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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
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FILM - TV
FILM WALT DISNEY
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FLAMENCO
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JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
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Non classifié
2431
PIANO & CLAVIERS
Piano seul
1158
Piano, Voix
511
Piano, Voix et Guitare
404
Piano Facile
272
Instruments en Do
265
Orgue
72
Accompagnement Piano
32
Accordéon
23
Piano (partie séparée)
22
1 Piano, 4 mains
18
Piano Trio: piano, violon, violoncelle
16
2 Pianos, 4 mains
9
Piano Quintette: piano, 2 violons, alto, violoncelle
9
Piano grosses notes
9
Orgue, Trompette (duo)
7
Piano Quatuor: piano, violon, alto, violoncelle
5
Clavecin
3
Ligne De Mélodie, Piano
2
Orgue, Piano (duo)
2
Accordéon, Voix
2
2 Accordéons
2
Piano Quatuor: piano, 2 violons, violoncelle
1
2 Pianos, 8 mains
1
1 Piano, 6 mains
1
Clavier
1
Instrumentations suivantes
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GUITARES
Guitare
135
Guitare notes et tablatures
108
Ligne De Mélodie, (Paroles) et Accords
80
Guitare (partie séparée)
43
2 Guitares (duo)
34
Basse electrique
32
Ukulele
17
Mandoline
14
Piano, Guitare (duo)
7
4 Guitares (Quatuor)
5
Basse électrique (partie séparée)
5
Banjo
2
Paroles et Accords
2
Dulcimer
2
Mandoline, Guitare (duo)
1
Orchestre à Plectres
1
3 Guitares (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
546
Chorale SSAA
283
Chorale 3 parties
233
Chorale TTBB
203
Chorale 2 parties
97
Chorale Unison
48
Voix duo, Piano
19
Voix duo
18
Voix Soprano, Piano
11
Chorale
8
Voix basse, Piano
6
Chorale SSAATTBB
6
Voix seule
6
Voix Alto, Piano
6
Voix moyenne, Piano
5
Voix Tenor
3
Voix Tenor, Piano
3
Soli, choeur mixte et accompagnement
2
Voix Mezzo-Soprano, Piano
2
Voix, Guitare
2
Chorale SSATB
1
Chorale SSAB, Piano
1
Voix haute, Piano
1
Voix basse
1
Voix haute
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
341
Quatuor de Saxophones: 4 saxophones
157
Flûte traversière et Piano
126
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
107
Hautbois, Piano (duo)
101
2 Saxophones (duo)
100
Clarinette
95
Hautbois (partie séparée)
90
Saxophone Alto et Piano
85
Flûte traversière
75
Flûte, Hautbois, Clarinette, Basson
68
Quatuor de Clarinettes: 4 clarinettes
68
Clarinette et Piano
68
Saxophone Alto
66
Clarinette (partie séparée)
66
Saxophone Tenor et Piano
63
2 Flûtes traversières (duo)
54
Ensemble de saxophones
42
2 Clarinettes (duo)
42
Quintette de Saxophone: 5 saxophones
39
Flûte et Guitare
35
Saxophone Soprano et Piano
34
Quatuor de Flûtes : 4 flûtes
29
Saxophone Baryton, Piano
29
Ensemble de Clarinettes
24
Saxophone, Clarinette (duo)
21
Flute (partie séparée)
20
Flûte à Bec
19
2 Hautbois (duo)
19
Hautbois, Basson (duo)
18
Flûte à bec Soprano
16
Clarinette, Violon (duo)
15
Clarinette Basse, Piano
14
Ensemble de Flûtes
14
Quintette de Clarinettes: 5 clarinettes
13
Flûte, Clarinette (duo)
12
3 Clarinettes (trio)
12
Cor anglais, Piano
11
Flûte, Violon
10
Clarinette, Trompette (duo)
10
2 Flûte à bec (duo)
10
3 Saxophones (trio)
10
Clarinette et Alto
9
Flûte à bec Alto
9
Quatuor de Flûtes à bec
8
Hautbois, Clarinette (duo)
7
Flûte, Saxophone (duo)
7
Flûte, Clarinette et Basson
6
Quintette de Flûte : 5 flûtes
6
Flûte, Clarinette, Cor, Basson (Quartet)
6
Hautbois, Flûte
6
Saxophone Tenor
5
Flûte, Alto (duo)
5
Harmonica
4
Flûte, Hautbois, Basson
4
Flûte à bec Alto, Piano
4
Flûte, Violoncelle
4
2 Clarinettes, Piano
4
Cor Anglais
3
Clarinette, Basson (duo)
3
Flûte, Trompette (duo)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Violon, Piano
3
Ensemble De Flûte à bec
3
Clarinette, Violoncelle (duo)
3
Flûte à bec Alto, Basse continue
3
Trio de Flûtes: 3 flûtes
3
Saxophone Soprano
3
Hautbois, Violoncelle
3
Saxophone et Guitare
2
Hautbois, Guitare (duo)
2
Hautbois
2
3 Flûtes à bec (trio)
2
Saxophone
2
2 Clarinettes, Basson
2
Flûte, Hautbois (duo)
2
2 Flûtes traversières, Piano
2
Flûte, Violon et Violoncelle
