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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Des Song
Non classifié
4 746
Piano & claviers
Piano seul
2 279
Piano, Voix
2 077
Piano Facile
1 572
Piano, Voix et Guitare
728
Instruments en Do
475
Orgue
458
Accompagnement Piano
140
1 Piano, 4 mains
115
Piano Trio: piano, violon, violoncelle
85
Accordéon
35
2 Pianos, 4 mains
24
Piano grosses notes
20
Piano Quatuor: piano, violon, alto, violoncelle
11
Piano Quatuor: piano, 2 violons, violoncelle
9
Clavier
8
Clavecin
6
Piano (partie séparée)
3
Orgue, Trompette (duo)
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
1 Piano, 6 mains
1
+ 16 instrumentations
Retracter
Guitares
Guitare notes et tablatures
544
Mandoline
300
Guitare
232
Ukulele
198
Ligne De Mélodie, (Paroles) et Accords
166
Basse electrique
89
Dulcimer
29
Piano, Guitare (duo)
23
Banjo
18
2 Guitares (duo)
17
Paroles et Accords
14
Guitare (partie séparée)
10
4 Guitares (Quatuor)
9
Ukulele Baryton
6
Ensemble de guitares
6
2 Ukuleles
5
3 Guitares (trio)
2
Guitare Pedal Steel
2
Dobro
1
Guitare, Violon, Violoncelle (trio)
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 240
Chorale 3 parties
638
Chorale 2 parties
526
Chorale Unison
305
Chorale TTBB
203
Chorale SSAA
172
Pack Instrumental pour Chorale
95
Voix duo, Piano
68
Voix haute
59
Voix seule
50
Voix Soprano, Piano
45
Voix Baryton, Piano
40
Voix duo
38
Voix Alto, Piano
32
Voix Tenor, Piano
23
Voix moyenne, Piano
14
Voix basse, Piano
7
Voix basse
3
Chorale
3
Voix Tenor
3
Chorale SSATTB
3
Voix Mezzo-Soprano, Piano
2
Voix Soprano
2
Voix, Guitare
2
Voix duo, Orgue
1
Chorale SSAATTBB
1
Voix Baryton
1
Chorale SSATB
1
Chorale SATTBB A Cappella
1
Chorale SATBB
1
+ 25 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
548
Flûte traversière et Piano
519
Flûte, Hautbois, Clarinette, Basson
480
Flûte à bec Soprano
401
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
350
Flûte traversière
348
Saxophone Alto et Piano
330
Clarinette et Piano
330
Hautbois, Piano (duo)
314
Ocarina
283
2 Saxophones (duo)
272
Clarinette
271
Quatuor de Clarinettes: 4 clarinettes
263
Quintette de Saxophone: 5 saxophones
262
2 Flûtes traversières (duo)
232
Saxophone Tenor et Piano
230
Saxophone Alto
229
Harmonica
211
Flûte à bec Alto
200
Saxophone Tenor
185
Saxophone Soprano et Piano
183
Saxophone (partie séparée)
157
Saxophone Baryton, Piano
155
Hautbois (partie séparée)
106
2 Clarinettes (duo)
106
Saxophone
99
3 Saxophones (trio)
89
Quatuor de Flûtes : 4 flûtes
89
3 Clarinettes (trio)
74
Hautbois
71
2 Hautbois (duo)
55
Saxophone Soprano
55
Flûte et Guitare
54
2 Flûte à bec (duo)
50
Trio de Flûtes: 3 flûtes
43
Cor anglais, Piano
43
Flûte, Hautbois, Clarinette (trio)
41
Ensemble de Clarinettes
36
Flûte à bec Soprano, Piano
35
Flûte à bec Alto, Piano
33
Quintette de Clarinettes: 5 clarinettes
32
Clarinette, Guitare (duo)
32
Hautbois, Clarinette, Basson (trio d'anches)
32
Saxophone Baryton
31
Flûte, Clarinette (duo)
28
Flûte à Bec
27
Ensemble De Flûte à bec
27
Clarinette, Violon (duo)
