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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Love - Oboe
Non classifié
811
Piano & claviers
Piano, Voix
1 208
Piano seul
520
Piano, Voix et Guitare
253
Piano Facile
191
Instruments en Do
64
Orgue
45
Piano Trio: piano, violon, violoncelle
32
Accompagnement Piano
27
1 Piano, 4 mains
20
2 Pianos, 4 mains
7
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Accordéon
4
Piano grosses notes
3
Piano Quatuor: piano, violon, alto, violoncelle
2
Piano (partie séparée)
2
Orgue, Trompette (duo)
1
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
+ 13 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
49
Guitare notes et tablatures
47
Guitare
42
Ukulele
20
Paroles et Accords
12
2 Guitares (duo)
6
Basse electrique
5
4 Guitares (Quatuor)
3
Guitare (partie séparée)
2
Dulcimer
1
Banjo
1
Mandoline
1
3 Guitares (trio)
1
+ 8 instrumentations
Retracter
Voix
Chorale SATB
664
Chorale 3 parties
102
Chorale Unison
74
Chorale 2 parties
52
Chorale TTBB
48
Chorale SSAA
44
Voix duo, Piano
20
Voix Soprano, Piano
16
Voix haute
10
Voix Tenor, Piano
8
Voix moyenne, Piano
6
Voix duo
6
Voix Baryton, Piano
5
Voix Mezzo-Soprano, Piano
3
Voix seule
3
Voix Alto, Piano
3
Chorale
2
Chorale SATBB
2
Voix Tenor
2
Soli, choeur mixte et accompagnement
1
Chorale SSAATTBB
1
Voix basse
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 19 instrumentations
Retracter
Vents
Quatuor de Saxophones: 4 saxophones
82
Flûte traversière et Piano
67
Clarinette et Piano
58
2 Saxophones (duo)
57
2 Flûtes traversières (duo)
43
Quatuor de Clarinettes: 4 clarinettes
40
Saxophone Alto et Piano
37
Clarinette
36
Flûte, Violon, Piano
34
Saxophone, Clarinette (duo)
32
Saxophone Alto
32
2 Clarinettes (duo)
32
Saxophone Tenor
30
3 Saxophones (trio)
26
Flûte traversière
26
Saxophone (partie séparée)
20
Clarinette, Violon (duo)
19
Clarinette, Trompette (duo)
17
Saxophone Tenor et Piano
17
Flûte, Clarinette (duo)
14
Quintette de Clarinettes: 5 clarinettes
14
3 Clarinettes (trio)
12
Quatuor de Flûtes : 4 flûtes
11
Clarinette et Alto
10
Ensemble de Clarinettes
10
Flûte et Guitare
10
Clarinette (partie séparée)
10
Trio de Flûtes: 3 flûtes
9
Saxophone Soprano
9
Flûte, Alto (duo)
9
Cor anglais, Piano
9
Quintette de Saxophone: 5 saxophones
9
Saxophone Soprano et Piano
8
Flûte, Saxophone (duo)
8
Flute (partie séparée)
8
Flûte, Violon
8
2 Clarinettes, Basson
7
Ensemble de Flûtes
7
Flûte, Clarinette et Basson
7
Flûte, Trompette (duo)
7
Saxophone Baryton, Piano
6
Ensemble de saxophones
6
Flûte, Violon et Violoncelle
5
Flûte à bec Soprano
3
Flûte à bec Soprano, Piano
3
Quintette de Flûte : 5 flûtes
2
Clarinette, Guitare (duo)
2
Saxophone et Guitare
2
Quatuor de Flûtes à bec
2
Clarinette Basse, Piano
2
2 Flûte à bec (duo)
2
Piccolo
2
2 Clarinettes, Piano
2
2 Flûtes à bec, Guitare
1
2 Cors Anglais Et Pianoforte
1
Cor anglais, Guitare (duo)
1
3 Flûtes à bec (trio)
1
Flute, harpe et violon
1
Flûte, Basson et Piano
1
Clarinette, Violoncelle (duo)
1
Flûte à bec Alto, Basse continue
1
Flûte, Clarinette, Piano (trio)
1
Ocarina
1
Saxophone et Piano
1
Ensemble De Flûte à bec
1
Clarinette, Basson (duo)
1
5 Flûtes à bec
1
Cor Anglais
1
Flûte à bec Alto, Piano
1
Flûte à bec Tenor
1
Harmonica
1
2 Flûtes traversières, Piano
1
Flûte à Bec
1
+ 68 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
78
Quatuor de Cuivres : 2 trompettes, trombone, tuba
43
Trompette, Piano
39
Cor et Piano
36
Trompette
32
Trombone et Piano
30
Trompette, Saxophone (duo)
20
Quatuor de Cuivres
20
Trompette (partie séparée)
16
2 Trompettes (duo)
14
Trombone
14
Trombone (partie séparée)
12
Cor
12
2 Trombones (duo)
12