2
Piccolo, Piano
2
Flûte à bec Soprano, Piano
2
Piccolo
1
Flûte, Hautbois, Clarinette (trio)
1
Flûte, Clarinette, Piano (trio)
1
Flute, harpe et violon
1
Flûte, Harpe et Violoncelle
1
Cor anglais et Harpe (duo)
1
Hautbois, violon (duo)
1
2 Saxophones, Piano
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, trombone et piano
1
4 Hautbois
1
2 Cors Anglais Et Pianoforte
1
Flûte traversière, Basse continue
1
Flûte, Violon, Violoncelle et Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Clarinette, Alto et Piano (trio)
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Saxophone et Piano
1
5 Flûtes à bec
1
Saxophone et Orgue
1
Clarinette, Guitare (duo)
1
Flûte, Alto et Piano
1
Instrumentations suivantes
Retracter
CUIVRES
Trompette (partie séparée)
196
Trombone (partie séparée)
188
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
157
Quatuor de Cuivres : 2 trompettes, trombone, tuba
78
Trombone et Piano
78
Trompette
67
Trompette, Piano
66
Trombone
50
Cor et Piano
49
Ensemble de Trompettes
41
Cor (partie séparée)
38
Cor
30
Tuba (partie séparée)
25
Quatuor de Cuivres
24
Tuba
24
Euphonium, Piano (duo)
24
Quatuor de Cuivres: 2 trompettes, Cor, trombone
23
Tuba et Piano
22
2 Trompettes (duo)
19
Trompette, Trombone (duo)
16
Ensemble de Trombones
14
2 Trombones (duo)
13
Trompette, Saxophone (duo)
13
Euphonium
12
Cor anglais, Piano
11
Quatuor de cuivres: 4 trombones
10
2 Cors (duo)
8
Quatuor de cuivres: 4 cors
8
Trompette, Cor (duo)
7
Trio de Cuivres
6
Ensemble de Cors
5
Trombone basse
5
Quatuor de cuivres: 4 trompettes
4
Cor Anglais
3
2 Euphoniums (duo)
3
2 Tubas (duo)
3
Cor, Violoncelle (duo)
3
3 Trompettes (trio)
2
4 Tubas
2
3 Tubas (trio)
1
Trombone, Orgue
1
Tuba et Orgue
1
Cor anglais et Harpe (duo)
1
Euphonium, Tuba (duo)
1
Clarinette, Cor (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
2 Cors Anglais Et Pianoforte
1
2 Euphoniums et 2 Tubas
1
Cor, Tuba (duo)
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
3 Trombones (trio)
1
Instrumentations suivantes
Retracter
CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
437
Violoncelle (partie séparée)
165
Violon et Piano
147
Violon, Violoncelle (duo)
135
Violon (partie séparée)
114
Violon
111
Violoncelle, Piano
103
Alto, Piano
97
Trio à Cordes: 2 violons, violoncelle
71
Contrebasse (partie séparée)
60
Trio à Cordes: violon, alto, violoncelle
59
Alto (partie séparée)
54
Violon, Alto (duo)
39
2 Violons (duo)
38
Violoncelle
37
Alto seul
31
Harpe
29
2 Violoncelles (duo)
29
Quintette à cordes: 2 violons, alto, violoncelle, basse
23
Contrebasse, Piano (duo)
20
2 Altos (duo)
17
Contre Basse
15
4 Violoncelles
12
Alto, Violoncelle (duo)
8
Trio à Cordes: 3 violoncelles
7
Harpe, Flûte (duo)
7
Harpe, Violon (duo)
7
Quatuor à cordes: 4 violons
6
Violon, Guitare (duo)
6
Quintette à cordes: 2 violons, 2 altos, violoncelle
5
Alto et Harpe
5
Harpe, Violoncelle (duo)
4
Quatuor à cordes : 4 altos
4
Flûte, Contrebasse (duo)
3
Violoncelle , Guitare (duo)
2
Alto, Guitare (duo)
2
Ensemble d'Altos
2
Violon, Basson (duo)
2
Ensemble de Violons
2
Alto et Basson
2
Harpe, Voix
2
2 Harpes (duo)
1
2 Violons, Piano
1
2 Violons et Basse continue
1
Violon, Clarinette, Piano (trio)
1
Violon, Basse continue
1
4 Contrebasses
1
2 Contrebasses (duo)
1
Trio à cordes: 3 altos
1
Trio à Cordes: 2 violons, alto
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
589
Orchestre à Cordes
207
Orchestre
186
Ensemble Jazz
85
Orchestre de chambre
74
Ensemble de cuivres
67
Percussion (partie séparée)
54
Batterie (partie séparée)
34
Cloches
34
Jazz combo
29
Ensemble de Percussions
23
Fanfare
19
Xylophone
9
Batterie
9
Xylophone, Piano
6
Piano et Orchestre
4
Quintette de Cuivres: autres combinaisons
4
Timbales (partie séparée)
3
Marimba
3
3 Marimbas
2
Percussion
2
Vibraphone
2
Vibraphone et Marimba
1
2 Xylophones
1
Instrumentations suivantes
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AUTRES
Formation musicale - Solfège
6
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51