23
Saxophone, Clarinette (duo)
21
Flûte, Violon
21
Ensemble de saxophones
21
Quatuor de Flûtes à bec
20
Hautbois, Basson (duo)
20
Hautbois, Violoncelle
20
Hautbois, Clarinette (duo)
19
Flûte, Violon, Piano
18
Clarinette Basse, Piano
18
Ensemble de Flûtes
18
Quintette de Flûte : 5 flûtes
15
Flûte, Trombone (duo)
14
Flûte, Clarinette et Basson
12
Flûte, Violoncelle
12
Clarinette et Alto
12
Saxophone et Guitare
11
Flûte, Clarinette, Cor, Basson (Quartet)
10
Flûte, Violoncelle, Piano (trio)
10
Hautbois, Guitare (duo)
9
Flûte à bec Tenor
9
Cor anglais, Guitare (duo)
9
Flûte, Hautbois, Basson
8
Cor Anglais
8
Hautbois, Flûte
8
Clarinette, Trompette (duo)
8
Flûte, Alto (duo)
8
Clarinette, Basson (duo)
7
Flute (partie séparée)
7
2 Saxophones, Piano
7
Flûte, Saxophone (duo)
7
Clarinette, Violoncelle (duo)
7
Clarinette (partie séparée)
6
Flûte, Hautbois (duo)
6
2 Flûtes traversières, Piano
5
Flûte, Trompette (duo)
5
Flûte, Clarinette, Piano (trio)
4
Piccolo, Piano
4
Flûte, Hautbois, Piano (trio)
4
Clarinette, Trombone (duo)
4
Saxophone et Harpe
4
Hautbois, violon (duo)
4
Flûte irlandaise
3
Flûte, Violon et Violoncelle
3
Clarinette, Harpe (duo)
3
Hautbois et alto (duo)
3
Flute, harpe et violon
3
Flûte à bec, Guitare (duo)
2
3 Hautbois
2
5 Flûtes à bec
2
Flûte et Trio à cordes
2
Clarinette, Contrebasse (duo)
2
2 Clarinettes, Piano
2
Flûte, Alto et Piano
2
Flûte, Basson et Piano
2
Flûte, Violon, Violoncelle et Piano
2
Cor anglais et Harpe (duo)
1
Hautbois, trombone (duo)
1
Flûte à Bec, Piano
1
Flûte de Pan
1
Flûte, trombone et piano
1
Flûte et Quatuor à Cordes
1
Piccolo
1
Hautbois, Trompette (duo)
1
Clarinette, Basson, Piano (trio)
1
Flûte, Harpe et Violoncelle
1
Ensemble de Hautbois
1
Clarinette, Tuba
1
Hautbois, Harpe
1
Clarinette, Violoncelle, Piano (trio)
1
+ 112 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
372
Trompette
314
Quatuor de Cuivres : 2 trompettes, trombone, tuba
288
Trompette, Piano
275
Trombone et Piano
268
Cor et Piano
231
Trombone
207
Cor
158
Quatuor de Cuivres
147
Tuba et Piano
141
Tuba
102
Quatuor de Cuivres: 2 trompettes, Cor, trombone
87
2 Trompettes (duo)
72
2 Trombones (duo)
62
2 Cors (duo)
50
Cor anglais, Piano
43
Trompette (partie séparée)
37
Trombone (partie séparée)
35
Euphonium, Piano (duo)
28
Trompette, Trombone (duo)
24
Quatuor de cuivres: 4 trombones
24
2 Tubas (duo)
18
Ensemble de Trombones
17
Quatuor de cuivres: 4 cors
15
3 Trompettes (trio)
14
Trompette, Saxophone (duo)
13
Trio de Cuivres
12
Quatuor de cuivres: 4 trompettes
9
Cor anglais, Guitare (duo)
9
Ensemble de Trompettes
8
Cor Anglais
8
Trompette et Guitare
6
Tuba (partie séparée)
5
Euphonium
5
Cor (partie séparée)
5
Trompette, Violoncelle et Piano
4
Trompette, Cor (duo)
4
Tuba et Orgue
3
Trompette, Trombone, Piano
3
2 Trompettes, Clavier (piano ou orgue)
3
3 Trombones (trio)
3
3 Cors (trio)
2
Quatuor de cuivres: 2 trompettes, 2 trombones
2
Cor et Harpe
2
Trombone, Tuba (duo)
2
Cor, Violoncelle (duo)
2
Trompette, Harpe
2
2 Euphoniums (duo)
2
4 Tubas
2
Ensemble de Cors
2
