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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
First Time
Non classifié
2 281
Piano & claviers
Piano, Voix
2 453
Piano seul
1 184
Piano, Voix et Guitare
282
Piano Facile
237
Instruments en Do
91
Orgue
72
Piano Trio: piano, violon, violoncelle
50
Accompagnement Piano
36
Accordéon
31
1 Piano, 4 mains
27
2 Pianos, 4 mains
18
Piano grosses notes
12
Piano Quatuor: piano, violon, alto, violoncelle
10
Piano Quatuor: piano, 2 violons, violoncelle
5
Orgue, Trompette (duo)
4
Piano Quintette: piano, 2 violons, alto, violoncelle
4
Piano (partie séparée)
2
Clavecin
1
2 Pianos, 8 mains
1
+ 14 instrumentations
Retracter
Guitares
Guitare
131
Guitare notes et tablatures
116
Ligne De Mélodie, (Paroles) et Accords
60
Ukulele
26
2 Guitares (duo)
20
Paroles et Accords
14
4 Guitares (Quatuor)
13
Basse electrique
11
Mandoline
8
Piano, Guitare (duo)
7
3 Guitares (trio)
5
Banjo
5
Guitare (partie séparée)
4
Mandoline, Guitare (duo)
4
Ensemble de guitares
3
Dulcimer
2
2 Ukuleles
1
+ 12 instrumentations
Retracter
Voix
Chorale SATB
1 181
Chorale 3 parties
135
Chorale 2 parties
88
Chorale Unison
48
Chorale SSAA
44
Chorale TTBB
44
Voix seule
20
Voix Soprano, Piano
18
Pack Instrumental pour Chorale
12
Voix duo, Piano
11
Voix duo
10
Voix moyenne, Piano
8
Voix Baryton, Piano
6
Voix haute
6
Voix Tenor, Piano
5
Voix Alto, Piano
3
Chorale
3
Voix Tenor
2
Voix Soprano, Orchestre
1
Voix Mezzo-Soprano, Piano
1
Voix basse, Piano
1
+ 16 instrumentations
Retracter
Vents
2 Saxophones (duo)
242
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
210
Flûte traversière et Piano
179
Quintette de Saxophone: 5 saxophones
126
Clarinette et Piano
124
Quatuor de Saxophones: 4 saxophones
119
Saxophone, Clarinette (duo)
117
2 Clarinettes (duo)
117
Hautbois, Piano (duo)
114
2 Flûtes traversières (duo)
111
Saxophone Alto et Piano
98
Clarinette
95
Flûte, Hautbois, Clarinette, Basson
91
Quatuor de Clarinettes: 4 clarinettes
81
Clarinette, Violon (duo)
80
Ensemble de saxophones
80
Clarinette, Trompette (duo)
68
Flûte traversière
65
Saxophone Soprano et Piano
65
Saxophone Alto
65
Saxophone Tenor et Piano
62
Flûte, Clarinette (duo)
58
Ensemble de Clarinettes
51
2 Hautbois (duo)
49
Flûte, Violon
44
Clarinette et Alto
43
Hautbois, Clarinette (duo)
41
Saxophone Baryton, Piano
41
Hautbois, Basson (duo)
41
Flûte, Saxophone (duo)
40
Hautbois (partie séparée)
39
Ensemble de Flûtes
39
Quatuor de Flûtes : 4 flûtes
39
Saxophone Tenor
38
Hautbois, Flûte
35
Cor anglais, Piano
34
Flûte, Trompette (duo)
32
Saxophone (partie séparée)
29
Flûte, Alto (duo)
28
Clarinette Basse, Piano
28
3 Saxophones (trio)
23
Quintette de Clarinettes: 5 clarinettes
20
Quintette de Flûte : 5 flûtes
19
Trio de Flûtes: 3 flûtes
15
2 Flûte à bec (duo)
15
Flûte à bec Soprano
14
Flûte, Violon, Piano
13
3 Clarinettes (trio)
11
Flûte et Guitare
10
Clarinette, Basson (duo)
9
Quatuor de Flûtes à bec
7
Hautbois, Clarinette, Basson (trio d'anches)
6
Flute (partie séparée)
6
Piccolo, Piano
6
Flûte, Clarinette et Basson
6
Flûte à Bec
5
Clarinette, Violoncelle (duo)
5
Flûte, Hautbois, Clarinette (trio)
5
Flûte, Violon et Violoncelle
4
Cor Anglais
4
Ocarina
4
3 Flûtes à bec (trio)
4
Hautbois, Violoncelle
3
Flûte à bec Soprano, Piano
3
Flûte à bec Alto
3
Flûte à bec Alto, Basse continue
3
Flûte à Bec, Piano
3
Clarinette, Guitare (duo)
3
Flûte, Hautbois, Basson
3