Telemann – Grillen-Symphonie TWV 50:1 (Score and parts PDF)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890768 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 34 pages. Sneakwood Editions #4781043. Published by Sneakwood Editions (A0.890768). The Concert à 9 Parties, 50:1, features an eccentric instrumentation of flute (ordinary, or that at the octave [i.e. piccolo], or the two combined), alto chalumeau, oboe, two violins almost entirely in unison, viola, two concertante contrabasses, and continuo.The work is in fact a three-movement symphony, as indicated by the original title that Telemann crossed out before he began composing: Grillen-Symphonie in the Italian, French, English, Scottish, and Polish styles. Although this title was rejected, along with the jumble of national idioms, it helps explain the music’s curiously tongue-in-cheek style (Grillen, as used in this sense, are whims) (From Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s by Steven Zohn)Edition based on manuscript by Telemann: Staatsbibliothek zu Berlin (D-B): Mus. ms. autogr. G. Ph. Telemann 3.Score (18 pp.) and parts (Flute, Oboe, Chalumeau, Double bass 1, Double bass 2, Violins 1 and 2, Viola and Basso Continuo)www.snakewoodeditions.com
$18.00
16.65 €
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Orchestre de chambre
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Georg Philipp Telemann
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Sneakwood Editions
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Telemann – Grillen-Symphonie TWV 50:1
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Sneakwood Editions
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SheetMusicPlus
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Phi…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
16.65 €
#
Orchestre de chambre
#
Georg Philipp Telemann
#
Sneakwood Editions
#
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4
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Sneakwood Editions
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SheetMusicPlus
Telemann – Flute Concerto in D Major TWV 51:D2 (Score and parts in PDF)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Phi…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.890769 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 40 pages. Sneakwood Editions #4781037. Published by Sneakwood Editions (A0.890769). We present a well reseached edition of the Telemann´s concerto for flute and orchestra contained in the manuscript of the Universitäts- und Landesbibliothek, Darmstadt (D-DS): Mus.ms.1033-39.We have maintained the original annotations clearly indicating the cases in which they can be interpreted in another way. The resulting edition can be used directly for its interpretation both by specialists in early music and by any musician who wants to approach this beautiful work.Edition based on (D-DS): Mus.ms.1033-39Score (19 pages) and Parts (friendly performance edition): Flute, Violin I, Violin II, Violin III, Viola and Basso.www.snakewoodeditions.com
$18.00
16.65 €
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Orchestre de chambre
#
Georg Philipp Telemann
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Sneakwood Editions
#
Telemann – Flute Concerto in D Major TWV 51:D2
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Sneakwood Editions
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SheetMusicPlus
Connemara, for Chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1272920 Composed by Kari Cru…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1272920 Composed by Kari Cruver Medina. 21st Century,Celtic,Chamber,Classical,Contemporary,Irish. Score and Parts. 36 pages. Kari Medina Music #865106. Published by Kari Medina Music (A0.1272920). A gentle folk ballad inspired by the stunning vistas  and breathtaking landscapes of Ireland’s West Country, Connemara. Tonal and accessible, this simple, winsome piece is three minutes of peace and beauty.Instumentation: Flute, Oboe, Clarinet, Glockenspiel, Piano, Violin I, Violin II, Viola, Cello, ContrabassParts and  Full Score includedTime is approx. 3 min.
