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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Day Romantic
Non classifié
1 257
Piano & claviers
Piano seul
1 106
Piano Facile
212
Piano, Voix
125
Piano, Voix et Guitare
57
Orgue
44
Accompagnement Piano
43
Instruments en Do
29
1 Piano, 4 mains
27
2 Pianos, 4 mains
26
Piano Trio: piano, violon, violoncelle
24
Piano Quatuor: piano, 2 violons, violoncelle
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano grosses notes
5
Clavier
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Orgue, Piano (duo)
2
Ligne De Mélodie, Piano
2
Orgue, Trompette (duo)
1
+ 13 instrumentations
Retracter
Guitares
Guitare notes et tablatures
50
Guitare
42
Ukulele
9
Ligne De Mélodie, (Paroles) et Accords
6
Ensemble de guitares
6
4 Guitares (Quatuor)
4
Piano, Guitare (duo)
4
2 Guitares (duo)
4
Banjo
2
Mandoline
2
Basse electrique
1
Mandoline, Guitare (duo)
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
87
Chorale 3 parties
39
Chorale SSAA
24
Voix duo, Piano
16
Voix Tenor, Piano
15
Chorale 2 parties
15
Chorale TTBB
15
Voix seule
13
Voix Soprano, Piano
6
Chorale Unison
4
Voix haute
4
Voix Baryton, Piano
3
Voix duo
3
Voix Alto, Piano
2
Voix, Guitare
1
Voix moyenne, Piano
1
Chorale SSATTB
1
Chorale
1
Voix basse, Piano
1
Voix basse
1
+ 15 instrumentations
Retracter
Vents
Flûte traversière et Piano
183
Clarinette et Piano
147
2 Saxophones (duo)
143
Hautbois, Piano (duo)
136
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
126
Quatuor de Saxophones: 4 saxophones
124
Saxophone Alto et Piano
108
Quatuor de Clarinettes: 4 clarinettes
89
Clarinette
82
Saxophone Soprano et Piano
81
Saxophone Tenor et Piano
72
2 Flûtes traversières (duo)
70
2 Clarinettes (duo)
66
Flûte, Hautbois, Clarinette, Basson
63
3 Saxophones (trio)
55
Flûte traversière
53
Quatuor de Flûtes : 4 flûtes
51
Saxophone Alto
40
Quintette de Saxophone: 5 saxophones
36
2 Hautbois (duo)
33
Saxophone Baryton, Piano
31
Ensemble de saxophones
30
2 Flûte à bec (duo)
30
Cor anglais, Piano
29
Flûte, Clarinette (duo)
28
Saxophone Tenor
26
3 Clarinettes (trio)
25
Hautbois (partie séparée)
24
Hautbois, Clarinette (duo)
21
Quintette de Clarinettes: 5 clarinettes
20
Flûte à Bec
18
Ensemble de Flûtes
17
Hautbois, Basson (duo)
17
Clarinette Basse, Piano
17
Hautbois
15
Trio de Flûtes: 3 flûtes
15
Ensemble de Clarinettes
14
Saxophone (partie séparée)
14
Hautbois, Flûte
13
Clarinette, Violon (duo)
13
Flûte, Violon
13
Flûte, Hautbois, Piano (trio)
12
Flûte à bec Soprano
11
Flûte, Violon, Piano
10
Saxophone, Clarinette (duo)
10
Flûte, Hautbois, Basson
9
Flûte à bec Alto
9
Saxophone Soprano
9
Flûte, Trompette (duo)
9
Flûte, Violoncelle
8
Quintette de Flûte : 5 flûtes
8
Quatuor de Flûtes à bec
8
Saxophone Baryton
8
Clarinette, Basson (duo)
8
Flûte, Clarinette et Basson
8
Flûte, Hautbois (duo)
8
Flûte, Violoncelle, Piano (trio)
7
Hautbois, Violoncelle
7
2 Clarinettes, Piano
7
Clarinette, Trompette (duo)
7
Flûte et Guitare
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Clarinette, Violoncelle (duo)
5
Clarinette, Violoncelle, Piano (trio)
5
Flûte, Alto (duo)
4
2 Flûtes traversières, Piano
4
Hautbois, violon (duo)
4
Clarinette, Harpe (duo)
4
Flûte, Basson et Piano
4
Cor Anglais
4
Flûte, Saxophone (duo)
4
Clarinette et Alto
4
Hautbois, trombone (duo)
3
Saxophone et violoncelle
3
Hautbois, Harpe
3
Flûte, Trombone (duo)
3
Flûte, Hautbois, Clarinette (trio)
3
Saxophone et Orgue
3
Saxophone, Basson (duo)
3
Clarinette, Basson, Piano (trio)
3
Clarinette, Trombone (duo)
3
3 Flûtes à bec (trio)
3
Flûte, Alto et Piano
3
Clarinette, trompette et piano
3
Flûte, Violon, Violoncelle et Piano
2
3 Hautbois
2
Saxophone
2
Piccolo
2
Flute (partie séparée)
2
Clarinette, Alto et Piano (trio)
2
Flûte, trombone et piano
2
Flûte à bec Soprano, Piano
2
