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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Flight
Non classifié
273
Piano & claviers
Piano seul
355
Piano Facile
64
Piano, Voix
54
Piano, Voix et Guitare
50
Orgue
12
Instruments en Do
10
1 Piano, 4 mains
7
Accompagnement Piano
3
Clavier
2
Piano grosses notes
2
Piano Quatuor: piano, violon, alto, violoncelle
1
Piano (partie séparée)
1
Piano Trio: piano, violon, violoncelle
1
Accordéon
1
+ 9 instrumentations
Retracter
Guitares
Guitare notes et tablatures
53
Guitare
16
Ligne De Mélodie, (Paroles) et Accords
11
Basse electrique
7
Paroles et Accords
7
Guitare (partie séparée)
4
2 Guitares (duo)
3
Banjo
2
Piano, Guitare (duo)
1
Partitions De Groupes
1
Ensemble de guitares
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
60
Chorale 3 parties
14
Chorale 2 parties
11
Voix Soprano, Piano
6
Chorale SSAA
6
Chorale TTBB
3
Chorale
3
Voix Mezzo-Soprano, Piano
2
Voix Baryton, Piano
2
Voix Tenor, Piano
2
Chorale Unison
1
Voix, Guitare
1
Chorale SSATB
1
+ 8 instrumentations
Retracter
Vents
Saxophone (partie séparée)
43
Clarinette (partie séparée)
42
Flûte traversière et Piano
26
Clarinette et Piano
26
Flute (partie séparée)
16
Flûte traversière
15
Hautbois (partie séparée)
13
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
13
Clarinette
11
Hautbois, Piano (duo)
11
Saxophone Alto
10
Saxophone Tenor et Piano
9
Saxophone Alto et Piano
9
Quatuor de Saxophones: 4 saxophones
8
Saxophone Soprano et Piano
7
3 Clarinettes (trio)
6
Flûte, Hautbois, Clarinette, Basson
5
Saxophone Baryton, Piano
5
Ensemble de Flûtes
4
2 Flûtes traversières (duo)
4
Piccolo, Piano
4
Quatuor de Flûtes : 4 flûtes
4
Saxophone Tenor
4
Quatuor de Clarinettes: 4 clarinettes
4
Trio de Flûtes: 3 flûtes
3
Clarinette Basse, Piano
3
3 Saxophones (trio)
3
2 Saxophones (duo)
3
Flûte et Guitare
2
Piccolo
2
Hautbois
2
Saxophone et Orgue
1
Saxophone et Guitare
1
Instruments en Mib
1
Cor anglais, Piano
1
Flûte, Violon
1
Flûte, Hautbois, Basson
1
Flûte, Violoncelle
1
Clarinette, Trompette (duo)
1
Cor Anglais
1
Saxophone
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Flûtes à bec
1
Ensemble de Clarinettes
1
+ 39 instrumentations
Retracter
Cuivres
Trombone (partie séparée)
54
Trompette (partie séparée)
28
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
22
Tuba (partie séparée)
22
Trombone et Piano
17
Cor (partie séparée)
17
Cor et Piano
11
Trompette, Piano
8
Euphonium, Piano (duo)
7
Trompette
7
Tuba et Piano
6
Cor
6
Quatuor de Cuivres : 2 trompettes, trombone, tuba
4
Quatuor de Cuivres
4
Trombone
3
2 Euphoniums et 2 Tubas
2
2 Trompettes (duo)
2
Ensemble de Trombones
2
Trombone basse et Piano
2
Tuba
2
Instruments en Sib
1
2 Cors (duo)
1
Cor anglais, Piano
1
Instruments en Fa
1
Euphonium
1
Tuba ou Euphonium ou Saxhorn
1
Cor Anglais
1
Quatuor de cuivres: 4 trombones
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Bass Clef Instruments
1
Trompette, Trombone (duo)
1
+ 26 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
28
Violoncelle, Piano
27
Violon et Piano
22
Harpe
19
Violon
18
Alto, Piano
12
Violon (partie séparée)
10
Violoncelle
8
Violon, Violoncelle (duo)
6
Trio à Cordes: violon, alto, violoncelle
6
Alto (partie séparée)
5
Alto seul
4
Contrebasse (partie séparée)
4
2 Harpes (duo)
3
Trio à cordes
3
Violoncelle (partie séparée)
2
2 Violoncelles (duo)
2
Trio à Cordes: 2 violons, violoncelle
2
Contre Basse
2
Contrebasse, Piano (duo)
2
Violon, Alto (duo)
1
2 Violons, Piano
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
4 Harpes
1
2 Altos, Piano
1
Harpe, Flûte (duo)
1
2 Violoncelles, Piano
1
+ 22 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
447
Orchestre
42
Ensemble Jazz
29
Orchestre à Cordes
27
Percussion (partie séparée)
22
Ensemble de cuivres
13
Orchestre de chambre
8
Percussion
7
Timbales (partie séparée)
7
Cloches
6
Fanfare
5
Quintette à Vent
4
Batterie (partie séparée)
2
Xylophone
2
Jazz combo
1
Ensemble de Percussions
1
Timbales
1
+ 12 instrumentations
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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
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CORNET
DEEJAY
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FLUTE DE PAN
FLUTE TRAVERSI…
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Vous avez sélectionné:
Flight
Orchestre de chambre
Partitions à imprimer
8 partitions trouvées
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PEACE, MY HEART, from "Across the Wide" for soprano and string ensemble with piano
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Orchestre de chambre
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INTERMÉDIAIRE
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Gabriel Ruiz-Bernal
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PEACE, MY HEART, from "Ac
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Gabriel Ruiz-Bernal
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal ...