$19.99
18.49 €
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Orchestre de chambre
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Kari Cruver Medina
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Connemara, for Chamber orchestra
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Kari Medina Music
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SheetMusicPlus
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
41.61 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Arcadia Verlag
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SheetMusicPlus
Mon coeur s'ouvre à ta voix by Camille Saint-Saëns "Samson et Dalila"
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.914991 Composed by Camille Saint-Saens…
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Chamber Orchestra - Digital Download SKU: A0.914991 Composed by Camille Saint-Saens. Arranged by Mariia Yaremak. Opera. Score and parts. 55 pages. Mariia Yaremak #5296419. Published by Mariia Yaremak (A0.914991). This piece was arranged for strings, harp and voice. Check my channel: https://www.youtube.com/channel/UCkTR9R0rGP-Y6RFn9HO6WjQHere is my Facebook page: https://www.facebook.com/mariiayaremakFor any information, please contact: mariia.yaremak@gmail.com
$25.00
23.12 €
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Orchestre de chambre
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Camille Saint-Saens
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Mariia Yaremak
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Mon coeur s'ouvre à ta voix by Camille Saint-Saëns "Samson et Dalila"
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Mariia Yaremak
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SheetMusicPlus
Finale for Beethoven's Violin Concerto in C major WoO 5
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score and parts. 48 pages. Adrian Gagiu #6204599. Published by Adrian Gagiu (A0.1004721). Beethoven's Romance No. 1 in G major for violin and orchestra op. 40 (c. 1801) was transposed in C major, arranged in the new key and appropriate tempo, and expanded to form a rondo Finale fit for his unfinished Concerto in C major, of which only about a half of a clean copy of the first movement survived as WoO 5 (1791-1792). Also, a newly composed solo cadenza was now inserted. Almost surely, the Romance No. 2 in F major op. 50 (c. 1791?) was intended as the slow movement of the Concerto (it has virtually the same scoring as WoO 5, the manuscript bears no title, and there is a thematic relation to WoO 5). The Romance No. 1 in G major was probably intended as a replacement or alternate slow movement, but it is his only composition relatable to the Concerto fragment, so I adapted it as conjecture Finale for a complete performing version of the Concerto.
$15.00
13.87 €
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Orchestre de chambre
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Ludwig van Beethoven
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Adrian Gagiu
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Finale for Beethoven's Violin Concerto in C major WoO 5
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Adrian Gagiu
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SheetMusicPlus
Eloi, Eloi, lema sabachthani (Oratorium na Wielki Post)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.930953 Composed by Wojciech …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.930953 Composed by Wojciech Bochenek. Christian,Contemporary,Easter,Gospel,Sacred. Score and parts. 81 pages. Wojciech Bochenek #3630199. Published by Wojciech Bochenek (A0.930953). This choir/orchestra piece is part of the Lenten Oratorio by Polish-Canadian composer Wojciech Bochenek. For Polish description please refer to the section below.Załączony utwór jest częścią Oratorium na Wielki Post (2017) według Wojciecha Bochenka. Wszystkie części są dostępne na stronie:http://www.sheetmusicplus.com/publishers/wojciech-bochenek-sheetmusic/3007623Zawarty plik, poza materiałem muzycznym, posiada również spis kolejności utworów wraz ze słowem mówionym oraz słowa do muzyki. Czas wykonania całości oratorium ok. godziny nie licząc przerw pomiędzy utworami oraz czasu prowadzenia całości.