Trompette, Trombone (duo)
11
Cor anglais, Piano
9
Euphonium, Piano (duo)
9
Cor (partie séparée)
6
Ensemble de Trompettes
5
Tuba et Piano
5
Tuba (partie séparée)
4
Quatuor de cuivres: 4 trombones
4
3 Trombones (trio)
4
Ensemble de Trombones
4
2 Euphoniums et 2 Tubas
4
2 Cors (duo)
3
Tuba
3
Quatuor de cuivres: 4 trompettes
2
Quatuor de cuivres: 4 cors
2
Cor, Violoncelle (duo)
1
2 Cors Anglais Et Pianoforte
1
Ensemble de Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Cor anglais, Guitare (duo)
1
Ensemble de Cors
1
2 Tubas (duo)
1
Trompette, Trombone, Piano
1
Trombone, Orgue
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Cor Anglais
1
+ 36 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
227
Violon et Piano
145
Violoncelle, Piano
73
Violon
55
Violon, Violoncelle (duo)
54
Alto, Piano
53
Harpe
50
Trio à Cordes: 2 violons, violoncelle
35
Violoncelle
31
2 Violons (duo)
31
Trio à Cordes: violon, alto, violoncelle
25
Violon (partie séparée)
23
2 Violoncelles (duo)
19
Violon, Alto (duo)
19
2 Altos (duo)
16
2 Harpes (duo)
15
Violon, Guitare (duo)
14
Quintette à cordes: 2 violons, alto, violoncelle, basse
12
Alto (partie séparée)
12
Alto seul
9
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
8
Violoncelle (partie séparée)
7
4 Violoncelles
6
Violoncelle , Guitare (duo)
5
2 Violons, Piano
3
Contre Basse
3
Harpe, Voix
3
Contrebasse, Piano (duo)
3
Quatuor à cordes: 4 violons
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Contrebasse (duo)
2
Alto, Violoncelle (duo)
2
Piano Trio: Violon, Alto, Piano
2
Trio à cordes: 3 violins
2
Harpe, Violon (duo)
1
Harpe (partie séparée)
1
4 Contrebasses
1
3 Harpes
1
Trio à cordes: 3 altos
1
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
+ 38 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
320
Orchestre à Cordes
112
Orchestre
83
Ensemble de cuivres
51
Ensemble Jazz
23
Cloches
21
Orchestre de chambre
20
Percussion (partie séparée)
6
Fanfare
5
Jazz combo
5
Ensemble de Percussions
4
Marimba
3
Batterie
3
Batterie (partie séparée)
1
Marimba, Piano (duo)
1
Instrumentation Flexible
1
Xylophone
1
Percussion
1
Ensemble d'École
1
+ 14 instrumentations
Retracter
Autres
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Instruments
ACCORDEON
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BASSE
BASSON
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CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
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VIBRAPHONE
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VIOLON
VIOLONCELLE
XYLOPHONE
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TRI ET FILTRES
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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FUNK
GOSPEL - SPIRITUEL -…
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Vous avez sélectionné:
First Love - Oboe
Orchestre de chambre
Partitions à imprimer
20 partitions trouvées
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1
All You Need Is Love
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1400948 By The Beatles. By J…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1400948 By The Beatles. By John Lennon and Paul McCartney. Arranged by Bernard Kane. Chamber,Film/TV,Pop. 66 pages. Bernard Kane Jr Music #984142. Published by Bernard Kane Jr Music (A0.1400948). Released in 1967, this glorious Beatles classic - which opens with the first phrase of the French National Anthem La Marseillaise - epitomised the Summer of Love - It topped both the UK and US charts in that year. In the realm of film, it was most memorably used in the 2003 Richard Curtis Christmas film, Love Actually.
