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Tri et filtres :
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ACCORDEON
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82
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48
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29
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2 Violoncelles (duo)
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2 Altos (duo)
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Contre Basse
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Trio à Cordes: violon, alto, violoncelle
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4 Violoncelles
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Alto et Harpe
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Orchestre d'harmonie
56
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29
Cloches
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PIE JESU (from 'Requiem in D minor', Op. 48) FULL SCORE AND PARTS REEDITED
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597295 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacred. Score and parts. 28 pages. Flavio Regis Cunha #5222165. Published by Flavio Regis Cunha (A0.597295). Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
$9.99
9.21 €
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Orchestre de chambre
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Gabriel Faure
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Flavio Regis Cunha
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PIE JESU
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Flavio Regis Cunha
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SheetMusicPlus
Serenade in D Minor, 1st Movement (Score & Parts)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌ…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.931991 Composed by AntoniÌn Dvořák. Arranged by Steven Klaus. Romantic Period. Score and parts. 55 pages. NiceChart #4764581. Published by NiceChart (A0.931991). This piece, also known as ‘Serenade for wind instruments, cello, and double bass’, has a strong old-world Slavonic styling. This serenade was written as a dedication to composer and music critic Louis Ehlert, whose positive reviews of Dvořák’s works, helped boost his career in Germany. This arrangement focuses on the first of the four movement work which was labeled as Moderato, quasi marcia. The orchestration alone makes this piece unique and requires many of the instruments found in an orchestra. It is a great choice for ensembles that have players that double on other instruments and as a way to showcase chamber work without excluding too many musicians.To add options to this arrangement, supplemental parts have been included for Piano, Guitar, Timpani, Marimba, Snare Drum, Drum Set, Cymbals and Triangle/Bass Drum.
$50.00
46.09 €
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Orchestre de chambre
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AntoniÌn Dvořák
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Steven Klaus
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Serenade in D Minor, 1st Movement
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NiceChart
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SheetMusicPlus
Fields Of Gold
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.844233 By Sting. By Sting. A…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.844233 By Sting. By Sting. Arranged by Gerhard Guter. Contemporary,Pop. Score and parts. 25 pages. Gerhard Guter #3244463. Published by Gerhard Guter (A0.844233). Looking for a beautiful piece with a poignant lyric to be sung with a string quartet at a wedding or other celebration of life? Look no further. Fields of Gold is a beautiful ballad treatment of this song from Sting's classic Ten Summoner's Tales album. Though the demo recording features a female voice, this arrangement be performed effectively by a male vocalist as well. Optional multiple-stops are notated so that beginning string players can focus on single note lines exclusively.
$29.99
27.65 €
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Orchestre de chambre
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Sting
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Gerhard Guter
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Fields Of Gold
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Gerhard Guter
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SheetMusicPlus
The Platypus
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moor…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1008342 Composed by Sue Moore. Children,Instructional,Standards. Score and parts. 10 pages. Susie Moore #4766683. Published by Susie Moore (A0.1008342). An instructional Chamber Orchestra work written for beginning strings and early intermediate winds. This work is in 6/4 time. The string parts (depicting the bubbles that are seen as the Platypus are submerged) have been written where they are either using the open strings or the patterns are repeated over several bars so that beginning students are able to focus on the challenges of the 6/4 time. Mapping which beat each string part falls on is helpful when starting to teach this piece. Platypus are shy in nature and do not normally cohabit in the same location in large numbers. This piece was written as the composer observed an unusually large number of Platypus in one location. The wind parts depict the Platypus as they surfaced and descended in the billabong where they lived and as they happened to meet another Platypus or come up where she was sitting they quickly retreated with a loud splash. This is heard throughout the piece. Parts are available.