$19.99
18.49 €
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Orchestre de chambre
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Wojciech Bochenek
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Eloi, Eloi, lema sabachthani
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Wojciech Bochenek
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126484 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 40 pages. Studio at the Post #727154. Published by Studio at the Post (A0.1126484). Score only (see A727154 for Parts) Duration: 11 - 12 minutes, 37 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$15.04
13.91 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County - Score Only
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Studio at the Post
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SheetMusicPlus
The Disqualification of Harry Semantix as Trial Juror for East County (Parts only)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Kor…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1126491 Composed by Igor Korneitchouk. 20th Century,Contemporary. Score and parts. 111 pages. Studio at the Post #727166. Published by Studio at the Post (A0.1126491). Parts only (see A727154 for Score). Duration: 11 - 12 minutes, 23 Parts including soloist, parts averaging 3 -5 pp., soloist part 9 pp. Description: In Korneitchouk's mischievously titled quasi-concerto for saxophone and orchestra, The Disqualification of Harry Semantix as Trial Juror for East County, the concept of Truth and Lie is explored musically, as well as metaphorically implying something deeper. The Truth (the opening theme after an introduction pieces it together) is slowly mutated into its opposite, the Lie -- upside down, backward, twice as long and strident (the closing theme just before the double cadenza at the end of the piece). The double cadenza, is in fact a cadenza for the saxophone played over a wild orchestral stretto -- a kind of orchestral cadenza -- both simultaneously intoning bits and pieces of either theme, and seems to ask: Can Truth coexist with its Lie? or perhaps, Can Truth exist without its Lie? The first incarnation of The Disqualification of Harry... (available on CD from Old King Cole Productions) appears as a duo for saxophone and piano and has only more recently been orchestrated. The composer tells us that the idea for this piece initially germinated from his own frustrations of having to serve jury duty and being disqualified as a potential juror for answering honestly during jury selection. East County is to be understood as Any County..
$5.02
4.64 €
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Orchestre de chambre
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Igor Korneitchouk
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The Disqualification of Harry Semantix as Trial Juror for East County
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Studio at the Post
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SheetMusicPlus
Pr'os lados do Piaui, entre a Turquia e a Alemanha
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de O…
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Chamber Orchestra - Digital Download SKU: A0.962358 Composed by Sergio Roberto de Oliveira. 20th Century,Contemporary,World. Score and parts. 131 pages. Sergio Roberto de Oliveira #5011347. Published by Sergio Roberto de Oliveira (A0.962358). Falls House Press has published his works Faces and Mot pour Laura in the United States. Various articles in specialized journals and sites have cited the composer, such as the Flutist Quarterly (Circus Brasilis - The flute music of Sergio Roberto de Oliveira), Early Music America (Something New for Early Music), Andante.com (The heirs of Villa-Lobos), 21st Century Music, Musicabrasileira.org, etc. Sergio Roberto de Oliveira has frequently been invited to lecture at American universities, and has spoken at more than a dozen institutions including Princeton and Duke. In 2009 he was Artist-in-Residence at Duke University. In addition the USA and the UK, Oliveira's music has also been played in many countries, with invitations for concerts exclusively with his music in México, Italy and Holland (Amsterdam). The Spanish Magazine Sonograma has published 2 interviews with Sergio.Sergio is the founder and a member of the group of composers Prelúdio 21. The group is one of the most active worldwide. It holds a distinguished place in Brazilian contemporary music, having been active for 15 consecutive seasons, with a permanent series of monthly concerts since 2008. In 2011 the group released the CD String Quartets, with performances by the Quarteto Radamés Gnattali. Oliveira is also a member of the group of composers Vox Novus, based in New York.To commemorate 15 years of activity as a composer, Oliveira released a box set with 4 CDs, as well as a CD with composer Mark Hagerty, and produced the series QUINZE, with 13 concerts including his works, between July and October of 2012. More than 130 musicians, including 28 composers, participated of QUINZE (CDs and series).His discography includes 14 CDs as producer, 14 as composer, 22 as general producer, 2 as arranger and 2 as pianist. His catalog of compositions includes approximately 115 works for various ensembles, including Symphony Orchestra. Sergio Roberto de Oliveira is a member of the Latin Academy of the Arts and Science of Recording.He died from pancreatic cancer in 2017.