$100.00
92.03 €
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Orchestre de chambre
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The Beatles
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Bernard Kane
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All You Need Is Love
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Bernard Kane Jr Music
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SheetMusicPlus
O Love (Soprano solo plus chamber orchestra ALL PARTS)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835427 Composed by Stuart Brown. Contemporary. 49 pages. Stuart Brown Music #18177. Published by Stuart Brown Music (A0.835427). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$25.00
23.01 €
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Orchestre de chambre
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Stuart Brown
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O Love
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Stuart Brown Music
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SheetMusicPlus
O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Br…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.835426 Composed by Stuart Brown. Contemporary. 14 pages. Stuart Brown Music #18175. Published by Stuart Brown Music (A0.835426). Described as truly inspired and absolutely beautiful, this is an original setting of George Matheson's well-known poem O Love, that wilt not let me go. It has had a profound impact on everyone who has heard it, even reducing some people to tears at its first performance. Performing rights apply in the UK and USA (PRS for Music).
$10.00
9.2 €
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Orchestre de chambre
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Stuart Brown
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O Love, that wilt not let me go - Soprano solo plus chamber orchestra SCORE
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Stuart Brown Music
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SheetMusicPlus
First Noel - Prelude in G
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.829205 Composed by Cornish F…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.829205 Composed by Cornish Folk Song, Bach. Arranged by Stefanie Fife. Baroque,Christmas,Classical,Sacred,Standards. Score and parts. 16 pages. Stefanie Fife #4968331. Published by Stefanie Fife (A0.829205). An elegant and charming mash-up up of the beloved Christmas carol, First Noel, set against the famous Bach Prelude in G for solo cello. Perfect for holiday parties, church services and concerts. .
$8.99
8.27 €
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Orchestre de chambre
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Cornish Folk Song, Bach
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Stefanie Fife
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First Noel - Prelude in G
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Stefanie Fife
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SheetMusicPlus
Love, At First Encounter
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1139776 Composed by Jonathan…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1139776 Composed by Jonathan Kintz. Chamber,Christmas,Film/TV. Score and Parts. 20 pages. Twin Suns Music Library #740052. Published by Twin Suns Music Library (A0.1139776).
$9.99
9.19 €
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Orchestre de chambre
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Jonathan Kintz
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Love, At First Encounter
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Twin Suns Music Library
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.88 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Song of the Forgotten Rose Trio for Marimba, Flute and Piano
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina P…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976943 Composed by Sabrina Pena Young. Children,Concert,Holiday,Love,Wedding. 9 pages. Sabrina Peña Young #3432533. Published by Sabrina Peña Young (A0.976943). Beautiful song for flute, marimba and piano about love, romance, and a forgotten rose found by her hero. A wedding song. Mythical tale. Truly a lovely work for intermediate to advanced musicians. A perfect work of repertoire for any music studio! Ideal for pedagogy, performance, or special event. Award-winning composer. Quite an exceptional work! Award-winning Cuban-American Composer S. Peña Younghttps://sabrinapenayoung.wordpress.com/Contact Young directly at FacebookFACEBOOK: https://www.facebook.com/newmusiccomposerAward-winning Cuban-American composer S Peña Young has a rich history of creating groundbreaking classical music with cutting edge works like the multimedia oratorio Creation, winner of the IAWM New Genre Prize, World Order #5 for percussion and multimedia, and collaborations with artists in Vox Novus 60×60 and Lee Scott’s interactive web opera The Village. In 2014 Young gave a TED Talk on her animated science fiction opera Libertaria, the world’s first machinima opera. Young is the author of the science fiction series The Libertaria Chronicles and Composer Boot Camp 101: 50 Exercises for Educators, Students, and Music Professionals, (available at AMAZON) and is in production for the animated film Spiritus. Young is a sought-after lecturer and writer on music technology, audio engineering, film music, composition/songwriting, film, social media, online collaboration, marketing, and contemporary music and is an advocate for new music.
