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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
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PIANO
SAXOPHONE
SYNTHETISEUR
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CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
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CONTEMPORAIN - NEW A…
COUNTRY
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JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
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METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
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expert
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Non classifié
629
PIANO & CLAVIERS
Piano seul
413
Piano, Voix
183
Piano, Voix et Guitare
178
Piano Facile
136
Instruments en Do
45
Orgue
25
Accompagnement Piano
13
Piano grosses notes
8
Piano (partie séparée)
4
Piano Trio: piano, violon, violoncelle
4
1 Piano, 4 mains
3
2 Pianos, 4 mains
3
1 Piano, 6 mains
2
Accordéon
2
Clavier
1
Piano Quatuor: piano, violon, alto, violoncelle
1
Instrumentations suivantes
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GUITARES
Guitare notes et tablatures
106
Guitare
56
Paroles et Accords
29
Ligne De Mélodie, (Paroles) et Accords
29
Basse electrique
14
Ukulele
12
Guitare (partie séparée)
9
Basse électrique (partie séparée)
4
Banjo
3
2 Guitares (duo)
3
Piano, Guitare (duo)
2
Dulcimer
1
Ensemble de guitares
1
4 Guitares (Quatuor)
1
3 Dulcimers (trio)
1
Guitare, Violon, Violoncelle (trio)
1
Instrumentations suivantes
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VOIX
Chorale SATB
158
Chorale 3 parties
51
Chorale TTBB
41
Chorale Unison
31
Chorale 2 parties
29
Chorale SSAA
23
Voix seule
12
Voix Alto, Piano
7
Voix Soprano, Piano
6
Voix basse, Piano
2
Voix duo
2
Voix duo, Piano
2
Chorale SAATB A Cappella
1
Chorale
1
Voix moyenne, Piano
1
Chorale SSAATB
1
Voix Tenor
1
Chorale SSAATTBB
1
Voix basse
1
Voix Baryton, Piano
1
Voix haute
1
Instrumentations suivantes
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VENTS
Saxophone (partie séparée)
89
Clarinette
55
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
43
Flûte traversière et Piano
41
Flûte traversière
40
Saxophone Alto
36
Clarinette et Piano
33
Hautbois (partie séparée)
30
Hautbois, Piano (duo)
30
Flûte, Hautbois, Clarinette, Basson
28
Quatuor de Saxophones: 4 saxophones
27
Quatuor de Clarinettes: 4 clarinettes
24
Saxophone Alto et Piano
23
Clarinette (partie séparée)
18
2 Flûtes traversières (duo)
13
2 Saxophones (duo)
13
Ensemble de Clarinettes
12
2 Clarinettes (duo)
11
Saxophone Tenor et Piano
10
Quatuor de Flûtes : 4 flûtes
10
Flute (partie séparée)
9
2 Hautbois (duo)
8
Quintette de Saxophone: 5 saxophones
8
Ensemble de Flûtes
8
Flûte, Clarinette (duo)
6
Saxophone Soprano et Piano
6
Saxophone Tenor
6
Cor anglais, Piano
6
Saxophone, Clarinette (duo)
6
Ensemble de saxophones
5
Quintette de Clarinettes: 5 clarinettes
5
Hautbois, Basson (duo)
5
Clarinette, Violon (duo)
5
Clarinette, Guitare (duo)
4
2 Flûtes traversières, Piano
4
Clarinette, Trompette (duo)
4
Trio de Flûtes: 3 flûtes
4
Hautbois, Clarinette (duo)
4
2 Clarinettes, Piano
4
Flûte, Violon
4
Flûte, Saxophone (duo)
3
2 Hautbois, Piano
3
3 Clarinettes (trio)
3
Flûte et Guitare
3
Clarinette Basse, Piano
2
Clarinette et Alto
2
Flûte à bec Soprano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Saxophone Baryton, Piano
2
Flûte, Alto (duo)
2
Hautbois
2
Ensemble De Flûte à bec
2
Flûte, Trompette (duo)
2
Flûte, Violon, Piano
2
Flûte, Clarinette, Piano (trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte, Hautbois, Basson
1
Flûte à bec Soprano, Piano
1
Flûte à bec Alto, Piano
1
Hautbois, Clarinette, Basson (trio d'anches)
1
2 Flûte à bec (duo)
1
Clarinette, Harpe (duo)
1
Flûte à bec Tenor
1
Quintette de Flûte : 5 flûtes
1
Harmonica
1
Flûte, trombone et piano
1
Hautbois, Flûte
1
Hautbois, Guitare (duo)
1
Quatuor de Flûtes à bec
1
Instrumentations suivantes
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CUIVRES
Trompette
48
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
46
Trombone (partie séparée)
43
Trombone
39
Trompette (partie séparée)
35
Cor
27
Trombone et Piano
26
Cor et Piano
26
Trompette, Piano
24
Cor (partie séparée)
17
Quatuor de Cuivres : 2 trompettes, trombone, tuba
17
Tuba et Piano
16
Quatuor de cuivres: 4 trombones
16
Tuba
11
Quatuor de Cuivres
11
Tuba (partie séparée)
9
Euphonium, Piano (duo)
8
2 Trombones (duo)
7
2 Cors (duo)
6
Cor anglais, Piano
6
2 Trompettes (duo)
5
Trompette, Saxophone (duo)
4
Quatuor de Cuivres: 2 trompettes, Cor, trombone
4
2 Cors, Piano
3
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Trombones
2
Trompette, Trombone (duo)
2
Ensemble de Trompettes
1
3 Euphoniums
1
3 Trompettes (trio)
1
Trio de Cuivres
1
Trombone basse
1
2 Euphoniums et 2 Tubas
1