Cor anglais et Harpe (duo)
1
Trombone, Alto (duo)
1
Trompette, Tuba (duo)
1
Bass Clef Instruments
1
Clarinette, Cor (duo)
1
Trompette, violon (duo)
1
Ensemble de Tubas
1
Euphonium, Tuba (duo)
1
2 Trombones, Piano
1
2 Euphoniums et 2 Tubas
1
+ 55 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
5 657
Trio à Cordes: violon, alto, violoncelle
804
Violon et Piano
572
Quintette à cordes: 2 violons, alto, violoncelle, basse
517
Trio à Cordes: 2 violons, violoncelle
467
Violoncelle, Piano
406
Violon
370
Alto, Piano
366
Violoncelle
282
Alto seul
200
Violon, Violoncelle (duo)
192
Trio à cordes: 3 violins
157
2 Violons (duo)
152
Contrebasse, Piano (duo)
145
Harpe
142
Trio à Cordes: 3 violoncelles
135
Contre Basse
118
Trio à cordes: 3 altos
101
2 Violoncelles (duo)
100
2 Altos (duo)
71
Violon, Alto (duo)
58
Quatuor à cordes: 4 violons
52
Quatuor à cordes : 4 altos
36
Alto (partie séparée)
35
Trio à Cordes: 2 violons, alto
33
Quintette à cordes: 2 violons, 2 altos, violoncelle
29
2 Harpes (duo)
24
Violon, Guitare (duo)
24
4 Violoncelles
22
Violon, Basson (duo)
18
Harpe, Flûte (duo)
18
Violoncelle , Guitare (duo)
18
Piano Trio: Violon, Alto, Piano
17
Trio à cordes
16
Quintette à cordes : 2 violons, alto et 2 violoncelles
15
Alto, Violoncelle (duo)
15
Contrebasse (partie séparée)
14
2 Contrebasses (duo)
14
Violon (partie séparée)
11
Harpe, Violon (duo)
9
Ensemble de Violons
9
Alto et Harpe
7
Harpe, Violoncelle (duo)
7
Ensemble d'Altos
7
Alto, Guitare (duo)
5
Autoharp
3
2 Violons, Piano
3
Flûte, Contrebasse (duo)
3
Alto et Basson
3
Harpe, Violon, Violoncelle
3
Violoncelle (partie séparée)
3
Harpe, Voix
3
4 Contrebasses
2
Harpe et Piano
2
Violoncelle, Contrebasse (duo)
2
Violon, Orgue
1
Violon, Clarinette, Piano (trio)
1
Harpe (partie séparée)
1
2 Violoncelles, Piano
1
4 Harpes
1
+ 55 instrumentations
Retracter
Orchestre & Percussions
Orchestre à Cordes
1 258
Orchestre d'harmonie
832
Ensemble Jazz
203
Orchestre
180
Ensemble de cuivres
155
Batterie
76
Cloches
76
Orchestre de chambre
45
Jazz combo
43
Fanfare
42
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
20
Ensemble de Percussions
16
Marimba
13
2 Xylophones
8
Xylophone, Piano
8
Xylophone
7
Batterie (partie séparée)
5
Vibraphone
5
Percussion (partie séparée)
5
Quintette de Cuivres: autres combinaisons
2
Conga
1
Vibraphone et Marimba
1
+ 17 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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SAXOPHONE
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FUNK
GOSPEL - SPIRITUEL -…
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
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POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
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Orchestre de chambre
Partitions à imprimer
45 partitions trouvées
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1
26
[Van de Vate] Four Somber Songs
#
Orchestre de chambre
#
Contemporain
#
Nancy Van de vate
#
[Van de Vate] Four Somber Song
#
American Composers Alliance Inc.
