Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Gent
Non classifié
2 335
Piano & claviers
Piano seul
2 487
Piano, Voix
1 016
Piano Facile
513
Piano, Voix et Guitare
367
Orgue
262
Instruments en Do
111
Accompagnement Piano
104
1 Piano, 4 mains
72
Accordéon
61
Piano Trio: piano, violon, violoncelle
45
Piano grosses notes
22
2 Pianos, 4 mains
16
Piano Quatuor: piano, violon, alto, violoncelle
13
Piano Quatuor: piano, 2 violons, violoncelle
7
Piano (partie séparée)
7
1 Piano, 6 mains
5
Orgue, Piano (duo)
3
Orgue, Trompette (duo)
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavecin
1
Ligne De Mélodie, Piano
1
2 Orgues (duo)
1
+ 17 instrumentations
Retracter
Guitares
Guitare notes et tablatures
348
Guitare
223
Ligne De Mélodie, (Paroles) et Accords
120
Ukulele
66
Paroles et Accords
37
Basse electrique
27
Guitare (partie séparée)
18
2 Guitares (duo)
18
Mandoline
11
4 Guitares (Quatuor)
11
Piano, Guitare (duo)
10
Banjo
8
Dulcimer
5
Ensemble de guitares
5
3 Guitares (trio)
4
Ukulele Baryton
3
Guitare Pedal Steel
2
Guitare, Violon, Violoncelle (trio)
1
2 Dulcimers (duo)
1
2 Ukuleles
1
+ 15 instrumentations
Retracter
Voix
Chorale SATB
1 138
Chorale 3 parties
428
Chorale 2 parties
372
Chorale TTBB
371
Chorale SSAA
246
Chorale Unison
169
Voix duo, Piano
142
Voix seule
62
Pack Instrumental pour Chorale
55
Voix Tenor, Piano
50
Voix Soprano, Piano
44
Voix Alto, Piano
38
Voix duo
29
Chorale
24
Voix haute
13
Voix basse, Piano
10
Voix moyenne, Piano
7
Voix Tenor
5
Chorale SSAATTBB
4
Chorale, Orgue
3
Chorale SATTB
2
Voix, Guitare
2
Chorale SAATB A Cappella
2
Voix Baryton, Piano
2
Voix Soprano
1
Chorale SSATB
1
Chorale SSAB a cappella
1
Chorale SSAATB
1
Chorale SSATBB
1
Chorale SSATTB
1
+ 25 instrumentations
Retracter
Vents
Flûte traversière et Piano
305
Clarinette et Piano
241
Hautbois, Piano (duo)
164
Flûte traversière
149
Quatuor de Saxophones: 4 saxophones
144
Clarinette
144
Saxophone Alto et Piano
115
Saxophone (partie séparée)
114
2 Flûtes traversières (duo)
114
Saxophone
106
2 Saxophones (duo)
103
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
97
Flûte, Hautbois, Clarinette, Basson
92
Saxophone Tenor et Piano
86
Quatuor de Clarinettes: 4 clarinettes
74
Saxophone Alto
74
2 Clarinettes (duo)
68
Quatuor de Flûtes : 4 flûtes
62
Hautbois (partie séparée)
60
Clarinette, Harpe (duo)
59
Hautbois
50
Clarinette (partie séparée)
49
Flûte, Violon, Piano
49
Quintette de Saxophone: 5 saxophones
47
Saxophone Tenor
47
Saxophone Soprano et Piano
45
Flûte, Clarinette (duo)
44
Saxophone Baryton, Piano
31
Flute (partie séparée)
30
Flûte à Bec
29
3 Saxophones (trio)
29
Flûte et Guitare
28
Hautbois, Clarinette, Basson (trio d'anches)
28
2 Hautbois (duo)
26
Clarinette, Violon (duo)
24
3 Clarinettes (trio)
21
Saxophone, Clarinette (duo)
19
Clarinette Basse, Piano
19
Ensemble de Clarinettes
18
Cor anglais, Piano
17
Flûte, Violon
17
Ensemble de Flûtes
16
Flûte, Clarinette, Piano (trio)
15
Hautbois, Basson (duo)
15
Trio de Flûtes: 3 flûtes
15
Hautbois, Clarinette (duo)
14
Clarinette, Basson (duo)
13
Quintette de Clarinettes: 5 clarinettes
12
Clarinette, Violoncelle (duo)
11
Flûte, Violoncelle
11
Flûte, Hautbois, Clarinette (trio)
11
Clarinette, Guitare (duo)
10
Quatuor de Flûtes à bec
10
Flûte à bec Soprano
10
