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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Death
Non classifié
944
Piano & claviers
Piano, Voix
756
Piano seul
528
Piano, Voix et Guitare
189
Piano Facile
128
Orgue
75
2 Pianos, 4 mains
27
Instruments en Do
21
1 Piano, 4 mains
17
Piano Trio: piano, violon, violoncelle
13
Accompagnement Piano
7
Accordéon
4
Piano Quatuor: piano, violon, alto, violoncelle
3
Orgue, Trompette (duo)
2
Clavecin
1
Orgue, Piano (duo)
1
Piano grosses notes
1
+ 11 instrumentations
Retracter
Guitares
Guitare notes et tablatures
297
Guitare
42
Paroles et Accords
42
Ligne De Mélodie, (Paroles) et Accords
26
Basse electrique
25
Ukulele
14
2 Guitares (duo)
7
Piano, Guitare (duo)
2
Dulcimer
2
Dobro
2
4 Guitares (Quatuor)
1
Ukulele Baryton
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
646
Voix Alto, Piano
65
Voix Soprano, Piano
59
Voix Tenor, Piano
57
Chorale 3 parties
48
Chorale TTBB
37
Chorale 2 parties
37
Chorale Unison
31
Voix duo, Piano
24
Pack Instrumental pour Chorale
14
Voix haute
13
Voix seule
10
Chorale SSAA
10
Voix moyenne, Piano
8
Voix Baryton, Piano
6
Chorale
5
Chorale SSAATTBB
3
Voix duo
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
2
Voix basse, Piano
1
Chorale SATTBB A Cappella
1
Voix Mezzo-Soprano, Piano
1
+ 18 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
90
Flûte traversière et Piano
68
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
61
2 Saxophones (duo)
56
Quatuor de Clarinettes: 4 clarinettes
55
Clarinette et Piano
54
Saxophone Alto et Piano
50
Flûte, Hautbois, Clarinette, Basson
40
Ensemble de saxophones
39
Quatuor de Flûtes : 4 flûtes
36
Hautbois, Piano (duo)
35
Quintette de Saxophone: 5 saxophones
34
Saxophone Tenor et Piano
33
Saxophone Soprano et Piano
32
3 Saxophones (trio)
22
2 Flûte à bec (duo)
21
2 Clarinettes (duo)
21
Clarinette (partie séparée)
20
2 Flûtes traversières (duo)
18
Saxophone (partie séparée)
16
Saxophone Alto
16
Flute (partie séparée)
15
Saxophone Baryton, Piano
14
Flûte traversière
14
Ensemble de Clarinettes
14
Cor anglais, Piano
13
Flûte, Clarinette (duo)
12
Hautbois (partie séparée)
11
2 Hautbois (duo)
11
Clarinette
11
Saxophone Tenor
11
3 Clarinettes (trio)
9
Quintette de Clarinettes: 5 clarinettes
9
Saxophone, Clarinette (duo)
8
Quintette de Flûte : 5 flûtes
8
Ensemble de Flûtes
8
Quatuor de Flûtes à bec
7
Clarinette, Violon (duo)
7
Hautbois, Basson (duo)
6
Flûte, Hautbois (duo)
6
Clarinette Basse, Piano
6
Hautbois, Clarinette (duo)
6
Trio de Flûtes: 3 flûtes
5
Hautbois, Clarinette, Basson (trio d'anches)
5
Flûte, Saxophone (duo)
4
2 Clarinettes, Piano
4
Clarinette, Trompette (duo)
4
5 Flûtes à bec
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Piano (trio)
4
Flûte et Guitare
4
Flûte, Violon, Piano
3
3 Flûtes à bec (trio)
3
Clarinette et Alto
3
Flûte à bec Soprano
2
Flûte à bec Tenor
2
Clarinette, Basson (duo)
2
Ocarina
2
Clarinette, Guitare (duo)
2
Flûte, Violon et Violoncelle
2
Flûte, Violon
2
Hautbois, Guitare (duo)
2
Flûte, Trompette (duo)
2
Flûte, Violoncelle
2
2 Flûtes traversières, Piano
2
Flûte à Bec, Piano
2
Cor Anglais
1
2 Saxophones, Piano
1
Flûte, Alto (duo)
1
Hautbois, Flûte
1
Flûte à bec Alto
1
Piccolo
1
Flûte irlandaise
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flûte, Alto et Piano
1
Saxophone
1
Flûte, Violoncelle, Piano (trio)
1
Ensemble De Flûte à bec
1
Harmonica
1
Flûte, Basson et Piano
1
Hautbois, Violon, Piano
1
2 Clarinettes, Basson
1
Flûte à Bec
1
Cornemuse
1
Flûte traversière, Basse continue
1
+ 81 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
71