$8.99
8.27 €
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Orchestre de chambre
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Sabrina Pena Young
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Song of the Forgotten Rose Trio for Marimba, Flute and Piano
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Sabrina Peña Young
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SheetMusicPlus
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Sc…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
45.05 €
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Orchestre de chambre
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Robert Schumann
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James M
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Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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jmsgu3
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SheetMusicPlus
When I Survey the Wondrous Cross - Orchestration
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Wat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.976713 Composed by Isaac Watts / Lowell Mason. Arranged by Robert Myers. Christian,Holiday,Love,Sacred. Score and parts. 49 pages. WheatMyer Music #4775721. Published by WheatMyer Music (A0.976713). When I Survey the Wondrous Cross, written by the Father of English Hymnody, Isaac Watts, in 1707 and later matched with Lowell Mason’s 1824 tune, HAMBURG, has long stood at the forefront of English hymnody.This arrangement, taken from my Passion Week cantata, Wounded, Bleeding, Still Proceeding, allows the full talent-spectrum of the Body of Christ to contemplate His sacrifice and offer their devotion.The first two stanzas feature an alto/soprano duet, set in a minor key with frequent diminished and augmented chords to reflect the despair and loss of a witness to the crucifixion. The entire third stanza, set for SATB chorus, never really moves off the F minor tonic until the end. That, and the relentless pounding of the bass line, ponders the witnesses' anguish and our vicarious experience of it through Scripture. So, sing these stanzas sadly – they are sad! When the choir enters, be sure to observe the swelling crescendos/diminuendos as the sorrow and love mingle together.The fourth stanza offers optional congregational participation and may be used to provide a responsorial to the Word of God or a preparation for the Table. The choir sings this stanza in four part harmony as the congregation joins on the melody. It stays in a major key and closely follows the traditional consonances used in Lowell Mason’s harmonization; thus, the choral parts will feel familiar and the congregational melody will flow naturally. Take the text literally (Love so amazing, so divine, demands my soul, my life, my all.) and sing it firmly, enthusiastically, passionately, but never triumphantly. Sing it as a song of personal devotion to commit all that you have, all that you are, and all that you will ever be, to the one who humbled Himself by becoming obedient to the point of death, even death on a cross (Phil 2:8b) so that we might become the righteousness of God in Him (2 Cor 5:21)The music is well within the grasp of any ensemble competent with traditional SATB anthems. The instrumental accompaniments are straightforward yet very colorful, suitable for high school or higher level players. When I Survey the Wondrous Cross is an unapologetic Christian worship anthem suitable for sacred services, yet it does not compromise on artistic expression.This is the orchestral accompaniment for the choral octavo version sold separately. This version includes full score and all instrumental parts.
$60.00
55.22 €
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Orchestre de chambre
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Isaac Watts / Lowell Mason
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Robert Myers
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When I Survey the Wondrous Cross - Orchestration
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WheatMyer Music
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.6 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.41 €
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Orchestre de chambre
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.77 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Concertino - for clarinet, mandolin and symphony orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.7 €
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Orchestre de chambre
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Ofer Ben-Amots
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praise Him in the heights
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Concertino - for clarinet, mandolin and symphony orchestra
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The Composer's Own Press
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SheetMusicPlus
MADAMINA ('Catalog Aria' from Don Giovanni, Act I)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.601816 Composed by Wolfgang Amadeus Mozart. Arranged by Flavio Regis Cunha. Classical,Concert,Opera. Score and parts. 83 pages. Flavio Regis Cunha #5314791. Published by Flavio Regis Cunha (A0.601816). Madamina, il catalogo è questo (also known as the Catalogue Aria) is a bass catalogue aria from Mozart's opera Don Giovanni to an Italian libretto by Lorenzo Da Ponte, and is one of Mozart's most famous and popular arias.It is sung by Don Giovanni's servant Leporello to Elvira during act 1 of the opera. Sung to a mostly light-hearted tune, it consists of a description and detailed count of his master's numerous conquests.The aria's two halves reverse the usual order of cavatina followed by cabaletta: in the first, a quick Allegro in 4/4, Leporello has a patter summarizing the number and occupations of Don Giovanni's lovers, while in the second, an Andante con moto in 3/4, in the style of a polonaise (with a melody similar to that of the Larghetto of Mozart's earlier Quintet for Piano and Winds), he describes his approaches and preferences, while Donna Elvira presumably listens in horror.Orquestration: 2.2.0.2 - 2.0.0.0 - Str - Solo Bass
