 24 pages. Joel Jacklich #5304807. Published by Joel Jacklich (A0.723152). Beethoven wrote a number of ecossaises for the piano. These two had been scored for military band. It can be played by the full orchestration here, or by just the strings. The ecossaise is an energetic country dance in duple time in which couples form lines facing each other. Ecossaises were usually danced in 2/4 time. Although the word ecossaise is derived from the mid-Fench term for Scotland, any connection with Scotland is unclear. The orchestration is for Flute (with Piccolo doubling at the octave), 2 Oboes, 2 Clarinets in A (Clarinets in B-flat are also included in the set), 2 Bassoons; 2 Horns in F, 2 Trumpets in B-flat; Timpani (G2, A2, D3), Triangle, Snare Drum, Bass Drum, Crash Cymbals; Violin I, Violin I, Viola, Violoncello, and Contrabass.
$25.00
23.35 €
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Orchestre de chambre
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Ludwig van Beethoven
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Joel Jacklich (ASCAP)
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Two Ecosaisses for Orchestra
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Joel Jacklich
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
50.44 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Six Epigraphes Antiques for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1168347 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pages. Andrew Middleton #768678. Published by Andrew Middleton (A0.1168347). Six Epigraphes Antiques is a suite of pieces composed by Claude Debussy for piano duo. This arrangement for chamber orchestra (1111/1000/perc/cel/hrp/strings) includes all 6 movements of the suite, including: 1. Pour invoquer Pan, dieu du vent d'été (To invoke Pan, god of the summer wind) 2. Pour un tombeau sans nom (For a nameless tomb) 3. Pour que la nuit soit propice (In order that the night be propitious) 4. Pour la danseuse aux crotales (For the dancer with crotales) 5. Pour l'égyptienne (For the Egyptian woman) 6. Pour remercier la pluie au matin (To thank the morning rain)  For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/.
$49.99
46.7 €
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Orchestre de chambre
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Claude Debussy
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Andrew Middleton
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Six Epigraphes Antiques for Chamber Orchestra
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Andrew Middleton
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SheetMusicPlus
Ascendance
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.993412 Composed by Matthew C…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.993412 Composed by Matthew C. Schildt. 20th Century,Contemporary. Score and parts. 36 pages. Matthew Schildt #4275507. Published by Matthew Schildt (A0.993412). Ascendance was composed in 2012 and is written for septet of flute, clarinet, soprano, glockenspiel, timpani, vibraphone, and piano. The piece is mysterious and driving with a propulsive energy and much interplay among the performers. Ascendance is registered with ASCAP and is approximately 6 1/2 minutes in length. The piece is suitable for collegiate-level musicians. More of my music can be viewed and heard at www.matthewschildtmusic.com
$15.00
14.01 €
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Orchestre de chambre
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Matthew C
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Ascendance
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Matthew Schildt
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SheetMusicPlus
Spanish Dance from Swan Lake for Chamber Quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.761374 Composed by Peter Ily…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.761374 Composed by Peter Ilyich Tchaikovsky. Arranged by Stephen Rockey. Concert,Graduation,Romantic Period,World. Score and parts. 18 pages. Stephen Rockey #6056481. Published by Stephen Rockey (A0.761374). Spanish Dance from Swan Lake by Tchaikovsky arranged for Chamber Quartet, Flute, Clarinet in A, Bassoon and Harp . A fun challenge suitable for concerts, recitals etc.
$6.00
5.6 €
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Orchestre de chambre
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Peter Ilyich Tchaikovsky
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Stephen Rockey
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Spanish Dance from Swan Lake for Chamber Quartet
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Stephen Rockey
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SheetMusicPlus
Americana Suite for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755098 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755098 Composed by Sy Brandon. 20th Century,Concert,Contemporary,Folk. Score and parts. 126 pages. Sy Brandon #3383909. Published by Sy Brandon (A0.755098). This work consists of three of the movements from the award-winning 2000 composition for string orchestra, New England Time Capsules, that has been expanded for a small chamber orchestra. The first movement is Amerindian Harvest Dance, a colorful and rhythmic movement with some percussive sounds in the strings. The second movement The Pilgrims uses Praise God From Whom All Blessings Flow for a set of variations. The third movement Birth of a Nation uses adaptations of Chester and Yankee Doodle.