Quatuor de Cuivres : 2 trompettes, trombone, tuba
32
Trombone et Piano
32
Trompette
28
Trompette, Piano
25
Quatuor de Cuivres
24
Cor et Piano
23
Trombone (partie séparée)
19
Ensemble de Trombones
19
Trompette (partie séparée)
13
Cor anglais, Piano
13
Tuba et Piano
13
Euphonium, Piano (duo)
12
Cor (partie séparée)
12
Ensemble de Trompettes
11
Trombone
10
Tuba (partie séparée)
9
Cor
8
Quatuor de cuivres: 4 trombones
7
Ensemble de Cors
7
Quatuor de Cuivres: 2 trompettes, Cor, trombone
5
Trompette, Saxophone (duo)
4
2 Trompettes (duo)
4
4 Tubas
4
Quatuor de cuivres: 4 cors
3
Trompette, violon (duo)
3
Quatuor de cuivres: 4 trompettes
3
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
2 Trombones (duo)
3
2 Euphoniums et 2 Tubas
3
2 Cors (duo)
2
Trio de Cuivres
2
Trompette, Trombone (duo)
2
3 Euphoniums
1
Cor Anglais
1
2 Tubas (duo)
1
Trombone, Violon (duo)
1
Tuba
1
Cor, Violoncelle (duo)
1
Trombone, Orgue
1
3 Trompettes (trio)
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
127
Violon et Piano
92
Alto, Piano
57
Violoncelle, Piano
54
Violon
34
Violoncelle
33
Harpe
29
2 Violons (duo)
21
Violon, Violoncelle (duo)
20
Violon (partie séparée)
19
Trio à Cordes: violon, alto, violoncelle
19
Alto seul
16
2 Altos (duo)
15
2 Violoncelles (duo)
15
4 Violoncelles
13
Violon, Alto (duo)
12
Violoncelle (partie séparée)
7
Quatuor à cordes: 4 violons
7
Quintette à cordes: 2 violons, alto, violoncelle, basse
7
Alto (partie séparée)
7
Contrebasse (partie séparée)
6
Trio à Cordes: 3 violoncelles
6
Alto, Violoncelle (duo)
6
Quatuor à cordes : 4 altos
6
Trio à cordes: 3 violins
6
Contrebasse, Piano (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Trio à cordes: 3 altos
3
Harpe, Voix
3
Violoncelle , Guitare (duo)
2
Violoncelle, Orgue
2
Contre Basse
2
Ensemble de Violons
2
Trio à Cordes: 2 violons, violoncelle
2
Harpe, Flûte (duo)
2
Piano Trio: Violon, Alto, Piano
2
Ensemble d'Altos
2
Alto et Harpe
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
Violon, Guitare (duo)
1
Violoncelle, Orchestre
1
Violon, Basson (duo)
1
Ensemble de Violoncelles
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
2 Violons, Piano
1
Trio à Cordes: 2 violons, alto
1
+ 42 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
316
Orchestre
137
Ensemble de cuivres
51
Batterie
51
Orchestre à Cordes
36
Orchestre de chambre
35
Cloches
26
Percussion (partie séparée)
11
Fanfare
6
Ensemble Jazz
6
Timbales (partie séparée)
5
Ensemble de Percussions
4
Percussion
3
Marimba
3
Quintette de Cuivres: autres combinaisons
2
+ 10 instrumentations
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ACCORDEON
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AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
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BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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Vous avez sélectionné:
Death
Orchestre de chambre
Partitions à imprimer
35 partitions trouvées
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Tears for the Death of an Infant, Solo Cello (Violin or Viola) and Orchestra from the Snow Queen Bal