Flûte à bec Tenor
3
Flûte, Violoncelle
3
Saxophone et Orgue
2
Hautbois et alto (duo)
2
Ensemble à vent
2
Flûte irlandaise
2
Flûte, Basson et Piano
2
Clarinette (partie séparée)
2
Flûte traversière, Basse continue
2
2 Flûtes traversières, Piano
2
Flûte traversière, Orgue (duo)
2
2 Clarinettes, Piano
2
Hautbois, Guitare (duo)
2
Hautbois, violon (duo)
2
Flûte, Hautbois (duo)
2
Ensemble De Flûte à bec
2
Flûte, Hautbois, Piano (trio)
1
Clarinette, Contrebasse (duo)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à bec Alto, Piano
1
Instruments en Mib
1
Saxophone et Piano
1
Clarinette, Alto et Piano (trio)
1
Ensemble de Hautbois
1
5 Flûtes à bec
1
Saxophone et Guitare
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Clarinette, Harpe (duo)
1
2 Saxophones, Piano
1
+ 93 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
288
Quatuor de Cuivres : 2 trompettes, trombone, tuba
158
Ensemble de Trompettes
92
Trombone et Piano
89
Trompette, Saxophone (duo)
82
Trompette, Piano
71
Trompette
70
Cor et Piano
66
2 Trombones (duo)
58
2 Trompettes (duo)
57
Euphonium, Piano (duo)
53
Trompette, Trombone (duo)
46
Cor anglais, Piano
34
Trombone
32
Ensemble de Trombones
31
Quatuor de Cuivres: 2 trompettes, Cor, trombone
31
Quatuor de Cuivres
27
Cor
27
Trompette (partie séparée)
21
Quatuor de cuivres: 4 trombones
16
Tuba et Piano
15
Quatuor de cuivres: 4 cors
14
Tuba
12
Trombone (partie séparée)
11
2 Cors (duo)
8
Ensemble de Cors
7
Quatuor de cuivres: 4 trompettes
7
3 Trombones (trio)
6
Cor Anglais
4
2 Tubas (duo)
4
3 Trompettes (trio)
3
Tuba (partie séparée)
3
Tuba et Orgue
3
Trompette, Cor (duo)
3
2 Euphoniums et 2 Tubas
3
Cor (partie séparée)
3
2 Trompettes, Clavier (piano ou orgue)
2
4 Tubas
2
Trio de Cuivres
1
2 Trombones, Piano
1
Quatuor de cuivres: Cor, Trombone, Tuba, Trompette Sib
1
Ensemble de Tubas
1
3 Cors (trio)
1
Trombone basse
1
3 Tubas (trio)
1
Instruments en Sib
1
Bass Clef Instruments
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trombone, Cor (duo)
1
Trombone basse et Piano
1
+ 45 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
510
Violon et Piano
205
Violon
132
Alto, Piano
130
Violoncelle, Piano
128
Violon, Violoncelle (duo)
104
2 Violons (duo)
81
Trio à Cordes: violon, alto, violoncelle
75
Violoncelle
74
Harpe
60
2 Violoncelles (duo)
59
Violon, Alto (duo)
59
2 Altos (duo)
50
Trio à Cordes: 2 violons, violoncelle
36
Alto seul
31
Quintette à cordes: 2 violons, alto, violoncelle, basse
26
Violon (partie séparée)
19
Alto (partie séparée)
16
Ensemble de Violons
16
Ensemble d'Altos
14
4 Violoncelles
12
Trio à cordes: 3 violins
10
Contre Basse
10
2 Harpes (duo)
10
Quintette à cordes: 2 violons, 2 altos, violoncelle
10
Contrebasse (partie séparée)
8
Trio à Cordes: 3 violoncelles
8
Violon, Guitare (duo)
6
Contrebasse, Piano (duo)
6
Quatuor à cordes: 4 violons
5
Alto, Violoncelle (duo)
4
Violoncelle (partie séparée)
4
Piano Trio: Violon, Alto, Piano
3
Quatuor à cordes : 4 altos
3
Trio à cordes: 3 altos
3
Alto, Guitare (duo)
2
Harpe, Trombone (duo)
2
Violoncelle, Contrebasse (duo)
2
Harpe, Flûte (duo)
2
Violon, Basson (duo)
2
Harpe, Voix
2
Trio à Cordes: 2 violons, alto
2
Violoncelle, Orchestre
2
Violon, Clarinette, Piano (trio)
1
Trio à cordes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
4 Contrebasses
1
4 Harpes
1
Violon, Violoncelle, Clarinette
1
Flûte, Contrebasse (duo)
1
2 Violons, Piano
1
Harpe, Violon (duo)
