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PIANO & CLAVIERS
Piano seul
2159
Piano, Voix et Guitare
686
Piano, Voix
604
Piano Facile
597
Orgue
175
Instruments en Do
160
Accompagnement Piano
143
1 Piano, 4 mains
136
Piano grosses notes
76
Piano Trio: piano, violon, violoncelle
36
2 Pianos, 4 mains
29
Accordéon
28
Clavier
9
1 Piano, 6 mains
8
Piano (partie séparée)
8
Piano Quatuor: piano, violon, alto, violoncelle
7
Piano Quintette: piano, 2 violons, alto, violoncelle
6
Clavecin
6
Piano Quatuor: piano, 2 violons, violoncelle
4
2 Pianos, 8 mains
3
Orgue, Piano (duo)
3
Ligne De Mélodie, Piano
2
Accordéon, Voix
1
Ensemble d'Accordéons
1
Instrument seul et Orgue
1
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GUITARES
Guitare notes et tablatures
468
Ligne De Mélodie, (Paroles) et Accords
297
Guitare
211
Ukulele
126
Paroles et Accords
117
Basse electrique
94
Mandoline
16
2 Guitares (duo)
14
Dulcimer
13
Banjo
11
Ensemble de guitares
7
4 Guitares (Quatuor)
7
Piano, Guitare (duo)
5
Guitare (partie séparée)
5
Basse électrique (partie séparée)
3
Partitions De Groupes
2
Dobro
2
Ukulele Baryton
2
Ensemble de Ukulélés
1
2 Dulcimers (duo)
1
3 Guitares (trio)
1
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VOIX
Chorale SATB
956
Chorale 3 parties
262
Chorale TTBB
177
Chorale 2 parties
176
Pack Instrumental pour Chorale
110
Chorale SSAA
93
Voix Alto, Piano
89
Chorale Unison
78
Voix Soprano, Piano
75
Voix duo, Piano
62
Voix Tenor, Piano
61
Voix Baryton, Piano
54
Voix seule
45
Chorale
42
Voix Tenor
27
Voix Soprano
24
Voix duo
20
Voix haute
16
Voix moyenne, Piano
7
Chorale SSATTB
4
Chorale SSAATTBB
4
Voix basse, Piano
3
Chorale SSATB
3
Voix Mezzo-Soprano, Piano
2
Chorale SSATBB
1
Paroles Seulement
1
Voix Moyenne
1
Soli, choeur mixte et accompagnement
1
Chorale, Orgue
1
Voix basse
1
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VENTS
Saxophone Alto et Piano
219
Flûte traversière
165
Quatuor de Saxophones: 4 saxophones
160
Clarinette
158
2 Saxophones (duo)
156
Flûte traversière et Piano
156
Clarinette et Piano
150
Saxophone Alto
137
Hautbois, Piano (duo)
122
Saxophone Tenor
104
Flûte, Hautbois, Clarinette, Basson
103
2 Flûtes traversières (duo)
100
Saxophone (partie séparée)
98
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
89
Saxophone Tenor et Piano
84
2 Clarinettes (duo)
72
Saxophone Soprano et Piano
63
Quatuor de Clarinettes: 4 clarinettes
57
Hautbois (partie séparée)
55
Clarinette (partie séparée)
48
Saxophone Baryton, Piano
43
Quintette de Saxophone: 5 saxophones
41
Saxophone
39
Saxophone, Clarinette (duo)
37
3 Saxophones (trio)
37
Quatuor de Flûtes : 4 flûtes
36
Flûte, Clarinette (duo)
36
2 Hautbois (duo)
34
Hautbois, Basson (duo)
33
Hautbois
32
Clarinette, Violon (duo)
31
Cor anglais, Piano
30
Ensemble de Clarinettes
26
Ensemble de Flûtes
26
Hautbois, Clarinette (duo)
24
Flute (partie séparée)
21
Quintette de Clarinettes: 5 clarinettes
19
Clarinette, Trompette (duo)
19
Flûte à Bec
18
Saxophone Soprano
18
Clarinette Basse, Piano
17
Clarinette, Basson (duo)
17
Flûte, Violon
16
Clarinette et Alto
16
3 Clarinettes (trio)
16
Flûte, Trombone (duo)
