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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
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DEEJAY
DIDGERIDOO
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EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
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PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
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2615
PIANO & CLAVIERS
Piano seul
1377
Piano Facile
435
Piano, Voix et Guitare
253
Piano, Voix
210
Orgue
105
Piano Trio: piano, violon, violoncelle
57
Instruments en Do
52
Accompagnement Piano
28
1 Piano, 4 mains
28
2 Pianos, 4 mains
15
Piano Quatuor: piano, violon, alto, violoncelle
14
Piano grosses notes
5
Piano (partie séparée)
5
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
4
Piano Quintette: piano, 2 violons, alto, violoncelle
3
Clavecin
1
2 Pianos, 8 mains
1
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GUITARES
Guitare notes et tablatures
119
Guitare
97
Ukulele
29
Ligne De Mélodie, (Paroles) et Accords
23
Piano, Guitare (duo)
12
Ensemble de guitares
8
Basse electrique
7
Guitare (partie séparée)
7
Dulcimer
6
Mandoline
4
Paroles et Accords
3
4 Guitares (Quatuor)
2
Banjo
2
Dobro
1
3 Guitares (trio)
1
2 Guitares (duo)
1
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VOIX
Chorale SATB
404
Chorale 3 parties
97
Chorale 2 parties
71
Chorale TTBB
47
Chorale Unison
36
Chorale SSAA
30
Voix duo, Piano
21
Voix duo
11
Voix Soprano, Piano
8
Voix moyenne, Piano
6
Voix Alto, Piano
4
Chorale SSAATTBB
3
Chorale SSATTB
3
Voix seule
2
Voix haute
2
Chorale
2
Voix Tenor
2
Chorale SSATB
1
Voix Baryton, Piano
1
Chorale SSAB, Piano
1
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VENTS
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
165
Flûte traversière et Piano
149
2 Saxophones (duo)
146
Quatuor de Clarinettes: 4 clarinettes
130
Quatuor de Saxophones: 4 saxophones
117
Saxophone Alto et Piano
115
Clarinette et Piano
98
Hautbois, Piano (duo)
88
2 Clarinettes (duo)
86
2 Flûtes traversières (duo)
74
Saxophone, Clarinette (duo)
71
Quatuor de Flûtes : 4 flûtes
67
Flûte traversière
64
Clarinette
64
Saxophone (partie séparée)
58
Flûte, Hautbois, Clarinette, Basson
54
2 Hautbois (duo)
52
Saxophone Alto
50
Saxophone Soprano et Piano
49
Clarinette, Violon (duo)
48
Quintette de Saxophone: 5 saxophones
46
Clarinette, Trompette (duo)
38
Cor anglais, Piano
37
Saxophone Tenor et Piano
36
Quintette de Flûte : 5 flûtes
36
Flûte, Clarinette (duo)
34
Quintette de Clarinettes: 5 clarinettes
30
2 Flûtes traversières, Piano
29
3 Clarinettes (trio)
28
Flûte et Guitare
28
3 Saxophones (trio)
26
Ensemble de Clarinettes
24
Flûte, Violon
24
Hautbois, Clarinette, Basson (trio d'anches)
23
Flûte à bec Soprano
23
Clarinette et Alto
22
Flûte, Saxophone (duo)
21
Hautbois (partie séparée)
19
Hautbois, Clarinette (duo)
19
Hautbois, Basson (duo)
18
Ensemble de saxophones
18
Flûte, Trompette (duo)
17
Hautbois, Flûte
17
Ensemble de Flûtes
15
Saxophone Baryton, Piano
15
Flûte, Alto (duo)
12
Hautbois
12
Saxophone Soprano
11
Saxophone Tenor
11
Flûte, Violon, Piano
10
Flûte, Clarinette et Basson
9
Flûte à Bec
8
Flûte à bec Alto
8
Flûte, Hautbois, Clarinette (trio)
8
Quatuor de Flûtes à bec
7
Clarinette Basse, Piano
7
2 Flûte à bec (duo)
5
Flûte à bec Soprano, Piano
5
Clarinette, Guitare (duo)
5
Saxophone Baryton
4
Trio de Flûtes: 3 flûtes
4
Flute (partie séparée)
3
Cor Anglais
3
5 Flûtes à bec
3
Flûte irlandaise
2
2 Saxophones, Piano
2
Clarinette, Violoncelle, Piano (trio)
2
Harmonica
2
Clarinette, Basson (duo)
2
Quintette de Clarinette: Clarinette, Quatuor à Cordes
2
2 Cors Anglais Et Pianoforte
2
Flûte à bec Alto, Piano
2
Flûte, Hautbois, Basson
1
Hautbois, violon (duo)
1
Clarinette, Trombone (duo)
1
Flute, harpe et violon
1
Flûte, Hautbois (duo)
1
Saxophone et Orgue
1
Ensemble De Flûte à bec
1
Clarinette Basse
1
Flûte à bec Tenor
1
3 Flûtes à bec (trio)
1
Cor anglais, Guitare (duo)
1
Hautbois, Basson et Piano
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Clarinette, Violoncelle (duo)
1
2 Clarinettes, Piano
1
Clarinette (partie séparée)
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
Flûte, Violon et Violoncelle
1
Clarinette, Harpe (duo)
1
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CUIVRES
Quatuor de Cuivres : 2 trompettes, trombone, tuba
118
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
106
Trombone et Piano
55
Trompette
53
Trompette, Piano