1
3 Harpes
1
Alto et Basson
1
Autoharp
1
Ensemble de Violoncelles
1
+ 51 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
681
Orchestre à Cordes
268
Orchestre
262
Ensemble de cuivres
118
Ensemble Jazz
65
Orchestre de chambre
56
Cloches
44
Jazz combo
29
Ensemble de Percussions
12
Batterie
9
Fanfare
8
Batterie (partie séparée)
4
Marimba
4
Percussion (partie séparée)
3
2 Xylophones
2
Percussion
2
Vibraphone
1
Orchestre, Violon
1
Quintette de Cuivres: autres combinaisons
1
Xylophone
1
2 Marimbas
1
Piano et Orchestre
1
+ 17 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
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BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
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CHANT - CHO…
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CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
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VIOLON
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XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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style (tous)
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METHODE : TECHNIQUES
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Orchestre de chambre
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
W.A. Mozart - Flute Concerto K.622g ( Berlin Manuscript) Full Score and parts
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Orchestre de chambre
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Classique
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Wolfgang Amadeus Mozart
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James Strauss
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W.A. Mozart - Flute Concerto K
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035223 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Classical. Score and parts. 149 pages. James Strauss...
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Chamber Orchestra - SKU: A0.1035223 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Classical. Score and parts. 149 pages. James Strauss #5349777. Published by James Strauss (A0.1035223). Toward the end of 1791 Mozart wrote his famous concerto for basset clarinet and orchestra, known today as the Clarinet Concerto, K.622. It appeared in print for the first time ten years later, when it was published simultaneously by Breitkopf Härtel, André and Sieber. In the same year, Breitkopf also published an arrangement for flute in G major by A. E. Müller, adding to the rich musical history of the early 19th century. Also was found a second source at the Berlin Staat Bibliotek by an anonymous arranger. This arrangement is now available for the first time in a modern edition, this edition has been based his edition on the Berlin Manuscript and the first edition of 1801.The piano reduction takes into account the performance practice of the time.- First modern edition- Important and welcome addition to the flute repertoire- Reliable edition by Christopher Hogwood.
$40.00
Symphony No. 8 ... City of Light (2011) for chamber orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Oboe Lee
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Symphony No. 8 ... City of Lig
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Thomas Oboe Lee
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. ...
