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TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
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Non classifié
1876
PIANO & CLAVIERS
Piano seul
1102
Piano Facile
499
Piano grosses notes
464
Piano, Voix
421
Instruments en Do
298
Orgue
244
Piano, Voix et Guitare
194
Accordéon
65
Accompagnement Piano
64
1 Piano, 4 mains
33
Piano Trio: piano, violon, violoncelle
17
Piano Quatuor: piano, violon, alto, violoncelle
11
2 Pianos, 4 mains
7
Piano (partie séparée)
6
Orgue, Piano (duo)
6
Piano Quintette: piano, 2 violons, alto, violoncelle
5
Orgue, Trompette (duo)
4
Clavier
3
Clavecin
3
2 Pianos, 8 mains
2
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Instrumentations suivantes
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GUITARES
Ukulele
268
Guitare
201
Piano, Guitare (duo)
110
Guitare notes et tablatures
91
Ligne De Mélodie, (Paroles) et Accords
35
Mandoline
10
Guitare (partie séparée)
10
Banjo
8
Basse electrique
7
Dulcimer
7
2 Guitares (duo)
6
2 Dulcimers (duo)
3
Paroles et Accords
3
3 Guitares (trio)
2
4 Guitares (Quatuor)
2
Ensemble de guitares
2
Ukulele Baryton
2
Instrumentations suivantes
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VOIX
Chorale SATB
421
Chorale 3 parties
113
Chorale TTBB
66
Chorale Unison
62
Chorale 2 parties
57
Chorale SSAA
53
Voix Soprano, Piano
23
Voix Tenor, Piano
21
Voix Alto, Piano
15
Voix duo, Piano
10
Voix duo
9
Voix seule
6
Voix Tenor
5
Voix Baryton, Piano
4
Voix Soprano
4
Soli, choeur mixte et accompagnement
3
Voix basse, Piano
2
Chorale SSAATTBB
2
Voix haute
2
Voix moyenne, Piano
2
Chorale SSATTB
1
Voix Baryton
1
Voix Mezzo-Soprano, Piano
1
Chorale
1
Chorale SSATB
1
Instrumentations suivantes
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VENTS
Hautbois, Piano (duo)
320
Flûte traversière et Piano
291
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
252
Saxophone Alto et Piano
228
Clarinette
226
Quatuor de Saxophones: 4 saxophones
210
Quintette de Saxophone: 5 saxophones
203
Saxophone Tenor et Piano
196
2 Saxophones (duo)
185
Flûte, Hautbois, Clarinette, Basson
159
Clarinette et Piano
154
Flûte traversière
93
Saxophone (partie séparée)
83
Saxophone Alto
70
Quatuor de Clarinettes: 4 clarinettes
68
Ensemble de saxophones
66
2 Flûtes traversières (duo)
64
Saxophone Soprano et Piano
60
Hautbois (partie séparée)
52
Saxophone Baryton, Piano
50
2 Clarinettes (duo)
48
Ensemble de Clarinettes
37
Quatuor de Flûtes : 4 flûtes
31
3 Saxophones (trio)
27
Saxophone, Clarinette (duo)
27
Quintette de Flûte : 5 flûtes
25
Ensemble de Flûtes
23
Flûte, Clarinette (duo)
23
Cor anglais, Piano
22
Quintette de Clarinettes: 5 clarinettes
21
Clarinette, Violon (duo)
20
2 Hautbois (duo)
19
3 Clarinettes (trio)
16
Hautbois
16
Clarinette Basse, Piano
16
Saxophone Tenor
15
Flûte à bec Soprano
15
Clarinette, Trompette (duo)
14
Saxophone Baryton
14
Saxophone Soprano
14
Hautbois, Basson (duo)
13
Flûte, Hautbois, Clarinette (trio)
11
Clarinette (partie séparée)
11
Flûte, Violon
10
2 Flûte à bec (duo)
9
Hautbois, Clarinette (duo)
9
Flûte, Clarinette, Cor, Basson (Quartet)
8
Flûte, Alto (duo)
8
Hautbois, Flûte
8
Flûte, Saxophone (duo)
8
Clarinette et Alto
8
Hautbois, Clarinette, Basson (trio d'anches)
7
Quatuor de Flûtes à bec
7
Flûte à bec Soprano, Piano
7
Flûte à bec Alto
6
Flûte, Trompette (duo)
6
Clarinette, Violoncelle (duo)
6
Trio de Flûtes: 3 flûtes
6
Flûte, Hautbois, Basson
6
Cor Anglais
5
Clarinette, Basson (duo)
5
Hautbois, Violoncelle
5
Flûte, Clarinette et Basson
5
Flûte et Guitare
4
Clarinette, Guitare (duo)
4
Flûte, Violon, Piano
4
Flûte, Violoncelle
3
3 Flûtes à bec (trio)
3
Clarinette, Harpe (duo)
3
Flûte à bec Alto, Piano
3
5 Flûtes à bec
3
Flûte à Bec
3
Piccolo, Piano
3
Flute (partie séparée)
3
Ensemble De Flûte à bec
2
Piccolo
2
Flûte irlandaise
2
Ensemble de Hautbois
2
2 Clarinettes, Piano
2
Hautbois, Harpe
2
Harmonica
2
Flûte à bec Tenor
2
2 Clarinettes, Basson
1
Saxophone
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Harpe
1
Saxophone et Guitare
1
Flûte, Violon et Violoncelle
1
Saxophone et Orgue
1
4 Hautbois
1
Flûte et Quatuor à Cordes
1
2 Flûtes traversières, Piano
1
Instruments en Mib
1
Flûte, alto et harpe
1
Cor anglais et Harpe (duo)
1
Flûte, Clarinette, Piano (trio)
1
Clarinette, Trombone (duo)
1
Instrumentations suivantes
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CUIVRES
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
237
Trombone et Piano
219
Trompette
160
Trompette, Piano
148
Quatuor de Cuivres : 2 trompettes, trombone, tuba
129
Quatuor de Cuivres
84
Cor et Piano
83
Trombone
57
Ensemble de Trompettes
53
Quatuor de Cuivres: 2 trompettes, Cor, trombone
52
Tuba et Piano
48
Quatuor de cuivres: 4 trombones
40
Tuba
36
Cor
36
Trompette (partie séparée)
35
Trombone (partie séparée)
28
2 Trompettes (duo)
27
Euphonium, Piano (duo)
27
Ensemble de Trombones
26