14
Ocarina
14
Saxophone Baryton
13
Flûte, Trompette (duo)
13
Flûte, Alto (duo)
12
Flûte, Saxophone (duo)
12
Flûte, Hautbois, Clarinette (trio)
11
Flûte et Guitare
11
2 Flûte à bec (duo)
11
Flûte, Clarinette, Piano (trio)
10
Flûte à bec Soprano
10
Hautbois, Flûte
10
Clarinette, Violoncelle (duo)
9
Flûte, Violoncelle
9
Trio de Flûtes: 3 flûtes
9
Clarinette Basse
8
Hautbois, Violoncelle
7
Flûte, Violon, Piano
7
Instruments en Mib
7
2 Flûtes traversières, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Ensemble de saxophones
6
2 Saxophones, Piano
6
Flûte à bec Alto
6
Harmonica
5
Clarinette, Violoncelle, Piano (trio)
5
Cor Anglais
5
Piccolo
4
Flûte, Hautbois, Basson
4
Quintette de Flûte : 5 flûtes
4
Flûte, Hautbois (duo)
4
Clarinette, Guitare (duo)
4
Hautbois et alto (duo)
3
Flûte à bec Alto, Piano
3
2 Clarinettes, Piano
3
Quatuor de Flûtes à bec
3
4 Hautbois
3
Saxophone et Guitare
3
Flûte, Clarinette et Basson
3
Flûte, Violoncelle, Piano (trio)
3
Clarinette, Trombone (duo)
3
Flûte à bec Soprano, Piano
3
Flûte à bec Tenor
3
Ensemble De Flûte à bec
2
Flûte, Alto et Piano
2
Flûte traversière, Orgue (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violon et Violoncelle
2
Flûte, Violoncelle, Guitare
2
Cornemuse
2
Flute, Cor (duo)
2
Flûte, Hautbois, Piano (trio)
2
2 Hautbois, Piano
2
3 Hautbois
2
Hautbois, violon (duo)
2
Flûte irlandaise
1
Clarinette, Alto et Piano (trio)
1
Flûte, Guitare, Piano
1
Flûte à Bec, Piano
1
2 Cors Anglais Et Pianoforte
1
Flûte, Violon, Violoncelle et Piano
1
Flûte, Basson et Piano
1
Clarinette, Orgue
1
Piccolo, Piano
1
Clarinette, Harpe (duo)
1
Hautbois, Clarinette et Piano (Trio)
1
Hautbois, Guitare (duo)
1
Flûte et Trio à cordes
1
Flûte, trombone et piano
1
Flûte, Clarinette, Cor, Basson (Quartet)
1
2 Clarinettes, Basson
1
Cor anglais, Guitare (duo)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
3 Flûtes à bec (trio)
1
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CUIVRES
Trompette
149
Trombone et Piano
133
Cor et Piano
126
Trompette, Piano
122
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
111
Trombone
108
Cor
93
Tuba et Piano
84
Trompette (partie séparée)
77
Trombone (partie séparée)
56
Tuba
48
2 Trombones (duo)
48
2 Trompettes (duo)
47
Quatuor de Cuivres : 2 trompettes, trombone, tuba
46
Trompette, Trombone (duo)
36
2 Cors (duo)
34
Quatuor de Cuivres
33
Cor anglais, Piano
30
Euphonium, Piano (duo)
26
Trompette, Saxophone (duo)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Cor (partie séparée)
16
Tuba (partie séparée)
15
Ensemble de Trombones
13
Quatuor de cuivres: 4 trombones
13
Quatuor de cuivres: 4 trompettes
9
Quatuor de cuivres: 4 cors
8
Euphonium
7
Bass Clef Instruments
6
Instruments en Sib
6
2 Tubas (duo)
6
Trompette, Cor (duo)
6
2 Euphoniums et 2 Tubas
5
3 Trombones (trio)
5
Cor Anglais
5
3 Trompettes (trio)
5
Cor et Basson (duo)
4
2 Trompettes, Clavier (piano ou orgue)
4
Cor, Violoncelle (duo)
4
Trombone basse
3
Tuba ou Euphonium ou Saxhorn
3
Trombone, Tuba (duo)
3
Trombone basse et Piano
3
Trompette, Violoncelle et Piano
2
2 Cors, Piano
2
Trompette, Basson (duo)
2
Trio de Cuivres