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Chamber Orchestra - Level 3 - SKU: A0.893968 Composed by Gabriel Ruiz-Bernal. Contemporary,Musical/Show. Score and parts. 33 pages. Gabriel Ruiz-Bernal #6328079. Published by Gabriel Ruiz-Bernal (A0.893968). PEACE, MY HEART. For soprano and string ensemble with piano. Also available for soprano and piano.(from song cycle Across the Wide: Songs of Farewell)Text by Rabindranath TagoreLevel of difficulty for the voice: IntermediateLevel of difficulty for the pianist: Low intermediateLevel of difficulty for the string ensemble: Low intermediateApproximate length: 3 minutes, 46 secondsPeace, my heart, let the time for the parting be sweet.Let it not be a death but completeness.Let love melt into memory and pain into songs.Let the flight through the sky end in the folding of the wings over the nest.Let the last touch of your hands be gentle like the flower of the night.Stand still, O Beautiful End, for a moment, and say your last words in silence.I bow to you and hold up my lamp to light you on your way.
$40.00
"The Flying Hat" for chamber orchestra (excerpts)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Panagiotis Theodossiou
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"The Flying Hat" for
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Panagiotis Theodossiou
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Pan...
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Chamber Orchestra - Level 4 - SKU: A0.886736 Composed by Panagiotis Theodossiou. 20th Century,Children,Concert,Standards. Score and parts. 60 pages. Panagiotis Theodossiou #6019921. Published by Panagiotis Theodossiou (A0.886736). The Flying Hat Scenes of a Fairy Tail, for orchestra op.34 (2006) a. A Little Fanfare b. The Hatland c. Dad, the Giant Hat d. Dance of the Little Hats e. The Wind f. The Flight g. Farewell A fairy tale full of inspiration written by a child was the stimulus for the creation of this polytonal work for orchestra. With humor and innocence, piquant orchestration and cinematic use of the sound, the work is dedicated to the child, Michalis Tillianakis and to Eleutherios Geitonas, director of Geitonas School who gave the idea for this project. The work has been transcribed for piano, 4 hands, for the Duo Pianismo recital in Benetatou Cultural Center of Psihiko in 2010 and for wind quintet for the Q innegal Wind Quintet Concerts in Athens in 2011 (Attikon OdeionConservatory, Art Gallery Café, Athens, Perigiali Theater, Korinthos). Excerpts of the work has been performed by Psychiko Youth Orchestra conducted by the composer at Arssakeion Educational Institute Theater in 2016.
$20.00
L`Abeille (The Bee) for Two Trumpets and String Orchestra
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Orchestre de chambre
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AVANCÉ
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Classique
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Schubert, Francois
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Dorm 40 Music
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L`Abeille
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dorm40music.com
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 50 pages. Dorm...
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Chamber Orchestra - Level 5 - SKU: A0.785336 Composed by Schubert, Francois. Arranged by Dorm 40 Music. Romantic Period. Score and parts. 50 pages. Dorm40music.com #3560811. Published by dorm40music.com (A0.785336). Long before Rimsky teamed up with Korsakov and wrote Flight of the Bumblebee, Schubert wrote L`Abeille (The Bee) for violin which is stolen here for dueling trumpets and string orchestra. An excellent encore piece or concert starter!
$20.00
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Concerto for Piccolo Clarinet and Chamber Orchestra
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Orchestre de chambre
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Contemporain
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William Grosvenor Neil
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Concerto for Piccolo Clarinet
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TheComposerStudio.Com, LLC
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SheetMusicPlus
Chamber Orchestra - SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Pub...
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Chamber Orchestra - SKU: A0.980579 Composed by William Grosvenor Neil. Contemporary. Score and parts. 61 pages. TheComposerStudio.Com, LLC #3501905. Published by TheComposerStudio.Com, LLC (A0.980579). Concerto for Piccolo Clarinet and Chamber Orchestra (2017) The music makes dramatic shifts between the E-flat clarinet’s high virtuous technical flights and its mystical, expressive qualities. The sound resources for entire work are entirely derived from the clarinet’s opening descending line that quickly develops into a succession of firey cadenzas. The soloist then leads the ensemble in a highly spirited dance of counterpoint and rhythm. Click here to order parts: https://www.thecomposerstudio.com/concerto/#tab-15982 Rental support: thecomposerstudio@gmail.com Information on the composer: www.williamneil.net .
$50.00
The Flight of the Bumblebee for orchestra
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Orchestre de chambre
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Classique
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Contemporain
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Nikolay Andreyevich Rimsky-Kor
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The Flight of the Bumblebee fo
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Editions Glenn Michael, Caracas, Venezuela
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SheetMusicPlus
Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Romantic Period. Score, Set of Parts. 48 pages. Published by Editions Glenn Michael, Caracas, Venez...
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Composed by Nikolay Andreyevich Rimsky-Korsakov (1844-1908). Romantic Period. Score, Set of Parts. 48 pages. Published by Editions Glenn Michael, Caracas, Venezuela (S0.235371). - Score,Set of Parts - Romantic Period - Editions Glenn Michael, Caracas, Venezuela
$14.99
Flight of the Bumblebee (Reduced orchestra)
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Orchestre de chambre
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Classique
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Rimsky Korsakov
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Matt Lax
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Flight of the Bumblebee
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Matthew Lax
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SheetMusicPlus
Composed by Rimsky Korsakov. Arranged by Matt Lax. Romantic Period, Repertoire, Children's Music. Score, Set of Parts. 26 pages. Published by Matthew Lax (S0.26...
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Composed by Rimsky Korsakov. Arranged by Matt Lax. Romantic Period, Repertoire, Children's Music. Score, Set of Parts. 26 pages. Published by Matthew Lax (S0.262801). - Score,Set of Parts - Romantic Period,Repertoire,Children's Music - Matthew Lax
$20.00
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Flight