Instruments en Mib
2
Clarinette, Orgue
2
Flûte traversière, Orgue (duo)
2
Flûte, Clarinette, Piano (trio)
2
Flûte, Clarinette, Violon (trio)
1
Flûte à bec Alto, Piano
1
Clarinette Basse
1
2 Flûtes à bec, Piano
1
Saxophone et Harpe
1
Cor anglais et Harpe (duo)
1
Saxophone et Piano
1
Flûte à bec, Guitare (duo)
1
Flûte, Violon et Violoncelle
1
Flûte irlandaise
1
2 Hautbois, Piano
1
5 Flûtes à bec
1
Ensemble à vent
1
Saxophone et Guitare
1
Flûte, Guitare, Piano
1
Flute, harpe et violon
1
Clarinette, Guitare (duo)
1
Piccolo, Piano
1
+ 109 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
91
Trombone et Piano
85
Quatuor de Cuivres : 2 trompettes, trombone, tuba
74
Trompette, Piano
71
Trompette
64
Cor et Piano
57
2 Trompettes (duo)
32
2 Trombones (duo)
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Trombone
30
Tuba et Piano
30
Cor anglais, Piano
29
Cor
29
Tuba
22
Quatuor de cuivres: 4 trombones
21
2 Cors (duo)
21
Euphonium, Piano (duo)
20
Trompette, Trombone (duo)
18
Quatuor de cuivres: 4 cors
13
Trompette, Saxophone (duo)
10
Ensemble de Trombones
10
Quatuor de Cuivres
8
Trombone basse
7
Trio de Cuivres
7
Quatuor de cuivres: 4 trompettes
7
Trompette, Cor (duo)
7
Trombone, Cor (duo)
7
Trombone basse et Piano
6
Cor, Violoncelle (duo)
5
Trompette, Violoncelle (duo)
5
Trompette, Basson (duo)
5
3 Trombones (trio)
5
Cor et Basson (duo)
5
Trombone, violoncelle (duo)
4
3 Tubas (trio)
4
Cor Anglais
4
4 Tubas
4
Trombone, Violon (duo)
3
Trombone, Alto (duo)
3
Ensemble de Trompettes
3
Trombone, Orgue
3
Instruments en Sib
2
Euphonium
2
Bass Clef Instruments
2
Ensemble de Cors
1
Trompette, Violoncelle et Piano
1
Ensemble de Tubas
1
Cor anglais et Harpe (duo)
1
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Trompette, Tuba (duo)
1
Cor, Tuba (duo)
1
Trompette, Harpe
1
Cor et Harpe
1
2 Cors, Piano
1
Cor et Orgue
1
+ 51 instrumentations
Retracter
Cordes
Violon et Piano
285
Quatuor à cordes: 2 violons, alto, violoncelle
277
Violoncelle, Piano
150
Alto, Piano
126
Violon, Violoncelle (duo)
94
Violon
93
2 Violons (duo)
71
Trio à Cordes: violon, alto, violoncelle
61
Violoncelle
60
2 Violoncelles (duo)
58
Alto seul
47
2 Altos (duo)
42
Violon, Alto (duo)
40
Harpe
35
Alto, Violoncelle (duo)
29
Contrebasse, Piano (duo)
23
Quintette à cordes: 2 violons, alto, violoncelle, basse
22
Trio à Cordes: 2 violons, violoncelle
19
4 Violoncelles
18
Contre Basse
18
Alto (partie séparée)
18
Quatuor à cordes: 4 violons
16
Trio à cordes: 3 violins
15
Trio à Cordes: 3 violoncelles
11
Quatuor à cordes : 4 altos
10
Alto et Basson
9
Harpe, Flûte (duo)
9
2 Harpes (duo)
7
Violon, Basson (duo)
7
Violon, Guitare (duo)
6
Violon (partie séparée)
5
Harpe, Violon (duo)
5
2 Contrebasses (duo)
4
Trio à cordes: 3 altos
3
Violoncelle (partie séparée)
2
Alto, Orgue
2
Violon, Clarinette, Piano (trio)
2
Violoncelle, Orgue
2
Ensemble de Violons
2
Violon, Orgue
2
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe, Violoncelle (duo)
2
Violoncelle , Guitare (duo)
2
Ensemble de Violoncelles
1
Ensemble d'Altos
1
Trio à cordes
1
Violoncelle, Orchestre
1
Alto et Harpe
1
Harpe, Trombone (duo)
1
+ 46 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
126
Orchestre à Cordes
90
Orchestre
60
Ensemble Jazz
41
Orchestre de chambre
32
Ensemble de cuivres
27
Ensemble de Percussions
7
Cloches
5
Quintette de Cuivres: autres combinaisons
3
Fanfare
2
Piano et Orchestre
1
Jazz combo
1
Vibraphone
1
+ 8 instrumentations
Retracter
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ACCORDEON
ALTO
AUTRES INST…
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BASSE
BASSON
BATTERIE
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CLAIRON
CLARINETTE
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DULCIMER