2
4 Tubas
1
2 Trombones, Piano
1
Tuba et Orgue
1
Trombone, Orgue
1
Ensemble de Cors
1
2 Cors Anglais Et Pianoforte
1
Trombone et orchestre
1
4 Euphoniums
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
3 Cors (trio)
1
Clarinette, Cor (duo)
1
Trompette, Trombone, Piano
1
Instruments en Fa
1
Trompette, Tuba (duo)
1
Cor anglais, Guitare (duo)
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Bugle
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
372
Violon et Piano
254
Violon
210
Violoncelle, Piano
152
Alto, Piano
147
Violoncelle
135
Alto seul
109
2 Violons (duo)
73
Harpe
71
Violon (partie séparée)
69
Violon, Violoncelle (duo)
69
2 Violoncelles (duo)
53
Violon, Alto (duo)
51
Trio à Cordes: violon, alto, violoncelle
50
Contre Basse
39
Quintette à cordes: 2 violons, alto, violoncelle, basse
37
2 Altos (duo)
36
Alto (partie séparée)
35
Contrebasse, Piano (duo)
33
Contrebasse (partie séparée)
27
Trio à Cordes: 2 violons, violoncelle
21
Violon, Basson (duo)
20
Alto, Violoncelle (duo)
19
Violoncelle (partie séparée)
19
Piano Trio: Violon, Alto, Piano
14
Trio à Cordes: 3 violoncelles
12
4 Violoncelles
11
Trio à cordes: 3 violins
8
2 Harpes (duo)
8
2 Violons, Piano
7
Violoncelle , Guitare (duo)
7
Trio à cordes
7
2 Contrebasses (duo)
6
Harpe, Flûte (duo)
5
Alto et Basson
5
Quatuor à cordes: 4 violons
5
Violon, Guitare (duo)
5
Harpe, Voix
4
Quatuor à cordes : 4 altos
3
Harpe, Violon (duo)
3
Trio à cordes: 3 altos
3
Violoncelle, Contrebasse (duo)
2
Violon, Clarinette, Piano (trio)
2
Harpe et Orgue
2
2 Violoncelles, Piano
2
Trio à Cordes: 2 violons, alto
2
Harpe et Piano
2
Violoncelle, Orchestre
1
Harpe, Violoncelle (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
4 Contrebasses
1
Alto et Harpe
1
Harpe (partie séparée)
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Alto, Guitare (duo)
1
Ensemble de Violons
1
Harpe, Violon, Violoncelle
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
715
Cloches
416
Orchestre
184
Batterie
132
Orchestre à Cordes
115
Ensemble Jazz
98
Ensemble de cuivres
61
Orchestre de chambre
46
Jazz combo
28
Percussion (partie séparée)
24
Fanfare
23
Ensemble de Percussions
17
Percussion
16
Xylophone
8
Batterie (partie séparée)
7
Xylophone, Piano
4
Marimba
4
Trio à Vent: 3 instruments à vents
2
Timbales (partie séparée)
2
Timbales
2
Quatuor à Vent : 4 instruments à vents
2
Voix et Orchestre
1
Piano et Orchestre
1
Quintette à Vent
1
Vibraphone
1
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AUTRES
Formation musicale - Solfège
6
Vous avez sélectionné:
Dee
Orchestre de chambre
Partitions à imprimer
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Oh The Deep, Deep Love
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1028713 Composed by Samuel Trevor Fran…
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Chamber Orchestra - Digital Download SKU: A0.1028713 Composed by Samuel Trevor Francis (1834–1925). Arranged by S. Babchanik. Christian,Gospel,Praise & Worship. Score and parts. 26 pages. S. Babchanik #3867335. Published by S. Babchanik (A0.1028713). Oh the Deep, Deep Love, Samuel Trevor Francis (1834–1925).