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Chamber Orchestra - Level 4 - SKU: A0.869356 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 113 pages. Thomas Oboe Lee #15879. Published by Thomas Oboe Lee (A0.869356). Instrumentation: 1 flute, 1 oboe, 1 English horn, 2 bassoons, 2 French horns, timpani and strings.Program note: In the year 2010, my wife Kristin Beckwith and I went to Paris twice, the first time in May and the second time in December right after Christmas. The weather was magnificent in May. Our friends Seph and Roger met us there. Being long-time veterans of Paris, they took us all over the city: Le Marais, the Left Bank, Montmartre, Sacré Coeur, Père LaChaise cemetery, Avenue des Champs-Élysées, Jardin du Luxembourg, Jardin des Tuileries, Notre Dame cathedral, Eiffel Tower, the flea market at Porte de Clignancourt, the canal at Saint Martin, etc. Since the weather was so great we basically stayed outside the entire two weeks. My wife Kris said that we had to return next again to Paris to go inside the museums. So we did. The weather in Paris after Christmas was very damp and chilly. So we did indoor activities: Le Louvre, Musée D’Orsay, Palais Garnier, etc. We even attended a beautiful performance of Swan Lake by the Paris Opera Ballet at L’Opéra Bastille. I should also mention that on both occasions I met up with a former student of mine from Berklee, Joe Makholm. He makes a living in Paris playing jazz piano. Joe got us a gig at the Swan Bar in Montparnasse. On the first occasion we did it as a trio with a French bass player. I played flute. On the second occasion, we did it as a duo. Playing jazz in Paris? You can’t beat that!!! Early this year, Steven Lipsitt and I had a chat about my writing a new work for the Boston Classical Orchestra. My last work for the BCO was a piano concerto with Robert Levin as soloist. I told Steven that this time I wanted to write a symphony. He said, Sure. Go ahead. I told him it would be about Paris. He said he would put Mozart’s Paris Symphony on the same program. I said, Fabulous! Symphony No. 8 … City of Light (2011) is in five movements. 1. La Seine Presto, Moderato 2. Basilique du Sacré-Coeur Largo 3. Palais Garnier Allegro, Trio 4. Avenue des Champs-Élysées Allegro 5. Musée du Louvre Largo, Moderato This work is dedicated to my wife and muse, Kristin Beckwith. Audio Link: https://thomasoboelee.bandcamp.com/album/symphony-no-8-city-of-light-2011Video link: https://youtu.be/-Yn76vWg7jE
$9.99
La Fee Verte Bagpipe Concerto
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Christine Southworth
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La Fee Verte Bagpipe Concerto
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Airplane Ears Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ear...
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Chamber Orchestra - Level 4 - SKU: A0.1013047 Composed by Christine Southworth. 20th Century,Contemporary,World. Score and parts. 73 pages. Airplane Ears Music #5802055. Published by Airplane Ears Music (A0.1013047). La Fee Verte (2013, 12 minutes) for chamber orchestra and Galician gaitasI first became obsessed with bagpipes when my grandfather, Boston Police Lieutenant David Moran, passed away. I was 14 years old, and at his funeral police pipers played, just before the rifles were fired. I was overwhelmed by the power of the instrument, of course compounded by my own sadness and emotion. Years later, a good friend died and another friend wrote him a requiem performed by 12 bagpipes, and after being in denial about his death the power of the sound again made be burst in to tears. Then I was out a Tanglewood at a Silk Road retreat and Osvaldo Golijov had brought a friend, Cristina Pato, to demonstrate her instrument, the Galician Gaita. I was blown away, for the first time the power of the instrument hit me with pure joy, I had never heard bagpipe played like this and by a woman, it was just spectacular! I immediately found a bagpipe teacher in Boston, and started learning Highland pipes, and a few years later, in 2010, went to Galicia and began studying the Gaita. This piece is dedicated to two great gaita players, Cristina Pato and my teacher Anton DaVila. La Fée Verte was commissioned by The Silk Road Project.About the ComposerChristine Southworth (b. 1978) is a composer and video artist based in Lexington, Massachusetts, dedicated to creating music born from a cross-pollination of sonic ideas. Inspired by intersections of technology and art, nature and machines, and musics from cultures around the world, her music employs sounds from man and nature, from Van de Graaff Generators to honeybees, Balinese gamelan to seismic data from volcanoes. Website: www.kotekan.com
$30.00
Serenade for flute, horn and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Anton Emil Titl
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James Strauss
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Serenade for flute, horn and o
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James Strauss
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 3...
