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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day O
Sheetmusicplus
Non classifié
1 467
Piano & claviers
Piano seul
661
Piano Facile
312
Piano, Voix
218
Orgue
136
Piano, Voix et Guitare
102
Instruments en Do
77
Piano grosses notes
54
1 Piano, 4 mains
32
Accompagnement Piano
26
Piano Trio: piano, violon, violoncelle
19
2 Pianos, 4 mains
8
Piano Quatuor: piano, violon, alto, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Orgue, Piano (duo)
3
Accordéon
2
1 Piano, 6 mains
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Clavecin
1
2 Accordéons
1
Clavier
1
Piano (partie séparée)
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
117
Ukulele
36
Guitare
35
Piano, Guitare (duo)
21
Basse electrique
19
Ligne De Mélodie, (Paroles) et Accords
18
2 Guitares (duo)
7
Guitare (partie séparée)
3
4 Guitares (Quatuor)
3
Mandoline
2
3 Guitares (trio)
2
Basse électrique (partie séparée)
2
Paroles et Accords
2
2 Ukuleles
1
Ensemble de Ukulélés
1
Ukulele Baryton
1
Banjo
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
392
Chorale 3 parties
130
Chorale 2 parties
104
Pack Instrumental pour Chorale
79
Chorale Unison
44
Voix duo, Piano
40
Chorale TTBB
34
Chorale SSAA
26
Voix duo
19
Voix seule
5
Voix Soprano, Piano
3
Voix Alto, Piano
3
Chorale
3
Voix basse, Piano
3
Voix basse
1
Chorale SSATB
1
Voix Baryton, Piano
1
Voix moyenne, Piano
1
Chorale SSAATTBB
1
Voix Tenor
1
Chorale SSATTB
1
Voix Tenor, Piano
1
Chorale SSAATB
1
Voix Mezzo-Soprano, Piano
1
+ 19 instrumentations
Retracter
Vents
Flûte traversière et Piano
90
2 Saxophones (duo)
82
Quatuor de Saxophones: 4 saxophones
78
Clarinette et Piano
78
Hautbois, Piano (duo)
71
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
68
Flûte traversière
66
Saxophone (partie séparée)
64
Saxophone Alto et Piano
64
Flûte, Hautbois, Clarinette, Basson
60
Saxophone Alto
56
2 Flûtes traversières (duo)
55
Saxophone Tenor et Piano
52
Clarinette
51
Clarinette (partie séparée)
43
2 Clarinettes (duo)
40
Quatuor de Clarinettes: 4 clarinettes
36
Hautbois (partie séparée)
36
Clarinette, Harpe (duo)
30
3 Saxophones (trio)
30
Saxophone Tenor
29
Quintette de Saxophone: 5 saxophones
29
Flûte, Clarinette (duo)
27
Saxophone et Harpe
26
Hautbois, Harpe
26
Quatuor de Flûtes : 4 flûtes
25
Saxophone Soprano et Piano
23
3 Clarinettes (trio)
21
Trio de Flûtes: 3 flûtes
19
Flute (partie séparée)
16
Hautbois
16
Saxophone Baryton, Piano
14
Flûte, Violon, Piano
14
2 Hautbois (duo)
13
Cor anglais, Piano
12
Clarinette Basse, Piano
11
Saxophone, Clarinette (duo)
11
Ensemble de Clarinettes
11
Clarinette, Violon (duo)
11
Hautbois, Basson (duo)
10
Flûte et Guitare
10
Saxophone Soprano
9
Flûte, Hautbois, Clarinette (trio)
9
2 Flûte à bec (duo)
9
Flûte, Clarinette et Basson
8
Flûte à bec Soprano
8
Ensemble de Flûtes
8
Hautbois, Clarinette (duo)
8
Ensemble de saxophones
8
Clarinette, Basson (duo)
7
Hautbois, Flûte
7
Quintette de Clarinettes: 5 clarinettes
7
Flûte, Clarinette, Piano (trio)
7
Flûte, Hautbois (duo)
7
Saxophone Baryton
6
Flûte, Violon et Violoncelle
6
Clarinette, Guitare (duo)
6
Quintette de Flûte : 5 flûtes
6
Flûte, Violon
6
Quatuor de Flûtes à bec
5
Clarinette et Alto
4
Flûte, Saxophone (duo)
4
Clarinette, Violoncelle, Piano (trio)
4
Flûte, Hautbois, Basson
4
Hautbois, Clarinette, Basson (trio d'anches)
4
2 Clarinettes, Piano
4
Flûte, Basson et Piano
4
Flûte à bec Soprano, Piano
4
2 Flûtes traversières, Piano
4
Flûte, Violon, Violoncelle et Piano
3
Flûte à bec Alto
3
Flûte, Trompette (duo)
3
Hautbois, Violoncelle
3
Flûte, Trombone (duo)
3
Clarinette, Trompette (duo)
3
Clarinette, Violoncelle (duo)
3
Flûte, Hautbois, Piano (trio)
3
Harmonica
2
Flûte, trombone et piano
2
Flûte, Alto et Piano
2
Clarinette, trompette et piano
2
Ocarina
2
Ensemble de Hautbois
2
Flûte, Violoncelle
2
Flûte, Alto (duo)
2
Flûte, Violoncelle, Piano (trio)
2
Clarinette, Trombone (duo)
1
Ensemble à vent
1
Flûte de Pan
1
4 Hautbois
1
Cor Anglais
1
Flûte à bec Tenor
1
Saxophone, Tuba (duo)
1
Clarinette Basse
1
Piccolo
1
Flûte à bec Alto, Piano
1
3 Flûtes à bec (trio)
1
+ 92 instrumentations
Retracter
Cuivres
Trompette
81
Trompette, Piano