$19.99
18.2 €
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Orchestre de chambre
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Samuel Trevor Francis
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S
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Oh The Deep, Deep Love
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S. Babchanik
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SheetMusicPlus
Deep River - Chamber Orchestra - Intermediate
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.734287 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.734287 Composed by Traditional African - American Spiritual. Arranged by Dennis Ruello. Concert,Folk,Spiritual,Standards. Score and parts. 18 pages. Chicory Music #2069587. Published by Chicory Music (A0.734287). Deep River is an anonymous spiritual of African American origin. Like all spirituals, it is a song of hope and longing, expressing a desire for peace and freedom in the present and in the afterlife. It is a slow haunting melody filled with emotion and faith and embodying the soul crying out in the universal longing for freedom. Parts included are: Full Score, Flute, Oboe, Clarinet, Bassoon, Horn in F, 1st Violin, 2nd Violin, Viola, Cello, and Double Bass. Performance time is approx. 2 minutes 25 seconds.
$15.99
14.56 €
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Orchestre de chambre
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Traditional African - American Spiritual
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Dennis Ruello
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Deep River - Chamber Orchestra - Intermediate
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Chicory Music
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.38 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Levaithan of the Ancient Deep (Score only)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. …
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Chamber Orchestra - Digital Download SKU: A0.800344 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 156 pages. Novel Soundtrax #493373. Published by Novel Soundtrax (A0.800344). Score for the 2008 three-movement concerto for solo 6-string electric violin, chamber orchestra, EWI (Electric Wind Instrument), and synthesizer. Approx. 25 minutes long. Taking its cue from the Hebrew description of this Creature of antiquity and imagination, this Concerto features the virtuosic properties of the six-string electric violin with its immense range, while the various and creative sounds available to the synthesizer and electric wind instrument (EWI) enhance the beauty of the acoustic orchestra. Instrument List: Orchestra: 2 Flutes / 1 Piccolo (doubled by Flute II) 2 Oboes / 1 English Horn in F (doubled by Oboe II) 2 Clarinets in Bb 2 Bassoons 2 Horns in F 2 Trumpets in Bb 2 Trombones (1 Tenor, 1 Bass) 4 Timpani 3 Percussionists: Low Floor Tom, Bongos, 2 Concert Toms, Suspended Cymbal, Tambourine, and Claves Strings (vln 1, vln 2, vla, cello, bass) MIDI/Electric Instruments: EWI, Synthesizer, Six-string Electric Violin: Strings are tuned (from lowest to highest): F, C, G, D, A, E.
$75.00
68.29 €
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Orchestre de chambre
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Sarah Wallin Huff
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Levaithan of the Ancient Deep
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Novel Soundtrax
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SheetMusicPlus
Deep River
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.682006 Composed by Spiritual…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.682006 Composed by Spiritual. Arranged by Gert Th. Walter. Christian,Praise & Worship,Spiritual. Score and parts. 29 pages. Gert Th. Walter #5374063. Published by Gert Th. Walter (A0.682006). Very easy arrangement, but not only for pupil and beginners. It works for any church services, and it is especially appropriate for schools and students. © 2020 MusikVerlag Gert Walter, Germany. All rights reserved. https://www.musikverlaggertwalter.de
$20.95
19.08 €
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Orchestre de chambre
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Spiritual
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Gert Th
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Deep River
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Gert Th. Walter
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533592 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 87 pages. Musik Fabrik Music Publishing #3029401. Published by Musik Fabrik Music Publishing (A0.533592). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The full score without the solo parts is also available for sale.. The parts are on rental from the publisher
$21.95
19.99 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Carson Cooman: Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemble,