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.730410 Composed by James Nathaniel Holland. Contemporary,Easter. Score and parts. 24 pages. James Nathaniel Holland #3365251. Published by James Nathaniel Holland (A0.730410). Excerpt from Act 2, Scene 1 Gerde Mourns the Death of Kai from the ballet The Snow Queen Trio for Solo Cello (or Solo Violin, or Solo Viola, and small orchestra by American Costa Rican composer James Nathaniel Holland. Sad and moving. Full score (in Concert pitch) and Individual parts (including solo parts) included. Piano reduction scores sold separately but measures match up to any arrangement and scores from the full ballet. Can be augmented with optional piano or organ from the reduction scores.Instrumentation: 1fl, 1clBb, 1bsn, 4 hrns in F, Chimes, solo cello (or solo violin or solo viola), stringsDuration: 4:29 minutesYouTube presentation (with cello): https://youtu.be/7bHPvmjvY_4Composer website: http://lacoronadelossantos.net/jamesnathanielholland.htmlFacebook: https://www.facebook.com/jamesnathanielholland.
$15.95
14.7 €
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Orchestre de chambre
#
James Nathaniel Holland
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Tears for the Death of an Infant, Solo Cello
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James Nathaniel Holland
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SheetMusicPlus
Death and the Maiden (Mvt.1) - Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.921701 Composed by Franz Sch…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.921701 Composed by Franz Schubert. Arranged by Liam Jurgens. Classical,Romantic Period. Score and parts. 139 pages. L Jurgens #4796711. Published by L Jurgens (A0.921701). Iconic and one of the most famous string quartets ever written. Arranged for chamber orchestra in a the style of Schubert. - String parts are largely unchanged from the original work, however some areas that are particularly nasty for the 1st violin have been split between both violin parts.- Modern timpani required.Performance lasts approx. 16 minutes (12 w/o repeat)
$25.00
23.05 €
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Orchestre de chambre
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Franz Schubert
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Liam Jurgens
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Death and the Maiden
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L Jurgens
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SheetMusicPlus
[Becker] Rain Down Death
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952935 Composed by John Becker. 20th C…
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Chamber Orchestra - Digital Download SKU: A0.952935 Composed by John Becker. 20th Century. Score and parts. 57 pages. American Composers Alliance Inc. #4628527. Published by American Composers Alliance Inc. (A0.952935). Four movements for chamber orchestra - instrumentation: 1111 - 1100 - timp, perc, pno - strings. PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
36.83 €
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Orchestre de chambre
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John Becker
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[Becker] Rain Down Death
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American Composers Alliance Inc.
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SheetMusicPlus
Death Camps (Chamber Orchestra Version)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100187 By Stephen DeCesare.…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1100187 By Stephen DeCesare. By Stephen DeCesare. Arranged by Stephen DeCesare. 20th Century,Classical,Jewish,Multicultural,World. Score and parts. 16 pages. Exultet Music #704070. Published by Exultet Music (A0.1100187). Powerful, dramatic piece that dramatizes about the Nazi concentration camps. Scored for Flute, Bb-Clarinet, Bassoon, Violin, Viola, Cello and Girl solo.