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.953074 Composed by Nancy Van de vate. 20th Century. Score and parts. 53 pages. American Composers Alliance Inc. #4635463. Pu...
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Chamber Orchestra - SKU: A0.953074 Composed by Nancy Van de vate. 20th Century. Score and parts. 53 pages. American Composers Alliance Inc. #4635463. Published by American Composers Alliance Inc. (A0.953074). Four songs for mezzo-soprano and chamber orchestra on poems by various authors. Includes: Eastern Front (Georg Trakl), Alone (Edgar Allen Poe), Mad Song (William Blake), A Great Dark Sleep... (Paul Verlaine).Instrumentation: 2(2+picc)2(2+EH)22(2=cbsn) - 2011 - perc, hp - mezzo-soprano - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$17.95
JESU, JOY OF MAN'S DESIRING - for choir and chamber orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Sebastian Bach
#
Dico
#
JESU, JOY OF MAN'S DESIRING -
#
Dico
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.842972 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Christmas,Easter,Sacred,Wedding. Score and par...
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Chamber Orchestra - Level 4 - SKU: A0.842972 Composed by Johann Sebastian Bach. Arranged by Dico. Baroque,Christmas,Easter,Sacred,Wedding. Score and parts. 40 pages. Dico #6431895. Published by Dico (A0.842972). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.JESU, JOY OF MAN'S DESIRING for chorus and chamber orchestra.Score | Fl | Ob | Hrn 1, 2 | Tpt 1, 2 | Choir | Pno | Str
$22.00
Jesu, Joy of Man's Desiring - for choir & orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Various
#
Dico
#
Jesu, Joy of Man's Desiring -
#
Dico Ferreira
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.509062 By Various. By Johann Sebastian Bach. Arranged by Dico. Baroque,Wedding. Score and parts. 40 pages. Dico Fe...
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Chamber Orchestra - Level 4 - SKU: A0.509062 By Various. By Johann Sebastian Bach. Arranged by Dico. Baroque,Wedding. Score and parts. 40 pages. Dico Ferreira #120156. Published by Dico Ferreira (A0.509062). WEDDING SERIES - a set of popular songs and wedding standards that I have arranged for years. The formations are varied, from duos to orchestras with choir. The majority are mixed/flexible sextets in which some instruments can be replaced and the ensembles can be totally changed. Some arrangements have shortened versions. These options are provided in my catalogue.JESU, JOY OF MAN'S DESIRING for chorus and chamber orchestra.Score | Fl | Ob | Hrn 1, 2 | Tpt 1, 2 | Choir | Pno | Str
$22.00
Song of the Ukraine for Violin & Orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Trevor Denyer
#
Trevor Denyer
#
Song of the Ukraine for Violin
#
Trevor Denyer
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1127413 By Trevor Denyer. By Julius Siber. Arranged by Trevor Denyer. 19th Century,Classical. Score and Parts. 26 ...
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Chamber Orchestra - Level 5 - SKU: A0.1127413 By Trevor Denyer. By Julius Siber. Arranged by Trevor Denyer. 19th Century,Classical. Score and Parts. 26 pages. Trevor Denyer #728039. Published by Trevor Denyer (A0.1127413). A beautiful work by a little-known composer that deserves to be performed more often. Hopefully a good, clear score will help with this.
$20.00
O Come all Ye Faithful/Adeste Fideles - Strings & Piano with parts
#
Orchestre de chambre
#
FACILE
#
John Francis Wade
#
Connie Boss
#
O Come all Ye Faithful/Adeste
#
Connie Boss
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801535 Composed by John Francis Wade. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 page...
