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756
PIANO & CLAVIERS
Piano seul
352
Instruments en Do
221
Piano, Voix
194
Piano Facile
52
Piano, Voix et Guitare
46
2 Pianos, 4 mains
25
Orgue
11
1 Piano, 4 mains
10
Piano (partie séparée)
4
Orgue et Orchestre
3
Piano grosses notes
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Accordéon, Voix
2
Accompagnement Piano
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Piano Quatuor: piano, violon, alto, violoncelle
2
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1
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1
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10
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6
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4 Guitares (Quatuor)
4
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2
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2
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2
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174
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119
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76
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54
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30
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26
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11
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6
Chorale
5
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3
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3
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3
Voix duo
2
Voix basse
2
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1
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1
Voix Tenor, Piano
1
Voix seule
1
Chorale SSAATTBB
1
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Quintette de Saxophone: 5 saxophones
49
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36
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26
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26
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26
2 Clarinettes (duo)
24
2 Flûtes traversières (duo)
24
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23
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23
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23
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21
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20
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17
Clarinette
16
Flûte, Hautbois, Clarinette, Basson
16
Quatuor de Saxophones: 4 saxophones
15
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14
Hautbois, Piano (duo)
13
Saxophone Soprano et Piano
11
3 Clarinettes (trio)
11
Saxophone Alto
11
Quintette de Flûte : 5 flûtes
11
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9
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9
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8
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8
2 Hautbois (duo)
7
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6
Hautbois
5
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5
Quatuor de Flûtes : 4 flûtes
5
Saxophone, Clarinette (duo)
5
Clarinette, Trompette (duo)
4
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4
Saxophone Tenor
4
Hautbois, Clarinette (duo)
4
Hautbois, Basson (duo)
4
Clarinette, Basson (duo)
3
Flûte, Violon, Piano
3
Flûte, Clarinette, Piano (trio)
3
Flûte à bec Soprano
3
Flûte, Trompette (duo)
2
Saxophone Baryton
2
Harmonica
2
Clarinette Basse, Piano
2
2 Flûtes traversières, Piano
2
Flûte à Bec, Piano
2
Clarinette et Alto
2
Hautbois (partie séparée)
2
Flûte, Alto (duo)
2
Hautbois, Flûte
2
Cor anglais et Harpe (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Saxophone
1
Flûte à bec Soprano, Piano
1
Saxophone et Orgue
1
2 Flûte à bec (duo)
1
Hautbois, Violoncelle
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte, Saxophone (duo)
1
Instruments en Mib
1
Flûte à bec Alto, Piano
1
Clarinette, Violoncelle (duo)
1
Flûte à Bec
1
2 Clarinettes, Piano
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
49
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
43
Ensemble de Trompettes
31
Trombone (partie séparée)
26
Trompette
21
Ensemble de Trombones
19
Trompette (partie séparée)
19
Quatuor de Cuivres: 2 trompettes, Cor, trombone
18
Trombone et Piano
17
Cor et Piano
12
Trompette, Piano
11
Trombone
10
Tuba et Piano
7
2 Trompettes (duo)
7
Cor
6
Cor anglais, Piano
6
2 Trombones (duo)
6
Euphonium, Piano (duo)
5
2 Cors (duo)
4
Quatuor de Cuivres
4
2 Euphoniums (duo)
3
Tuba
3
Trompette, Trombone (duo)
3
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
2 Tubas (duo)
2
Cor anglais et Harpe (duo)
1
Bass Clef Instruments
1
2 Trompettes, Clavier (piano ou orgue)
1
Instruments en Sib
1
Tuba (partie séparée)
1
Trombone basse
1
Quatuor de cuivres: 4 trombones
1
Trompette, Saxophone (duo)
1
Trio de Cuivres
1
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Quatuor à cordes: 2 violons, alto, violoncelle
71
Violon et Piano
42
Violoncelle (partie séparée)
26
Violoncelle, Piano
23
Violoncelle
23
Alto, Piano
19
Violon
17
Alto seul
13
Ensemble de Violons
12
2 Violons (duo)
11
Harpe
10
Violon, Violoncelle (duo)
10
Ensemble d'Altos
10
Trio à Cordes: violon, alto, violoncelle
9
Contrebasse (partie séparée)
7
Trio à Cordes: 2 violons, violoncelle
7
2 Violoncelles (duo)
7
2 Altos (duo)
6
Violon (partie séparée)
6
Violon, Alto (duo)
6
Contrebasse, Piano (duo)
5
Contre Basse
4
Alto (partie séparée)
3
Alto, Violoncelle (duo)
2
Harpe, Flûte (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Trio à Cordes: 3 violoncelles
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes
1
Autoharp
1
Trio à Cordes: 2 violons, alto
1
Piano Trio: Violon, Alto, Piano
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
212
Ensemble Jazz
57
Orchestre à Cordes
54
Orchestre
30
Ensemble de cuivres
20
Fanfare
12
Jazz combo
10
Orchestre de chambre
8
Ensemble de Percussions
6
Cloches
5
Batterie (partie séparée)
4
Marimba
3
Percussion (partie séparée)
3
Batterie
2
Piano et Orchestre
2
Instrumentation Flexible
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Vous avez sélectionné:
Eric High
Orchestre de chambre
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(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
45.91 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
Prelude in E Minor
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.966789 Composed by Frederic …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.966789 Composed by Frederic Chopin. Arranged by W. Spencer Germany. Instructional,Romantic Period. Score and parts. 9 pages. W. Spencer Germany #4994323. Published by W. Spencer Germany (A0.966789). This arrangement is well suited for middle and high school ensembles. A great tool to teach arpeggiated melodic lines and Romantic-era music .