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Chamber Orchestra - Level 3 - SKU: A0.1035228 Composed by Anton Emil Titl (1809 - 1882 ). Arranged by James Strauss. Romantic Period. Score and parts. 30 pages. James Strauss #5873421. Published by James Strauss (A0.1035228). AntonÃn Emil Titl Was born October 2, 1809 in Pernstein, and died in January 21, 1882 in Vienna was an Austrian composer. Titl had been the military bandmaster in Prague since 1835. In 1840 he was hired as the successor of Heinrich Proch to the theater in Josefstadt, where he stayed until 1846. From 1850 until his retirement in 1870 he worked at the Burgtheater as Kapellmeister. As a composer, Titl created numerous songs and stage music for both of the above theaters. His greatest success was the Singspiel Der Zauberschleier by Franz Xaver Told, which contained the song A Wirtsg'schäft, which was extremely popular at the time, is really not bad.In 1898 the Titlgasse in Vienna-Hietzing was named after him. Titl's Serenade was composed for flute and horn with orchestra or piano accompaniment. With a lilting Bel Canto style in 12/8, its lyric melody features passages of filigree work that will excite and challenge the musician's technical as well as expressive capabilities. The piece is ideal for contest or recital for the intermediate player. This edition for flute, horn and orchestra is based in 2 sources , a set or parts published in 1896 by the French publisher E. GALLET plate n. G.5688 and a manuscript of the parts from Austrian National Library and has been carefully arranged and edited by James Strauss. All the discrepancies between the sources were corrected and for the very first time in a Full Score format.
$30.00
Carson Cooman: Quintet for Bassoon and Strings (2005–08) for bassoon and string quartet
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Quintet for Bas
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533574 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 65 pages. Musik Fabrik Music Publishing #3024985. Published by Musik Fabrik Music Publishing (A0.533574). Quintet for Bassoon and Strings (2005–08) was commissioned by The Commission Projectand is dedicated to Klaus Heymann, in tribute for his invigoration of the classical recordingindustry and his enthusiastic support for the composers of our time.The original conception for the work was devised during an extremely foggy week onNantucket Island, Massachusetts in the summer of 2005. It is music deeply connected to theocean landscape. Throughout the work, the strings often present a fog-like backdrop,through which the bassoon’s color emerges like a lighthouse beacon—lyrical and flexible.The work opens with a series of interlocking, nebulous figurations in the strings thatgradually build in intensity. The bassoon unfolds the work’s basic melodic material in a freesolo that also increases in intensity. At the point of climax, the tempo suddenly slowsdramatically, and a tender, lyrical cantilena emerges. As this music dissolves, a bouncy andenergetic music takes the foreground. It climaxes in a bassoon cadenza. Though the bassoonhas played the leader throughout, this is the first time it is heard unaccompanied. A brief,but vigorous afterglow recalls the opening of the work. The final section emerges out of it: aseries of high, distant harmonics (perhaps harbor buoys) in the strings through which thebassoon sings a final song.
$25.95
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 - arr. matching the Requiem KV 626
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship...
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Chamber Orchestra - Level 3 - SKU: A0.945804 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 32 pages. Giulio Castronovo #6331839. Published by Giulio Castronovo (A0.945804). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.An ideal orchestral introduction to Mozart’s Requiem KV 626, it is however virtually never performed in the same program, due to the completely different orchestrations and keys of the two pieces. This arrangement makes the Masonic Funeral Music match with the key (D minor) and the uniquely peculiar orchestration of the Requiem (2 Basset Horns, 2 Bassoons, 2 Trumpets, Timpani, 3 Trombones, Strings), recreating the nuances of the original piece with the colors of Mozart’s last composition.
$59.90
Colours of Day (for beginner strings)
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Orchestre de chambre
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DÉBUTANT
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Musique Sacrée
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trad
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P
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Colours of Day
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Pamela Moutoussi
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and pa...
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Chamber Orchestra - Level 1 - SKU: A0.847045 Composed by trad. Christian. Arranged by P.J.M. Children,Christian,Praise & Worship,Standards. Score and parts. 18 pages. Pamela Moutoussi #4323171. Published by Pamela Moutoussi (A0.847045). The very easiest starter piece for full strings, this suits children who have been playing from just a few weeks to about 2 years. Ideal for a warm up on a beginner String Day, or when you start a group group the very first time. There is an added harp or guitar part.
$10.00
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 arr. for Standard Classical Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship...