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FLUTE A DIX…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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ASIE
BLUEGRASS
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CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
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EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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Vous avez sélectionné:
Day Romantic
Orchestre de chambre
Partitions à imprimer
32 partitions trouvées
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1
26
Waltz for a Saturday
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Orchestre de chambre
#
FACILE
#
Alice Minguez
#
strings
#
Waltz for a Saturday
#
Alice Minguez
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.984077 Composed by Alice Minguez. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and parts. 10 page...
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Chamber Orchestra - Level 2 - SKU: A0.984077 Composed by Alice Minguez. Concert,Contemporary,Romantic Period,Standards,Wedding. Score and parts. 10 pages. Alice Minguez #3560609. Published by Alice Minguez (A0.984077). Waltz for piano & strings
$1.99
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jms...
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Chamber Orchestra - Level 3 - SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
Concerto for Clarinet and String Orchestra in D Major, Op. 33: Adagio-Allegro
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Orchestre de chambre
#
James Bernard
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Concerto for Clarinet and Stri
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James Bernard
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1023544 Composed by James Bernard. Classical,Holiday,Romantic Period. Score and parts. 12 pages. James Bernard #5991095. Pub...
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Chamber Orchestra - SKU: A0.1023544 Composed by James Bernard. Classical,Holiday,Romantic Period. Score and parts. 12 pages. James Bernard #5991095. Published by James Bernard (A0.1023544). This movement of my Clarinet Concerto was written for my Dads birthday. .
$14.99
Marches of the Wooden Soldiers (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE
#
Classique
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Peter Ilyich Tchaikovsky
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Christopher Kalstad
#
Marches of the Wooden Soldiers
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Christopher Kalstad
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1405366 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Holiday,Roma...
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Chamber Orchestra - Level 3 - SKU: A0.1405366 Composed by Peter Ilyich Tchaikovsky. Arranged by Christopher Kalstad. 19th Century,Classical,Holiday,Romantic Period. 34 pages. Christopher Kalstad #988421. Published by Christopher Kalstad (A0.1405366). Marches of the Wooden Soldiers from Tchaikovsky's Album for the Young is now arranged for chamber orchestra. Tchaikovsky's melodic gift and musical charm are fully on display in this attractive light piece - perfect as a chamber orchestra encore!
$11.99
Ave Maria - Schubert (Piano-Strings Octet)
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Orchestre de chambre
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FACILE
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Classique
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Franz Schubert
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Boni de Souza
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Ave Maria - Schubert
#
De Souza et Music LLP
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic Period,Wedding. S...
