Partitions Numériques de Finally pour Orchestre de chambre

Finally

Companionship Full Score - Score Only
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1371215 Composed by Rachel J Peters. 21st Century,Classical,Opera. 282 pages. Rachel J Peters #929974. Published by Rachel J Peters (A0.1371215). CAST: 7 adult principals and childrenâ€™s chorusINSTRUMENTATION: 1.0.1 (doubling t.sax).1/0.0.1.0/pft- perc (1)/1.1.1.1.1 (doubling elec.bass) (Parts are available separately for rental.)DURATION: 1 hour 15 minutesPAGES: 282WORLD PREMIERE: Fort Worth Opera, 2019; Premiere with Orchestra, Virginia Arts Festival, 2022Recovering from a nervous breakdown, aspiring baker Leslie Sinclair finally reaches the end of her obsessive quest to bake the perfect baguette when the 207,345th one suddenly comes to life. Companionship mirrors our contemporary world, where what we consume becomes all-consuming. Adapted from the short story by Arthur Phillips.NOTE: All performances of this work require separate permission and licensing. Any performance without a license is a violation of copyright. To obtain performance rights, please write to rachel@racheljpeters.com.
$50.00 45.86 € #Orchestre de chambre #Rachel J Peters #Companionship Full Score - Score Only #Rachel J Peters #SheetMusicPlus

Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00 4.59 € #Orchestre de chambre #David Warin Solomons #Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format #David Warin Solomons #SheetMusicPlus

Scarborough Affair
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thri…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.955747 Composed by Phil Thrift. Arranged by Phil Thrift. 20th Century,Folk,Jazz. Score and parts. 80 pages. Phil Thrift #6674855. Published by Phil Thrift (A0.955747). If youâ€™re looking for a respectable, for the listener undemanding, arrangement of the well-known English folk song Scarborough Fair, then this version may not be for you. Scarborough Affair is a refreshing new take on the original: The familiar melody is never heard in its entirety, there are jazzy harmonies and jazzy syncopations, 5/8 and 7/8 measures, and the arrangement isnâ€™t even in the 3/4 time of the original song. When a 3/4 section does finally appear, featuring a solo for your cor anglais player, the listener gets to hear a variation on the well-known tune.This arrangement is the chamber orchestra edition of the original arrangement I wrote for a wind ensemble and has parts for the following instruments:3 flutes (3rd flute doubling piccolo)2 oboesCor anglais2 Bb clarinets2 bassoonsTrumpet (C and Bb parts included)TromboneHarpsichord doubling pianoStringsYour horn and percussion players can take a break and you may wish to reduce the number of strings.
$26.99 24.76 € #Orchestre de chambre #Phil Thrift #Phil Thrift #Scarborough Affair #Phil Thrift #SheetMusicPlus

The Egret's Wishesã€Šç™½é·ºé·¥çš„é¡˜æœ›ã€‹
Orchestre de chambre

Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long é¦¬…(+)