$12.99
11.98 €
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Orchestre de chambre
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Stephen DeCesare
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Stephen DeCesare
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Death Camps
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Exultet Music
#
SheetMusicPlus
Barbara Allen for piccolo and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringe…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1470559 By Reinhold Behringer. By Traditional. Arranged by David Warin Solomons. Contemporary,Traditional. 44 pages. David Warin Solomons #1048222. Published by David Warin Solomons (A0.1470559). An arrangement for piccolo and orchestra of the Barbara Allen folk song with many interesting cadences, harmonies and countermelodies.In Scarlet Town where I was born,There was a fair maid dwelling,Made every youth cry, “Well-a-day”,Her name was Barbara Allen.All in the merry month of May,When green buds they were swelling,Young Willy Grove on his death bed lay,For love of Barbara Allen.He sent his man down unto her then,To the town where she was dwelling.“You must come to my master dear,If your name's Barbara Allen.”So slowly, slowly she came up,And slowly she came nigh him,And all she said when there she came,“Young man I think you’re dying.”[“A dying man, no, no,” said he,“One kiss from thee would cure me.”“One kiss from me thou never shalt have,If your poor heart was breaking.”]He turned his face unto the wall,And death was drawing nigh him,“Adieu, adieu, my dear friends all,And be kind to Barbara Allen.”As she was walking o’er the fields,She heard the dead-bell knellin’;And every stroke did seem to say“Unworthy Barbara Allen!”When he was laid dead in his grave,Her heart was struck with sorrow,“Oh mother, mother make my bed,For I shall die tomorrow.”And on her death bed she lay,She begged to be buried by him,And so repented of the day,That she did e’er deny him.“Farewell”, she said, “You virgins all,And shun the fault I fell in.Hence forth take warning by the fall,Of cruel Barbara Allen.”.
$16.00
14.75 €
#
Orchestre de chambre
#
Reinhold Behringer
#
David Warin Solomons
#
Barbara Allen for piccolo and orchestra
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David Warin Solomons
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SheetMusicPlus
In Memoriam - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1471118 Composed by Robert A. Howard. 20th Century,Classical,Contemporary,Religious,Spiritual. 17 pages. Robert A. Howard #1048771. Published by Robert A. Howard (A0.1471118). In Memoriam, for chamber orchestra, is a short but powerful work. It was specifically composed in memory of the composer's father, but the work can be used to the reflect any loss, or similar sentiment. The point of departure is the pounding repeated tones (the note D, for Death) at the start of the Lacrymosa of Benjamin Britten's Sinfonia da Requiem; a work which mourned the death of both its composer's parents. Throughout my In Memoriam, the repeated pedal note D is literally ever-present and obsessive, like the looming of death itself, and the percussion take a somewhat military role. The main melodic idea is a twelve-note theme stated at the beginning, though the music is not strictly serial. This theme undergoes various transformations and orchestrations, depicting the many facets of a character who essentially remains themself. More optimistic interludes feature woodwind solos, but the note D always remains. A passage of stark two-part counterpoint is followed by the disintegration of the main theme before a varied return of previous material. Then follows the inevitable dominance of the note D, in crescendo, before the work abruptly ends, frozen still. The work is highly accessible for both performers and audience. The attached document is the score only, with audio for reference. Note that the 3rd & 4th horn parts are optional, or they could be played on 2 trombones.Duration: 5 minutes 30 seconds.Registered with PRS (Performing Rights Society, UK).Composer's website: www.roberthowardmusic.co.uk
$7.99
7.37 €
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Orchestre de chambre
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Robert A
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In Memoriam - Score Only
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Robert A. Howard
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.37 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.31 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
A Morte Do Vaqueiro
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1048288 Composed by Luiz Gon…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1048288 Composed by Luiz Gonzaga Do Nascimento and Nelson Barbalho De Siqueira. Arranged by Renato Brito. Instructional,Multicultural,Traditional,World. Score and parts. 20 pages. Renato Brito #652712. Published by Renato Brito (A0.1048288). For Music Education. A morte do Vaqueiro (The Cowboy Death) is a song from Brazil Northeast that tells about the sadness of the local people life and hard work. It was composed by Luiz Gonzaga to mourn the death of his cousin, Raimundo Jacó, who was murdered. In the song, the cattle are disoriented, waiting to be guided by the cowboy who will not return to continue his work.