69
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
55
Trombone
51
Trombone et Piano
50
Cor
44
2 Trompettes (duo)
38
Cor et Piano
37
Trompette (partie séparée)
32
Cor et Harpe
29
Trombone (partie séparée)
28
Quatuor de cuivres: 4 trombones
27
Quatuor de Cuivres : 2 trompettes, trombone, tuba
24
2 Trombones (duo)
24
Trompette, Harpe
24
Quatuor de Cuivres
24
Tuba
23
Trompette, Trombone (duo)
23
Tuba et Piano
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Cor (partie séparée)
14
2 Cors (duo)
13
Tuba (partie séparée)
13
Cor anglais, Piano
12
Trompette, Saxophone (duo)
11
Trio de Cuivres
10
Euphonium, Piano (duo)
8
Quatuor de cuivres: 4 trompettes
7
Trompette, Cor (duo)
6
Quatuor de cuivres: 4 cors
6
Trombone basse
5
3 Trompettes (trio)
5
Trompette, Tuba (duo)
4
3 Trombones (trio)
4
Trombone, Cor (duo)
3
Trompette, Trombone, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
2 Tubas (duo)
3
Tuba et Orgue
2
Tuba ou Euphonium ou Saxhorn
2
2 Euphoniums et 2 Tubas
2
3 Cors (trio)
2
Ensemble de Cors
2
2 Euphoniums (duo)
2
Trombone, Tuba (duo)
2
3 Tubas (trio)
1
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
1
Ensemble de Trombones
1
Euphonium
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors, Piano
1
Cor Anglais
1
Trompette, Violoncelle (duo)
1
Trompette, Basson (duo)
1
4 Tubas
1
Trompette, Violoncelle et Piano
1
+ 51 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
207
2 Harpes (duo)
189
Violon et Piano
115
Harpe
103
Violon
90
Violoncelle, Piano
78
Alto, Piano
72
Violoncelle
68
2 Violons (duo)
55
Alto seul
50
Violon, Violoncelle (duo)
48
Harpe, Violon (duo)
40
Harpe, Violoncelle (duo)
38
2 Violoncelles (duo)
38
Trio à Cordes: violon, alto, violoncelle
37
Harpe, Flûte (duo)
35
Violon, Alto (duo)
32
Violon (partie séparée)
27
2 Altos (duo)
27
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Alto et Harpe
25
Contre Basse
21
Alto, Violoncelle (duo)
17
Trio à Cordes: 2 violons, violoncelle
17
Contrebasse (partie séparée)
16
Contrebasse, Piano (duo)
14
Alto (partie séparée)
13
Trio à cordes: 3 violins
10
Violoncelle, Contrebasse (duo)
9
Violoncelle (partie séparée)
8
Quatuor à cordes: 4 violons
8
2 Violons, Piano
7
Trio à Cordes: 3 violoncelles
7
Piano Trio: Violon, Alto, Piano
7
2 Contrebasses (duo)
6
Harpe, Voix
6
Harpe, Trombone (duo)
6
4 Violoncelles
5
Trio à cordes: 3 altos
3
Violon, Clarinette, Piano (trio)
3
Trio à Cordes: 2 violons, alto
3
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto, Guitare (duo)
3
2 Violoncelles, Piano
2
Quatuor à cordes : 4 altos
2
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Violon, Guitare (duo)
1
3 Harpes
1
Violoncelle , Guitare (duo)
1
+ 45 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
469
Orchestre
70
Orchestre à Cordes
69
Cloches
68
Ensemble de cuivres
39
Ensemble Jazz
31
Orchestre de chambre
24
Percussion (partie séparée)
21
Fanfare
7
Percussion
6
Jazz combo
5
Ensemble de Percussions
5
Marimba
3
Timbales (partie séparée)
3
Batterie
2
Timbales
2
Batterie (partie séparée)
2
Xylophone, Piano
1
Instrumentation Flexible
1
Xylophone
1
Piano et Orchestre
1
+ 16 instrumentations
Retracter
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Instruments
ACCORDEON
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BASSE
BASSON
BATTERIE
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
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COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
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HAUTBOIS
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PERCU. ORCH…
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
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SYNTHETISEUR
TROMBONE
TROMPETTE
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VIOLON
VIOLONCELLE
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ENFANTS : EVEIL - IN…
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FUNK
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LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
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OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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SOUL - R&B - HIP HOP…