Chamber Orchestra - Digital Download SKU: A0.961999 Composed by Ma Shui Long é¦¬æ°´é¾. 20th Century,Contemporary. Score and parts. 55 pages. SpringAutumnmusic #2341885. Published by SpringAutumnmusic (A0.961999). ã€Šç™½é·ºé·¥çš„é¡˜æœ›ã€‹ï¼Œé‹¼ç´èˆ‡å¼¦æ¨‚å››é‡å¥ 2002å¹´ ã€€æœ¬æ›²æ‡‰ç™½é·ºé·¥æ–‡æ•™åŸºé‡‘æœƒä¹‹å§”è¨—ï¼Œç‰¹åˆ¥ä»¥å°ç£ç«¥è¬ <ç™½é·ºé·¥>çš„æ—‹å¾‹ç‚ºå‰µä½œä¹‹ä¸»è¦ç´ ï¼›å…¨æ›²ç•¥åˆ†ç‚ºå››æ®µï¼Œå‹•æ©Ÿä¹‹ç™¼å±•äº¦ç‚ºå–®ç´”ï¼Œä½†æ¯ä¸€æ®µå‡åœ¨è®ŠåŒ–ä¸ï¼›å¦‚å¤šç¨®çš„ç†å¿µåœ¨ç•°ä¸æ±‚åŒä¹‹éŽç¨‹ä¸å¾—åˆ°ç´”åŒ–ï¼Œè±¡å¾µç™½é·ºé·¥ä¹˜è‘—å¸Œæœ›ä¹‹ç¿¼ç¿»å±±è¶Šå¶ºï¼Œé£›å‘å®‰å’Œå¹¸ç¦çš„å®¶åœ’ã€‚ â€»æœ¬æ›²é¦–æ¼”æ–¼2002å¹´8æœˆ25æ—¥ï¼Œæ–¼åœ‹å®¶éŸ³æ¨‚å»³èˆ‰è¾¦çš„ã€Œç¬¬äºŒå±†åŠ å°å¤å£éŸ³æ¨‚ç¯€ã€ã€‚æ¼”å¥å®¶ç‚ºé‹¼ç´å¥ˆè‰¯å¸Œæ„›ï¼Œç¬¬ä¸€å°æç´Edmond Agopianï¼Œç¬¬äºŒå°æç´å³åŸå¹³ï¼Œä¸æç´æ¥Šç‘žç‘Ÿ ï¼Œå¤§æç´æž—æµ¥é›¯ã€‚ ã€ŠThe Egret's Wishesã€‹for Piano and String Quartetï¼ˆ2002ï¼‰ The Egretâ€™s Wishes was commissioned by the Egret Cultural and Educational Foundation (ECEF). The piece consists four sections, and the composer developed the main motives and elements from the melody of a Taiwanese children's rhyme, The Little Egret, as the base of â€‹â€‹this composition. Although there are always subtle differences change steadily in every section, the development of the main motives are very simple and clear in this piece, implies as if the diversities will finally purify and unite to one simple concept/idea, even they are developed in different ways. This symbolizes the little egret flies over different mountains and valleys, but always seeking the way to the only place for peace and happiness. The Egretâ€™s Wishes was premiered in the National Cocnert Hall on 25th of August 2002. It was pragrammed in a concert of The 2nd Taiwan-Canada Summer Music Festival. The world premiere musicians were Kiai Nara (Piano), Edmond Agopian (Violin I), Meng-Ping Wu (Violin II), Jui-Se Yang (Viola) and I-Wen Lin (Cello).
$20.99 19.25 € #Orchestre de chambre #Ma Shui Long é¦¬æ°´é¾ # #The Egret's Wishesã€Šç™½é·ºé·¥çš„é¡˜æœ›ã€‹ #SpringAutumnmusic #SheetMusicPlus

Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich HÃ¤ndel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich HÃ¤ndel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced IntermediateÂ Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral PartsÂ Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1 Â 0.1.0.0 Â harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich HÃ¤ndel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of HÃ¤ndel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey.Â The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion.Â Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and HÃ¤ndel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.

Rhythm Herd (4 sopranos, alto recorder)
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic M…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.924066 Composed by Dominic McGonigal. Contemporary. Score and parts. 26 pages. C8 Music #4633311. Published by C8 Music (A0.924066). Rhythm Herd is a celebration of rhythmic energy in words and music. Euan Tait's poem harnesses the stampede of whinnying horses, the crackle of the fire, thundering south and gives the singers the power of nature's forces. The four sopranos keep constant pulse passed between the voices as the quavers are herded into chords, melody, phrases and whole movements. Their warm tones are punctuated by riffs on the recorder, building up to an extended obbligato fughetta. Finally, the heart dissolves to ashes, the pulse of the sopranos slows, while the recorder maintains the rhythmic riffs, now in time with the human heart. Rhythm Herd was commissioned by Philomel and first performed by them on 24 November 2018.
$4.99 4.58 € #Orchestre de chambre #Dominic McGonigal #Rhythm Herd #C8 Music #SheetMusicPlus

Appassionato
Orchestre de chambre

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nos…(+)

