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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Edward Ory
Sheetmusicplus
Non classifié
79
Piano & claviers
Piano seul
96
Piano, Voix
59
Piano Facile
20
Orgue
8
Instruments en Do
6
Piano Trio: piano, violon, violoncelle
5
Piano, Voix et Guitare
5
Piano Quatuor: piano, 2 violons, violoncelle
2
Piano Quatuor: piano, violon, alto, violoncelle
2
2 Pianos, 8 mains
1
Piano Quintette: piano, 2 violons, alto, violoncelle
1
Orgue, Piano (duo)
1
1 Piano, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
12
Guitare notes et tablatures
3
Piano, Guitare (duo)
2
3 Guitares (trio)
1
4 Guitares (Quatuor)
1
Voix
Chorale SATB
27
Chorale TTBB
9
Chorale 3 parties
6
Chorale 2 parties
5
Chorale SSAA
3
Chorale SSAB, Piano
2
Voix duo, Piano
2
Voix basse, Piano
1
Chorale Unison
1
Voix Soprano, Piano
1
Voix Baryton, Piano
1
+ 6 instrumentations
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Vents
Flûte traversière et Piano
11
Flûte, Clarinette (duo)
9
Hautbois, Piano (duo)
8
Saxophone Tenor et Piano
7
Saxophone Soprano et Piano
7
Quatuor de Clarinettes: 4 clarinettes
6
Quatuor de Saxophones: 4 saxophones
6
2 Saxophones (duo)
5
Saxophone Alto et Piano
5
Clarinette et Piano
5
3 Saxophones (trio)
5
Hautbois, Clarinette (duo)
4
Saxophone (partie séparée)
4
2 Clarinettes (duo)
3
Clarinette (partie séparée)
3
Quatuor de Flûtes : 4 flûtes
3
Flûte traversière
3
Flûte, Violon, Piano
3
2 Flûtes traversières, Piano
3
Ensemble de Flûtes
3
Saxophone Alto
3
Flûte, Clarinette, Piano (trio)
2
2 Clarinettes, Piano
2
Quintette de Saxophone: 5 saxophones
2
Saxophone Tenor
2
Flûte, Clarinette et Basson
2
Flûte, Violon et Violoncelle
2
Saxophone Baryton, Piano
2
Hautbois, Clarinette, Basson (trio d'anches)
2
Hautbois (partie séparée)
2
Clarinette
2
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
2
Clarinette, Violoncelle, Piano (trio)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, trombone et piano
2
Clarinette, trompette et piano
1
Flûte, Violoncelle, Piano (trio)
1
2 Flûtes traversières (duo)
1
Flûte, Hautbois, Clarinette, Basson
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte et Guitare
1
Ensemble de Clarinettes
1
3 Clarinettes (trio)
1
Flute (partie séparée)
1
Flûte, Alto et Piano
1
Clarinette, Violon (duo)
1
Flûte à bec Soprano
1
Flûte, Violoncelle
1
Flûte, Hautbois, Piano (trio)
1
Flûte, Trompette (duo)
1
Flûte, Violon
1
+ 46 instrumentations
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Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
9
Trompette, Piano
9
Trombone et Piano
7
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Quatuor de cuivres: 4 trombones
4
Trompette, Cor (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
Tuba
3
Trompette, Trombone (duo)
3
Trombone (partie séparée)
3
Trombone
3
Cor et Piano
3
Trompette
2
2 Trompettes (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Trombones (duo)
2
Tuba (partie séparée)
2
2 Cors (duo)
2
2 Euphoniums et 2 Tubas
1
Ensemble de Trombones
1
Trompette, Violoncelle et Piano
1
Trio de Cuivres
1
Cor
1
Tuba ou Euphonium ou Saxhorn
1
Trompette (partie séparée)
1
Cor (partie séparée)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Quatuor de cuivres: 4 cors
1
+ 23 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
17
Violon et Piano
14
Alto, Piano
9
Violoncelle, Piano
9
Violon
6
2 Violoncelles (duo)
5
Violon, Alto (duo)
5
Violon, Violoncelle (duo)
4
Trio à cordes: 3 violins
3
Violoncelle
2
Quatuor à cordes: 4 violons
2
Trio à Cordes: violon, alto, violoncelle
2
Trio à Cordes: 3 violoncelles
2
4 Violoncelles
1
Violon, Clarinette, Piano (trio)
1
Alto, Violoncelle (duo)
1
Violoncelle, Orchestre
1
Piano Trio: Violon, Alto, Piano
1
2 Violons (duo)
1
+ 14 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
20
Orchestre
7
Orchestre à Cordes
4
Cloches
3
Percussion (partie séparée)
2
Ensemble de cuivres
2
Ensemble de Percussions
2
Orchestre de chambre
2
Orchestre, Violon
1
Instrumentation Flexible
1
Ensemble Jazz
1
Timbales (partie séparée)
1
Percussion
1
+ 8 instrumentations
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--INSTRUMENTS--
ACCORDEON
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AUTOHARPE
BANJO
BASSE
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CHORALE - CHAN…
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CLAIRON
CLARINETTE
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Vous avez sélectionné:
Edward Ory
SheetMusicPlus
Partitions à imprimer
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In the Memory Of
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INTERMÉDIAIRE/AVANCÉ
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Edward David Zeliff
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In the Memory Of
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Edward David Zeliff
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.888267 Composed by Edward David Zeliff. Contemporary,Holiday. Score and parts. 72 pages. Edward David Zeliff #4767...
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Chamber Orchestra - Level 4 - SKU: A0.888267 Composed by Edward David Zeliff. Contemporary,Holiday. Score and parts. 72 pages. Edward David Zeliff #4767647. Published by Edward David Zeliff (A0.888267). This piece is for Solo Cello and Chamber Orchestra. It is designed to be a remembrance––anyone's remembrance––of the life shared with someone who is gone. It is very delicate in nature, with moments of joy and exuberance. A chamber-like quality characterizes the orchestration. It is strikingly melodic, richly harmonic, probingly dissonant, and poignantly peaceful. It was premiered at the Royal College of Music in London.
$35.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
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Edward Ory