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Chamber Orchestra - Level 3 - SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 30 pages. Giulio Castronovo #6331823. Published by Giulio Castronovo (A0.945803). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Although the C minor key gives the piece an unquestionable funereal character, its conclusion is serene, thanks to the final C major chord.Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.This arrangement for Standard Classica Orchestra (2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Strings) makes the piece available to any standard chamber orchestra, recreating the color and the nuances of the original orchestration.
$59.90
Fum, Fum, Fum
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Orchestre de chambre
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INTERMÉDIAIRE
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ASCAP, Evelyn R, and Larter
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Evelyn Larter Music
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Fum, Fum, Fum
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Evelyn R Larter
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.749837 Composed by ASCAP, Evelyn R, and Larter. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Scor...
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Chamber Orchestra - Level 3 - SKU: A0.749837 Composed by ASCAP, Evelyn R, and Larter. Arranged by Evelyn Larter Music. Christian,Christmas,Concert. Score and parts. 14 pages. Evelyn R Larter #3691993. Published by Evelyn R Larter (A0.749837). This is a fun, accessible arrangement of the traditional Spanish carol, originally part of the clarinet collection, Carols For The King From Around The World, (also at SMP Press) and now available for the first time for solo flute, string quartet and piano. It is suitable for any occasion during the Christmas season. See also the newly published version for solo flute and piano. Contact me if interested in a recorded piano accompaniment. More information about my music may be found at www.evelynlartermusic.com and on my Facebook page for Evelyn Larter Music. Feedback always welcome! .
$9.99
Albinoni - 12 Concertos to 5 for Flute and String Quartet, Op.5
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Albinoni Tomaso
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Santino Cara
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Albinoni - 12 Concertos to 5 f
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.516965 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. Score and parts. 339 pages. Santino Cara #3...
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Chamber Orchestra - Level 4 - SKU: A0.516965 Composed by Albinoni Tomaso. Arranged by Santino Cara. Baroque. Score and parts. 339 pages. Santino Cara #3068413. Published by Santino Cara (A0.516965). Complete version of 12 concertos transcribed for flute and string quartet, from theOpera Quinta of 12 concertos to 5 for two or three violins, alto viola, tenor viola and cello (B.C.) by Tomaso Albinoni and published for the first time in Amsterdam in 1707 by the publisher Pierre Mortier. Transcribed in Rome in 2011 by Santino Cara.In this collection, in addition to the complete scores, they are inserted also the separate parts of the instrumentation. In addition, you can view a preview of the initial parts of the concertos and listen to the full audio.
$34.40
Brescianello - Concerto in E minor Op.1 No.7 for Oboe (or Flute) and String Quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Brescianello Giuseppe Antonio
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Santino Cara
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Brescianello - Concerto in E m
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.516814 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 40 pages. Sa...
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Chamber Orchestra - Level 4 - SKU: A0.516814 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 40 pages. Santino Cara #2855235. Published by Santino Cara (A0.516814). Version for Oboe, or Flute and String Quartet of the Violin concerto Op.1 No.7 for Violin, strings and continuo of Giuseppe Antonio Brescianello (ca. 1690, Bologna – 4 October 1758, Stuttgart). Published for the first time in 1730 in 6 Concerts and 6 Symphonies Op.1. Transcribed by Santino Cara in Rome in 2016.
$9.80
Brescianello - Concerto in A major Op.1 No.11 for Oboe (or Flute) and String Quartet
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Brescianello Giuseppe Antonio
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Santino Cara
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Brescianello - Concerto in A m
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.516816 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 42 pages. Sa...
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Chamber Orchestra - Level 4 - SKU: A0.516816 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 42 pages. Santino Cara #2856965. Published by Santino Cara (A0.516816). Version for Oboe, or Flute and String Quartet of the Violin concerto No.11 in A major Op.1 for Violin, strings and continuo of Giuseppe Antonio Brescianello (ca. 1690, Bologna – 4 October 1758, Stuttgart). Published for the first time in 1730 in 6 Concerts and 6 Symphonies Op.1. Reconstructed and transcribed in Rome in 2004, adapted and digitized in 2012 by Santino Cara.