2 Trombones (duo)
26
Trompette, Saxophone (duo)
25
Cor anglais, Piano
22
2 Cors (duo)
16
Trompette, Trombone (duo)
14
2 Tubas (duo)
11
Ensemble de Cors
10
Cor (partie séparée)
6
Cor Anglais
5
Quatuor de cuivres: 4 trompettes
5
Quatuor de cuivres: 4 cors
5
Trompette, Cor (duo)
3
Tuba et Orgue
3
Instruments en Sib
2
Trompette, Violoncelle (duo)
2
Trombone basse
2
Bass Clef Instruments
2
Instruments en Fa
2
Trombone, Orgue
2
Tuba (partie séparée)
2
Euphonium, Tuba (duo)
2
Trompette, Basson (duo)
2
4 Tubas
2
Euphonium
2
Trombone basse et Piano
1
Ensemble de Tubas
1
Cor, Violoncelle (duo)
1
2 Euphoniums (duo)
1
3 Tubas (trio)
1
Cor et Harpe
1
2 Cors, Piano
1
3 Trombones (trio)
1
Trompette, Euphonium (duo)
1
Quatuor de cuivres: 2 trompettes, 2 trombones
1
Trio de Cuivres
1
Trompette, Harpe
1
3 Cors (trio)
1
Cor anglais et Harpe (duo)
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
465
Violon et Piano
290
Alto, Piano
276
Violoncelle, Piano
250
Violon
148
Quintette à cordes: 2 violons, alto, violoncelle, basse
102
Harpe
72
Alto seul
70
2 Violons (duo)
61
Violon, Violoncelle (duo)
54
Violoncelle (partie séparée)
50
Trio à Cordes: violon, alto, violoncelle
45
Contrebasse, Piano (duo)
37
2 Violoncelles (duo)
35
Contre Basse
31
2 Altos (duo)
30
Violoncelle
29
Violon, Alto (duo)
28
Trio à Cordes: 2 violons, violoncelle
23
Alto (partie séparée)
22
Contrebasse (partie séparée)
13
Violon (partie séparée)
12
Ensemble de Violons
12
Ensemble d'Altos
11
4 Violoncelles
11
2 Harpes (duo)
8
Alto, Violoncelle (duo)
8
Harpe, Voix
6
Violon, Guitare (duo)
6
Harpe, Flûte (duo)
6
Quatuor à cordes: 4 violons
5
Trio à Cordes: 3 violoncelles
5
Trio à cordes: 3 violins
5
Piano Trio: Violon, Alto, Piano
4
Violoncelle , Guitare (duo)
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
Quatuor à cordes : 4 altos
4
Alto et Harpe
3
Trio à cordes: 3 altos
3
4 Harpes
3
Harpe, Violoncelle (duo)
3
2 Contrebasses (duo)
2
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
Alto, Guitare (duo)
2
Trio à Cordes: 2 violons, alto
2
Trio à cordes
2
Harpe, Violon (duo)
2
4 Contrebasses
1
Violon, Clarinette, Piano (trio)
1
Violoncelle, Contrebasse (duo)
1
Violoncelle, Orchestre
1
Harpe, Violon, Violoncelle
1
Ensemble de Violoncelles
1
Harpe, Trombone (duo)
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
407
Orchestre à Cordes
135
Orchestre
121
Ensemble Jazz
95
Ensemble de cuivres
47
Orchestre de chambre
46
Cloches
20
Jazz combo
19
Batterie
13
Percussion (partie séparée)
10
Ensemble de Percussions
10
Fanfare
8
Batterie (partie séparée)
6
Xylophone, Piano
3
Marimba
3
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
2
Piano et Orchestre
1
2 Marimbas
1
Orchestre, Violon
1
Vibraphone et Marimba
1
Instrumentations suivantes
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AUTRES
Théorie de la musique
1
Vous avez sélectionné:
From Now On
Orchestre de chambre
Partitions à imprimer
46 partitions trouvées
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26
Three Winter Movements from The Seasons, Op. 37
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1163542 Composed by Peter Il…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1163542 Composed by Peter Ilyich Tchaikovsky. Arranged by James Bicigo. 19th Century,Chamber,Christmas,Classical,Holiday. Score and Parts. 133 pages. Polar Publications #763883. Published by Polar Publications (A0.1163542). Here are three winter movements from Tchaikovsky's The Seasons, Op. 37 for piano. This arrangement for Chamber Orchestra (1,1,1,1 1,2,0,0 Percussion, Piano, Strings) includes Snowdrop, On the Troika (Sleighride), and Christmas Waltz. Arranged for the Central Alberta Chamber Orchestra, this is a lovely alternative to the Nutcracker Suite.
$100.00
91.83 €
#
Orchestre de chambre
#
Peter Ilyich Tchaikovsky
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James Bicigo
#
Three Winter Movements from The Seasons, Op. 37
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Polar Publications
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - F# major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974832 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974832 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436189. Published by NOWO (A0.974832). Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - F# major key For ensemble Albert van Niasky
$1.99
1.83 €
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Orchestre de chambre
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Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - E major key F
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974828 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974828 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436183. Published by NOWO (A0.974828). Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - E major key For ensemble Albert van Niasky
$1.99
1.83 €