$49.58
45.85 €
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Orchestre de chambre
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Sergio Roberto de Oliveira
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Pr'os lados do Piaui, entre a Turquia e a Alemanha
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Sergio Roberto de Oliveira
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SheetMusicPlus
Symphony No. 8, after Beethoven's sketches, op. 80
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1038395 Composed by Adrian Gagiu. Classical. 451 pages. Adrian Gagiu #643336. Published by Adrian Gagiu (A0.1038395). Throughout his career, Beethoven made dozens of concept sketches for many movements of symphonies, besides those for the completed nine compositions of that genre. In the period 1812-1816, mainly during the composition of the Seventh and Eighth Symphonies, there were three recurring such projected works in his sketchbooks, namely in D minor, E minor and E flat major respectively, and remarkably with sketches for more than one of their movements. The present symphony in late Classical style is based on those projects, making use of all their themes in a „combined†symphony in D minor and thus with peculiar tonal relationships. The incentive for this new work in the Classical idiom was in the quality and potential of some of the sketches, especially the one included now in the main theme of the slow movement. Some of the sketched material was subject to transpositions and adaptations to fit the formal outlook, and to editorial choices for the unclear pitches and durations. This publication includes the score and parts. The sketchbook sources for each passage are mentioned at the bottom of the score. Total duration: 36 min. Performing Rights Organization: SOCAN. The mp3 recording is the third, slow movement.
$100.00
92.47 €
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Orchestre de chambre
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Adrian Gagiu
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Symphony No. 8, after Beethoven's sketches, op. 80
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Adrian Gagiu
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SheetMusicPlus
Orchestral Suite No 3 in D Major BWV 1068
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Se…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742401 Composed by Johann Sebastian Bach. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 111 pages. Arte Nova Music Lab #3005423. Published by Arte Nova Music Lab (A0.742401). The four orchestral suites (called ouvertures by their author), BWV 1066–1069 are four suites by Johann Sebastian Bach. The name ouverture refers only in part to the opening movement in the style of the French overture, in which a majestic opening section in relatively slow dotted-note rhythm in duple meter is followed by a fast fugal section, then rounded off with a short recapitulation of the opening music. More broadly, the term was used in Baroque Germany for a suite of dance-pieces in French Baroque style preceded by such an ouverture. This genre was extremely popular in Germany during Bach's day, and he showed far less interest in it than was usual: Robin Stowell writes that Telemann's 135 surviving examples [represent] only a fraction of those he is known to have written;[1] Christoph Graupner left 85; and Johann Friedrich Fasch left almost 100. Bach did write several other ouverture (suites) for solo instruments, notably the Cello Suite no. 5, BWV 1011, which also exists in the autograph Lute Suite in G minor, BWV 995, the Keyboard Partita no. 4 in D, BWV 828, and the Overture in the French style, BWV 831 for keyboard. The two keyboard works are among the few Bach published, and he prepared the lute suite for a Monsieur Schouster, presumably for a fee, so all three may attest to the form's popularity.Scholars believe that Bach did not conceive of the four orchestral suites as a set (in the way he conceived of the Brandenburg Concertos), since the sources are various, as detailed below.The Bach-Werke-Verzeichnis catalogue includes a fifth suite, BWV 1070 in G minor. However, this work is highly unlikely to have been composed by J. S. Bach. Taken from https://en.wikipedia.org/wiki/Orchestral_suites_(Bach)
$27.00
24.97 €
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Orchestre de chambre
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Johann Sebastian Bach
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Arte Nova Music Lab
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Orchestral Suite No 3 in D Major BWV 1068
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Arte Nova Music Lab
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SheetMusicPlus
Debussy (arr. Lee): Prélude à l'après-midi d'un faune, Full Score