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Vous avez sélectionné:
Day O
SheetMusicPlus
Partitions à imprimer
24 partitions trouvées
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1
O du Fröhliche - Full Score
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Orchestre de chambre
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FACILE
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N
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O du Fröhliche - Full Sco
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Pubblicato da Nicola Marasco
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola ...
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Chamber Orchestra - Level 2 - SKU: A0.931479 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 7 pages. Pubblicato da Nicola Marasco #6430227. Published by Pubblicato da Nicola Marasco (A0.931479). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$9.99
O du fröhliche - Orchestral parts set
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Orchestre de chambre
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FACILE
#
N
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O du fröhliche - Orchestr
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Pubblicato da Nicola Marasco
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola...
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Chamber Orchestra - Level 2 - SKU: A0.931480 Arranged by N. Marasco. Christmas,Classical,Holiday,Sacred. Score and parts. 15 pages. Pubblicato da Nicola Marasco #6430229. Published by Pubblicato da Nicola Marasco (A0.931480). O du fröhliche is a German Christmas carol. The author of the original text was the prominent Weimar orphan father Johannes Daniel Falk (1768–1826).In late 1815, he dedicated this song to the children of the orphanage. The melody was taken from the anonymous Catholic hymn O Sanctissima (also known as Sicilian Mariners Hymn), which he found in the posthumous edition of J.G. Herder's Stimmen der Völker in Liedern after hearing it sung by Pietro Granucci, an Italian foundling under his care. In Falk's original text, the song was titled Allerdreifeiertagslied (A song for three holidays), highlighting the three major festivals of Christianity: Christmas, Easter and Pentecost.
$19.99
Fantasy on the Theme of O God, Our Help in Ages Past (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sharon Kim
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Fantasy on the Theme of O God,
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Song of Songs Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Mus...
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Chamber Orchestra - Level 4 - SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893). An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute. Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber
$39.99
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bennett Rabiega
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Bennett Rabiega
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O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Re...
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Chamber Orchestra - Level 4 - SKU: A0.1288209 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 188 pages. Bennett A Rabiega #863240. Published by Bennett A Rabiega (A0.1288209). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and a reduced orchestration for a C Instrument, a B-flat instrument, piano, acoustic guitar, bass guitar, and drums. A full orchestration of the piece is also available, as is the vocal score with piano accompaniment. This reduced score contains the vocal score and individual instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$149.95
O Come, O Come, Emmanuel: A Christmas Cantata in eight movements
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Bennett Rabiega
#
Bennett Rabiega
#
O Come, O Come, Emmanuel: A Ch
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Bennett A Rabiega
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Re...