Chamber orchestra - Grade 3 - Digital Download SKU: IZ.OMS128 Composed by Peter Nostrand. Score and Parts. 34 pages. Imagine Music - Digital #OMS128. Published by Imagine Music - Digital (IZ.OMS128). 9 x 12 in inches.For Chamber Orchestra (Grade 3). By Peter Nostrand. Appassionato is a story about the struggle for love. While it was composed in a traditional ABA structure, there are many elements in this composition which are not at all traditional. As the piece awakens, the oboes and flutes seem innocent and coquettish. As orchestral participation grows, one has the sense of an entire field of rich colors growing before our very ears. Enter the piano. Simple, elegant and romantic. Softly supported by the strings, the piano issues an invitation to the winds. They respond cautiously, obviously curious to see what this charming piano has in mind. The strings express an opinion. It's not what the piano wants and he presses harder. The strings and winds question each other, back and forth with triplets. Who is this piano? The mid-section is an announcement by the strings that a love relationship may be in the cards. The piano replies with passion and tenderness.With eighth notes, the strings become entangled with the piano, counseling it, guiding it. The winds using triplets put their two cents on the table. They're not so sure. The piano makes a passionate plea; the strings are supportive. The piano and the winds have a conversation. They finally dance together. In the end,.Appassionato is a musical expression of the struggle over whether or not love is worth the risk Sometimes in conflict sometimes in harmony, the piano and winds do unite. Passion has won.
$30.00 27.52 € #Orchestre de chambre #Peter Nostrand #Peter Nostrand #the strings are supportive #Appassionato #Imagine Music - Digital #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.534690 Composed by Thierry PÃ©licant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry PÃ©licant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the OpÃ©ra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the AndrÃ© Messager Orchestre and has also directed the Orchestre Philharmonique de lâ€™Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, PÃ©licant reconstructed the Messe solennelle of L.V.A BoÃ¯eldieu and Te Deum of 1792 by Philidor and premiÃ¨red and recorded the Suite Parnassienne, Massenetâ€™s last work. At the same time, he has also served the music of our time in premiÃ¨ring or recording the works of Dazzi, Marchand, Braconnier, BÃ©nard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme Ã§a, Ribouldingue, Ã‰lise et le fantÃ´me) ; With the poet Luis Porquet, he wrote the song cycle Ombre lÃ©gÃ¨re (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de lâ€™Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel GÃ lvez-Vallejo, childrenâ€™s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, BorÃ©e, (quintet for oboe and strings), Sextuor dâ€™Ã©tÃ©, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..

Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, â€œAve Maris Stellaâ€ (2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute â€“ as both an important American composer and a significantcontributor to Americaâ€™s contemporary musical life.The workâ€™s basic source material is the plainchant Ave maris stella (â€œHail, star of the seaâ€) â€“appropriate because of Duquesneâ€™s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe workâ€™s tone â€“ becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as â€œan underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.â€ The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up â€“ as in a pentimento.At various points, one can begin to hear the original plainchant â€œpeek outâ€ in subtle ways.The opening section of the movement obsesses again and again on what sounds like aâ€œbeginningâ€ â€“ as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked â€œsinister.â€ After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at theâ€œbeginningâ€ again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly â€“ in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movementâ€™stransformations, and â€œmotetâ€ sections â€“ using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)ï»¿This is the score only. The complete parts and each seperate part are also available as seperate items.