52
Trompette, Saxophone (duo)
46
Cor anglais, Piano
37
Trombone
37
Cor et Piano
31
Trompette, Trombone (duo)
28
2 Trombones (duo)
28
Cor
27
2 Trompettes (duo)
27
Tuba
21
Trombone (partie séparée)
20
Quatuor de Cuivres: 2 trompettes, Cor, trombone
19
Quatuor de Cuivres
18
Trompette (partie séparée)
15
2 Cors (duo)
14
Quatuor de cuivres: 4 trombones
14
Tuba et Piano
13
Ensemble de Trombones
13
Ensemble de Trompettes
7
Euphonium, Piano (duo)
7
Quatuor de cuivres: 4 cors
4
Tuba (partie séparée)
4
Cor (partie séparée)
4
Quintette de Cuivres: 2 trompettes, Cor, 2 trombones
3
Cor Anglais
3
4 Tubas
3
Trio de Cuivres
2
Trompette, Basson (duo)
2
2 Cors Anglais Et Pianoforte
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
2
Euphonium, Tuba (duo)
2
3 Trombones (trio)
1
3 Euphoniums
1
Trompette, Orchestre
1
Euphonium
1
Cor et Orgue
1
2 Trompettes, Clavier (piano ou orgue)
1
Cor anglais, Guitare (duo)
1
Trombone basse
1
Trompette, Violoncelle (duo)
1
Ensemble de Cors
1
Trombone, Violon (duo)
1
2 Euphoniums et 2 Tubas
1
Ensemble de Tubas
1
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
268
Violon et Piano
171
Violon
162
Violoncelle, Piano
104
Alto, Piano
96
Violon, Violoncelle (duo)
65
Violon, Alto (duo)
49
Alto seul
43
2 Violoncelles (duo)
42
2 Violons (duo)
42
Violoncelle (partie séparée)
41
Trio à Cordes: violon, alto, violoncelle
40
Violoncelle
29
2 Altos (duo)
29
Harpe
26
Contre Basse
16
Contrebasse, Piano (duo)
13
Alto (partie séparée)
13
Violon (partie séparée)
12
Quintette à cordes: 2 violons, alto, violoncelle, basse
11
Contrebasse (partie séparée)
6
Violon, Guitare (duo)
6
4 Violoncelles
5
Trio à Cordes: 2 violons, violoncelle
5
Ensemble de Violons
4
Quatuor à cordes: 4 violons
3
Trio à cordes: 3 violins
3
4 Contrebasses
2
Violoncelle , Guitare (duo)
2
2 Violons, Piano
2
Alto, Violoncelle (duo)
2
Trio à cordes: 3 altos
2
Ensemble d'Altos
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
3 Harpes
1
Quatuor à cordes : 4 altos
1
Violon, Basson (duo)
1
Harpe, Violon, Violoncelle
1
Harpe, Flûte (duo)
1
Trio à Cordes: 3 violoncelles
1
Violoncelle, Contrebasse (duo)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
2 Violoncelles, Piano
1
Violon, Clarinette, Piano (trio)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
459
Ensemble Jazz
182
Ensemble de cuivres
121
Orchestre
118
Orchestre à Cordes
104
Orchestre de chambre
72
Cloches
34
Jazz combo
31
Batterie
20
Ensemble de Percussions
14
Fanfare
8
Percussion (partie séparée)
5
Ensemble d'École
5
Batterie (partie séparée)
4
Vibraphone
3
Marimba
3
Big band
2
Quintette de Cuivres: autres combinaisons
1
Orchestre, Violon
1
Xylophone
1
Piano et Orchestre
1
Bodhran
1
Instrumentations suivantes
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AUTRES
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Ding Dong Merrily on High - Strings and piano
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.801495 Composed by Jehan Tab…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.801495 Composed by Jehan Tabourout. Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6040661. Published by Connie Boss (A0.801495). This is a strings arrangement with piano. It is such a wonderful song. The melody gets handed off to each part while others are playing bell sounds. There are separate parts included which also contain the lyrics so easier to follow along. cdboss@cvalley.net
$5.50
5.07 €
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Orchestre de chambre
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Jehan Tabourout
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Connie Boss
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Ding Dong Merrily on High - Strings and piano
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Connie Boss
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SheetMusicPlus
On the Moors
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.992402 Composed by W. Luke Kelly. 20th…
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Chamber Orchestra - Digital Download SKU: A0.992402 Composed by W. Luke Kelly. 20th Century. Score and parts. 12 pages. W. Luke Kelly #3544071. Published by W. Luke Kelly (A0.992402). This free flowing, beautiful piece, is meant to evoke a walk through green, rolling hills, tall grass, and the warm sun. Allow your ensemble to become expressive, as they learn to follow the conductor in changing tempos, time signatures, and rhythms, and paint a sound picture of a perfect Spring day.