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Chamber Orchestra - Level 2 - SKU: A0.801535 Composed by John Francis Wade. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 7 pages. Connie Boss #6072743. Published by Connie Boss (A0.801535). This is a fun arrangement. There are lots of moving parts. It is for string quartet and piano. Lyrics and parts are included. You can purchase other arrangements of this song as well like SATB. cdboss@cvalley.net
$5.50
The Skye Boat Song from Outlander
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Orchestre de chambre
#
FACILE
#
Traditional Scottish Folk Song
#
Ana Paula Pires
#
The Skye Boat Song from Outlan
#
Bystonais
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.981453 Composed by Traditional Scottish Folk Song. Arranged by Ana Paula Pires. Celtic,Film/TV,Holiday,Love,Weddin...
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Chamber Orchestra - Level 2 - SKU: A0.981453 Composed by Traditional Scottish Folk Song. Arranged by Ana Paula Pires. Celtic,Film/TV,Holiday,Love,Wedding,World. Score and parts. 13 pages. Bystonais #6451167. Published by Bystonais (A0.981453). The Skye Boat Song from Outlander This work was designed for a group of seven flutes. Inspired by the traditional work of a Scottish folk song that has become a hit in recent years as the theme song for the Outlander series. An inspiring song, which in this arrangement explores the simplicity of the melody and the colors. of the harmony. It can be worked with beginner and intermediate groups.
$6.99
[Froom] Amichai Songs (Baritone and Orchestra)
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Orchestre de chambre
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Contemporain
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David Froom
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[Froom] Amichai Songs
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.952859 Composed by David Froom. Contemporary. Score and parts. 52 pages. American Composers Alliance Inc. #4625241. Publishe...
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Chamber Orchestra - SKU: A0.952859 Composed by David Froom. Contemporary. Score and parts. 52 pages. American Composers Alliance Inc. #4625241. Published by American Composers Alliance Inc. (A0.952859). Three songs for baritone and orchestra on texts by Yehuda Amichai. Includes: Now when the waters are pressing mightily, In a man's life, The House of Lovers. Instrumentation: 2(2=picc)2(2=EH)2(2=bcl)2(2=cbsn) - 222(2=btbn) - 2perc, pno - baritone solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$26.95
[Karchin] Four Songs on Poems of Seamus Heaney (Orchestral)
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Orchestre de chambre
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Contemporain
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Louis Karchin
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[Karchin] Four Songs on Poems
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American Composers Alliance Inc.
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SheetMusicPlus
Chamber Orchestra - SKU: A0.953010 Composed by Louis Karchin. Contemporary. Score and parts. 65 pages. American Composers Alliance Inc. #4632231. Publis...
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Chamber Orchestra - SKU: A0.953010 Composed by Louis Karchin. Contemporary. Score and parts. 65 pages. American Composers Alliance Inc. #4632231. Published by American Composers Alliance Inc. (A0.953010). A chamber orchestration of the four songs from Karchin's Ancient Scenes on texts by Seamus Heaney. Includes: Lightenings iv, The Rain Stick, Lightenings i, Settings xxiv.Instrumentation: 2121 - 2211 - 2 perc, hp - soprano solo - strings.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$36.95
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Orchestre de chambre
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DÉBUTANT
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Traditional children's music f
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Lauri Hämäläinen
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Potpourri of three children's
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri HämälÃ...
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Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Pájaros (Birds) for solo flute and strings
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Adrienne Inglis
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Pájaros
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Adrienne Inglis
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
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Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
The Joyce Cycle, for voice and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Contemporain
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the turbulent sea, the loved o
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Music and James Joyce, Ofer Be
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The Joyce Cycle, for voice and
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The Composer's Own Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score a...
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Chamber Orchestra - Level 4 - SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
In Dulci Jubilo - family band
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Orchestre de chambre
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Traditional
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Sophia Johanna
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In Dulci Jubilo - family band
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Sophia Transistor
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SheetMusicPlus
Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. ...