Ensemble de saxophones
9
Flûte, Clarinette et Basson
9
Clarinette, Trompette (duo)
9
2 Flûtes traversières, Piano
9
Flûte, Alto (duo)
8
Saxophone Baryton
8
Saxophone Soprano
8
Quintette de Flûte : 5 flûtes
8
Clarinette et Alto
8
Hautbois, Violoncelle
8
Flûte, Hautbois (duo)
6
Flûte, Saxophone (duo)
6
Hautbois, Flûte
6
2 Clarinettes, Piano
6
Saxophone et Harpe
6
2 Flûte à bec (duo)
5
Flûte, Hautbois, Piano (trio)
5
Cor Anglais
5
5 Flûtes à bec
5
Ocarina
5
Clarinette Basse
5
Cor anglais, Guitare (duo)
4
Hautbois, violon (duo)
4
Hautbois, Guitare (duo)
4
Hautbois et alto (duo)
4
Flûte à bec Alto, Piano
4
Clarinette, Violoncelle, Piano (trio)
4
Hautbois, Clarinette et Piano (Trio)
4
Saxophone et Guitare
4
Harmonica
4
Flûte, Basson et Piano
4
Flûte, Violoncelle, Piano (trio)
4
Hautbois, Harpe
3
Flûte à bec Soprano, Piano
3
Hautbois, trombone (duo)
2
Clarinette, Basson, Piano (trio)
2
Flûte, Trombone (duo)
2
Hautbois, Violoncelle et Piano
2
Clarinette, Trombone (duo)
2
Flûte, Alto et Piano
2
Flute, Cor (duo)
2
Flûte, Clarinette, Violon (trio)
2
Flûte, Trompette (duo)
2
Flute, harpe et violon
2
Clarinette, Alto et Piano (trio)
2
Flûte, Hautbois, Basson
2
Flûte à bec Tenor
2
Clarinette, trompette et piano
1
Flûte et Trio à cordes
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
Flûte à bec Alto
1
2 Saxophones, Piano
1
Flûte à Bec, Piano
1
2 Clarinettes, Basson
1
2 Flûtes traversières, Harpe
1
Ensemble à vent
1
Clarinette, Orgue
1
Hautbois, Violin, Alto et Violoncelle (Quatuor)
1
Flûte, Violon et Violoncelle
1
Ensemble De Flûte à bec
1
Flûte, Hautbois, Violon
1
Flûte, Violon, Violoncelle et Piano
1
2 Hautbois, Piano
1
Flûte traversière, Basse continue
1
2 Hautbois et Cor anglais
1
Clarinette, Tuba
1
Saxophone et Orgue
1
Flûte de Pan
1
Flûte irlandaise
1
Flûte, Harpe et Violoncelle
1
Flûte, Violoncelle, Guitare
1
Piccolo, Piano
1
Hautbois, Basson et Piano
1
+ 122 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
162
Trompette
158
Trompette, Piano
119
Trombone
110
Trombone et Piano
103
Cor
82
Cor et Piano
77
Trombone (partie séparée)
70
Tuba et Piano
62
Trompette (partie séparée)
59
Tuba
50
Quatuor de Cuivres
47
2 Trompettes (duo)
43
2 Trombones (duo)
38
Quatuor de Cuivres : 2 trompettes, trombone, tuba
34
Cor (partie séparée)
28
Quatuor de cuivres: 4 trombones
27
Quatuor de Cuivres: 2 trompettes, Cor, trombone
26
Euphonium, Piano (duo)
26
Trompette, Trombone (duo)
24
2 Cors (duo)
23
Tuba (partie séparée)
19
Cor anglais, Piano
17
2 Tubas (duo)
12
Trompette, Saxophone (duo)
12
Euphonium
11
Trio de Cuivres
11
2 Euphoniums et 2 Tubas
9
Ensemble de Trombones
7
Trompette, Cor (duo)
6
Euphonium, Tuba (duo)
6
Quatuor de cuivres: 2 trompettes, 2 trombones
6
Ensemble de Trompettes
6
Cor Anglais
5
Cor et Harpe
5
Cor anglais, Guitare (duo)
4
3 Trombones (trio)
4
Quatuor de cuivres: 4 cors
4
Trompette, Harpe
4
Ensemble de Cors
4
Trompette, Tuba (duo)
3
Trompette, Trombone, Piano
3
Cor, Violoncelle (duo)
3
Trompette et Guitare
3
Quatuor de cuivres: 4 trompettes
3
4 Tubas
3
Trombone, Violon (duo)
2
Trombone, Tuba (duo)
2
2 Euphoniums (duo)
2
Clarinette, Cor (duo)
2
2 Trompettes, Clavier (piano ou orgue)
2
Ensemble de Tubas
1
Cor et Orgue
1
Cor et Basson (duo)
1
Tuba et Orgue
1
Trombone basse
1
3 Trompettes (trio)