$39.99
37.36 €
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Orchestre de chambre
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Sy Brandon
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Americana Suite for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
52.3 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Dreams - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Gue…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1317400 Composed by Juan Guerra González. 21st Century,Classical. 96 pages. Juan Carlos Guerra Gonzalez #906062. Published by Juan Carlos Guerra Gonzalez (A0.1317400). DREAMS (for Symphony Orchestra)SCORE ONLY Please visit www.juancarlosguerra.com/dreams to buy or rent the parts. Scored for1 Flute1 Oboe1 Clarinet in Bb1 Basoon2 Percussion Players: 1 TimpaniViolin IViolin IIViolaVioloncelloDouble BassAn easy-to-read to read and fascinating piece for a symphony orchestra with a reduced number of winds and no brass. It can be suited ideally in any setting.Program Note“Dreams†is a suite for symphony orchestra in three movements. The work was kindly commissioned by Dr. Luis VÃquez, conductor of the University of Rhode Island’s Symphony Orchestra and to whom this work is being dedicated alongside with his wife Melissa. The titles of the movements come from either an specific dream, or other topics about dreaming that I discovered in the process of writing the work. I. Cherry trees in the morningNature has always inspired me. Every year during spring my family has the tradition to visit the Brooklyn Botanic Garden to experience the cherry blossoms. I usually do not remember many of my dreams but in this particular dream I was in Japan under an esplanade of cherry trees. I remember how amazed I feel and is for sure one of my most memorable dreams. II. DreamcatcherWhile I was writing the initial ideas of for the work I came across a Journal that explored how the use of a particular chord helped reduce nightmares in patients suffering from nightmare disorders. In the study, patients were exposed to the chord C69 (A C Major with the added 6th and 9th) during therapeutic sessions. This chord is used at the beginning of the movement as it moves to explore different sonorities. In this movement you might be able to hear a representation of the “heartbeat†played by the bass drum and timpani, then a more “stressful†section will come to represent a nightmare followed again by another repetition of the C69 chord. If you feel relaxed during the performance, it is on purpose! III. A Dance in the desertDreams, in my case, are usually a mix of different non-related things. For the final movement, I decided to use that idea. I started this dance with a “oriental†style and them throughout the middle of the movement I moved it to a waltz that was influenced by my grandfather. He used to have a small orchestra and he used to play waltzes during events and private parties.I hope the music takes you through a journey of musical emotions.Juan Guerra González
$159.99
149.45 €
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Orchestre de chambre
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Juan Guerra González
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Dreams - Score Only
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Juan Carlos Guerra Gonzalez
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.68 €
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Orchestre de chambre
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis (
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Cat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.739503 Composed by David Catherwood. Children,Musical/Show. Score and parts. 124 pages. Opus 3 Music #6052713. Published by Opus 3 Music (A0.739503). 'Jack's Journey'(A new Musical by Adeline Dinsmore and David Catherwood)Full set of Orchesrtal Parts (contains 7 songs plus overture and incidental music) - $45Flute, Clarinet in Bb. Trumpet in Bb, Horn in F, Strings, Vln 1 Vln 2 Vla Cello Percussion 1 & 2 Bass/guitarDuration c.40 minutesIdeal for schools, youth groups or adult dramatic/musical companies.Requirements - Narrator, Chorus, (unison/2part) Soloists, Actors, Piano accompanimentOptional - Dancers, orchestral parts for Flute, Clarinet. Trumpet, Horn, Strings, Percussion and Bass/guitar About the MusicalA great story about one of the 20th century.
$45.00
42.04 €
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Orchestre de chambre
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David Catherwood
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$45
Flute,
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Jack's Journey - A new Musical by David Catherwood, inspired by the boyhood adventures of CS Lewis
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Opus 3 Music
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SheetMusicPlus
Arizona Centennial Overture - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brando…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.755102 Composed by Sy Brandon. 20th Century,Contemporary,Folk. Score and parts. 107 pages. Sy Brandon #3384583. Published by Sy Brandon (A0.755102). Arizona Centennial Overture was commissioned by the Arizona Commission on the Arts as part of the Centennial Legacy Project to help celebrate Arizona’s centennial. There are three versions of the compositions, chamber orchestra, full orchestra, and band. The overture pays tribute to the unique blend of the various cultures that had a part in shaping Arizona into what it is today. This six and a half minute composition is divided into three main sections. The first section begins with fanfares that announce the celebration. After thirty seconds, the introduction fades into music that pays tribute to the pioneers that migrated to Arizona. The music has a rustic quality reflecting the pioneering spirit of the ranchers, farmers, miners, and merchants who came to Arizona seeking a better way of life. This section is intended to be inclusive as it is impossible to represent each culture individually in a short musical composition. The second section pays tribute to the various Native American cultures that are a large part of Arizona’s history and its present way of life. Flutes and percussion instruments are used in the beginning of this section to represent the Native American respect for nature. This quiet section evolves into a ceremonial dance that increases in intensity. Towards the end of this section one hears fragments of the pioneer melody as these culture come together. The third section is influenced by Mariachi music to recognize the Hispanic influence in Arizona. The first part uses an original rollicking tune with four beats to the measure over syncopation. The second part contains a lyrical melody with three beats to the measure accompanied by instruments playing accents that create the Hispanic sounding grouping of six notes into three groups of two alternating with two groups of three. A brief ending using the fanfares of celebration interspersed with figures from the Native American and pioneer sections brings the work to a rousing close. The score prints on legal size paper and the parts on letter.
$39.99
37.36 €
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Orchestre de chambre
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Sy Brandon
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Arizona Centennial Overture - Chamber Orchestra Version
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Sy Brandon
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SheetMusicPlus
Sleigh Ride - Op.605
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.721744 Composed by Wolfgang …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.721744 Composed by Wolfgang Amadeus Mozart. Arranged by Anne Christopherson GRSM ARCM. Christian,Christmas,Classical,Concert,Sacred. Score and parts. 26 pages. Music-Scores.com #4992421. Published by Music-Scores.com (A0.721744). Sleigh Ride: No.3 of 3 German Dances, evoking Santas sleigh swooping over the rooftops. For WInd, Brass, Strings, Timpani, Sleighbells and Glockenspiel or Xylophone. This piece works very well even if certain instruments are unavailable.Duration: about 2 minutes, 30 seconds.Arranged by Anne L Christopherson GRSM ARCM at https://www.music-scores.com
$9.95
9.29 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Anne Christopherson GRSM ARCM
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Sleigh Ride - Op.605
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Music-Scores.com
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SheetMusicPlus
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