$9.99
9.19 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Flavio Regis Cunha
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MADAMINA
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Flavio Regis Cunha
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SheetMusicPlus
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus M…
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Chamber Orchestra - Digital Download SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
$29.00
26.69 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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James Strauss
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12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
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James Strauss
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SheetMusicPlus
Be Thou My Vision
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditio…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1342596 Composed by Traditional Irish Folk Tune. Arranged by Robert Myers. Celtic,Irish,Sacred,Traditional. 60 pages. WheatMyer Music #928096. Published by WheatMyer Music (A0.1342596). From hymnary.org: SLANE is an old Irish folk tune associated with the ballad With My Love on the Road in Patrick W. Joyce's Old Irish Folk Music and Songs (1909). It became a hymn tune when it was arranged by David Evans (PHH 285) and set to the Irish hymn Be Thou My Vision published in the Church Hymnary (1927). SLANE is named for a hill in County Meath, Ireland, where St. Patrick's lighting of an Easter fire–an act of defiance against the pagan king Loegaire (fifth century)–led to his unlimited freedom to preach the gospel in Ireland.This setting of SLANE takes a variations approach to the tune with three recognizable but distinct interpretations. The first is an intimate and contemplative interpretation, followed by a jig, which is fitting for the tune's Irish background, and the third is a majestic chorale. Snippets of Guide Me, O Thou Great Jehovah (CWM RHONDDA) appear during interludes.This arrangement was written for a smaller ensemble, recognizing that few church orchestras have a symphonic size string section. It features alto flute and solo violin carrying the melody or providing colorful counterpoint.  Other than these featured players other instruments are hardly asked to carry an independent line. Doubling is prevalent allowing for a lot of flexibility in instrumentation and coverage of missing parts or the director may specify strategic tacets to present additional color and texture. Optional doubling parts are provided for alto (dbls. alto flt.) and tenor saxophone (dbls. Cl. 3).
$75.00
69.02 €
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Orchestre de chambre
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Traditional Irish Folk Tune
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Robert Myers
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Be Thou My Vision
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WheatMyer Music
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SheetMusicPlus
Song From A Secret Garden (korean Version)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164128 By Youngok Shin. By …
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.1164128 By Youngok Shin. By Jinyong Jung and Rolf Loevland. Arranged by Arianna Cunningham. Celtic,Folk,Irish,New Age. 27 pages. Arianna Cunningham #764478. Published by Arianna Cunningham (A0.1164128). When I first heard this song through Pandora, I immediately fell in love and became obsessed with it, and decided a couple years later, I thought of making a beautiful arrangement of it for Chamber Orchestra.
$49.99
46.01 €
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Orchestre de chambre
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Youngok Shin
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Arianna Cunningham
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Song From A Secret Garden
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Arianna Cunningham
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SheetMusicPlus
Syzygy | Ethereal Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fi…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
2.76 €
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Orchestre de chambre
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Fiona Cork
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N/A
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Syzygy | Ethereal Chamber Orchestra
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Fiona Cork
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SheetMusicPlus
Te Quiero Dijiste
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1190077 Composed by Maria Gr…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1190077 Composed by Maria Grever. Arranged by Marek Czekala. Film/TV,Latin. Score and parts. 28 pages. Marek Czekala #789711. Published by Marek Czekala (A0.1190077). MarÃa Grever (14 September 1885 – 15 December 1951) was the first female Mexican composer to achieve international acclaim. Grever wrote more than 1000 songs — the majority of them boleros — and her popularity reached audiences in Latin America, Europe, and the United States. In 1920, she began work as a film composer for Paramount Pictures and 20th Century Fox studiosTe quiero dijiste (I love you, you said), written for the 1944 Esther Williams film Bathing Beauty.(Wikipedia).
$49.99
46.01 €
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Orchestre de chambre
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Maria Grever
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Marek Czekala
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Te Quiero Dijiste
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Marek Czekala
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.67 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
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