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Chamber Orchestra - SKU: A0.851122 Composed by Traditional. Arranged by Sophia Johanna. Christian,Christmas,Classical,World. Score and parts. 17 pages. Sophia Transistor #3684543. Published by Sophia Transistor (A0.851122). Year after year, the whole family comes together and eventually tries to perform Christmas songs on the fly. Thisarrangement of the german traditional chistmas church song In Dulci Jubilo (In Sweet Rejoicing) offers several parts for many variableinstruments in their specific notation forms. The voices can be combined ad libitum. The score also offers decentvocal scores with the original german lyrics and also english lyrics. The score includes: - Piano (piano with chordsymbols) - vocals (in english and in german); 3 verses for each language - solo instruments in C (violin, flute,etc.); quartet - solo instruments in bass clef (trombone, cello, bass, etc.); quartet - solo instruments in Bb(trumpet, clarinet, tenor saxophone, etc.); quartet - solo instruments in Eb (alto saxophone, Eb-clarinet, etc.);quartet - solo instruments in F (french horn, F-tuba, etc.); quartet - accordion / harmonica - guitar (notes/tabs/chord) - drumsYouTube Play Along: https://youtu.be/G4I5bI43wAIGerman description (Beschreibung auf Deutsch):Alle Jahre wieder wird mit der Familie zusammen Weihnachten gefeiert. Lasst uns dochwas zusammen spielen! Na klar, hast du Noten? Ja hier, für Keyboard... hm, für mich passen die nicht... DiesesArrangement des Weihnachtsklassikers In Dulci Jubilo (nun singet und seid froh!) beinhaltet Noten für die gängigstenHausinstrumente. Alle Stimmen können miteinander kombiniert werden. Die Gesangsnoten sind vernünftig notiert undden Liedtext gibt es auf Englisch und auf Deutsch. Folgende Musikinstrumente werden durch diese Noten abgedeckt: -Klavier (leicht, mittlere Begleitung, Intonationsvorschläge, Akkordsymbole und Melodie) - Gesang (auf Englisch undauf Deutsch); jeweils 6 Strophen - Soloinstrumente in C (Geige, Flöte, etc.); Quartett - Soloinstrumente mitBassschlüssel (Posaune, Cello, Bass, etc.); Quartett - Soloinstrumente in Bb (Trompete, Klarinette, Tenorsaxofon,etc.); Quartett - Soloinstrumente in Eb (Altsaxofon, Eb-Klarinette, etc.); Quartett - Soloinstrumente in F(Waldhorn, F-Tuba, etc.); Quartett - Akkordeon / Harmonika - Gitarre (Noten/Akkorde/Tabs) - SchlagwerkViel Spaß beim Ausprobieren!This arrangement has been optimized for on the fly performances during Christmas time. The constitution of instruments (rhythm and solo instruments (also in transposing scores)) can be put togetherad libitum. All parts are matching, can be combined or played alone.traditional german christmas church songarranged by Sophia Johannafor family band2018 Holiday Contest Entry Public Domain Instrumental
$4.99
"On the beaches of Tijuana"
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Luis Carlos Diaz
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Luis Carlos Diaz
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"On the beaches of Tijuan
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azdi
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and p...
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Chamber Orchestra - Level 4 - SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
The Hunt
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Orchestre de chambre
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AVANCÉ
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Franco Esteve
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The Hunt
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Franco Esteve
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
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Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Joseph White: La Bella Cubana for chamber orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana
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ROBERT DEBBAUT
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romant...
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Chamber Orchestra - Level 3 - SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
Clémence de Grandval: Ronde de Nuit for orchestra, score and parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534651 Composed by Clémence de Grandval. Romantic Period. Score and parts. 73 pages. Musik Fabrik Music Publishing #5721673. Published by Musik Fabrik Music Publishing (A0.534651). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings, this item is the score and complete parts. The score only is availabel as a seperate item.
$103.95
Clémence de Grandval: Ronde de Nuit for orchestra, score only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Clémence de Grandval
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Clémence de Grandval: R
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publish...