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Chamber Orchestra - Level 2 - SKU: A0.887509 Composed by Franz Schubert. Arranged by Boni de Souza. Classical,Concert,Holiday,Romantic Period,Wedding. Score and parts. 9 pages. De Souza et Music LLP #3680517. Published by De Souza et Music LLP (A0.887509). This composition Ave Maria has been re-arranged in an 8pc ensemble combination of String Quartet plus Flute, Piano, Double Bass and optional Drums part. The song could be done with optional drums in a contemporary style. The arrangement of the harmony and counterpoint is an original arrangement that I have created. The level of difficulty is Early-Intermediate and is playable by non professionals as well as professionals. This is part of my original arrangement EZY Band Arrangements compilation that I have arranged specially for music enthusiasts who are at the Early Intermediate level.
$18.99
Ode To Joy (Excerpt from Symphony No. 9)
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Ludwig van Beethoven
#
Dico
#
Ode To Joy
#
Dico
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.843022 Composed by Ludwig van Beethoven. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and parts. 45 pa...
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Chamber Orchestra - Level 3 - SKU: A0.843022 Composed by Ludwig van Beethoven. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and parts. 45 pages. Dico #6495127. Published by Dico (A0.843022). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.ODE TO JOY - as the arrangement was made for a wedding ceremony, the instrumentation was very reduced (1 player for each part). For bigger ensembles, I suggest to double the woodwind parts.INSTRUMENTATIONScore | Fl | Ob | Cl | Hrn | Tpt 1, 2 | Tbn 1, 2 | Timp | Pno | Strs
$35.50
Fauré: Pavane Op. 50 for Piano Sextet
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Orchestre de chambre
#
INTERMÉDIAIRE
#
Classique
#
Gabriel Faure
#
James M
#
Fauré: Pavane Op. 50 fo
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jmsgu3
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu...
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Chamber Orchestra - Level 3 - SKU: A0.550171 Composed by Gabriel Faure. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 29 pages. Jmsgu3 #4597213. Published by jmsgu3 (A0.550171). Pavane * павана * パヴァーム* Παβάνε * פ×ב×× ×” * Gabriel Fauré, Op. 50. Duration ca. 5:10Gabriel Fauré's Pavane Op. 50 is a short work originally composed for piano in 1887 but is better known in Fauré's version for orchestra and chorus. The piece is a pavane, a slow processional court dance that took hold in Spain in the 16th and 17th centuries and which the aristocracy used as a showcase for fancy ball gowns and ceremonial feasts. The piece's stately pace, which lends the melody its halting grace, has much to do with its frequently cited calming effect. Although Fauré described the report as carefully crafted but not otherwise important, it has become one of his most famous and commonly performed works. The Pavane is a typically frank and straightforward piece of music by Fauré, and it is around seven minutes long. The restrained use of harmony creates a delightful air of subtlety and simplicity. The piece has been reused by other composers, such as Ravel's Pavane pour une infante défunte. The Pavane Op. 50 speaks directly to the heart in its calm and collected manner. Fauré's Pavane has been used in popular culture in various ways. The piece's melody is well-known worldwide for its frequent use in films, advertising, and sporting events like the 1998 FIFA World Cup, which the BBC covered using the Pavane. The piece has also been used in popular music, with pop artists like Eric Clapton and Jon Lord using Pavan-inspired themes in songs and instrumental compositions. The Pavane Op. 50 has been featured in several films, including The Conformist (1970), The Great Beauty (2013), and The King's Speech (2010). The piece has also been used in television shows like The Crown (2016). The Pavane Op. 50 has been arranged for various instruments, including guitar, harp, and cello. The piece's haunting musical qualities that percolate directly from the orchestra through the chorus in a straight line of solemnity and reverence have made it a standard part of the concert repertoire.
$46.95
Wedding March (Bridal Chorus - Here comes the Bride) for Piano and String Quartet
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Orchestre de chambre
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FACILE
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Classique
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Richard Wagner
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Cadenza Editions
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Wedding March
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Cadenza Editions
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.570018 Composed by Richard Wagner. Arranged by Cadenza Editions. 20th Century,Graduation,Holiday,Romantic Period,W...