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Orchestre de chambre
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Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
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NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - Eb major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974829 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974829 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436185. Published by NOWO (A0.974829). Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - Eb major key For ensemble Albert van Niasky
$1.99
1.83 €
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Orchestre de chambre
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Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - G major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974833 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974833 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436191. Published by NOWO (A0.974833). Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - G major key For ensemble Albert van Niasky
$1.99
1.83 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - F major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974830 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974830 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436187. Published by NOWO (A0.974830). Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - F major key For ensemble Albert van Niasky
$1.99
1.83 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - Ab major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974821 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974821 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436169. Published by NOWO (A0.974821). For ensemble
$1.99
1.83 €
#
Orchestre de chambre
#
Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - Bb major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974824 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974824 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436175. Published by NOWO (A0.974824). For ensemble
$1.99
1.83 €
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Orchestre de chambre
#
Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
Johann Sebastian Bach: Air on the G String (from Orchestral Suite No. 2 in D Major) - B major key
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.974823 Composed by Johann Sebastian Ba…
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Chamber Orchestra - Digital Download SKU: A0.974823 Composed by Johann Sebastian Bach. Arranged by Albert van Niasky. Contemporary. Score and parts. 4 pages. NOWO #6436173. Published by NOWO (A0.974823). For ensemble
$1.99
1.83 €
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Orchestre de chambre
#
Johann Sebastian Bach
#
Albert van Niasky
#
Johann Sebastian Bach: Air on the G String
#
NOWO
#
SheetMusicPlus
On The road To Mandalay for Tenor and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Spea…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771584 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 113 pages. PRS&B #379228. Published by PRS&B (A0.771584). On The Road To Mandalay- for Tenor and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor (C- F Sharp)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
64.28 €
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Orchestre de chambre
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the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Tenor
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Tenor and Chamber Orchestra
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PRS&B
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SheetMusicPlus
On The road To Mandalay for Baritone and Chamber Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Spea…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.771583 Composed by Oley Speaks, Rudyard Kipling. Arranged by John Hoesly. Opera,Pop,Traditional. 109 pages. PRS&B #379227. Published by PRS&B (A0.771583). On The Road To Mandalay- for Baritone and Orchestra. From a poem by Rudyard Kipling, set to music by Oley Speaks in 1907. On the road to Mandalay…Where the flyin’ fishes play! A rousing, hugely popular ballad from the turn of the 20th Century. The publication of On The road To Mandalay sold over a million copies of sheet music. It has been recorded numerous times by artists from Frank Sinatra to Thomas Hampson. Taken from Kipling’s Barrack-Room Ballads and Other Verses, the lyric tells the story of a Cockney soldier’s remembrance of his time spent in Burma (now Myanmar), his fondness for the city and the girl he left behind. By the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone (A Flat- D)- 1111- 2110- Timp+4-hp- pf- str. Level: Advanced Intermediate.
$70.00
64.28 €