$49.99
46.09 €
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Orchestre de chambre
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Luiz Gonzaga Do Nascimento and Nelson Barbalho De Siqueira
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Renato Brito
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A Morte Do Vaqueiro
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Renato Brito
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SheetMusicPlus
Lacrimosa (Requiem of Emmett Till Ballet Score)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982668 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982668 Composed by Michael Dryver, Composer. Contemporary,Spiritual. Score and parts. 26 pages. Contemporary Choral Series #4841649. Published by Contemporary Choral Series (A0.982668). Requiem Ballet. Dance ballet piece of victory over death through God and salvation. Symbolic of resurrection on many levels; spiritual, memory of the tragic murder, the injustice of the trial procedures, the victimized innocence under Jim Crow law. Emmett (Bobo) Till, risen from the death is as a live as ever until justice is served. At the conclusion of the Lacrimosa Emmett's voice encourages us to weep no more for his cause but learn to love each other for our differences. .
$17.00
15.67 €
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Orchestre de chambre
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Michael Dryver, Composer
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Lacrimosa
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Contemporary Choral Series
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.62 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Charles Darwin: To Love The Earth - the full orchestral score - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004871 Composed by Leslie K…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004871 Composed by Leslie Kleen. Contemporary,Opera. Score and parts. 292 pages. Music From Riverside #6017817. Published by Music From Riverside (A0.1004871). Charles Darwin: To Love the Earth is a musical about the life of Charles Darwin. There are singing roles for two tenors, a baritone, an alto, and soprano, a chorus, and several speaking parts. It covers Darwin's life from his youth, through his Beagle voyage, his marriage, the death of his daughter, Annie, and to his death. This score includes all music and spoken lines.The small orchestra includes piano, flute, oboe, clarinet, bassoon, french horn, and strings.The musical lasts approximately two hours.A piano-vocal score and a choral score are also available.A Concert version which is an abbreviated version of this musical is also available.
$10.00
9.22 €
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Orchestre de chambre
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Leslie Kleen
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Charles Darwin: To Love The Earth - the full orchestral score - Score Only
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Music From Riverside
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SheetMusicPlus
Charpentier: Messe de Menuit pour Noël (SSAA soli, SSAA choir, flutes, strings and continuo) - Full
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Anto…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.768506 Composed by Marc-Antoine Charpentier. Arranged by Roar Kvam. Baroque,Christmas. Score and parts. 120 pages. KVAMusic Edition #4717673. Published by KVAMusic Edition (A0.768506). The Messe de Minuit was written around 1694 for the Jesuit church of Saint-Louis in Paris.What is remarkable about this mass is the use of ten French noëls (Christmas carols) in the composition. In the liturgy the birth of Christ is celebrated with three masses: the first during the night of December 24th, the second in the early morning of December 25th, and the third on the day itself. A special atmosphere surrounds the first of these masses on account of the midnight hour, and so CharpenÂtier gave special expression to the long observed practice in France of including popular Christmas carols in the Christmas liturgy by including them in the composition of his midnight mass. Although the Council of Trent had forbidden this kind of borrowing of secular melodies in masses in principle, long established customs were tolerated. Charpentier’s justly famous Messe de Minuit represents a perfect synthesis between the secular and liturgical, and between the popular and learned. Adapting the vast majority of the Latin mass to French noëls, the Messe de Minuit’s freshness and joyful spirit perfectly represent Advent. While Charpentier used ten different noël’s through the course of the work, the most serious moment of the mass, the statements of Christ’s incarnation, his mortal existence, and his death under Pontius Pilate, is given wholly original, appropriately sober music.
$20.00
18.44 €
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Orchestre de chambre
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Marc-Antoine Charpentier
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Roar Kvam
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Charpentier: Messe de Menuit pour Noël
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KVAMusic Edition
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SheetMusicPlus
Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.3 €
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Orchestre de chambre
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D
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Prayer of Saint Francis
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D. M. Gardner Music
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SheetMusicPlus
African American Symphonic Poem (Orchestra overture)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.982671 Composed by Michael Dryver, Com…
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Chamber Orchestra - Digital Download SKU: A0.982671 Composed by Michael Dryver, Composer. Contemporary. Score and parts. 23 pages. Contemporary Choral Series #5214655. Published by Contemporary Choral Series (A0.982671). Orchestra overture to the Death of Emmett Till Requiem.