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Chamber Orchestra - Level 2 - SKU: A0.570018 Composed by Richard Wagner. Arranged by Cadenza Editions. 20th Century,Graduation,Holiday,Romantic Period,Wedding. Score and parts. 10 pages. Cadenza Editions #3531943. Published by Cadenza Editions (A0.570018). Wedding March (Bridal Chorus - Here comes the Bride) for Piano and String Quartet.
$6.99
A. Dvorak - Going Home (from the 9th Symphony) for Cello Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Antonin Dvorak
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Renan Moreira
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A. Dvorak - Going Home
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R. Moreira
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.914907 Composed by Antonin Dvorak. Arranged by Renan Moreira. Christmas,Contemporary,Holiday,Romantic Period. Scor...
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Chamber Orchestra - Level 3 - SKU: A0.914907 Composed by Antonin Dvorak. Arranged by Renan Moreira. Christmas,Contemporary,Holiday,Romantic Period. Score and Parts. 9 pages. R. Moreira #5334279. Published by R. Moreira (A0.914907). Arranged from the second movement of Dvorak's 9th Symphony. For 6 (six) or more cellos.
$10.95
Morning Mood, from Peer Gynt Suite No. 1
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Edvard Grieg
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Dico
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Morning Mood, from Peer Gynt S
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Dico
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.843028 Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dic...
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Chamber Orchestra - Level 4 - SKU: A0.843028 Composed by Edvard Grieg. Arranged by Dico. Holiday,Romantic Period,Wedding. Score and Parts. 46 pages. Dico #6502567. Published by Dico (A0.843028). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.MORNING MOOD (from Peer Gynt Suite No. 1) - this arrangement was made for a wedding ceremony group and the instrumentation was very reduced (1 player for each part), but I suggest a minimal of 2 players in each string part, except the double bass.INSTRUMENTATION:Flute | Oboe | Horn | Trumpet 1, 2 | Trombone 1, 2 | Timpani | Piano | Strings
$22.00
Lovely Lady
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Orchestre de chambre
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INTERMÉDIAIRE
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John Krumm
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John Krumm
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Lovely Lady
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John J Krumm
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.940904 Composed by John Krumm. Arranged by John Krumm. Holiday,Romantic Period,Wedding. Score and parts. 14 pages....
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Chamber Orchestra - Level 3 - SKU: A0.940904 Composed by John Krumm. Arranged by John Krumm. Holiday,Romantic Period,Wedding. Score and parts. 14 pages. John J Krumm #3471425. Published by John J Krumm (A0.940904). A String Quartet in the Viennese style. Suitable for Weddings, Anniversaries, and dancing.
$45.00
Bridal Chorus (for String Quartet - Organ Accompaniment)
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Orchestre de chambre
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FACILE
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Classique
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Richard Wagner
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Stephen DeCesare
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Bridal Chorus
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Exultet Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.619842 Composed by Richard Wagner. Arranged by Stephen DeCesare. Classical,Film/TV,Holiday,Romantic Period,Wedding...
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Chamber Orchestra - Level 2 - SKU: A0.619842 Composed by Richard Wagner. Arranged by Stephen DeCesare. Classical,Film/TV,Holiday,Romantic Period,Wedding. Score and parts. 16 pages. Exultet Music #3049865. Published by Exultet Music (A0.619842). 2017 Chamber Music Contest Entry Generally known as Here Comes the Bride or Wedding March, this piece by Richard Wagner which has been used as a processional for many brides around the world, has now been freshly arranged for String Quartet (Violin (2), Viola, Cello) with Organ accompaniment. True to the original source material, this arrangement is accessible and appropriate for any church or wedding hall.
$12.99
Brahms Hungarian Dance no 5 (adapted for schools)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johannes Brahms
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PJM
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Brahms Hungarian Dance no 5
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Pamela Moutoussi
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SheetMusicPlus
Composed by Johannes Brahms (1833-1897). Arranged by PJM. Holiday, Romantic Period, Standards. Score and parts. 38 pages. Pamela Moutoussi #6666885. P...
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Composed by Johannes Brahms (1833-1897). Arranged by PJM. Holiday, Romantic Period, Standards. Score and parts. 38 pages. Pamela Moutoussi #6666885. Published by Pamela Moutoussi
$6.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Beliebte Annen-Polka op. 137
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Orchestre de chambre
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FACILE
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Classique
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Johann Strauss Sr
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Wim Lasoen
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Beliebte Annen-Polka op. 137
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Newzenmusic.org
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmu...