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533591 Composed by Carson Cooman. Contemporary. Score and parts. 66 pages. Musik Fabrik Music Publishing #3029399. Published by Musik Fabrik Music Publishing (A0.533591). Cerulean: Double Percussion Concerto (2004) for two solo percussionists and ensemblewas commissioned by the Carnegie Mellon School of Music for percussionists Cory Cousins,Mike Perdue, and the Carnegie Mellon Contemporary Ensemble, Walter Morales, director.The work is dedicated to them and to Howard Stokar. The work is inspired by the ocean,particularly its greatest depths.The work is in two movements, played without break. The two movements explore the samemusical material (a specific collection of twelve pitches) in two very different ways. In thefirst movement, the material is presented often in row forms -- and harmonies derived from it.In the second movement, a more free approach is used to the material and it becomes moremotivic and gestural.The first movement, Different Purposes, is inspired by the vast diversity of deep-sea life.Musical objects interact with each other and ideas transform each other. Many of these deepseacreatures live in very isolated and solitary environments at the ocean's lowest points.They each exist and pursue their own purposes without any awareness of what else ishappening around them. However, despite this, they are all existing within a commonenvironmental system and are thus achieving goals together on a larger level.The second movement, Different Porpoises, is inspired by porpoises and other sea-creatureswho surface, thus providing a link to human land-bound life. The marimba establishes arhythmic ostinato which (although passed around) remains steady throughout most of themovement.InstrumentationFluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in FPiano2 Solo Percussion:I: marimba, crotales, suspended cymbal, 2 spokes/bellsII: vibraphone (with motor), tubular bells, 3 bowls (indef. pitches),medium-size water gong (i.e., gong with bucket of water),3 roto-toms, conga, bass drum(each percussionist needs two bows)Violin IViolin IIViolaCello(All players except for the two solo percussion also playoracle rods in addition to their instruments.)The solo parts plus the full score are available for sale. The parts are on rental from the publisher
$17.95
16.34 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Cerulean: Double Percussion Concerto
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.29 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
9.1 €
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Orchestre de chambre
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Aria: 'Kommt, ihr angefochtnen Sünder' (from Cantata No. 30 - 'Freue dich, erlöste Schar', BWV 30)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597312 Composed by Johann Se…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597312 Composed by Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Concert,Easter,Sacred,Wedding. Score and parts. 36 pages. Flavio Regis Cunha #5316987. Published by Flavio Regis Cunha (A0.597312). New edition with clean ornament indications and Alto Solo part was written for Oboe Solo.Freue dich, erlöste Schar (Rejoice, redeemed flock), BWV 30.2, BWV 30, is a church cantata by Johann Sebastian Bach. It is one of his later realisations in the genre: he composed it for the Feast of John the Baptist (24 June) in 1738, and based its music largely on Angenehmes Wiederau, a secular cantata which he had composed a year earlier. Christian Friedrich Henrici (Picander), the librettist of the secular model of the cantata, is likely also the author of the sacred cantata's version of the text. Composition
$18.49
16.84 €
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Orchestre de chambre
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Johann Sebastian Bach
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Flavio Regis Cunha
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Aria: 'Kommt, ihr angefochtnen Sünder'
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Flavio Regis Cunha
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
13.7 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Studio at the Post
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
4.57 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County
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Studio at the Post
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.31 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Entre le boeuf et l'âne gris
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.732092 Composed by Tradition…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.732092 Composed by Traditional French. Arranged by Thomas Quigley. Christian,Christmas,Concert,Sacred. Score and parts. 43 pages. Thomas Quigley #4847221. Published by Thomas Quigley (A0.732092). For professional, amateur or student orchestras, this is indeed a fine arrangement. Against lush, rich, sensitive harmonies, the beautiful melody soars sweetly. The simplicity of the instrumental parts-mainly choral in style- enhances and enriches the overall effect. A truly high quality arrangement-perfect for a Christmas concert!