$6.99
6.44 €
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Orchestre de chambre
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W
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On the Moors
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W. Luke Kelly
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SheetMusicPlus
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
15.61 €
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Orchestre de chambre
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Claude Debussy/Robert Orledge
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Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only
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Musik Fabrik Music Publishing
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SheetMusicPlus
På väg ("On my way"), for violin and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano O…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.934332 Composed by Stefano Olcese. 20th Century,Contemporary,Film/TV,Romantic Period. Score and parts. 8 pages. Stefano Olcese #5887933. Published by Stefano Olcese (A0.934332). På väg means , in Swedish, more or less on my way. I have been living in Sweden since 2014, so to me it felt natural to use a Swedish title :)This composition wants to express a journey feeling, through landscapes and through our inner soul. It is approximately 5 minutes long and is the 2nd movement of a suite for violin and orchestra called Ales Stenar, which is structured in 5 movements. The orchestration requires, as a minimum, the following instruments: 1 solo violin, 1 first violin, 1 second violin, 1 viola, 1 cello, 1 double bass, 1 oboe, 1 clarinet in B-flat, 1 bassoon. Upon request I can arrange the score for a bigger ensemble.The solo violin player should be a skilled one - though difficulties are not extreme - and someone who is able to deliver emotions. Among the orchestra players it would be wise to have a skilled bassoonist. I have been told by many that this is concert music, ballet music, film music.Some more practical infos:- I belong to the Swedish Performing Right Organization called STIM- My Instagram: https://www.instagram.com/stefano_olcese/- My website link is: http://www.stefano-olcese.com/- My Linkedin profile: https://www.linkedin.com/in/stefano-olcese-140a1810/
$9.99
9.2 €
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Orchestre de chambre
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Stefano Olcese
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På väg
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Stefano Olcese
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.91 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David War…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
4.61 €
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Orchestre de chambre
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David Warin Solomons
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Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
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David Warin Solomons
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SheetMusicPlus
Les Indes Galantes - Prologue (Overture)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phil…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.742472 Composed by Jean Phillipe Rameau. Arranged by Arte Nova Music Lab. Baroque,Concert,Standards,World. Score and parts. 15 pages. Arte Nova Music Lab #4600759. Published by Arte Nova Music Lab (A0.742472). Les Indes galantes (French: The Amorous Indies) Opéra-ballet with a prologue and two entrées. Choreography: Louis Dupré. Music: Jean-Philippe Rameau. Libretto: Louis Fuzelier. Sets: Giovanni-Niccolò Servandoni. First performance: 23 August 1735, Théâtre de l'Académie de Musique, Paris. Principals: David Dumoulin, Louis Dupré, M. le Breton, M. Javellier, Marie Sallé. The premiere, including only the prologue and the first two of its four entrées (acts), was staged by the Académie Royale de Musique at itstheatre in the Palais-Royal in Paris on 23 August 1735, starring the leading singers of the Opéra, Marie Antier, Marie Pélissier, Mlle Errémans, Mlle Petitpas, Denis-François Tribou, Pierre Jélyotte, and Claude-Louis-Dominique Chassé de Chinais, and the dancers Marie Sallé and Louis Dupré. Michel Blondy provided the choreography. The ballet's