$8.80
Brescianello - Concerto No.1 in C major Op.1 for Flute and String Quartet
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Orchestre de chambre
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AVANCÉ
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Classique
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Brescianello Giuseppe Antonio
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Santino Cara
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Brescianello - Concerto No.1 i
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Santino Cara
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.516818 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 69 pages. Sa...
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Chamber Orchestra - Level 5 - SKU: A0.516818 Composed by Brescianello Giuseppe Antonio. Arranged by Santino Cara. Baroque. Score and parts. 69 pages. Santino Cara #2858929. Published by Santino Cara (A0.516818). Version for Flute and String Quartet of the Violin concerto No.1 in C major Op.1 for Violin, strings and continuo of Giuseppe Antonio Brescianello (ca. 1690, Bologna – 4 October 1758, Stuttgart). Published for the first time in 1738 in 6 Concerts and 6 Symphonies Op.1. Reconstructed and transcribed in Rome in 2004, adapted and digitized in 2012 by Santino Cara.
$9.40
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Hopewell Farmscapes from Hopewell Suite for Trumpet Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Folklorique/Traditionel
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Eddie Lewis
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Hopewell Farmscapes from Hopew
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Tiger Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A...
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Chamber Orchestra - Level 3 - SKU: A0.750316 Composed by Eddie Lewis. Folk. Score and parts. 19 pages. Tiger Music #4785795. Published by Tiger Music (A0.750316). Hopewell Farmscapes Third Movement from Hopewell Suite for Trumpet Ensemble by Eddie Lewis Hopewell Suite is a trumpet ensemble composition for four trumpets and two flugelhorns. It was composed in 2016 using inspirations Eddie Lewis collected while he was in South Africa for the jazz festival in Grahamstown, in the Eastern Cape. Hopewell is the name of the farm where Eddie and his wife stayed most of the time while they were in South Africa. The farm is owned by their brother-in-law. While Hopewell Farm was not the first farm Eddie ever visited, it is more common for him to see the farms from outside the fences. As a guest at Hopewell, Eddie had many opportunities to explore the land, accompanying his brother-in-law as he took care of the cattle. Some of this was on foot and sometimes they drove (off road) across the property in a bakkie. The scenes, the smells, the sounds, all of it calls out gladly to welcome you. If you are interested in purchasing the full suite with all seven movements, you can do so at: Sheet Music Plus: https://goo.gl/ry175L (affiliate link)
$17.79
One Second to the Future - Guitar Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Brent C Robitaille
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One Second to the Future - Gui
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Brent C Robitaille
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
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Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Schumann: Träumerei Op. 15 No. 7 for Piano Sextet
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Orchestre de chambre
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INTERMÉDIAIRE
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Robert Schumann
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James M
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Schumann: Träumerei Op. 1
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jmsgu3
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jms...
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Chamber Orchestra - Level 3 - SKU: A0.550196 Composed by Robert Schumann. Arranged by James M. Guthrie. Holiday,Romantic Period,Standards. 10 pages. Jmsgu3 #4598499. Published by jmsgu3 (A0.550196). Op. 15 No. 7 Träumerei * Daydreaming * мечтательноÑÑ‚ÑŒ * αφηÏημάδα * snÄ›nà An unexpected and welcome recital encore.Schumann's Träumerei (Dreaming), Op. 15 No. 7, is a solo piano piece that is part of his Scenes from Childhood (Kinderszenen) set, which was his first attempt at writing a piano solo. The piece is significant for several reasons:Emotional Appeal: Träumerei is considered a masterpiece due to its great emotional appeal, combining both haunting sadness and nostalgic tenderness. This emotional depth has allowed the piece to touch many people's hearts and become a beloved piece of music worldwide.Universal Themes: The piece explores themes of childhood, memories, and feelings from a sentimental adult perspective. These themes are universally cherished and can be appreciated by adults and children.Cultural Impact: Träumerei has been used in various cultural contexts, such as in the 1947 Hollywood film Song of Love and the 1944 German biographical film on Schumann. In Russia, a hummed choral, a cappella version that became known as mourning music, was played annually during the Minute of Silence on Victory Day.Influence on Other Artists: The piece has inspired other artists, such as violinist Fenella Humphreys, who released an arrangement of Träumerei for violin in 2021.Schumann's Träumerei is a significant piece of music due to its emotional appeal, universal themes, cultural impact, and influence on other artists. Its timeless beauty and emotional depth continue to resonate with audiences worldwide.