$45.00
40.98 €
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Orchestre de chambre
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Traditional French
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Thomas Quigley
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Entre le boeuf et l'âne gris
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Thomas Quigley
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SheetMusicPlus
Over The Rainbow (from The Wizard Of Oz)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By H…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976990 By Judy Garland. By Harold Arlen. Arranged by Keith Moss. Film/TV. Score and parts. 18 pages. Keith Moss #3466086. Published by Keith Moss (A0.976990). After performing in a string sextett for a few years, it became apparent that the repertoire is limited for this genre, certainly no where near as large as the string quartet works available. I have arranged some pieces that can be used as either programmatic or an encore. Often you just need one or two short pieces to complete your program and these work very well indeed to achieve that. Because they have already been performed, the kinks have been ironed out and are ready to play. Parts are sold in a set and each one contains a cover page, meaning it is possible to print a booklet. For scores of the pieces, please email me on the product link which I will supply free-of-charge. Please provide evidence that you have purchased the parts to obtain a score. For any other requests for arrangements, don't hesitate to contact me
$34.99
31.86 €
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Orchestre de chambre
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Judy Garland
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Keith Moss
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Over The Rainbow
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Keith Moss
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SheetMusicPlus
CHARPENTIER: PRELUDE (From 'Te Deum in D major', H. 146) for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charp…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.500957 By Marc-Antoine Charpentier. By Marc-Antoine Charpentier. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Wedding. Score and parts. 32 pages. FRC Music #114031. Published by FRC Music (A0.500957). The “Te Deum†(H 146) is unquestionably the best known composition of Marc-Antoine Charpentier (1643–1704), especially since its “ Prélude en rondeau †was made the Eurovision signature tune. Although Charpentier set the “Te Deum†altogether four times, this is his only setting employing a “military bandâ€, i.e. trumpets and kettledrums. Charpentier considered the key D-major as bright and very warlike; indeed D-major was regarded as the key of glory in Baroque music. This brilliant and magnificent piece was frequently played at victory celebrations and other occasions of public jubilation during the 17th century. Even today it is still ideal for festive church services and concerts.
$12.99
11.83 €
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Orchestre de chambre
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Marc-Antoine Charpentier
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Flavio Regis Cunha
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CHARPENTIER: PRELUDE
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FRC Music
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SheetMusicPlus
Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilène style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95
42.75 €
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Orchestre de chambre
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Germaine Tailleferre
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Germaine Tailleferre: Concerto for two guitars and orchestra, score only
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Musik Fabrik Music Publishing
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.39 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.63 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Pano de Boca - full original soundtrack
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.949008 Composed by Bisdré…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.949008 Composed by Bisdré Santos. Concert,Contemporary,Film/TV,Standards. 82 pages. Soul - Musical Creations #6495721. Published by Soul - Musical Creations (A0.949008). You can listen to the full soundtrack on soptfy, deezer, apple music and all streaming platforms. Pano de Boca premiered in July 2015 with Cia. Teatro do Incêndio. Emblematic work by Fauzi Arap (1938-2013), written over 40 years ago, had its only staging in 1976. The play portrays the implosion of a theater group after its members crossed all boundaries between art and life. I wrote this soundtrack totally immersed in the work of Canadian cellist Julia Kent and in the essays that accompany the creation of each scene. The grandeur of Fauzi's text required a soundtrack that gave the audience the feeling of participating in the story, and various instrumentations were used. It was the company's only soundtrack that needed to be fully recorded. Good studies! Bisdré Santos
$20.00
18.21 €
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Orchestre de chambre
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Bisdré Santos
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Pano de Boca - full original soundtrack
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Soul - Musical Creations
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SheetMusicPlus
False Hope
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1085154 By Alexander Kael Sa…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1085154 By Alexander Kael Sauer. By Alexander Kael Sauer. Arranged by Alexander Kael Sauer. Broadway,Classical,Film/TV,Musical/Show,Spiritual,Video Game. Score and parts. 13 pages. Alexander Sauer #689291. Published by Alexander Sauer (A0.1085154). Has a sense of deepness and little bits of hope that quickly subside to negativity!