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Chamber Orchestra - Level 4 - SKU: A0.1288208 By Bennett Rabiega. By Bennett Rabiega. Arranged by Bennett Rabiega. Advent,Christian,Christmas,Holiday,Religious. Score and Parts. 273 pages. Bennett A Rabiega #863238. Published by Bennett A Rabiega (A0.1288208). This is a Christmas cantata in 8 movements based on the classic hymn O Come, O Come, Emmanuel and prophecy on the coming of the Messiah from the book of Isaiah. The piece is composed for SATB choir, soloists, and an orchestra of 1 Flute, 1 Soprano Saxophone, 1 Trumpet, 1 Trombone, Violin I, Violin II, Viola, Cello, Piano, Acoustic Guitar, Bass Guitar, and Drums). A reduced orchestration is available, as is a vocal score with piano accompaniment. This is the full orchestration, including the vocal score and all instrumental parts. 1) Prelude (instrumental) / 2) Interlude: A Shoot Will Come Out / 3) He Will Delight / 4) Interlude: Therefore, The Lord Himself / 5) Unto Us A Child Is Born / 6) Interlude: Of The Increase / 7) See, I Lay A Stone In Zion / 8) O Come, O Come, Emmanuel (Finale)
$249.95
O Come, All Ye Faithful - Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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John Francis Wade
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John Groves
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O Come, All Ye Faithful - Cham
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John Groves
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.783892 Composed by John Francis Wade. Arranged by John Groves. Christmas,Holiday,Praise & Worship,Sacred. Score an...
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Chamber Orchestra - Level 3 - SKU: A0.783892 Composed by John Francis Wade. Arranged by John Groves. Christmas,Holiday,Praise & Worship,Sacred. Score and parts. 24 pages. John Groves #6610325. Published by John Groves (A0.783892). O Come, All Ye Faithful - arranged for Chamber OrchestraScore and Parts included:FluteOboeBb ClarinetBassoonBb TrumpetHorn in FTromboneTubaViolin 1Violin 2ViolaCelloArranged as wind, brass & string small ensemble (12 Parts) chamber orchestra. Feel free to double up parts especially in the string section for richer robust string orchestra configuration. Great for small ensemble use for schools, church, youth orchestras, community musicians, Christmas holiday programing, etc.
$39.99
O Come All Ye Faithful (sing-along for chamber orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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John Reading, 1692
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Douglas Meyer
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O Come All Ye Faithful
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Douglas Meyer
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.873770 Composed by John Reading, 1692. Arranged by Douglas Meyer. Christian,Christmas,Praise & Worship,Sacred. Sco...
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Chamber Orchestra - Level 3 - SKU: A0.873770 Composed by John Reading, 1692. Arranged by Douglas Meyer. Christian,Christmas,Praise & Worship,Sacred. Score and parts. 25 pages. Douglas Meyer #3038915. Published by Douglas Meyer (A0.873770). A sing-along setting for chamber orchestra (1.1.2.1/2.1.1.0 strings) accompaniment with full score, parts and text for the holiday favorite O COME ALL YE FAITHFUL.
$18.95
O Christmas Tree
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Orchestre de chambre
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FACILE
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Noël
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Frank & Anschutz
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Peter B Kay
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O Christmas Tree
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Blair New Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.942302 Composed by Frank & Anschutz. Arranged by Peter B Kay. Christmas,Classical,Holiday,Standards,Traditional. S...
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Chamber Orchestra - Level 2 - SKU: A0.942302 Composed by Frank & Anschutz. Arranged by Peter B Kay. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 27 pages. Blair New Music #548104. Published by Blair New Music (A0.942302). A delightful new arrangement of a holiday classic that is as fun to perform as it is to hear. Utilizing a chamber orchestra, this piece fits comfortably on stages of all sizes.
$38.00
O Holy Night
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Moses Sun
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Moses Sun
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O Holy Night
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MSUNMUSIC
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1310441 By Moses Sun. By Adolphe-Charles Adam and John Sullivan Dwight. Arranged by Moses Sun. Christmas,Holiday,P...