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Orchestre de chambre
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the time your soloist reaches the final chorus, the audience will be ready to join in…let them! Solo Baritone
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Oley Speaks, Rudyard Kipling
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John Hoesly
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On The road To Mandalay for Baritone and Chamber Orchestra
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PRS&B
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SheetMusicPlus
Variations on a Rossini Theme op.Posth
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik Franço…
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Chamber Orchestra - Digital Download SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
27.54 €
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Orchestre de chambre
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme op.Posth
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James Strauss
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SheetMusicPlus
Songs from the Pomegranate Garden (Kantes del Verdjel de Granadas)
Orchestre de chambre
Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Con…
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Chamber Orchestra - Digital Download SKU: A0.944036 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 124 pages. The Composer's Own Press #4627681. Published by The Composer's Own Press (A0.944036). Kantes del verdgel de granadas – Songs from the Pomegranate Garden A Judeo-Spanish song cycle for solo voice and chamber symphony orchestra Composer’s notes: Kantes del verdgel de granadas, or in its English translation: Songs from the Pomegranate Garden, is a cycle of five songs in the Judeo-Spanish dialect, also known as Ladino. The texts, based on folk-poetry, are magical, passionate, and encompass a wide range of human emotions and experiences. We can find in them love and longing, sorrow and death, lightheartedness and folly, as well as burning love and even sexual innuendo. The vocal part portrays different stories and a variety of human characters in each of the five songs. It, thus, ranges in expression from parlando secco to lirico espressivo. The role of the orchestra in this cycle is more than just an accompaniment; it converses with the voice, adds colors and ambience, and serves as a commentary over the sung text. Thus, the orchestral part is equal to, or at times even more predominant than the voice itself. The initiative to write this composition came in response to a specific cultural approach by which creativity based on traditional Judaic material should correspond to four stages in the artistic process: Exploration, Preservation, Interpretation, and Innovation (as translated by the Hebrew terms: חידוש – פירוש – שימור – חיפוש). The main idea behind this initiative was to conserve crucial elements within traditional Jewish folk music, and then, bring about their revival as art music through new contemporary interpretations. Thus, the musical arrangement is partially based on the traditional Ladino tunes and partially original. However, phrases based on old Ladino melodies are starkly modified and composed in such way to completely evoke personal imagery and interpretation. The songs I selected for the cycle were taken from the four-volume collection: Chants judéo-espagnols by Isaac Levy. My criteria for the selection was finding lesser-known melodies, yet most intriguing ones and with a strong Judeo-Spanish character. The five songs have various degrees of arrangement vs. original composition: songs 2 and 3, Mi korason and Entre las huertas, for example, are almost unchanged, while songs 1 and 4, Dos amantes and Malato ‘sta el hijo del rey, heavily combine the old Ladino romancero melodies with originally composed material. The concluding song (Nr. 5) is entirely original, but correspond stylistically to the Judeo-Spanish musical language. While all five songs are secular in nature, the ballad Malato ‘sta el hijo del rey (The King’s Son is Ill) has been traditionally sung - according to Isaac Levy - on the night of Tisha B’Av along the scroll of Eicha to bemoan the destruction of the Holy Temple in Jerusalem. The Judeo-Spanish text of the songs can be found below along with its English translation. Duration: ca. 24 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.59 €
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Orchestre de chambre
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Ofer Ben-Amots
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Songs from the Pomegranate Garden
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The Composer's Own Press
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SheetMusicPlus