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866060 Composed by Claude Debussy. Arranged by Yoon Jae Lee. 20th Century,Romantic Period. Score and parts. 33 pages. Ondine Press #1911907. Published by Ondine Press (A0.866060). Instrumentation: 1. 1. 2. 1 - 2. 0. 0. 0 - 1 perc. 1 hrp – str This arrangement of Debussy's ground-breaking masterwork is a welcome addition to the repertoire for chamber orchestras everywhere. Emphasizing the work’s intimate character, it remains faithful to the original without any loss of Debussy's use of instrumental colors. This arrangement is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Can be per performed with approximately 23 to 29 players. View perusal score: http://issuu.com/ondinepress/docs/debussy_prelude Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$30.00
27.74 €
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Orchestre de chambre
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Claude Debussy
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Yoon Jae Lee
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Debussy
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Ondine Press
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.39 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Concerto Grosso in F minor.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Fr…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.742491 Composed by George Frideric Handel. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 77 pages. Arte Nova Music Lab #5042471. Published by Arte Nova Music Lab (A0.742491). George Frideric (or Frederick) Handel (/ˈhændəәl/;[a] born Georg Friederich Händel 23 February 1685 (O.S.) [(N.S.) 5 March] – 14 April 1759) was a German, later British, Baroque composer who spent the bulk of his career in London, becoming well known for his operas, oratorios, anthems, concerti grossi and organ concertos. Handel received important training in Halle and worked as a composer in Hamburg and Italy before settling in London in 1712; he became a naturalised British subject in 1727. He was strongly influenced both by the great composers of the Italian Baroque and by the middle-German polyphonic choral tradition. Within fifteen years, Handel had started three commercial opera companies to supply the English nobility with Italian opera. Musicologist Winton Dean writes that his operas show that Handel was not only a great composer; he was a dramatic genius of the first order.[6] As Alexander's Feast (1736) was well received, Handel made a transition to English choral works. After his success with Messiah (1742) he never composed an Italian opera again. Almost blind, and having lived in England for nearly fifty years, he died in 1759, a respected and rich man. His funeral was given full state honours, and he was buried in Westminster Abbey in London. Born the same year as Johann Sebastian Bach and Domenico Scarlatti, Handel is regarded as one of the greatest composers of the Baroque era, with works such as Messiah, Water Music, and Music for the Royal Fireworks remaining steadfastly popular. One of his four coronation anthems, Zadok the Priest (1727), composed for the coronation of George II, has been performed at every subsequent British coronation, traditionally during the sovereign's anointing. Another of his English oratorios, Solomon (1748), has also remained popular, with the Sinfonia that opens act 3 (known more commonly as The Arrival of the Queen of Sheba) featuring at the 2012 London Olympics opening ceremony. Handel composed more than forty opera serias in over thirty years, and since the late 1960s, with the revival of baroque music and historically informed musical performance, interest in Handel's operas has grown. Taken from https://en.wikipedia.org/wiki/George_Frideric_Handel
$30.00
27.74 €
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Orchestre de chambre
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George Frideric Handel
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Arte Nova Music Lab
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Concerto Grosso in F minor.
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Arte Nova Music Lab
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.69 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Symphony No. 2 in C Minor "Resurrection" - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1048751 Composed by Gustav M…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1048751 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Classical,Romantic Period,Traditional. 304 pages. Ondine Press #653164. Published by Ondine Press (A0.1048751). Instrumentation: 2d2. 2d1. 2d Eflat (& bass cl. ad lib.). 2 (cfag. ad lib) - 4. 2. 2. 0 - tp - 1 (2) perc. hrp - str This orchestral reduction of Mahler's Symphony No. 2 by Yoon Jae Lee, can be performed by a chamber orchestra of approximately 33 to 38 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Vocal lines are cued in the instruments and can be performed by orchestra only. This arrangement is part of the Mahler Chamber Project (MCP), a series of orchestral reductions of Gustav Mahler’s symphonic works created by conductor and arranger Yoon Jae Lee. The project encompasses the 9 complete symphonies, sections of the 10th symphony, and Das Lied von der Erde. Performance material available for hire worldwide through Ondine Press. Please email ondinepress@gmail.com for all rental inquiries.