$2.99
2.72 €
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Orchestre de chambre
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Alexander Kael Sauer
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Alexander Kael Sauer
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False Hope
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Alexander Sauer
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.17 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
Prayer of Saint Francis (SSAA, Chamber Strings and Bb Trumpet)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gar…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.799648 Composed by D. M. Gardner. Christian,Contemporary,Sacred. Score and parts. 32 pages. D. M. Gardner Music #61775. Published by D. M. Gardner Music (A0.799648). ****SSAA, Piano, and Bb Trumpet version is INCLUDED with this chamber string version!****Lord, make me an instrument of Thy peacePrayer of Saint Francis features poetry attributed to 13th Century Monk, St Francis of Assisi, Italy.Though attributed to Saint Francis many centuries after his death, Saint Francis' great devotion to God is beautifully echoed in this poem, as much a work of art, as a humble prayer.This powerful setting of the Prayer of St Francis reflects a deeply intimate relationship between St Francis and the Lord, illustrating the internal conflict of God's Will versus man's. On his knees in prayer, hands folded, eyes closed, face turned away from the heavens... he asks so humbly to give what he cannot himself completely offer... The unconditional, perfect love of Christ.Prayer of Saint Francis was originally written for children's chorus, but could easily accommodate women's or boy's choir.Approx. 4 minutes in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$2.50
2.28 €
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Orchestre de chambre
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D
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Prayer of Saint Francis
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D. M. Gardner Music
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SheetMusicPlus
Funeral Anthem
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1022831 Composed by Leif Jac…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1022831 Composed by Leif Jack. 20th Century,Baroque,Contemporary,Romantic Period. Score and parts. 13 pages. Leif Thomas Marken Jack #3432643. Published by Leif Thomas Marken Jack (A0.1022831). An original composition written in a neo-classical style, with figured bass and keyboard accompaniment. This 3-minute work is suitable for many secular, and sacred occasions, as well as many groups. Whether it be another item on a concert programme for the intermediate or professional orchestra or the opening/closing to a funeral, this piece is sure to have the audience deeply moved. One may even find ways to insert this as incidental music for a staged production, or adapt it to the keyboard, if an orchestra isn't viable for the planned event. Professionally recorded by the Okanagan Symphony Youth Orchestra. Contact me at leifjack395@gmail.com for any further questions, concerns or business inquiries.
$5.37
4.89 €
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Orchestre de chambre
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Leif Jack
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Funeral Anthem
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Leif Thomas Marken Jack
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SheetMusicPlus
Entre Nous for Strings
Orchestre de chambre
String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed…
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String Ensemble,String Quintet - Level 1 - Digital Download SKU: A0.799652 Composed by D. M. Gardner. Concert. Score and parts. 25 pages. D. M. Gardner Music #481035. Published by D. M. Gardner Music (A0.799652). This very popular piece has enjoyed performances across the country. Entre Nous was originally premiered in Omaha, Nebraska with the University of Nebraska Chamber Orchestra. Soon, Entre Nous made it's way to places such as Florida, Texas, and most recently, Iowa, where this newest revision was premiered. Entre Nous has faired well in competition and recital and is sure to be a great addition the repertoire of any chamber orchestra.Entre Nous (between me and thee) is a conversation between a man and his God. It is a single movement, ternary composition, mirroring the Holy Trinity. Beginning in a solemn g minor, it quickly moves forward with an endless flow of eighth note counterpoint, emerging enchantingly into the flowing melancholy melody of the B section. The second A surfaces in a minor with a sudden new energy and direction, slipping into a deeply contemplative, ethereally enchanting ending.Entre Nous is also a very unique and interesting piece, perhaps the reason for its popularity. Structurally, it turns upside-down a number of times, each line becoming the melody at some point. A very linear piece, melodic interweaving and predominance give Entre Nous a characteristic that can be best described as enchanting. Much of the melody being perceived is actually a combination of several lines of music at once, often in contrast to another melody or two beneath.Premiere: University of Nebraska at Omaha - Chamber Orchestra - April 30, 1997Difficulty: Moderate - A great piece for middle school or youth orchestras. Great for competition. Entre Nous has been performed for several competitions and a graduate audition at Florida State.Number of Pages: 25 total printed pagesApprox. 7 minutes and 34 seconds in lengthTo learn more about the composer, please visit https://www.dmgardner.com
$19.99
18.2 €
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Orchestre de chambre
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D
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Entre Nous for Strings
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D. M. Gardner Music
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SheetMusicPlus
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