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Händel: Lascia Ch’io Pianga (for Soprano, String Orchestra, Archlute, Lute and Continuo)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.586731 By George Frideric Ha…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.586731 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Film/TV,Opera. Score and parts. 32 pages. FRC Music #195979. Published by FRC Music (A0.586731). DESCRIPTION Lascia ch'io pianga (Let me with tears), from the opera Rinaldo, is one of the most famous and beautiful arias of the Baroque period. Its first performance was in 1711 in London. It was composed by the German composer Georg Friedrich Händel. Although he used this tune as early as 1705, in the oratorio Il Trionfo del Tempo e del Disinganno – Lascia la spina, cogli la rosa, with the libretto by Giacomo Rossi a masterpiece was created – Lascia ch'io pianga. The soprano part was based on the film Farinelli. INSTRUMENTS Harpsichord, Violin, Viola, Cello, Double Bass, Soprano Voice, String Orchestra, Chamber Orchestra, Soprano, Strings, Archlute, Lute and Continuo.
$18.99
17.44 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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Händel: Lascia Ch’io Pianga
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FRC Music
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.55 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.34 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.37 €
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Orchestre de chambre
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
LASCIA CH’IO PIANGA (for Soprano, String Orchestra, Archlute, Lute and Continuo)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597301 Composed by George Fr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597301 Composed by George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Opera,Standards,Wedding. Score and parts. 32 pages. Flavio Regis Cunha #5297443. Published by Flavio Regis Cunha (A0.597301). Lascia ch'io pianga (Let me with tears), from the opera Rinaldo, is one of the most famous and beautiful arias of the Baroque period. Its first performance was in 1711 in London. It was composed by the German composer Georg Friedrich Händel. Although he used this tune as early as 1705, in the oratorio Il Trionfo del Tempo e del Disinganno – Lascia la spina, cogli la rosa, with the libretto by Giacomo Rossi a masterpiece was created – Lascia ch'io pianga. The soprano part was based on the film Farinelli.
$12.99
11.93 €
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Orchestre de chambre
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George Frideric Handel
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Flavio Regis Cunha
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LASCIA CH’IO PIANGA
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Flavio Regis Cunha
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SheetMusicPlus
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