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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
David H
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75
Piano & claviers
Piano seul
33
Orgue
15
Piano Facile
7
Piano, Voix
6
Piano, Voix et Guitare
5
Instruments en Do
2
Orgue, Piano (duo)
1
Accompagnement Piano
1
Clavecin
1
+ 4 instrumentations
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Guitares
Basse electrique
4
Guitare
2
Ligne De Mélodie, (Paroles) et Accords
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
23
Chorale 3 parties
7
Chorale 2 parties
7
Chorale TTBB
6
Voix moyenne, Piano
2
Voix haute
2
Chorale SSAA
2
Chorale SSATTB
1
Chorale Unison
1
+ 4 instrumentations
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Vents
Quatuor de Flûtes : 4 flûtes
10
Flûte traversière et Piano
8
Quatuor de Clarinettes: 4 clarinettes
7
Quatuor de Saxophones: 4 saxophones
6
Flûte, Hautbois, Clarinette, Basson
6
Saxophone et Guitare
5
2 Flûtes traversières (duo)
5
Clarinette
4
Clarinette et Alto
4
Clarinette et Piano
4
Quatuor de Flûtes à bec
4
Saxophone Alto et Piano
4
Flûte et Guitare
3
Cor anglais, Guitare (duo)
3
Clarinette, Guitare (duo)
3
Clarinette, Violon (duo)
3
2 Clarinettes (duo)
3
Saxophone, Clarinette (duo)
3
Hautbois, Guitare (duo)
2
Saxophone Alto
2
Clarinette, Trombone (duo)
2
2 Clarinettes, Piano
2
Ensemble de Clarinettes
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
2 Saxophones (duo)
2
Hautbois, Piano (duo)
2
Quintette de Clarinettes: 5 clarinettes
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Tenor et Piano
2
Clarinette Basse, Piano
1
Saxophone Tenor
1
Flûte, Violon
1
Clarinette, Trompette (duo)
1
Flûte, Violoncelle
1
Saxophone Baryton, Piano
1
Flûte traversière
1
Flûte, Hautbois, Piano (trio)
1
Hautbois (partie séparée)
1
Flûte à bec Soprano
1
Hautbois
1
Piccolo
1
3 Clarinettes (trio)
1
2 Flûte à bec (duo)
1
Flûte traversière, Orgue (duo)
1
+ 39 instrumentations
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Cuivres
Quatuor de Cuivres : 2 trompettes, trombone, tuba
6
Trompette, Piano
4
Cor anglais, Guitare (duo)
3
Cor et Piano
3
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
2
Trompette
2
Quatuor de cuivres: 4 cors
1
Trio de Cuivres
1
Tuba
1
2 Trompettes (duo)
1
Trombone et Piano
1
Tuba et Piano
1
Quatuor de Cuivres
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Trombone
1
+ 10 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
12
Violon et Piano
7
Violon
6
Violoncelle, Piano
4
Violoncelle
3
Violoncelle , Guitare (duo)
3
Alto, Guitare (duo)
3
Harpe
3
2 Altos (duo)
2
Violon, Guitare (duo)
2
Violon, Violoncelle (duo)
2
Contrebasse, Piano (duo)
2
2 Violoncelles (duo)
2
Alto, Piano
2
4 Violoncelles
2
Quatuor à cordes : 4 altos
1
Violoncelle, Contrebasse (duo)
1
Alto seul
1
Trio à Cordes: violon, alto, violoncelle
1
Quatuor à cordes: 4 violons
1
Harpe, Flûte (duo)
1
2 Violons (duo)
1
Violon, Alto (duo)
1
+ 18 instrumentations
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Orchestre
9
Orchestre à Cordes
9
Ensemble de cuivres
8
Jazz combo
2
Orchestre de chambre
2
Ensemble Jazz
2
Orchestre d'harmonie
1
Cloches
1
Batterie
1
Xylophone, Piano
1
+ 5 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
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FLUTE TRAVERSI…
FORMATION MUSI…
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LUTH
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David H
Orchestre de chambre
Partitions à imprimer
2 partitions trouvées
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Canticum Canticorum for Krzysztof Penderecki
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Orchestre de chambre
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AVANCÉ
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysz
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Rimorarte Edition
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. ...
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Chamber Orchestra - Level 5 - SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
Les Indes Galantes - Prologue (Overture)
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Orchestre de chambre
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AVANCÉ
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score a...
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Chamber Orchestra - Level 5 - SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
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David H