$48.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: Shining Space:
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing...
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Chamber Orchestra - Level 5 - SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
America the Beautiful - String Quartet or Group Score and Parts PDF
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Orchestre de chambre
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FACILE
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Patriotique
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Samuel A
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Brendan Elliget MAGA 537
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America the Beautiful - String
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BJE Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages...
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Chamber Orchestra - Level 2 - SKU: A0.750975 Composed by Samuel A. Ward 1895. Arranged by Brendan Elliget MAGA 537. Patriotic. Score and parts. 12 pages. BJE Music #5789233. Published by BJE Music (A0.750975). America the Beautiful is an American patriotic song. The lyrics were written by Katharine Lee Bates, and the music was composed by church organist and choirmaster Samuel A. Ward at Grace Episcopal Church in Newark, New Jersey. The two never met. Bates originally wrote the words as a poem, Pikes Peak, first published in the Fourth of July edition of the church periodical The Congregationalist in 1895. At that time, the poem was titled America for publication. Ward had originally written the music, Materna, for the hymn O Mother dear, Jerusalem in 1882, though it was not first published until 1892. Ward's music combined with the Bates poem was first published in 1910 and titled America the Beautiful. The song is one of the most popular of the many U.S. patriotic songs. [Wikipedia]It has been arranged here for a String Quartet or Group [Key of C] including a Violin 3 which doubles the Viola part with appropriate range changes. There is also an optional Piano Part (Not shown on the score).The MP3 was recorded with NotePerformer 3.Grade = 2.5 Duration = 1:40 mins (2 verses)
$7.50
Louis Mayeur: Grande Fantaisie de Concert sur Rigoletto (de Verdi) for alto saxophone and orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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1871, Mayeur was also named Sa
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Louis Adolphe Mayeur
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Louis Mayeur: Grande Fantaisie
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik ...
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Chamber Orchestra - Level 4 - SKU: A0.534136 Composed by Louis Adolphe Mayeur. Opera,Romantic Period,Standards. Score and parts. 49 pages. Musik Fabrik Music Publishing #3133403. Published by Musik Fabrik Music Publishing (A0.534136). Louis Adolphe Mayeur (1837 - 1894), was a Belgium clarinetist, saxophonist, composer and conductor who spent most of his musical career in France; Entering the French Military in 1855, he was a clarinetist in the Second Régiment of the Cuirassiers (Mounted Calvary) of the Garde Impériale. A student of Klosé at the Paris Conservatory, he received his First Prize in Clarinet in 1860. One of the inner circle of Adolphe Sax (along with fellow Belgiums Jules Demersseman and Jean-Baptiste Singelée, whose “Quartet for Saxophones“ was premièred with Mayeur playing and Demersseman conducting), Mayeur took up the saxophone and was quickly engaged as the saxophone soloist in the Opera House of Brussels, La Monnaie (the Mint). Sax commissioned a number of works from Mayeur for the saxophone, which were published by his company and used in his class at the Paris Conservatory.By 1871, Mayeur was also named Saxophone Solo with the Paris Opera, performing in opears and ballets by Halévy, Meyerbeer, Thomas, Saint-Saens, Massenet, Délibes and Paladlihe. It would appear that sometime during this period, his relations with Sax became difficult, culminating in his publications of works by Buffet-Crampon, one of Sax’s rival companies and one of the main protagonists in the series of lawsuits which led to Sax’s bankrupcy. Mayeur’s own declining health lead to his death in 1894.The Grande Fantaisie de Concert sur Rigoletto dates from 1877. The contrasting sections use motifs from arias and duets from Verdi’s opera. Florid cadenzas seperate the various sections, but those passages should be played in the manner of “bel canto†ornamentation, always lyrical and songlike. This is the score and solo part for the orchestral version. Versions are available from Musik Fabrik for piano for Symhony Orchestra (on rental : 2222/2000/Timp/hp/strings) and for Concert Band (for sale). The score plus solo part for each of the versions is available for sale, as well as the individual parts for the concert band version
$25.95
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