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Chamber Orchestra - Level 2 - SKU: A0.927361 Composed by Johann Strauss Sr. Arranged by Wim Lasoen. Romantic Period. Score and Parts. 14 pages. Newzenmusic.org #3601913. Published by Newzenmusic.org (A0.927361). Arrangement for Salon Orchestra (Flute, Clarinet, Piano, Violin I, Violin II, Cello and Double Bass)Strauss programmed this polka for the Austrian Empress's name-day in 1842. Name-day celebrations at court always meant a carnival for the inhabitants of Vienna in those days. Strauss sr. directed the music for the court balls, namely in the Volksgarten. At its première, this Anna Polka was encored four times. Only one week after the feast, the published edition of the piano reduction already appeared. Interesting detail: its the publisher who adds 'Popular' (Beliebte) to the title, which was a brilliant move crowned with success: not only would this piece become an enduring crowd-pleaser, it also launched the Polka as the new dance sensation.
$18.50
BH015REC - Recorder Quartet Songs, Book 15 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH015REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Va...
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Chamber Orchestra - Level 3 - SKU: A0.921196 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period,World. Score and parts. 94 pages. Carl Van Pevenage #4324591. Published by Carl Van Pevenage (A0.921196). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 141 Folk dance: The ballad of the King's cookChansonnette 142 Romantic song: Broken Wings Chansonnette 143 Folk dance: His castle on the hill Chansonnette 144 Daughter's reflection Chansonnette 145 Maybe old, probably not wise, happy for sure Chansonnette 146 Romantic song: Turn your face to the sun Chansonnette 147 Hello Mr. Fun Chansonnette 148 A day of my lifeChansonnette 149 PrayerChansonnette 150 A strong personality.
$9.95
BH010REC - Recorder Quartet Songs, Book 10 (>70 pages)
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Orchestre de chambre
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INTERMÉDIAIRE
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Carl Van Pevenage
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BH010REC - Recorder Quartet So
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Carl Van Pevenage
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921170 Composed by Carl Van Pevenage. Baroque,Classical,Folk,Pop. Score and parts. 92 pages. Carl Van Pevenage #30...
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Chamber Orchestra - Level 3 - SKU: A0.921170 Composed by Carl Van Pevenage. Baroque,Classical,Folk,Pop. Score and parts. 92 pages. Carl Van Pevenage #3011783. Published by Carl Van Pevenage (A0.921170). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 091 Romantic song: Natural BeautyChansonnette 092 Romantic song: One day we had a dreamChansonnette 093 Little sunny girlChansonnette 094 ViolenceChansonnette 095 He fain would acceptChansonnette 095b A variation on Chansonnette 095Chansonnette 096 Fourty times MozartChansonnette 097 A penny for your thoughtsChansonnette 098 Where are we nowChansonnette 099 Folk song: the little gentle rascalChansonnette 100 The most beautiful chorale
$9.95
Fantasy on the Theme of O God, Our Help in Ages Past (Chamber Orchestra)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Sharon Kim
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Fantasy on the Theme of O God,
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Song of Songs Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Mus...
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Chamber Orchestra - Level 4 - SKU: A0.846893 Composed by Sharon Kim. 20th Century,Christian,Holiday,Sacred. Score and parts. 57 pages. Song of Songs Music #2898911. Published by Song of Songs Music (A0.846893). An extremely sweet and romantic melody is developing to make wonderful harmonies with a Theme by William Croft and creates an impressive fantasy! Suitable for Sunday service or New Year's worship service. Full score and all parts. Duration: 6 Minute. Please visit and subscribe to my Youtube channel to be updated with new pieces by Sharon Kim. You can also request free updates of your score if you have purchased this score before the revise at my channel. https://www.youtube.com/channel/UCj7qYJSAac9aRmFAEB3tnEA?view_as=subscriber
$39.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Concerto for solo cello and sinfonietta op.3
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Orchestre de chambre
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AVANCÉ
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Angus Ludfranz
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Concerto for solo cello and si
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Angus Ludfranz
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 page...