Honrpipe (From 'Water Music Suite No. 1' in F, HWV 348)
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Fri…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.597305 Composed by Georg Friedrich HÄNDEL  . Arranged by Flavio Regis Cunha. Baroque,Concert,Holiday,Wedding. Score and parts. 29 pages. Flavio Regis Cunha #5304533. Published by Flavio Regis Cunha (A0.597305). This beautiful edition of Handel's well-known worldwide 'Hornpipe' was based on the Halle Handel Edition. In this edition you will find optional parts for two flutes and timpani. The continuo was realized and can be replaced by the organ as optional. This 'Hornpipe' from Handel's Water Music (HWV 349) transcription is also a combination of the Halle Handel Edition and the recording performed by the FestspielOrchester Göttingen with Laurence Cummings as director (https://www.youtube.com/watch?v=1h4mAceHmrI).This score is an excellent purchase for your group, or archive. You and your ensemble will love playing along with the eardrums. Your audience will be enchanted by the vibrant power of this piece.
$9.99
9.17 €
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Orchestre de chambre
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Georg Friedrich HÄNDEL Â
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Flavio Regis Cunha
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Honrpipe
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Flavio Regis Cunha
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SheetMusicPlus
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Ea…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
16.52 €
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Orchestre de chambre
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Joseph Eastburn Winner
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Keith Terrett
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Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
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Keith Terrett
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SheetMusicPlus
PIE JESU (from 'Requiem in D minor', Op. 48) FULL SCORE AND PARTS REEDITED
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.597295 Composed by Gabriel F…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.597295 Composed by Gabriel Faure. Arranged by Flavio Regis Cunha. Concert,Contemporary,Easter,Romantic Period,Sacred. Score and parts. 28 pages. Flavio Regis Cunha #5222165. Published by Flavio Regis Cunha (A0.597295). Gabriel Fauré composed his Requiem in D minor, Op. 48, between 1887 and 1890. The choral-orchestral setting of the shortened Catholic Mass for the Dead in Latin is the best-known of his large works. Its focus is on eternal rest and consolation. Fauré's reasons for composing the work are unclear, but do not appear to have had anything to do with the death of his parents in the mid-1880s. He composed the work in the late 1880s and revised it in the 1890s, finishing it in 1900.
$9.99
9.17 €
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Orchestre de chambre
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Gabriel Faure
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Flavio Regis Cunha
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PIE JESU
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Flavio Regis Cunha
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SheetMusicPlus
Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian …
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1283479 By Johann Sebastian Bach and Netherlands Bach Society. By Johann Sebastian Bach. Arranged by Flavio Regis Cunha. Baroque,Contest,Easter,Festival,Instructional,Sacred. Score and Parts. 51 pages. Flavio Regis Cunha #874665. Published by Flavio Regis Cunha (A0.1283479). Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra from the St Matthew Passion (BWV 244).Discover timeless music with the Bach classic - 'Mache dich, mein Herze, Rein'! Enjoy the intricate and vibrant performance of the piece from the renowned Netherlands Bach Society. Perfect for both professional orchestras and soloists – as well for the joy of schools performing the revered composer's masterpiece. Get the perfect accompaniment for your performance with the authentic sheet music available now!The aria 'Mache dich, mein Herze, rein' from the St Matthew Passion (BWV 244), performed here by the Netherlands Bach Society and conducted by Jos van Veldhoven for All of Bach. The St Matthew Passion tells the story of the last days of Jesus. He is betrayed, tried, crucified and buried. The lyrics were compiled by Picander (the pseudonym of Christian Friedrich Henrici), probably in close consultation with Bach himself. For their theme, they took the story as told by St Matthew the Evangelist. As different groups or people have their say, the singers get different