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Chamber Orchestra - Level 4 - SKU: A0.1310441 By Moses Sun. By Adolphe-Charles Adam and John Sullivan Dwight. Arranged by Moses Sun. Christmas,Holiday,Praise & Worship,Rock,Sacred. 47 pages. MSUNMUSIC #899502. Published by MSUNMUSIC (A0.1310441). NOTE: this arrangement includes WAV files of stems for optional synth parts not in the original recording and will be provided for free once the purchase is complete. This package also includes click track and voice cues as well. Please contact the artist at moses@mosessunmusic.com for more details!a different take on a traditional Christmas carol classic, with a more poweful rock ballad edge and sweeping strings.Suitable for contemporary/traditional services alike.Scored for:- 1 flute- 1 oboe- string ensemble (double quartet and up recommended)- solo female (powerful pop alto/mezzo)- SAT chorus- rhythm section (suggested: piano, electric guitar, bass, drums, B3 organ - includes just one master rhythm chart for all).
$59.99
O Abre Alas (Carnival March)
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Orchestre de chambre
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INTERMÉDIAIRE
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Latin/Musique du monde
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Chiquinha Gonzaga
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Eliseu Ferreira
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O Abre Alas
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Eliseu Ferreira
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SheetMusicPlus
Composed by Chiquinha Gonzaga (1847-1935). Arranged by Eliseu Ferreira. Country, Folk, Holiday, Instructional, Latin. Score and parts. 23 pages. Elise...
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Composed by Chiquinha Gonzaga (1847-1935). Arranged by Eliseu Ferreira. Country, Folk, Holiday, Instructional, Latin. Score and parts. 23 pages. Eliseu Ferreira #379853. Published by Eliseu Ferreira
$15.00
Holiday Medley
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Orchestre de chambre
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FACILE
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Noël
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Traditional
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Peter Tambroni
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Holiday Medley
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Peter Tambroni
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #...
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Chamber Orchestra - Level 2 - SKU: A0.850805 Composed by Traditional. Arranged by Peter Tambroni. Christmas. Score and parts. 14 pages. Peter Tambroni #25163. Published by Peter Tambroni (A0.850805). This is a simple arrangement for string orchestra of Jolly Old St. Nicholas, Good King Wenceslas and Adeste Fideles (O Come All Ye Faithful).Only the key of G is used and there are no accidentals. There is an optional advanced first violin part with some third position work to provide a challenge for more advanced players. The standard first violin is the same but an octave lower. The second violin part is almost identical but with some harmony notes. Dotted rhythms and hooked bowings have been using sparingly.The harmony is generally two part between upper and lower strings. The cello varies slightly from the bass to thicken the harmonies.Markings have been kept to a minimum to allow for flexibility, interpretation and to get students in the habit of notating their part.
$25.00
May Christmas be every day (Que o natal seja todo dia) - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Rafael Milhomem
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May Christmas be every day
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Milhomusic
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1113805 Composed by Rafael Milhomem. 20th Century,Chamber,Christmas,Classical,Religious. 19 pages. Milhomusic #715...
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Chamber Orchestra - Level 4 - SKU: A0.1113805 Composed by Rafael Milhomem. 20th Century,Chamber,Christmas,Classical,Religious. 19 pages. Milhomusic #715703. Published by Milhomusic (A0.1113805). Here is a beautiful Christmas carol by Rafael Milhomem in an orchestral version.
$10.00
The Fallen – Flute Concerto (score – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861934 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 48 pages. Mark O'Connor Musik International #6208131. Published by Mark O'Connor Musik International (A0.861934). The Fallen – Flute Concerto (score – flute and string orchestra) MO163AScore in Three Movements (parts available)Music by Mark O’Connor44 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163ACopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
The Fallen – Flute Concerto (flute part – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861935 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208137. Published by Mark O'Connor Musik International (A0.861935). The Fallen – Flute Concerto (flute part – flute and string orchestra) MO163BFlute Part - Three Movements (score and parts available)Music by Mark O’Connor14 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163BCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$15.00
The Fallen – Flute Concerto (string parts – flute and string orchestra)
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Orchestre de chambre
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AVANCÉ
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transforming the tragic and da
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Mark O'Connor
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The Fallen – Flute Conce
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Mark O'Connor Musik International
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik I...