Premier Menuet was used in the soundtrack of the 2006 film Marie Antoinette. Prologue: The palace of Hebe in the background and her gardens in the wings Hebe, goddess of youth, summons her followers to take part in a festival (Air: Vous, qui d'Hébé suivez les lois). Young French, Spanish, Italians and Poles rush to celebrate with a series of dances, including a musette. The ballet is interrupted by the noise of drums and trumpets. It is Bellona, goddess of war, who arrives on the stage accompanied by warriors bearing flags. Bellona calls on the youths to seek out military glory (Air and chorus: La Gloire vous appelle). Hebe prays to Cupid (L'Amour) to use his power to hold them back. Cupid descends on a cloud with his followers. He decides to abandon Europe in favour of the Indies, where love is more welcome. Taken from https://en.wikipedia.org/wiki/Les_Indes_galantes
$20.00
18.42 €
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Orchestre de chambre
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Jean Phillipe Rameau
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Arte Nova Music Lab
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Les Indes Galantes - Prologue
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Arte Nova Music Lab
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SheetMusicPlus
Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Frie…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.828700 Composed by Karl Friedrich Abel. Arranged by Guido Menestrina. Classical. Score and parts. 16 pages. Guido Menestrina #122893. Published by Guido Menestrina (A0.828700). Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Adagio Edited by Guido Menestrina - Full score and single parts for 2 oboe, 2 F Horns (originally cor de chasse, tacet on 2nd movement), 2 violins, viola and cello (originally basse de violon). Abel was born in Köthen, a small German city, where his father, Christian Ferdinand Abel, had worked for years as the principal viola da gamba and cello player in the court orchestra. In 1723 Abel senior became director of the orchestra, when the previous director, Johann Sebastian Bach moved to Leipzig. The young Abel later boarded at Leipzig's Thomasschule, where he was taught by Bach. On Bach's recommendation in 1743 he was able to join Johann Adolph Hasse's court orchestra at Dresden where he remained for fifteen years.[3][5] In 1759 (or 1758 according to Chambers),[1] he went to England and became chamber-musician to Queen Charlotte, in 1764.[3][5] He gave a concert of his own compositions in London, performing on various instruments, one of which was a five-string cello known as a pentachord, which had been recently invented by John Joseph Merlin.[6] In 1762, Johann Christian Bach, the eleventh son of J.S. Bach, joined him in London, and the friendship between him and Abel led, in 1764 or 1765, to the establishment of the famous Bach-Abel concerts, England's first subscription concerts. In those concerts, many celebrated guest artists appeared, and many works of Haydn received their first English performance. For ten years the concerts were organized by Mrs. Theresa Cornelys, a retired Venetian opera singer who owned a concert hall at Carlisle House in Soho Square, then the height of fashionable events. In 1775 the concerts became independent of her, to be continued by Abel and Bach until Bach's death in 1782. Abel still remained in great demand as a player on various instruments new and old. He traveled to Germany and France between 1782 and 1785, and upon his return to London, became a leading member of the Grand Professional Concerts at the Hanover Square Rooms in Soho. Throughout his life he had enjoyed excessive living, and his drinking probably hastened his death, which occurred in London on 20 June 1787. One of Abel's works became famous due to a misattribution: in the 19th century, a manuscript symphony in the hand of Wolfgang Amadeus Mozart, was catalogued as his Symphony no. 3 in E flat, K. 18, and was published as such in the first complete edition of Mozart's works by Breitkopf & Härtel. Later, it was discovered that this symphony was actually the work of Abel, copied by the boy Mozart-evidently for study purposes-while he was visiting London in 1764. That symphony was originally published as the concluding work in Abel's Six Symphonies, Op. 7. Follow the score on youtube: https://www.youtube.com/watch?v=_urGVpH7Pls.