$2.00
1.84 €
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Orchestre de chambre
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Frederic Chopin
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W
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Prelude in E Minor
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W. Spencer Germany
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SheetMusicPlus
Asphixivision (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina P…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.976911 Composed by Sabrina Pena Young. 20th Century,Contemporary,Latin,Standards. 32 pages. Sabrina Peña Young #3425603. Published by Sabrina Peña Young (A0.976911). Lively rhythmic 21st century string quartet work. Score and parts included. Ideal piece for advanced high school students, small orchestra or string ensemble, college string ensembles, professional string quartets, and community groups. Written by award-winning Cuban-Dominican composer. Feel free to contact composer directly for any questions. Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.26 €
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Orchestre de chambre
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Sabrina Pena Young
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Asphixivision
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Sabrina Peña Young
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SheetMusicPlus
H3
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1147707 By Lee Johnson. By J…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1147707 By Lee Johnson. By John Bacchus Dykes. Arranged by Lee Johnson. 20th Century,Chamber,Contemporary. Score and Parts. 27 pages. Lee Johnson Music #747925. Published by Lee Johnson Music (A0.1147707). H3 is a modern and freshly reimagined, Holy Holy Holy. This highly appealing work for both the audience and the orchestral performer is equally at home on the Americana concert stage as well as for use on a religious or civic program.
$10.00
9.18 €
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Orchestre de chambre
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Lee Johnson
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Lee Johnson
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H3
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Lee Johnson Music
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SheetMusicPlus
Joseph White: La Bella Cubana for chamber orchestra - Score Only
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph Wh…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.939439 Composed by Joseph White. Arranged by Robert Debbaut. Classical,Contest,Festival,Latin,Multicultural,Romantic Period,World. Score and parts. 66 pages. ROBERT DEBBAUT #6363105. Published by ROBERT DEBBAUT (A0.939439). The talents of Afro-Cuban violinist Joseph White were recognized by the American pianist and composer Louis Moreau Gottschalk (1829-1869) who had performed with him on an early recital. Gottschalk raised money so he could go to Paris and study with Jean-Delphin Alard (1815-1888), one of the great violinists of his day. White won the Paris Conservatory’s Premier Prix in 1856 and received high accolades from such musical giants as Auber, Berlioz, Gounod, Rossini, and Saint-Saëns, as well as German violin virtuosi Ferdinand David and Joseph Joachim. He was a major force in the cultural life of Paris as well as Europe for the next twenty years, performing on his Stradivarius violin nicknamed The Swansong. La Bella Cubana was among the original compositions s he performed on his recitals. This volume includes the new arrangement for chamber orchestra, the original transcribed score for two violins and piano, as well as extensive biographical and background information. For those seeking more information about the greatest violinist of whom you have NEVER heard, this is a great starting point.  Adapted from a published lead sheet, this traditional carol is adapted for young string orchestra. If you purchase the score, please write to the arranger at debbaut@gmail.com, subject White LBC and I will send you a copy of the parts for $30 via Venmo or personal check.
$9.99
9.17 €
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Orchestre de chambre
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Joseph White
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Robert Debbaut
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Joseph White: La Bella Cubana for chamber orchestra - Score Only
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ROBERT DEBBAUT
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SheetMusicPlus
Piano Concerto No. 6, Full Score Only - Score Only
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321776 Composed by James Na…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1321776 Composed by James Nathaniel Holland. 21st Century,Chamber,Contemporary. 120 pages. James Nathaniel Holland #910235. Published by James Nathaniel Holland (A0.1321776). FULL SCORE (Only, In Concert Pitch)  Number 6 of 21st century, American composer James Nathaniel Holland’s Piano Concertos for smaller orchestra and piano soloist.  This lively piece contains three distinct movements.  Movement one giggles and bubbles with triumphant glee;  movement 2, a quiet rocking; ending with movement 3, a neo-classical style with modern sensibilities.  Good for smaller hand, intermediate advanced level. (License or permission to perform may apply.)Instrumentation:  Fl, Ob, Cl Bb 1.2., Bsn, Hrn 1.2, Tpt, Trom, Timp, Perc. (Cymbal w/soft mallet, Crash Cymbals, Splash cymbal, high hat, bass drum, wood block) PIANO SOLOIST, StringsTwo Pianos/Four Hands, Full Score only, and Full Score with Instrument Parts, all sold separately.Total Duration:  Approximately 30 minutes.
$15.95
14.65 €
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Orchestre de chambre
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James Nathaniel Holland
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Piano Concerto No. 6, Full Score Only - Score Only
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James Nathaniel Holland
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.41 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95
15.56 €
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Orchestre de chambre
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Carson Cooman
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Symphony No. 2, "Litanies of Love and Rain"
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Musik Fabrik Music Publishing
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SheetMusicPlus
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