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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
FATHER GOD
Non classifié
371
Piano & claviers
Piano seul
292
Orgue
67
Piano, Voix et Guitare
51
Piano, Voix
51
Piano Facile
49
Instruments en Do
24
Accompagnement Piano
20
Accordéon
14
Piano grosses notes
7
1 Piano, 4 mains
6
Piano (partie séparée)
2
Piano Trio: piano, violon, violoncelle
2
Orgue, Piano (duo)
2
Ensemble d'Accordéons
1
Accordéon, Voix
1
2 Pianos, 4 mains
1
+ 11 instrumentations
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Guitares
Guitare notes et tablatures
57
Ligne De Mélodie, (Paroles) et Accords
19
Guitare
11
Mandoline
7
Ukulele
4
2 Guitares (duo)
2
Piano, Guitare (duo)
2
Basse electrique
2
Ensemble de guitares
2
Ukulele Baryton
2
Ensemble de Ukulélés
1
Paroles et Accords
1
+ 7 instrumentations
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Voix
Chorale SATB
218
Chorale 3 parties
31
Pack Instrumental pour Chorale
26
Chorale Unison
16
Chorale 2 parties
10
Chorale TTBB
7
Voix seule
6
Voix Alto, Piano
5
Voix duo
5
Voix Soprano, Piano
3
Voix duo, Piano
2
Voix haute
2
Chorale
2
Chorale SSAATTBB
1
Voix Tenor, Piano
1
Chorale SSAA
1
+ 11 instrumentations
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Vents
Saxophone Alto et Piano
28
Saxophone (partie séparée)
27
2 Saxophones (duo)
20
Flûte traversière et Piano
20
Clarinette et Piano
18
Clarinette (partie séparée)
18
Flûte traversière
18
Clarinette
17
Saxophone Alto
16
Hautbois, Piano (duo)
16
Saxophone Tenor
16
Quatuor de Clarinettes: 4 clarinettes
12
Quatuor de Saxophones: 4 saxophones
12
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
11
Hautbois (partie séparée)
11
2 Flûtes traversières (duo)
11
Flûte, Hautbois, Clarinette, Basson
8
3 Clarinettes (trio)
8
2 Clarinettes (duo)
8
Hautbois, Basson (duo)
7
Clarinette, Violon (duo)
6
Saxophone Tenor et Piano
6
Flute (partie séparée)
6
Flûte à Bec
5
Clarinette, Basson (duo)
5
3 Saxophones (trio)
5
Saxophone, Clarinette (duo)
5
Quatuor de Flûtes : 4 flûtes
5
Saxophone Baryton, Piano
4
Flûte, Clarinette (duo)
4
Trio de Flûtes: 3 flûtes
4
Flûte, Trompette (duo)
4
Flûte, Hautbois, Clarinette (trio)
3
2 Hautbois (duo)
3
Hautbois, Clarinette (duo)
3
Flûte et Guitare
3
Ocarina
3
Saxophone Soprano et Piano
3
Flûte, Violon, Piano
2
Clarinette et Alto
2
2 Clarinettes, Piano
2
Quintette de Saxophone: 5 saxophones
2
Flûte, Alto et Piano
2
Flûte, Violon
2
Flûte, Hautbois (duo)
2
Flûte, Saxophone (duo)
2
Hautbois
2
Cor anglais, Piano
2
Clarinette, Guitare (duo)
2
Hautbois, Flûte
2
Clarinette Basse
1
Flûte, Hautbois, Violon
1
3 Hautbois
1
Quatuor de Flûtes à bec
1
Clarinette, Basson, Piano (trio)
1
Saxophone Soprano
1
Hautbois, Guitare (duo)
1
2 Flûtes traversières, Harpe
1
Ensemble de Flûtes
1
Clarinette Basse, Piano
1
Flûte, Clarinette, Violon (trio)
1
Clarinette, Harpe (duo)
1
Flute, harpe et violon
1
Ensemble de saxophones
1
Cor Anglais
1
2 Flûte à bec (duo)
1
Flûte, Hautbois, Basson
1
+ 62 instrumentations
Retracter
Cuivres
Trompette
21
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
15
Trombone (partie séparée)
14
Trombone et Piano
14
Trompette, Piano
14
Quatuor de cuivres: 4 trombones
13
Trompette (partie séparée)
11
Trombone
10
2 Cors (duo)
7
Tuba (partie séparée)
6
Cor (partie séparée)
6
Quatuor de cuivres: 4 cors
5
Trompette, Saxophone (duo)
4
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Euphonium
4
Tuba
4
Cor
4
Trio de Cuivres
3
Cor et Piano
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
2 Trombones (duo)
3
2 Trompettes (duo)
2
3 Trombones (trio)
2
Quatuor de Cuivres
2
Tuba et Piano
2
Ensemble de Cors
2
Cor anglais, Piano
2
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Euphonium, Piano (duo)
1
4 Euphoniums
1
Cor Anglais
1
Ensemble de Trombones
1
+ 27 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
40
Violon et Piano
31
Violon