1
Bass Clef Instruments
1
2 Cors, Piano
1
+ 54 instrumentations
Retracter
Cordes
Violon et Piano
357
Quatuor à cordes: 2 violons, alto, violoncelle
329
Harpe
203
Violoncelle, Piano
175
Harpe, Flûte (duo)
154
Violon
154
Alto, Piano
143
Violoncelle
123
Alto seul
101
2 Violons (duo)
82
Violon, Violoncelle (duo)
63
2 Violoncelles (duo)
54
Contrebasse, Piano (duo)
47
Violon (partie séparée)
45
Trio à Cordes: violon, alto, violoncelle
44
Violon, Alto (duo)
43
Contre Basse
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
40
2 Altos (duo)
36
Alto (partie séparée)
25
2 Harpes (duo)
24
Trio à Cordes: 2 violons, violoncelle
22
Contrebasse (partie séparée)
22
Alto, Violoncelle (duo)
16
Harpe, Violon (duo)
13
Violon, Guitare (duo)
13
2 Contrebasses (duo)
12
Violoncelle (partie séparée)
12
Piano Trio: Violon, Alto, Piano
10
Violon, Basson (duo)
10
4 Violoncelles
8
Harpe, Violoncelle (duo)
7
Violoncelle , Guitare (duo)
7
Trio à cordes: 3 violins
6
Violoncelle, Contrebasse (duo)
6
Alto et Harpe
5
Harpe, Voix
5
Quatuor à cordes: 4 violons
5
Trio à Cordes: 2 violons, alto
4
Violon, Clarinette, Piano (trio)
4
Trio à cordes
4
Quintette à cordes: 2 violons, 2 altos, violoncelle
3
Alto et Basson
3
Trio à Cordes: 3 violoncelles
3
2 Altos, Piano
2
2 Violons, Piano
2
Trio à cordes: 3 altos
2
Violon, Tuba (duo)
2
Harpe, Trombone (duo)
1
2 Violoncelles, Piano
1
Ensemble de Violoncelles
1
Quatuor à cordes : 4 altos
1
Violoncelle, Orgue
1
4 Contrebasses
1
Alto, Guitare (duo)
1
Violon, Orgue
1
3 Harpes
1
Quintette à cordes : 2 violons, alto et 2 violoncelles
1
Harpe et mandoline
1
+ 54 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
832
Cloches
179
Orchestre à Cordes
157
Orchestre
132
Ensemble Jazz
67
Ensemble de cuivres
63
Batterie
43
Orchestre de chambre
37
Percussion (partie séparée)
30
Marimba
13
Jazz combo
12
Batterie (partie séparée)
11
Timbales (partie séparée)
10
Ensemble de Percussions
9
Xylophone, Piano
9
Fanfare
8
Piano et Orchestre
5
Percussion
5
Vibraphone
5
Quintette à cordes : 2 Violons, Alto, Violoncelle, Contrebasse, Clavier
4
Xylophone
4
Vibraphone, Piano
3
Instrumentation Flexible
2
Quintette à Vent
2
Timbales
1
Orchestre, Violon
1
+ 21 instrumentations
Retracter
Autres
Partitions Gratuites
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Instrumentations
Top Téléchargements
Compositeurs
Nouveautés
Partitions de Noël
Genres Musicaux
Genres Musicaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 657
Partitions Numériques
37
Librairie Musicale
17
Matériel de Musique
9 860
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Gent
Orchestre de chambre
Partitions à imprimer
37 partitions trouvées
<
1
26
DAS BAUMCHEN (EL ARBOLITO) TANGO ARGENTINO
#
Orchestre de chambre
#
FACILE
#
IVAN BENJAMIN PERIZ
#
IVAN BENJAMIN PERIZ
#
DAS BAUMCHEN
#
Ivan Periz
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1025167 Composed by IVAN BENJAMIN PERIZ. Arranged by IVAN BENJAMIN PERIZ. 20th Century,Contemporary,World. Score a...
(+)
Chamber Orchestra - Level 2 - SKU: A0.1025167 Composed by IVAN BENJAMIN PERIZ. Arranged by IVAN BENJAMIN PERIZ. 20th Century,Contemporary,World. Score and parts. 9 pages. Ivan Periz #6102027. Published by Ivan Periz (A0.1025167). Argentine tango for camera trio.