Instrumentations suivantes
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CORDES
Quatuor à cordes: 2 violons, alto, violoncelle
110
Violon
63
Violon et Piano
54
Violoncelle, Piano
37
Alto, Piano
35
Violoncelle (partie séparée)
31
Alto seul
29
Violon, Violoncelle (duo)
27
Harpe
22
Quintette à cordes: 2 violons, alto, violoncelle, basse
21
Trio à Cordes: violon, alto, violoncelle
20
Violoncelle
16
Violon (partie séparée)
13
2 Violoncelles (duo)
12
Alto (partie séparée)
9
Trio à Cordes: 2 violons, violoncelle
9
Contrebasse, Piano (duo)
8
2 Violons (duo)
8
2 Altos (duo)
8
Contrebasse (partie séparée)
8
Contre Basse
7
Harpe, Flûte (duo)
5
Violon, Alto (duo)
4
2 Harpes (duo)
3
2 Violons, Piano
3
4 Violoncelles
3
2 Violoncelles, Piano
2
2 Altos, Piano
2
Harpe, Voix
2
Violoncelle , Guitare (duo)
2
Quatuor à cordes: 4 violons
2
Alto et Harpe
1
Trio à Cordes: 3 violoncelles
1
Quatuor à cordes : 4 altos
1
4 Contrebasses
1
Alto, Guitare (duo)
1
Harpe, Violoncelle (duo)
1
Trio à Cordes: 2 violons, alto
1
4 Harpes
1
3 Harpes
1
Instrumentations suivantes
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
305
Ensemble Jazz
63
Orchestre
58
Orchestre à Cordes
39
Fanfare
29
Ensemble de cuivres
26
Batterie (partie séparée)
22
Cloches
17
Percussion (partie séparée)
15
Batterie
12
Jazz combo
10
Orchestre de chambre
9
Ensemble de Percussions
6
Xylophone
3
Marimba
2
Xylophone, Piano
1
Piano et Orchestre
1
Timbales (partie séparée)
1
Bongos
1
Marimba, Piano (duo)
1
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Partitions à imprimer
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A. Dvorak - Going Home (from the 9th Symphony) for Cello Ensemble
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.914907 Composed by Antonin D…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.914907 Composed by Antonin Dvorak. Arranged by Renan Moreira. Christmas,Contemporary,Holiday,Romantic Period. Score and Parts. 9 pages. R. Moreira #5334279. Published by R. Moreira (A0.914907). Arranged from the second movement of Dvorak's 9th Symphony. For 6 (six) or more cellos.
$10.95
10.08 €
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Orchestre de chambre
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Antonin Dvorak
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Renan Moreira
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A. Dvorak - Going Home
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R. Moreira
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SheetMusicPlus
A Dream from the Past
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna …
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1164132 Composed by Arianna Cunningham. Classical,Romantic Period. 55 pages. Arianna Cunningham #764482. Published by Arianna Cunningham (A0.1164132). A couple or a few years ago during the Pandemic, there was a Discord Server vs Server Competition going on, and one of the online virtual group communities out of all the other servers took part in a theme called Dreams. When the event started, I immediately started composing this beautiful composition, and chose the instrumentation for Uncommon Woodwinds (Alto Flute, English Horn, and Sopranino Sax), Strings, Harp, and Crotales. However, my submission entry didn't make it to the final Dreams EP as expected. But the admins of the online orchestra group told me that I can still host it as a community project, and it just so happens that I actually did do that, and I've gotten a good amount of submissions from the members themselves, went through all the mixing and editing, etc, before releasing the final performance.This piece is meant to be described about dreaming to a wonderful place you might've remembered, and haven't forgotten in a long time, experiencing the deja vu moments of what you think might've happened long time ago, hence the title, of course.
$25.00
23.02 €
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Orchestre de chambre
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Arianna Cunningham
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A Dream from the Past
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Arianna Cunningham
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SheetMusicPlus
The Desert Sun - Small Orchestra Score and Parts PDF
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.750850 Composed by Brendan E…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.750850 Composed by Brendan Elliget MAGA 537. Contemporary. Score and parts. 27 pages. BJE Music #3884827. Published by BJE Music (A0.750850). This little tune with a slight latin flavour will probably part of a suite. It reminded me of the desert sun going slowly down below the horizon and a cool evening setting in. It is scored for small orchestra with no Trumpet, Trombone or Tuba parts.Grade = 3 Duration = 2:00 mins.