$4.99
4.6 €
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Orchestre de chambre
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Sue Moore
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The Platypus
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Susie Moore
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SheetMusicPlus
Carson Cooman: Shining Space: Quintet for Horn and Strings (2006)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533698 Composed by Carson Cooman. Contemporary,Standards. Score and parts. 71 pages. Musik Fabrik Music Publishing #3038887. Published by Musik Fabrik Music Publishing (A0.533698). Shining Space: Quintet for Horn and Strings (2006) was commissioned by and is dedicatedto Hazel Dean Davis and Stephen Hackbarth on the occasion of their marriage, June 24, 2006.The work was premiered by James Sommerville, horn with Sarah Kapustin and FrancescaAnderegg, violins, Nathan Burke, viola, and Peter Lorenzo Anderegg, cello.The basic musical material for the work is a set of intervals which is gradually “expandedoutward†– moving from close dissonance to luminous consonance. This could be seen torepresent a sense of freedom, growth, and a bright future.The first movement, Bright Morning Sky, begins vibrantly with ecstatic ringing in the higherstrings. The cello presents the work’s basic pitch material in dramatic gestures. The hornthen enters: first abortively and then affirmatively – changing the texture to focus on itself.The horn continues lyrical melodic development while the strings react, dissipating theirinitial energy. Nervous tremolos in the strings start to build back energy again, leading to awild climax. The music then relaxes into the next section marked “Slow, suspended.†Thehorn and strings interact melodically, supported by luminous harmonies. The nervoustremolos return, regaining energy towards the coda. The work ends with the ecstatic ringingof the opening – but,this time, the harmonic material is open and bright.The second movement, I Am the Vine, is serene and expressive – consisting of a series ofcanons which develop, break-off, and start again. The canons are almost always in twovoices – representing two lives intertwining.The third movement, Chasing Windflower, returns to the energy of the opening movement.However, the harmonic language begins this time with the open sonorities. Darker colors(from the first movement) continue to interject, but are always overwhelmed by a sense offree-wheeling excitement. The work presses on to an ecstatic coda – with a sense ofunfettered joy.
$38.95
35.91 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Shining Space: Quintet for Horn and Strings
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Music No. 6
Orchestre de chambre
Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, …
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Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, 3 Violoncelli, 2 Kontrabässe viola d'amore and chamber orchestra - Digital Download SKU: S9.Q21080 For viola d'amore and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/1. Ernst Eulenburg & Co. GmbH - Digital #Q21080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21080). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather bear concertante and soloistic markings than bow to chamber music traditions. Chamber Music No. 6 focuses on the viola d'amore which, despite its virtuoso handling, is challenged by a few individual instruments separated from the orchestral setting. The scores are based on Volume IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.
$16.99
15.66 €
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 6
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
One Day
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1192085 Composed by Hans Zim…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1192085 Composed by Hans Zimmer. Arranged by Petr BeÄvář. Film/TV. Score and parts. 20 pages. Petr Becvar #791270. Published by Petr Becvar (A0.1192085). An arrangement for a chamber orchestra focusing on the precision of music. Including score and parts.
$49.99
46.08 €
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Orchestre de chambre
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Hans Zimmer
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Petr BeÄvář
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One Day
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Petr Becvar
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.92 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
"On the beaches of Tijuana"
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Car…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1029901 Composed by Luis Carlos Diaz. Arranged by Luis Carlos Diaz. 20th Century,Contemporary,Film/TV. Score and parts. 67 pages. Azdi #5983045. Published by azdi (A0.1029901). On the beaches of Tijuana August 2018 It is a sound work for chamber orchestral ensemble based on the traditional and anonymous Son Istmeño La Llorona. Developed under a minimalist aesthetic influenced by ambient and experimental music. It fuses the themes of the traditional son with melodic and rhythmic motifs of popular Mexican rock songs also inspired by this traditional rhythm: La muerte chiquita by Café Tacuba and Llorona by Caifanes. It is structured similar to the format of a rock song. Start with a long base note or drone. Introduction (intro) about a descending harmony in the key of La Menor. A melody as a verse and a different melody as choir. Both melodies are presented and performed by different instruments with variations and different combinations of accompaniment and instrumentation. Variations of the thematic patterns and the ¨intro¨. A rhythmic-melodic experiment towards the end on the same descending harmonic progression as the solo part in a rock song. It ends with a fading orchestral atmosphere (outro). All oriented towards a minimalist style setting focused on melodic lines and emotional expressiveness. For a chamber orchestra. Ideally a string septet consisting of: 2 violins. 2 violas. 2 cellos. 1 double bass. Breaths: 1 trombone. 1 trumpet. 1 transverse flute. 1 Picollo flute. 1 Clarinet. 1 Oboe. Percussion of a determined note. It can be a vibraphone. Xylophone (preferably) or marimba. If it is not possible to use this type of instrument, that part is played an octave up on a piano. The number of instruments can be increased for each of the parts if needed and be convenient for the chamber orchestra in question. The Tempo can vary between 95 and 115 bpm. The work is designed so that it can be performed mainly by youth and children's orchestras. Dedicated to Tijuana beaches. pre.cjk { font-family: WenQuanYi Micro Hei Mono, monospace; }p { margin-bottom: 0.1in; line-height: 115%; }
$22.00
20.28 €
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Orchestre de chambre
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Luis Carlos Diaz
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Luis Carlos Diaz
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"On the beaches of Tijuana"
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azdi
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SheetMusicPlus
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