$7.99
7.36 €
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Orchestre de chambre
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Karl Friedrich Abel
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Guido Menestrina
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Karl Friedrich Abel - Sinfonia Op. 7 n. 1 - Secondo Movimento - Andante
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Guido Menestrina
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SheetMusicPlus
Little Laser Lady for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580943 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 27 pages. David Warin Solomons #2028843. Published by David Warin Solomons (A0.580943). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.82 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Little Laser Lady for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
Landscape before sunrise for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580942 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 15 pages. David Warin Solomons #2028849. Published by David Warin Solomons (A0.580942). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.82 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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Landscape before sunrise for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
An amble round Mercury for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David War…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.580941 Composed by David Warin Solomons. Arranged by Colin Bayliss. 20th Century. Score and parts. 23 pages. David Warin Solomons #2028841. Published by David Warin Solomons (A0.580941). This is from a suite of pieces written variously for recorder orchestra and for chamber orchestra The five movements are: 1 Meinau Rag 2 An Amble round Mercury 3 Pretty How Town 4 Landscape before sunrise 5 Little Laser Lady Each movement has its own story and reflects various places where the composer has lived or poems that have inspired him: Meinau Rag was written in honour of his 8 month stay in La Meinau, a suburb of Strasbourg, while teaching English at the nearby Hotellery School - it was one of several ragtimes, a style he experimented with on the guitar at that time. An Amble round Mercury refers to the pond and associated statue of Mercury in the centre of Tom Quad at his college, Christ Church Oxford. The ostinato theme is one that he has used on many pieces and was originally written to accompany a setting from the Book of Elijah - and in that day thou shalt say O Lord - in his college days. Pretty How Town, a perky and rhythmically complex piece, is based on the poem - anyone lived in a pretty how town by e.e.cummings. The more laid back Landscape before sunrise is based on a setting of many ways in which the world says Goodnight and is inspired by the view from the composer's 18th floor flat in Aldgate East overlooking a multicultural population. The rhythms of the original song Goodnight follow the phrases in each language: Good Night, buona notte, gute Nacht, kali nykhta, oyasumi nasai, nos da...etc Little Laser Lady, an upbeat end to the suite, is based on a poem by a friend of the composer, whose girlfriend (and wife to be) would always visit him in her Laser (a make of car in Australia) (She is the sun in the afternoon, she is the night's familiar, she comes on a beam of yellow gold light......) The orchestration is: Piccolo [except in the 4th movement], 2 Flutes, 2 Oboes, Clarinet, Bassoon and string orchestra including double bass. The pdf file contains the score and separate parts. The sound sample is an electronic preview. Also available: all the scores together under the title Sweet 4 chamber orchestra.