$15.00
13.81 €
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Orchestre de chambre
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Brendan Elliget MAGA 537
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The Desert Sun - Small Orchestra Score and Parts PDF
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BJE Music
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SheetMusicPlus
Clarinet in the Ages - Score Only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Ni…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1082630 Composed by Karol Niklas. 20th Century,Baroque,Classical,New Age,Romantic Period. Score and parts. 20 pages. Karol Niklas #686841. Published by Karol Niklas (A0.1082630). It is a piece for clarinet and string orchestra with timpani using various instrumental techniques. It travels through various ages of the music history beginning with impressionism and going as far back as baroque.
$15.00
13.81 €
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Orchestre de chambre
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Karol Niklas
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Clarinet in the Ages - Score Only
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Karol Niklas
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- orchestra (small)
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753642 Composed by Traditional. Arranged by John Hoesly. Country,Film/TV,Folk. 36 pages. PRS&B #5218755. Published by PRS&B (A0.753642). Wayfaring Stranger- for small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
46.04 €
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Orchestre de chambre
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Traditional
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John Hoesly
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(I Am A Poor) Wayfaring Stranger- orchestra
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PRS&B
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SheetMusicPlus
(I Am A Poor) Wayfaring Stranger- Solo Voice (High Voice) and orchestra
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Tradition…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.753641 Composed by Traditional. Arranged by j. Contemporary,Film/TV,Folk,Traditional. 43 pages. PRS&B #5222665. Published by PRS&B (A0.753641). Wayfaring Stranger- for Solo Voice (High Voice) and small orchestra. Traditional American Folk Song arranged by John Hoesly. Also known as Poor Wayfaring Stranger and I Am A Poor Wayfaring Stranger, this song probably originated in the early 19th century. It has been recorded numerous times, but most significantly appears in the 2019 film 1917 where a soldier sings this plaintive melody to his fellow comrades just before going into battle. This arrangement is divided into two sections. Section one is a very haunting scenario, very plain with insistent harmonic devices. The second section is a more elaborate version with more harmonic movement and tempo extensions to create more drama. It ends as plaintively as it begins.
$50.00
46.04 €
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Orchestre de chambre
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Traditional
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j
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(I Am A Poor) Wayfaring Stranger- Solo Voice
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PRS&B
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SheetMusicPlus
Requiem
Orchestre de chambre
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Dow…
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - Digital Download SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
51.56 €
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Serenade Rondo (2013) for violin solo and chamber orchestra
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869428 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 36 pages. Thomas Oboe Lee #2071135. Published by Thomas Oboe Lee (A0.869428). Instrumentation: oboe, english horn, 2 french horns, and strings. I met Sharon Roffman in the fall of 2011 when maestro Steven Lipsitt and the Boston Classical Orchestra premiered my Symphony No. 8 … The City of Light at Faneuil Hall in Boston, Massachusetts. Sharon was the featured concerto soloist on the same program. She was an electrifying soloist in concertos by Mozart and Haydn, respectively. She wowed every one with her chops and musicality! A year later I went to hear Sharon and the BCO again, and this time I said to Steven Lipsitt that I want to write a concerto for Sharon. He thought it was great idea, and so did she. The title Serenade Rondo has the same acronym as Sharon Roffman. So in this case, the form precedes the composition. Originally I had planned to compose the concerto in the usual three-movement format. And I thought I was going to make the last movement a rondo, something in the usual ABACA thing. But as I proceeded with the composition, I realized that the work was moving in such a way that the whole thing could be conceived of as a rondo. Ultimately Serenade Rondo ended up in this form: ABACDAAudio link: https://thomasoboelee.bandcamp.com/album/serenade-rondo-2013Video link: https://youtu.be/4UPHQlqVNp8
$9.99
9.2 €
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Orchestre de chambre
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Thomas Oboe Lee
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Serenade Rondo
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Thomas Oboe Lee
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SheetMusicPlus
Eternes Friesés
Orchestre de chambre
Chamber Orchestra - Level 3 - Digital Download SKU: A0.1016967 Composed by Per Chri…
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Chamber Orchestra - Level 3 - Digital Download SKU: A0.1016967 Composed by Per Christian Arnesen. 20th Century,Contemporary. Score and parts. 35 pages. Per Christian Arnesen #5996715. Published by Per Christian Arnesen (A0.1016967). Eternes Fiesés consists of four small pieces for piano composed in 2006-2007, and was compiled for the Pierrot Ensemble in 2017-2018, released on ABLAZE Records Pierrot Ensemble Series vol. 3 in 2019. The percussion part is for marimba, chimes and large gong. Please be aware of the goings tuning.
$16.99
15.64 €
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Orchestre de chambre
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Per Christian Arnesen
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Eternes Friesés
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Per Christian Arnesen
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SheetMusicPlus
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