22
Violoncelle, Piano
20
Alto, Piano
19
Violoncelle
17
Violon, Alto (duo)
12
Violon, Violoncelle (duo)
11
Alto seul
9
Trio à Cordes: violon, alto, violoncelle
9
Harpe
7
2 Altos (duo)
6
2 Violons (duo)
6
Violon (partie séparée)
5
Trio à Cordes: 2 violons, violoncelle
5
2 Violoncelles (duo)
5
Alto, Violoncelle (duo)
4
Harpe, Voix
4
Alto (partie séparée)
3
Quintette à cordes: 2 violons, alto, violoncelle, basse
3
Trio à cordes
3
Piano Trio: Violon, Alto, Piano
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 2 violons, alto
2
Quatuor à cordes: 4 violons
2
4 Violoncelles
2
Violon, Guitare (duo)
2
Trio à cordes: 3 violins
2
Alto, Guitare (duo)
2
Trio à cordes: 3 altos
1
Violoncelle (partie séparée)
1
Trio à Cordes: 3 violoncelles
1
Ensemble de Violoncelles
1
Contrebasse (partie séparée)
1
Violoncelle, Orchestre
1
Contre Basse
1
2 Violons, Piano
1
2 Harpes (duo)
1
Contrebasse, Piano (duo)
1
+ 34 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
81
Cloches
28
Orchestre
19
Ensemble de cuivres
15
Orchestre à Cordes
12
Percussion (partie séparée)
10
Jazz combo
5
Batterie
4
Orchestre de chambre
4
Timbales (partie séparée)
2
Percussion
1
Ensemble Jazz
1
Marimba
1
Fanfare
1
+ 9 instrumentations
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FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
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GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
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LUTH, THEOR…
MANDOLINE
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PERCU. ORCH…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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METHODE : TECHNIQUES
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OPERA
PATRIOTIQUE
POLKA
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Vous avez sélectionné:
FATHER GOD
Orchestre de chambre
Partitions à imprimer
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1
The Godfather Waltz - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Nino Rota
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The Godfather Waltz - Score On
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SheetMusicPlus
Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing ...
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Composed by Nino Rota (1911- 1979). Arranged by Chris Siddall Music Publishing. Contemporary. Score and parts. 5 pages. Chris Siddall Music Publishing #6795023. Published by Chris Siddall Music Publishing
$4.99
When I Survey the Wondrous Cross - Orchestration
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Orchestre de chambre
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INTERMÉDIAIRE
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cro
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and ...
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Chamber Orchestra - Level 3 - SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Parla Piu Piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Film/TV
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Giandomenico Boncompagni, Lawr
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Marek Czekala
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Parla Piu Piano
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Marek Czekala
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. S...
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Chamber Orchestra - Level 3 - SKU: A0.1098364 Composed by Giandomenico Boncompagni, Lawrence Kusik, and Nino Rota. Arranged by Marek Czekala. Film/TV. Score and parts. 29 pages. Marek Czekala #702226. Published by Marek Czekala (A0.1098364). Love Theme from The Godfather is an instrumental theme from the 1972 film The Godfather, composed by Nino Rota.
$49.99
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FATHER GOD