roles – Christ, Judas, Peter, a slave girl, the pupils, the high priests, the people and the soldiers, etc. At key moments in the story, Bach and Picander added chorales and arias as a reflection of the biblical story. The action is suspended and the events are placed in the theological context of Bach’s day. The chorale lyrics and melodies come from the Lutheran hymn book, and were well known to the congregation in Leipzig. Even though Bach’s harmonies were new, everyone would have recognised the melody and the words. The lyrics for the opening and closing choruses and the arias were brand new, however. Both the arias and the chorales often link up seamlessly with the evangelical words. Advanced IntermediateFormat: Concert, 9 x 12 inches51 pagesProgram NotesMache dich, mein Herze, rein is a deeply poignant and emotional piece from the renowned work by Johann Sebastian Bach, St Matthew Passion (BWV 244). Written as a part of the 16th passion oratorio as a love song sung by Jesus to his disciples, this piece brilliantly conveys the struggle of redemption and longing for peace.Accompanied by a chamber baroque orchestra, the stark vocal line is delivered with an intense intricacy by the bass solo. Each note is carefully laden with sincere emotion, imbuing within the words a sense of longing and deep sorrow. As the piece progresses, the reprise of the chorus adds a layer of reflection to the message, driving home the power of the connection between Christ and his disciples.Mache dich, mein Herze, rein is a highly moving and truly remarkable piece of music that has rightly earned a place amongst Bach's most renowned works. Mache dich, mein Herze, rein is one of the most stunningly tender and moving chorales from Johann Sebastian Bach's monumental oratorio the St Matthew Passion (BWV 244). Originally written with a full choral accompaniment for the Easter Week Vespers of 1729, Bach's skilful reworking of the melody for bass and chamber baroque orchestra in the St Matthew Passion gives the solo voice a unique poignancy and fragility. The Lutheran chorale on which Bach based his composition speaks of hearts needing to be cleansed of sin and sorrow as they prepare to meet the Savior - an idea timeless in its poignancy and universality. Bach's arrangement is akin to a prayer of reflection and contemplation, the music's restrained dynamics and sighing counterpoint creating an atmosphere of resignation and acceptance. Mache dich, mein Herze, rein is a sublime masterpiece of sacred music, truly embodying the spirit of Easter.
$18.99
17.44 €
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Orchestre de chambre
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Johann Sebastian Bach and Netherlands Bach Society
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Flavio Regis Cunha
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Bach: Aria 'Mache dich, mein Herze, rein' for Bass Solo and Chamber Baroque Orchestra
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Flavio Regis Cunha
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SheetMusicPlus
W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1311414 Composed by Wolfgang Amadeus Mozart. Arranged by Vasilis Tsiatsianis. Chamber,Classical,Early Music,Opera,Wedding. 13 pages. Arcadia Verlag #900420. Published by Arcadia Verlag (A0.1311414). We are thrilled to present the new orchestral arrangement of the aria O Isis und Osires from Mozart's opera The Magic Flute, created by renowned musician and arranger Vasilis Tsiatsianis.In this arrangement, Vasilis preserves Mozart's style and essence while adding a richness and orchestral grandeur to the piece. With skill and sensitivity, he expands the instrumentation while remaining true to Mozart's original vision.The new arrangement provides a more complete and immersive musical experience, with additional layers of sound textures and a refined balance between the different sections of the orchestra. Dramatic moments are heightened, while delicate nuances are enhanced, resulting in an exciting and captivating interpretation.Now, you have the opportunity to purchase this exclusive sheet music on our online sales platform. Whether you are looking for a new addition to your personal repertoire or planning an orchestral performance, this arrangement will undoubtedly enrich your musical experience.Don't miss the chance to explore the talent and creativity of Vasilis Tsiatsianis in this new arrangement of the O Isis und Osires aria. Place your order now and immerse yourself in the magic of Mozart's masterpiece.Acquire the sheet music on our website and delve into the enchantment of The Magic Flute like never before!The Aria of Sarastro from Magic Flute (Zauberflöte) arranged for Chamber Orchestra without Corni di Bassetto and Trombones. 0.0.2.1-2.0.0.0-Voice-Strings. Original Tonality. German Text.