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Chamber Orchestra - Level 5 - SKU: A0.861936 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 70 pages. Mark O'Connor Musik International #6208141. Published by Mark O'Connor Musik International (A0.861936). The Fallen – Flute Concerto (string parts – flute and string orchestra) MO163C-GString Parts in Three Movements (score and flute solo part available)Music by Mark O’Connor50 pages - 18:00 minutes in length The Fallen for flute solo and strings composed by Mark O’Connor in three movements was commissioned by two different flutists for their respective music festivals in the summer of 2003; Marya Martin for the 20th anniversary of her Bridghampton Festival in New York, and Beth Ross-Buckley at her Camarada Festival in San Diego. The compositional process for the piece began for O’Connor in 2003, the very day the war was launched in Iraq. The piece was finished about three weeks later around the time the statues of the Iraqi dictator fell in Baghdad. This music is a reflection of the people who lost their lives in the war. This particular impact on his music makes for quite a different result from O’Connor’s usual optimism. However he finds a way to weave in a sense of a better future in the third movement. By transforming the tragic and darker qualities of the first movement’s themes, and making a departure from the quirky feet on the ground playfulness of the second movement, here O’Connor yearns and urges for a more beautiful world. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 2003 Composed by Mark O’ConnorCommissioned by Bridgehampton Chamber Music Associates, New York and Camarada – San DiegoCan be heard on Beauty In America MSR ClassicsCarla Auld – flute, Eric Jacobsen - conductor Catalogue Number MO163C-GCopyright © 2003 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$30.00
Little Laser Lady for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Landscape before sunrise for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for c
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
An amble round Mercury for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for cha
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David...
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Chamber Orchestra - Level 4 - SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
Barbara Allen for piccolo and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Reinhold Behringer
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David Warin Solomons
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Barbara Allen for piccolo and
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David Warin Solomons
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 page...
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Chamber Orchestra - Level 4 - SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Christmas Carol Medley for String Quartet (Violin2, Viola, Cello, Piano)
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Bowooner
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Christmas Carol Medley for Str
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Clarinet House
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.954859 Arranged by Bowooner. Christian,Christmas,Holiday,Praise & Worship,World. Score and parts. 25 pages. Clarin...
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Chamber Orchestra - Level 3 - SKU: A0.954859 Arranged by Bowooner. Christian,Christmas,Holiday,Praise & Worship,World. Score and parts. 25 pages. Clarinet House #5358917. Published by Clarinet House (A0.954859). This is a collection of 4 carol songs, arranged by changing the difficulty and style to a string quartet.1. O Holy Night (Intro)2. Silent Night 3. Angels We Have Heard on High 4. Joy to the World
$20.00
Christmas Overture for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Noël
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Edward David Zeliff
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Edward David Zeliff
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Christmas Overture for Chamber
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 ...
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Chamber Orchestra - Level 4 - SKU: A0.888270 Composed by Edward David Zeliff. Arranged by Edward David Zeliff. Christian,Christmas. Score and parts. 85 pages. Edward David Zeliff #4787129. Published by Edward David Zeliff (A0.888270). This setting of four familiar Christmas Carols, O Come, All Ye Faithful, It Came Upon the Midnight Clear, Angels We Have Heard on High, and The First Noel, is in a classic overture style that makes a perfect opener for a Holiday concert. The Chamber Orchestra instrumentation utilizes a single winds and small brass configuration that was the foundation of light music arrangers and conductors like Percy Faith and Mantovani. It is both economical and well balanced for a concert I did featuring this and other customized arrangements for a solo soprano.
$35.00
Overture to "A Lucky Star" A 1920s Musical, Full Orchestra Score and Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE
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James Nathaniel Holland
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Overture to "A Lucky Star
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and p...
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Chamber Orchestra - Level 3 - SKU: A0.730508 Composed by James Nathaniel Holland. Broadway,Contemporary,Holiday,Jazz,Musical/Show,Patriotic. Score and parts. 74 pages. James Nathaniel Holland #5955675. Published by James Nathaniel Holland (A0.730508). Overture to American composer James Nathaniel Holland's early 1920s-styled musical A Lucky Star. The story about coming to terms with where you're from while attaining your dreams. Featured are 4 popular songs: A Lucky Star; O Baby, You Treat Me Too Rough; New York The City, The Town of Your Dreams; and Indiana. Perfect for period 20s jazz concert or opening to pops orchestra concert. Full score in concert pitch and individual instrument parts included. Instr: picc, fl12, ob12, cl12, bsn, hrn12, tpt, trmb, timp, drum set, piano (w/opt. banjo), strings. Duration: 8:28.
$15.95
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
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