$12.00
Cristian Gentilini: ROSABEL, SERENATA PER ORCHESTRA (ES 144) - Score Only
#
Orchestre de chambre
#
AVANCÉ
#
Contemporain
#
Cristian Gentilini
#
Cristian Gentilini: ROSABEL, S
#
Sconfinarte
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1182105 Composed by Cristian Gentilini. Classical,Contemporary. Score and parts. 40 pages. Sconfinarte #781868. Pu...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1182105 Composed by Cristian Gentilini. Classical,Contemporary. Score and parts. 40 pages. Sconfinarte #781868. Published by Sconfinarte (A0.1182105). ROSABEL, SERENATA PER ORCHESTRA (ES 144)Organico: Orchestra.
$20.00
God Rest You Merry Gentlemen (SCORCHIO! Orchestral Set)
#
Orchestre de chambre
#
Noël
#
Anon
#
Tim Crooks
#
God Rest You Merry Gentlemen
#
SCORCHIO! Orchestral Music UK
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.501828 Composed by Anon. Arranged by Tim Crooks. Christmas. Score and parts. 50 pages. Published by SCORCHIO! Orchestral Mus...
(+)
Chamber Orchestra - SKU: A0.501828 Composed by Anon. Arranged by Tim Crooks. Christmas. Score and parts. 50 pages. Published by SCORCHIO! Orchestral Music UK (A0.501828). God Rest You Merry Gentlemen, arranged by Tim Crooks for Orchestra with optional SSA choir. 1111, 2230, perc (4), piano & strings This download is Score and Parts (multiple string copies can be printed) Duration 4', level: moderate (ABRSM Grade 5+) This jazzed-up version of the traditional carol can be performed by orchestra alone, choir or combined. A compatible SSA choir part is available separately at Sheet Music plus: https://www.sheetmusicplus.com/title/god-rest-you-merry-gentlemen-str-uk-version-choir-sheet-digital-sheet-music/22119728 SCORCHIO! Orchestral Music - made in the UK We'd love to hear your feedback: strukstrings@gmail.com Facebook / Twitter @strukstrings.
$34.99
[Dellaira] The Secret Agent
#
Orchestre de chambre
#
Michael Dellaira
#
[Dellaira] The Secret Agent
#
American Composers Alliance Inc.
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.953040 Composed by Michael Dellaira. Contemporary,Opera. Score and parts. 291 pages. American Composers Alliance Inc. #46347...
(+)
Chamber Orchestra - SKU: A0.953040 Composed by Michael Dellaira. Contemporary,Opera. Score and parts. 291 pages. American Composers Alliance Inc. #4634725. Published by American Composers Alliance Inc. (A0.953040). An opera in two acts on libretto by J.D. McClatchy. Cast for 3 sopranos, 2 mezzo-sopranos, 1 contralto, 3 tenors, 6 baritones (optionally 4 baritones), 1 bass-baritone, and 1 bass with a chamber orchestra composed of 1(+picc)1(+EH)1(+bcl)1 - 1010 - perc, hp - 2111.PDF download includes score - contact sales@composers.com for any inquiries into part sales or rental.
$79.95
Le Bourgeois Gentilhomme
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Jean-Baptiste Lully
#
Le Bourgeois Gentilhomme
#
Schott Music - Digital
#
SheetMusicPlus
Chamber orchestra - intermediate - SKU: S9.Q1126 Composed by Jean-Baptiste Lully. This edition: score. Concertino. Downloadable, Score. Duration 15 minu...
(+)
Chamber orchestra - intermediate - SKU: S9.Q1126 Composed by Jean-Baptiste Lully. This edition: score. Concertino. Downloadable, Score. Duration 15 minutes. Schott Music - Digital #Q1126. Published by Schott Music - Digital (S9.Q1126). This work can be scored alternatively. Oboes, even choric ones, may be added to the two violins, English horns to the two violas, a bassoon to the bass.
$21.99
God Rest You Merry Gentlemen - strings and piano with parts
#
Orchestre de chambre
#
FACILE
#
Connie Boss
#
God Rest You Merry Gentlemen -
#
Connie Boss
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.801526 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6072089. Publi...
(+)
Chamber Orchestra - Level 2 - SKU: A0.801526 Arranged by Connie Boss. Christian,Christmas,Sacred. Score and parts. 10 pages. Connie Boss #6072089. Published by Connie Boss (A0.801526). This a unique intro. It is for a string quartet - 2 violins, viola and cello with piano. lyrics and parts are included. cdboss@cvalley.net
$5.50
God Rest Ye Merry Gentlemen for String Quartet (or Mixed Quartet or Piano Quintet)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Traditional
#
Daniel Kelley
#
Cello, Piano Quartet &
#
God Rest Ye Merry Gentlemen fo
#
Last Resort Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.530731 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages....