$17.00
15.67 €
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Orchestre de chambre
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Michael Dryver, Composer
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African American Symphonic Poem
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Contemporary Choral Series
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.78 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Hosanna (Full Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.886616 Composed by C. Michae…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.886616 Composed by C. Michael Perry. Sacred. Score and Parts. 18 pages. Shining Sharon Music #2885151. Published by Shining Sharon Music (A0.886616). Music and Lyrics by C. Michael PerryAfter His resurrection he told his disciples about visiting other sheep -- not of this fold. That He is the God and Savior of all the Earth is indisputable. That the Earth groaned at his death is undeniable. That he continues to teach and save -- well that is the promise of His resurrection. Inspired by the verse in scripture, 3 Nephi: 11.This package is an add-on to the Choir Package and contains the Piano part with choir and solo instruments, and the parts for the solo instruments of Violin and Oboe. For performance rights the Choir Package must be purchased separately.The attached demo from the Finale file is without vocals. The vocals are played by choir aaahs with the piano, oboe and violin being played by those instruments.
$10.00
9.22 €
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Orchestre de chambre
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C
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Hosanna
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Shining Sharon Music
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SheetMusicPlus
Meditation XVII - Parts
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contem…
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Chamber Orchestra - Digital Download SKU: A0.1028111 Composed by Ron Keinan. Contemporary. Score and parts. 125 pages. Ron Keinan #3407435. Published by Ron Keinan (A0.1028111). Meditation VXII - Text by John Donne (1572-1631).For Mezzo Soprano, Rock Ensemble and Chamber OrchestraA full set of parts. Score available separately.TextNo man is an island, entire of itself; every man is a piece of the continent, a part of the main. If a clod be washed away by the sea, Europe is the less, as well as if a promontory were, as well as if a manor of thy friend's or of thine own were: any man's death diminishes me, because I am involved in mankind, and therefore never send to know for whom the bells tolls; it tolls for thee.
$20.00
18.44 €
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Orchestre de chambre
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Ron Keinan
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Meditation XVII - Parts
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Ron Keinan
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SheetMusicPlus
PIE JESU (from 'Requiem in D minor', Op. 48) FULL SCORE AND PARTS REEDITED
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597295 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacred. Score and parts. 28 pages. Flavio Regis Cunha #5222165. Published by Flavio Regis Cunha (A0.597295). Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
$9.99
9.21 €
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Orchestre de chambre
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Gabriel Faure
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Flavio Regis Cunha
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PIE JESU
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Flavio Regis Cunha
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SheetMusicPlus
PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
36.88 €
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Orchestre de chambre
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Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Gabriel Ruiz-Bernal
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SheetMusicPlus
La Fee Verte Bagpipe Concerto
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christin…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
27.66 €
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Orchestre de chambre
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.63 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
95.83 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Musik Fabrik Music Publishing
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SheetMusicPlus
Clémence de Grandval: Ronde de Nuit for orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémen…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
18.39 €
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Orchestre de chambre
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Clémence de Grandval
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Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
[Eaton] The End of It
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.952949 Composed by John Eaton. Contemp…
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Chamber Orchestra - Digital Download SKU: A0.952949 Composed by John Eaton. Contemporary. Score and parts. 72 pages. American Composers Alliance Inc. #4631953. Published by American Composers Alliance Inc. (A0.952949). Seven songs for soprano with flute (doubling piccolo, alto flute, and bass flute), clarinet, percussion, harp, piano, and strings, sectioned as a pierrot+ ensemble, string quartet, soprano, and harp. Includes: Holy Sonnet V (John Donne), Leaving the Party (Karen Swenson), Holy Sonnet III (John Donne), Styx Pier (Karen Swenson), Circumambulating Mount Kailash (Karen Swenson), Father Death (Frederick Borsch), Excerpt from Paradiso (Dante).PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$39.95
36.83 €
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Orchestre de chambre
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John Eaton
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[Eaton] The End of It
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American Composers Alliance Inc.
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SheetMusicPlus
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