$15.00
13.82 €
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Orchestre de chambre
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David Warin Solomons
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Colin Bayliss
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An amble round Mercury for chamber orchestra
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David Warin Solomons
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SheetMusicPlus
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditio…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
17.95 €
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Orchestre de chambre
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
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Suomi Music
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SheetMusicPlus
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
Orchestre de chambre
Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditio…
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Chamber Orchestra - Level 1 - Digital Download SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
17.95 €
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Orchestre de chambre
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Traditional
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Lauri Hamalainen
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11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
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Suomi Music
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SheetMusicPlus
Island unto Myself (Chamber Ensemble with Cello solo)
Orchestre de chambre
Chamber Orchestra - Level 2 - Digital Download SKU: A0.984537 Composed by Tito Abel…
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Chamber Orchestra - Level 2 - Digital Download SKU: A0.984537 Composed by Tito Abeleda. Contemporary,Spiritual. Score and parts. 30 pages. Visionary Quest Records #4775711. Published by Visionary Quest Records (A0.984537). CHAMBER ENSEMBLE: Cello solo; Flute 1, 2; Clarinet, Violin, Viola, Cello 1, 2, 3; Contrabass - Digital download score plus parts = 31 pages; Composed by Tito Abeleda (1964 - ) Published by Visionary Quest RecordsIsland unto Myself has a sad tranquil, contemplative ambiance as if one were alone on a island in the middle of the Pacific ocean. The flutes and add clarinet add a very dreamy quality to the music, while the cello echoes sadness and loneliness. The level of difficulty would be early intermediate. Contact info: Tito AbeledaVisionary Quest Recordshttps://www.visionaryquestrecordsEmail: tito@visionaryquestrecords.comFollow Tito on Social Media:Facebook: https://www.facebook.com/titoabeledaTwitter: https://twitter.com/titoabeledaInstagram: https://www.instagram.com/tabeledaYouTube: https://www.youtube.com/c/titoabeledaSpotify: http://bit.ly/TitoAbeleda-on-SpotifyiTunes/Apple Music: http://bit.ly/TitoAbeleda_iTunes
$12.95
11.93 €
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Orchestre de chambre
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Tito Abeleda
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Flute 1, 2
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Island unto Myself
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Visionary Quest Records
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SheetMusicPlus
Gnossienne No. 1 for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1203737 Composed by Erik Sat…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1203737 Composed by Erik Satie. Arranged by Andrew Middleton. 19th Century,20th Century,Classical,Romantic Period. Score and Parts. 30 pages. Andrew Middleton #802300. Published by Andrew Middleton (A0.1203737). Saties Gnossienne were very controversial works when they were first composed in 1890, not only were the harmonies were modern for the time but he did not use time signatures or bar lines in the music to allow more freedom. This arrangement of Gnossienne No. 1 for chamber orchestra was inspired by Debussy’s arrangements of Satie’s Gymnopedies. The simplistic nature of the music means it is accessible to intermediate ensembles, and complimentary bar lines and time signatures have been included to facilitate ensemble performances. The download includes a full score and complete set of parts. For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber.
$19.99
18.42 €
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Orchestre de chambre
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Erik Satie
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Andrew Middleton
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Gnossienne No. 1 for Chamber Orchestra
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Andrew Middleton
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SheetMusicPlus
Six Epigraphes Antiques for Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1168347 Composed by Claude D…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1168347 Composed by Claude Debussy. Arranged by Andrew Middleton. 20th Century,Classical. Score and parts. 142 pages. Andrew Middleton #768678. Published by Andrew Middleton (A0.1168347). Six Epigraphes Antiques is a suite of pieces composed by Claude Debussy for piano duo. This arrangement for chamber orchestra (1111/1000/perc/cel/hrp/strings) includes all 6 movements of the suite, including: 1. Pour invoquer Pan, dieu du vent d'été (To invoke Pan, god of the summer wind) 2. Pour un tombeau sans nom (For a nameless tomb) 3. Pour que la nuit soit propice (In order that the night be propitious) 4. Pour la danseuse aux crotales (For the dancer with crotales) 5. Pour l'égyptienne (For the Egyptian woman) 6. Pour remercier la pluie au matin (To thank the morning rain)  For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/.