$45.00
41.32 €
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Orchestre de chambre
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Wolfgang Amadeus Mozart
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Vasilis Tsiatsianis
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W.A.Mozart - O Isis und Osiris - Zauberflöte, Sarastro's Aria - Chamber Orchestra Version
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Arcadia Verlag
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SheetMusicPlus
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78
126.52 €
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Orchestre de chambre
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich H…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
36.72 €
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Orchestre de chambre
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Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert
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Flavio Regis Cunha
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Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
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Flavio Regis Cunha
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SheetMusicPlus
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
23.83 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: The Acts of the Apostles
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Musik Fabrik Music Publishing
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SheetMusicPlus
Concerto Grosso (2017) for chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869525 Composed by Thomas Oboe Lee. 20th Century,Classical,Contemporary,Romantic Period. Score and parts. 78 pages. Thomas Oboe Lee #3112103. Published by Thomas Oboe Lee (A0.869525). Instrumentation: 2222-2200-timp-stringsSteve Laven, cellist with the Boston Pro Arte Chamber Orchestra, contacted me a month ago and asked if I would be interested in writing a work to help celebrate the 40th Anniversary of the founding of the Pro Arte Chamber Orchestra. I said, Sure!!! He said it would be nice if I would consider a concerto grosso in which the principal players of the orchestra would each get a feature. I agreed that that would be a fine idea. So, on June 18th, 2017, I started working on it. And since I am on summer vacation from teaching I was able to finished the 557-measure work on July 2nd, fifteen days after I started. In 2018 just before I made plans to get the work recorded I made some revisions. One major change was that I cut the fourth movement out completely. It is now a mere 482 measures long. The work is now in three movements. 1. Introduction; Allegro 2. Presto 3. Largo Duration: ca. 17 minutes.YouTube link: https://youtu.be/xIMSFEd0p8oBandcamp link: https://thomasoboelee.bandcamp.com/album/concerto-grosso-2017PS: This is the sixth work that the PACO has performed of my music. 1. Phantasia for Elvira Shatayev (1981) with soprano Judith Kellock and Newell Hendricks.2. Harp Concerto (1985) with Ann Hobson-Pilot and Gunther Schuller.3. Symphony No. 1 ... Fallen Angels (1993, rev. 1995) with Gunther Schuller.4. Forró (1998) with Gunther Schuller.5. Daphne ... An Imaginary Ballet (2015) with Beatrice Affron.6. Concerto Grosso (2017) with Kevin Rhodes.
$9.99
9.17 €
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Orchestre de chambre
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Thomas Oboe Lee
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Allegro
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Concerto Grosso
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Thomas Oboe Lee
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SheetMusicPlus
The Joyce Cycle, for voice and orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.944034 Composed by Music and James Joyce, Ofer Ben-Amots, and Poetry (our of Chamber Music). Contemporary. Score and parts. 127 pages. The Composer's Own Press #4615369. Published by The Composer's Own Press (A0.944034). Ben-Amots: The Joyce Cycle (1986) James Joyce's collection of 36 love poems titled Chamber Music has been a source of inspiration to many composers. From these, Ben-Amots has set nine for medium voice and piano (later orchestrated--see below), in a style he characterizes as neo-romantic to match the deliberate archaicism of Joyce's language. The songs are meant to be sung as a complete cycle, but these complex and beautiful settings may be performed independently. Shortly after composing the cycle, Ben-Amots orchestrated it, and he now considers the orchestral version to have priority. Deftly and lightly scored (winds in pairs, no heavy brass), this version sounds strikingly Mahlerian in places. 1. O Sweetheart... The lover finds solace in love when friends him fail. 2. My love is in a light attire... He admires the sight of his love walking through an orchard. 3. My dove my beautiful one... In language reminiscent of the Song of Songs, he bids her arise. 4. Rain has fallen... They seek shelter on a rainy day. 5. Sleep Now, O Sleep Now... The lover's unquiet heart is calmed with a kiss. 6. It was out by Donnycarney... A cheerful folksong, sealed with another kiss. 7. Winds of May... By the turbulent sea, the loved one has disappeared. 8. I Hear an Army... Giving way to despair the lover dreams of an army ferociously charging up out of the depths. But... 9. From Dewy dreams... It was just a dream, after all. For part and performance materials please contact thecomposerspress@gmail.com * The poems, out of James Joyce’s Chamber Music, are in the public domain.Duration: ~ 25 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
49.59 €
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Orchestre de chambre
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the turbulent sea, the loved one has disappeared