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Chamber Orchestra - Level 5 - SKU: A0.946916 By Angus Ludfranz. By Angus Ludfranz. Arranged by /. Contemporary,Romantic Period. Score and parts. 85 pages. Angus Ludfranz #552652. Published by Angus Ludfranz (A0.946916). This piece was written when I was just graduated to secondary school, I was so nervous because of the brand new environment but also curious about everything, I joined the school orchestra and there was a concert for 170th school anniversary, I would never forget that concert in my life, it was the most extensive concert that I have attended (people were buying tickets to watch our performance) I was extremely nervous, but I was very happy in the percussion section. During rehearsal, I heard the amazing cello sound, that is a sound that I adored, it was the most amazing sound that I have ever heard, I was totally obsessed with the instrument, and I listen to cello concerto every day. Haydn, Dvorak, Shostakovich, Prokofiev, Schumann. I was totally obsessed with the instrument! Then I thought, why don’t I write a cello concerto by myself? That’s why I composed this piece. Hope you enjoy the piece. Your composer, A.Ludfranz.
$11.90
Hancock Shaker Village (2001) for mezzo-soprano and string quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Hancock Shaker Village
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts...
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Chamber Orchestra - Level 4 - SKU: A0.869267 Composed by Thomas Oboe Lee. 20th Century,Christian,Classical,Contemporary,Romantic Period. Score and parts. 43 pages. Thomas Oboe Lee #30957. Published by Thomas Oboe Lee (A0.869267). Program note. First of all, my enormous gratitude to Deborah Leath Rentz for the source material: Songs and the Spirit: Hancock Shaker Village's Musical Legacy, Volume I. Transcriptions of Hancock Hymnal : 1850. In 1997, Mark Ludwig commissioned me to write a work based on a Shaker song. Ms. Rentz provided me with a lovely song, Grateful Remembrance, from her collection. The result was SEPTET: Variations on a Shaker Tune. Hancock Shaker Village is in many ways also a set of variations. It begins with a Prelude of my own devising. For the rest of the work I chose five songs from Ms. Rentz's book which provide a glimpse of a typical day for the inhabitants of this religious community. The first song, Pillar of Fire, greets the dawn and the rising sun. The second song, Glean with Care, is about the orchards and the gardens. The third, Sweet Home, is about the religious life and home. The fourth, Quick, a lively dance number, prays for God's power and grace. The last song, Farewell Dear Crossbearers, is for the dearly departed. The work is played continuously without pause between movements and is dedicated to Mark Ludwig, Deborah Leath Rentz and the Hancock Shaker Village.YouTube link: https://youtu.be/GJowUC7pDfw
$9.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Orchestral Wedding Music - Ride of Four Seasons
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Iván Gutiérrez MartÃn
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Orchestral Wedding Music - Rid
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Iván G. MartÃnez
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1031971 Composed by Iván Gutiérrez MartÃnez. 20th Century,Contemporary,Holiday,Wedding. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.1031971 Composed by Iván Gutiérrez MartÃnez. 20th Century,Contemporary,Holiday,Wedding. Score and parts. 49 pages. Iván G. MartÃnez #3885815. Published by Iván G. MartÃnez (A0.1031971). Composed by Iván G. MartÃnez, romantic orchestral music specially composed for weddings ceremonies and other anniversary events.Song divided in 2 parts a waltz and a romantic balladScore and Parts included.
$14.99
The Red Sarafan for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Alexander Varlamov
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Lisa Lenke Sousa
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The Red Sarafan for Chamber Or
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Lisa Lenke Sousa
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.979538 Composed by Alexander Varlamov. Arranged by Lisa Lenke Sousa. Classical,Contemporary,Folk,Romantic Period,W...
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Chamber Orchestra - Level 4 - SKU: A0.979538 Composed by Alexander Varlamov. Arranged by Lisa Lenke Sousa. Classical,Contemporary,Folk,Romantic Period,World. Score and parts. 34 pages. Lisa Lenke Sousa #3409445. Published by Lisa Lenke Sousa (A0.979538). Composed by Alexander Varlamov (27 November 1801 – 27 October 1848), The Red Sarafan is a well known Russian folk song that is performed widely today by vocal groups to instrumental soloists. This orchestra arrangement showcases the lyrical and color features of the ensemble with solos in each of the winds and the string ensemble. The Red Sarafan is an excellent choice for performances and ensemble contests,.
$12.98
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