$49.99
46.05 €
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Orchestre de chambre
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Claude Debussy
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Andrew Middleton
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Six Epigraphes Antiques for Chamber Orchestra
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Andrew Middleton
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SheetMusicPlus
Fantasy for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian De…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
36.8 €
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Orchestre de chambre
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.735591 Composed by Johannes …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.735591 Composed by Johannes Brahms. Arranged by Andrew Middleton. Romantic Period,World. Score and parts. 11 pages. Andrew Middleton #5033527. Published by Andrew Middleton (A0.735591). Brahms Hungarian Dances have always been crowd pleasers (both versions for piano duet and orchestra). This arrangement was created for Ensemble Kyma (check out their Facebook page https://www.facebook.com/EnsembleKyma/) to be used in an up and coming they have.As F sharp minor is not the most pleasant of keys there is also version available in G minor for the same instrumentation.For more updates on new arrangements follow my Facebook page on https://www.facebook.com/a.middletonmusic/ Or subscribe to my Youtube page at https://www.youtube.com/channel/UCClIYqddA2wMpdaxSq3BKEw?view_as=subscriber
$8.99
8.28 €
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Orchestre de chambre
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Johannes Brahms
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Andrew Middleton
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Hungarian Dance No. 5 in F Sharp Minor - Flute, Harp, Violin, Viola & Cello
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Andrew Middleton
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SheetMusicPlus
Lullabye (Goodnight, My Angel)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.796624 By Billy Joel. By Bil…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.796624 By Billy Joel. By Billy Joel. Arranged by Gary D.Belshaw (ASCAP). Pop,Rock. Score and parts. 26 pages. DR GARY D BELSHAW #3109511. Published by DR GARY D BELSHAW (A0.796624). For String Quartet plus a guest artist: Alto Sax, Clarinet, Flute, Oboe, or Trumpet. From Billy Joel's final album, River of Dreams (1993).How would you answer a 7-year-old's question, Where do we go when we die? The hint of Medieval ambience came from Joel's plans to make this song part of a suite, with lyrics sung in Latin. The song has been covered more than 2 dozen times. Don't let our version become maudlin or morose. It's got plenty of meaning without getting gushy or sentimental. I chose the Alto sax for its contrast with the strings; the other instruments allow you to select from a variety of guest artists.Thank you for considering this work; your impressions are valuable. Follow Gary D.Belshaw Music on Facebook and Twitter (@GaryDBelshawMus).
$14.99
13.81 €
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Orchestre de chambre
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Billy Joel
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Gary D
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Lullabye
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DR GARY D BELSHAW
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SheetMusicPlus
Piano Concerto No. 1 - FIRST movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.4 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - SECOND movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Sol…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
30.4 €
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Orchestre de chambre
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Piano Concerto No. 1 - THIRD movement [score and parts]
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan Mar…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
30.4 €
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Orchestre de chambre
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD movement [score and parts]
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Juan Maria Solare
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SheetMusicPlus
Concertino for Flute and Strings
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.814750 Composed by Richard E Brown. Contemporary,Standards. Score and parts. 74 pages. Dacker Music #3129233. Published by Dacker Music (A0.814750). As the title (which means little concerto) indicates, Concertino for Flute and Strings closely follows sonata forms on a somewhat smaller scale. Tonality is an important part of sonata form, and in this composition, the tonal relationships within and between the movements are all based on thirds. The tempi, form, and keys of the 3 movements are as follows: 1. Allegro molto - sonata-allegro - E minor 2. Andante moderato - theme and variations - C major 3. Allegro energico - abridged sonata-rondo - E minor This composition is the composer's transcription of his Sonatina for Flute and Piano.The price includes license to make as many copies of each part as required.Grade 4 - Duration 7:45
$45.00
41.46 €
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Orchestre de chambre
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Richard E Brown
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Concertino for Flute and Strings
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Dacker Music
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SheetMusicPlus
THEATRICASUALTIES
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1314415 By Lee Johnson. By L…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Lee Johnson Music (A0.1314415). THEATRICASUALTIESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
41.46 €
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Orchestre de chambre
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Lee Johnson
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THEATRICASUALTIES
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Lee Johnson Music
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SheetMusicPlus
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