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Music and James Joyce, Ofer Ben-Amots, and Poetry
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The Joyce Cycle, for voice and orchestra
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The Composer's Own Press
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SheetMusicPlus
Canticum Canticorum for Krzysztof Penderecki
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by Mohammad…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027777 Composed by MohammadHadi Ayanbod. 20th Century,A Cappella,Contemporary,Sacred. Score and parts. 32 pages. Rimorarte Edition #5996921. Published by Rimorarte Edition (A0.1027777). Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is a musical piece based on the old text with the same name from Vulgate. The Canticum Canticorum text also known as Song of Songs, the Song of Solomon, the Canticle of Canticles, (Old Greek: Άσμα Ασμάτων, same meaning as song of songs). As David Berlo once beautifully put this into words: Meanings are in people … not in the messages …. The elements and structure of a language … are only symbols …. Meanings are not transmittable … Only messages are transmittable, and meanings are not in the message, they are in the message-users! Therefore, I needed to understand and interpret the text itself, even before I wanted to try setting it to the music. However, in order to understand the text correctly, one should comprehend the origin of the text and get to know its author(s), at first. In the case of Canticum Canticorum, both the author and the origin of the text are obscure. Furthermore, even the approximate date/century/era of the birth and the cultural context in which the text was created, are far from clear. According to the scholars, the creation of the text ranges from the tenth century B.C.; the era of Solomon, up to the first century B.C., and the origin of it considers from Indian, Tamil, or Ethiopic literature to Palestinian one. Because of these vast spectra of dates and cultures, I had to read and understand the text, compare with other sources, find similarities in other languages and cultures, hermeneutically interpret it and search for those non-written or metaphorical clues that may lead to unfasten the mystery has been attached to the text. In order to achieve the most accurate and faithful interpretation of the text I also had to answer few questions regarding the style, structure, medium, architecture and techniques of the music in relation to the text. I have used string orchestra and mixed choir to render the ideas, since that is among highly versatile instrumentations capable of providing small and delicate whispers, heavenly voices, and intonation changes that is hardly-reproducible by other mediums as well as thunderous sounds. Although Canticum Canticorum is single-movement work, but still possible to distinguish three different sections: the beginning choral part that is a long fugue in 5 voices with the material of serial music which helps orchestra to enter and grow, the a-capella middle section consists of two contrasting but invisibly related atmospheres and the third section – the recapitulation of the ideas already presented, in both the text and the music. The culmination of the work; 11-parts choral, takes place in the third section, somewhere near the end of the piece. Canticum Canticorum, for Grand String Orchestra & Mixed Choir, is dedicated to the genius composer of our time, Maestro Prof. dr. h.c. Krzysztof Penderecki.
$24.99
22.95 €
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Orchestre de chambre
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MohammadHadi Ayanbod
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Canticum Canticorum for Krzysztof Penderecki
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Rimorarte Edition
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SheetMusicPlus
THEATRICASUALTIES
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1314415 By Lee Johnson. By L…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1314415 By Lee Johnson. By Lee Johnson. 21st Century,Chamber. 59 pages. Lee Johnson Music #903163. Published by Lee Johnson Music (A0.1314415). THEATRICASUALTIESfrom reMATCH Symphony no. 12 by Lee JohnsonThe individual movements from Lee Johnson’s reMATCH Symphony no. 12 are available now and can be programmed for performance in any order or combination. These musically rich and varied works feature the revolutionary Johnsemble, a nested violin concerto and violin obligatos, and an exciting, fresh, and engaging narrative built on the world of Chess and the twists and turns of life. These fascinating modern works will engage and inspire performers and audiences alike. For a complete performance of reMATCH Symphony no. 12, as intended by composer Lee Johnson, use the following order:I.   BOARDII.   WAR GAMINGIII.  FIRST NINE MOVESIV.  THEATRICASUALTIESV.   PROVING PHOENIXVI.  STATISTICAL ANOMALYVII.  RALLYVIII. SPUNALYSISIX.  AWARDFor more information on composer Lee Johnson, please visit:Lee Johnson Music websiteWatch the Kings Bishop Productions YouTube Channel featuring the music of Lee Johnson at:Kings Bishop Productions YouTube ChannelFor highlights of more exciting music by Lee Johnson use the following links:Dead Symphony no. 6 - based on the music of the Grateful DeadSt. StephenIf I Had the World To GiveHere Comes SunshineFor more music by Lee Johnson visit:www.sheetmusicdirect.comwww.sheetmusicplus.com.
$45.00
41.32 €
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Orchestre de chambre
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Lee Johnson
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THEATRICASUALTIES
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Lee Johnson Music
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SheetMusicPlus
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