$80.00
73.98 €
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Orchestre de chambre
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Gustav Mahler
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Yoon Jae Lee
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bass cl
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Symphony No. 2 in C Minor "Resurrection" - Score Only
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Ondine Press
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SheetMusicPlus
Mahler (arr. Lee): Symphony No. 1 in D Major 2nd movement - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866094 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866094 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Classical,Romantic Period. Score and parts. 38 pages. Ondine Press #13399. Published by Ondine Press (A0.866094). Instrumentation: 2d1. 2d1. 2d Eflat & bass cl. 2 (cfag. ad lib) - 4. 2. 2. 0 - tp - 1 (2) perc. hrp - str This arrangement of Mahler's Symphony No. 1 can be performed by a chamber orchestra of approximately 33 to 38 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. View perusal score: http://issuu.com/ondinepress/docs/mahler_symphony_1 Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries. NOTE: This is the full score of the 2nd movement only.
$25.00
23.12 €
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Orchestre de chambre
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Mahler (arr. Lee): Symphony No. 1 in D Major 1st movement - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866093 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866093 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Classical,Romantic Period. Score and parts. 59 pages. Ondine Press #13397. Published by Ondine Press (A0.866093). Instrumentation: 2d1. 2d1. 2d Eflat & bass cl. 2 (cfag. ad lib) - 4. 2. 2. 0 - tp - 1 (2) perc. hrp - str This arrangement of Mahler's Symphony No. 1 can be performed by a chamber orchestra of approximately 33 to 38 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. View perusal score: http://issuu.com/ondinepress/docs/mahler_symphony_1 Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries. NOTE: This is the full score of the 1st movement only.
$25.00
23.12 €
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Orchestre de chambre
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Gustav Mahler
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Yoon Jae Lee
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Mahler
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Ondine Press
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SheetMusicPlus
Symphony No. 4 in G Major - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.866113 Composed by Gustav Ma…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.866113 Composed by Gustav Mahler. Arranged by Yoon Jae Lee. Instructional,Multicultural,Romantic Period,World. 175 pages. Ondine Press #3407337. Published by Ondine Press (A0.866113). Instrumentation: 1d1. 1d1. 2d Eflat & bass cl. 1 - 2. 1. 0. 0 - 2 (3) perc. 1 hrp - str. This arrangement of Mahler's most intimate orchestral work can be performed by a chamber orchestra of approximately 26 to 34 players. The arrangement remains very faithful to Mahler's original and is ideal for professional chamber orchestras, academic conducting programs, student conductor concerts, or whenever the full orchestral forces required for the original are not present. Reviews: Illuminating.....with solos leaping out in unusually bold detail. Steve Smith, New York Times http://thechronicleherald.ca/artslife/910697-sns-brings-condensed-intensity-to-mahler-fourth Click link below to purchase full score online. http://ondinepress.musicaneo.com/sheetmusic/sm-188749_mahler_arr_lee_symphony_no_4_in_g_major_full_s... Performance material available for hire. Please email ondinepress@gmail.com for all rental inquiries.
$60.00
55.48 €
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Orchestre de chambre
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Gustav Mahler
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Yoon Jae Lee
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bass cl
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Symphony No. 4 in G Major - Score Only
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Ondine Press
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SheetMusicPlus
Conflusion - Suite - Wind Ensemble
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
73.98 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ensemble
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Conflusion - Suite - Woodwind Ensemble - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas G…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
9.25 €
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Orchestre de chambre
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Esther Suite
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1236385 Composed by Gordon R…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1236385 Composed by Gordon Rouse. Arranged by Gordon Rouse. Broadway,Folk,Jewish,Musical/Show,Opera. Score and Parts. 95 pages. Rosemary Abetz-Rouse #831458. Published by Rosemary Abetz-Rouse (A0.1236385). Esther: Queen of Persian is a full choral musical first performed in South Morang 1997. This is an orchestral suite adapted from the overture. This features excerpts:FanfareBattle SceneEsther's PleaZeresh and Agagite DanceThis suitable for a reduced orchestra with piano feature. The oboe part is the same as the 2nd flute here. Please feel free to fill out brass by doubling clarinet parts.All parts on the score are included as separate instrumental parts.The piano gets a beautiful solo in the middle, this is like a Nocturne - milk it hard!
$24.99
23.11 €
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Orchestre de chambre
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Gordon Rouse
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Gordon Rouse
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Esther Suite
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Rosemary Abetz-Rouse
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SheetMusicPlus
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