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Chamber Orchestra - Level 4 - SKU: A0.534650 Composed by Clémence de Grandval. Romantic Period. Score and parts. 25 pages. Musik Fabrik Music Publishing #5721669. Published by Musik Fabrik Music Publishing (A0.534650). Maria-Félicie-Clémence de Grandval (1828–1907) was born on January 28, 1828 at Saint-Rémy-des-Monts, France and died on January 15, 1907 in Paris.After the death of her mother, Louise Adèle du Temple de Mésières, her father the Baron de Reiset, a military officer remarried with an Englishwoman and moved his family to London. After beginning her musical studiesprivately, she studied the piano with the German composer Friedrich von Flotow, who was a family friend. Returning to France, she studied the piano briefly with Chopin and composition with Camille Saint-Saëns. At first writing mostly sacred music, most of her public success was due to her comic operas: la Comtesse Eva, la Pénitente, Piccolino and Mazeppa. She also wrote orchestral music, chamber music, and over 60 songs (to poets such as Sully-Prudhomme, Michel Carré, Henri Meilhac, Georges Hartmann, Charles Grandmougin and Louis Gallet.) She is chieflyknown today for her music for wind instruments, especially for the oboe.Scored for 2222/2000/strings. The score and complete parts are for sale as a seperate item.
$19.95
(I Am A Poor) Wayfaring Stranger- orchestra (small)
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Orchestre de chambre
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INTERMÉDIAIRE
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Strang
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published...
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Chamber Orchestra - Level 3 - SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Traditional
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j
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(I Am A Poor) Wayfaring Strang
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PRS&B
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Pu...
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Chamber Orchestra - Level 3 - SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
Press Play
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Orchestre de chambre
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AVANCÉ
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn...
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Chamber Orchestra - Level 5 - SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
God's Grandeur (2012, rev. 2019) for chorus and chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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God's Grandeur
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #...
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Chamber Orchestra - Level 4 - SKU: A0.869215 Composed by Thomas Oboe Lee. 20th Century,Contemporary,Sacred. Score and parts. 94 pages. Thomas Oboe Lee #2016287. Published by Thomas Oboe Lee (A0.869215). During the spring of the Millennial year 2000, music director John Finney and the Boston College University Chorale premiered my Mass for the Holy Year 2000 for chorus and orchestra in Trinity Chapel at Boston College. It was a large work, close to an hour long in duration. It was a momentous occasion and I was extremely pleased with the performance by John and the BC University Chorale. Ten years later in anticipation of the 150th Anniversary of the founding of Boston College, I decided that I wanted to write another choral work for the BC Chorale. This time the subject would be something directly connected to the Jesuit identity of Boston College. I chose for text the poems of Gerard Manley Hopkins, S.J. (1844-1889). This Manley Hopkins project would come in two parts. Part One would be a private uttering of faith in God, and Part Two would be a public declamation of the same topic. The private utterance would be in a chamber setting. I decided on a song cycle setting for soprano and piano. The public declamation would be the choral work with orchestra for the Boston College University Chorale. 1. Part The First … THOU mastering me God! (2010) for soprano and piano The ten poems for this song cycle came from GMH's The Wreck of the Deutschland, Part the First. This 30-minute song cycle was premiered in Bapst Library on March 31, 2011. The performers were Megan Stapleton, soprano, and Diane Braun, piano. 2. God's Grandeur (2012) for SATB chorus and chamber orchestra. For this work I chose five poems by GMH. Pied Beauty God's Grandeur The Habit of Perfection Thou Art Indeed Just, Lord. Inversnaid Why did I choose GMH's work besides the fact that he was a Jesuit? I was very surprised and thrilled that his poems are so fanciful, imaginative and abstract in form and content for someone who lived in the 19th century. These abstract poetic qualities are the very things that a composer in the 20th and 21st centuries would find inspiring when they are seeking texts for musical settings. I did indeed find the sound and silences of GMH's words quite inspirational. Hearing music in those words came directly and quickly as I was working on the piece. I hope the audience will enjoy the work as much as I did when I was creating it.
$9.99
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
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