Symphony No. 2, "Litanies of Love and Rain" (2004) for orchestra, study score
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Co…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.533598 Composed by Carson Cooman. Contemporary. Score and parts. 34 pages. Musik Fabrik Music Publishing #3030255. Published by Musik Fabrik Music Publishing (A0.533598). Symphony No. 2, Litanies of Love and Rain (2004) for orchestra is a symphonic work in onemovement. It is dedicated to Marisa Green.The work is inspired by a poem (Desiring the Solicitude of Rain) by American poet Kathleen Wakefield. The landscape of rich imagery in Wakefield's poem drives the extra-musical inspiration of this work. Musical material from the earlier vocal work is re-imagined in a purely orchestral context.Wakefield's poem contains images and messages of love and journey amidst the desire for the coming of rain. It is these ideas which provided the poetic conception of the work. Throughout the piece, the winds and brass play an extensive lyric and melodic role. A strand of singing lyricism runs throughout. Instruments are always exploring and highlighting theresonances in melodic and contrapuntal lines of other instruments. The work is cast in three sections (slow-fast-slow) plus a coda. The opening section begins with a forceful gesture that returns throughout the work as a signal. A melodic idea (containing the basic material of the work) is presented in the clarinet and it is developed throughout the rest ofthe section. A faster section emerges in a burst of energy as instruments hocket off each other.The next section is marked slow, ritualistic. The strings create an otherworldly harmonic cloud of gradually shifting and overlapping harmonies. Through this cloud, bassoon, trumpet,and flute solos emerge. Finally, the opening music is recalled in the coda as the potential energy continues to build. The work ends with a surge of anticipation -- the rain is about to come and it can be imagined just beyond the horizon.Orchestration: 2222/2200/1perc/stringsParts on rental from the publisher.
$16.95 15.55 € #Orchestre de chambre #Carson Cooman #Symphony No. 2, "Litanies of Love and Rain" #Musik Fabrik Music Publishing #SheetMusicPlus

Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; Iâ€™d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com

Ever Forward
Orchestre de chambre

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber O…(+)

Chamber Orchestra - Level 3 - Digital Download SKU: A0.1150285 By Trinity Chamber Orchestra of Bethesda, Maryland. By Elizabeth Skola Davis. Chamber,Classical,Contemporary,Folk. Score and Parts. 57 pages. Elizabeth Ann Davis #750461. Published by Elizabeth Ann Davis (A0.1150285). Water, especially moving water, was always a vibrant part of my childhood, from playing in the small creek down the hill out my back door, to swimming and fishing at Deam Lake, riding riverboats along the Ohio, or enjoying the beaches. Water carries with it the promise of life, the power of nature. Ever Forward is written in three sections - Waves, Wreck and Work. Waves begins as woodwinds sing mellow tunes over the gentle ripples on languid waters in the strings. An abrupt, unannounced Wreck interrupts the relaxed excursion - the siren alarms blaring out against the havoc. Finally, just as sailors would pull together to tackle tough jobs, the community rallies together to Work out answers to the problems that have surfaced. Cellos start up Haul Away, Joe, a short-drag chantey (used mainly for tightening the sheet) where all hands haul together on the last â€˜Joeâ€™. More and more join in on the effort, bringing the piece to a spirited finale.
$14.99 13.75 € #Orchestre de chambre #Trinity Chamber Orchestra of Bethesda, Maryland #Ever Forward #Elizabeth Ann Davis #SheetMusicPlus

Boccherini Minuet and Trio - arr. for Instrumental Soloist (in Bb) and Chamber Orchestra
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316163 Composed by Luigi Bo…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316163 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904900. Published by Chappell Kingsland (A0.1316163). Finally, a new take on this familiar classic! The soloistâ€™s part matches Boccheriniâ€™s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Instrumental Soloist in Bb (clarinet, soprano sax, tenor sax, trumpet, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingslandâ€™s arrangements with Violin or C Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00 45.86 € #Orchestre de chambre #Luigi Boccherini #Chappell Kingsland #Boccherini Minuet and Trio - arr. for Instrumental Soloist #Chappell Kingsland #SheetMusicPlus

Boccherini Minuet and Trio - arr. for Instrumental Soloist (in C) and Chamber Orchestra
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316161 Composed by Luigi Bo…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316161 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904898. Published by Chappell Kingsland (A0.1316161). Finally, a new take on this familiar classic! The soloistâ€™s part matches Boccheriniâ€™s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Instrumental Soloist in C (flute, oboe, etc.) and Chamber Orchestra (13 players). You can also find Chappell Kingslandâ€™s arrangements with Violin or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00 45.86 € #Orchestre de chambre #Luigi Boccherini #Chappell Kingsland #Boccherini Minuet and Trio - arr. for Instrumental Soloist #Chappell Kingsland #SheetMusicPlus

Germaine Tailleferre: Concerto for two guitars and orchestra, score only
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine …(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.534697 Composed by Germaine Tailleferre. 20th Century. Score and parts. 63 pages. Musik Fabrik Music Publishing #6245161. Published by Musik Fabrik Music Publishing (A0.534697). This Concerto, composed in the 60s for the French Radio, was never performed and it was rumoured that Tailleferre, always trusting with her performers, had given the score to a visiting Guitarist from South America in the hopes that it would be performed there. Tailleferre personally considered this work to be on of her strongest and regretted that it was never performed during her lifetime. Her description of the work motivated several musicologists and guitarists to spend many hours searching for the work in music archives and libraries. The missing score was finally located during the Fall of 2003. A musician visiting the French Radio was intrigued however by a new addition to the catalogue and it was quickly confirmed that this was indeed the missing manuscript that so manmusicologists and guitarists had been looking for all of these years. The work is in four movements and is scored for 2011/1000 tymp/harp/celesta/strings and lasts aproximately 17 minutes. The work is more in the style of a concerto grosso than that of a virtuosic concerto, with the guitars frequently used in a solo group with the harp and celesta, which adds a very interesting orchestral colour. The writing is varied, ranging from a medieval cantilÃ¨ne style in the slow movement to free atonal sections in the second Scherzo movement and in the first movement. The work ends in a movement which sounds influenced by South American Popular music. Inspite of this apparent stylistic disparity, the composition remains extremely coherent and shows a great deal of energy and a kind of poetic strangeness. This item is the full score. The parts are on rental from the publisher. A piano reduction and the solo parts are available for sale.
$46.95 43.07 € #Orchestre de chambre #Germaine Tailleferre #Germaine Tailleferre: Concerto for two guitars and orchestra, score only #Musik Fabrik Music Publishing #SheetMusicPlus

Guitar and Orchestra Suite 1st movement (with added spoken words - Dreaming)
Orchestre de chambre

Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David War…(+)

Chamber Orchestra - Level 4 - Digital Download SKU: A0.576763 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 36 pages. David Warin Solomons #419559. Published by David Warin Solomons (A0.576763). Suite for classical guitar and orchestra, published on this site in these versions: 1st movement - Dreaming 1st movement - Dreaming - with spoken poem written by my father - Complete Suite - SCORE only Complete Suite - SCORE and PARTS The complete suite comprises: Dreaming, Folksy Waltz, Sanctus and Benedictus, with Hosannas, and finally Distant Storm The pdf file contains score and parts. The sound sample is an electronic preview.
$12.00 11.01 € #Orchestre de chambre #David Warin Solomons #Guitar and Orchestra Suite 1st movement #David Warin Solomons #SheetMusicPlus

Boccherini Minuet and Trio - arr. for Violin Soloist and Chamber Orchestra
Orchestre de chambre

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316158 Composed by Luigi Bo…(+)

Chamber Orchestra - Level 5 - Digital Download SKU: A0.1316158 Composed by Luigi Boccherini. Arranged by Chappell Kingsland. Chamber,Classical,Romantic Period. 36 pages. Chappell Kingsland #904895. Published by Chappell Kingsland (A0.1316158). Finally, a new take on this familiar classic! The soloistâ€™s part matches Boccheriniâ€™s original, but the orchestral accompaniment includes many surprises to delight your audience.This arrangement is for Violin Soloist and Chamber Orchestra (13 players). You can also find Chappell Kingslandâ€™s arrangements for C Instrument or Bb Instrument as the soloist for sale on this website.Originally arranged for Nathan Matabi and the Wild Beautiful Orchestra at the 2022 Youth Showcase.
$50.00 45.86 € #Orchestre de chambre #Luigi Boccherini #Chappell Kingsland #Boccherini Minuet and Trio - arr. for Violin Soloist and Chamber Orchestra #Chappell Kingsland #SheetMusicPlus

Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud â€“ a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com