(+)
Chamber Orchestra - Level 4 - SKU: A0.530731 Composed by Traditional. Arranged by Daniel Kelley. Baroque,Christmas,Standards. Score and parts. 19 pages. Last Resort Music Publishing #4887843. Published by Last Resort Music Publishing (A0.530731). An amazing resource for any musician, Music for Four is perfect for String Quartet, Mixed Quartet, Three Violins & Cello, Piano Quartet & More! Comes with score and 6 interchangeable parts - the keyboard/guitar part encompasses parts 2, 3 and 4. Therefore, the arrangements could be played as a piano quartet, or an entire quartet could play with a pianist - as long as Part 1 is being played.The following 6 parts plus score are included in the set:Part 1 Flute or Oboe or ViolinPart 2 Flute or Oboe or ViolinPart 3 ViolaPart 3 ViolinPart 4 Cello or BassoonKeyboard or GuitarScoreDon't miss our other Christmas & Nutcracker arrangements including Dance of the Sugar Plum Fairy, March, Overture & Trepak, Silent Night, The First Noel, Handel's Messiah, We Wish You a Merry Christmas and more! Available on SheetMusicPlus and www.lastresortmusic.comPublished by Last Resort Music Publishing www.lastresortmusic.com
$9.95
GOD REST YOU MERRY, GENTLEMEN - string orchestra - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Noël
#
Anonimous
#
Ioan Badea
#
GOD REST YOU MERRY, GENTLEMEN
#
Ioan BADEA
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1326863 Composed by Anonimous. Arranged by Ioan Badea. Christmas. 4 pages. Ioan BADEA #914955. Published by Ioan B...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1326863 Composed by Anonimous. Arranged by Ioan Badea. Christmas. 4 pages. Ioan BADEA #914955. Published by Ioan BADEA (A0.1326863).
$15.00
Gentle Rains (for chamber orchestra)
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Jordan Grigg
#
Gentle Rains
#
Jordan Grigg
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.864199 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 51 pages. Jordan G...
(+)
Chamber Orchestra - Level 4 - SKU: A0.864199 Composed by Jordan Grigg. Concert,Contemporary,Instructional,Standards. Score and parts. 51 pages. Jordan Grigg #5793751. Published by Jordan Grigg (A0.864199).
$29.95
Sunrise Upon The Mojave River
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Patrick Wells
#
Sunrise Upon The Mojave River
#
Patrick Wells
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1028209 Composed by Patrick Wells. Contemporary,World. Score and parts. 18 pages. Patrick Wells #4634823. Publishe...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1028209 Composed by Patrick Wells. Contemporary,World. Score and parts. 18 pages. Patrick Wells #4634823. Published by Patrick Wells (A0.1028209). This is a beautiful work. It describes a sunrise over a mountain range overlooking the Mojave River. The beautiful opening melody in the cello sets the mood for the rest of the music. Pizzicato strings and flowing woodwind passages gives the feeling of gentle rippling water gently drifting towards shore. It ends peacefully with an orchestral tutti of long held notes. .
$4.00
Händel: Atalanta, HWV 35: Ouverture. Largo - Allegro as played by Alison Balson and Trevor Pinnock.
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Georg Friedrich Händel, Ali
#
Flavio Regis Cunha
#
Händel: Atalanta, HWV 35:
#
Flavio Regis Cunha
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Ha...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1288408 By Georg Friedrich Händel, Alison Balson, Trevor Pinnock and the English Concert. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Instructional,Wedding. Score and Parts. 44 pages. Flavio Regis Cunha #879394. Published by Flavio Regis Cunha (A0.1288408). Handel: Atalanta, HWV 35: Ouverture. Largo - Allegro.Do you want to bring Georg Friedrich Händel's Atalanta to life? Introducing Handel's powerful work for trumpet solo and chamber orchestra, as played by the world's premier soloist Alison Balson and Trevor Pinnock. Perfect for church, school and professional orchestras, 'Handel: Atalanta' will give your performance exceptional energy and dynamic expression. Get this timeless masterpiece and experience a stunning work of genius.Advanced Intermediate Format: Concert, 9 x 12 inches44 pagesFull Score and Orchestral Parts Instrumentation: Basso continuo, Trumpet, Chamber Orchestra (0.2.0.1  0.1.0.0  harpsich. str.) + Trumpet and Continuo reductionDuration: 4 min.Program NotesAbout the ComposerThe 'Atalanta, HWV 35: Ouverture' was composed by the renowned Baroque composer, Georg Friedrich Händel. His imaginative works make him one of the most important figures of the Baroque period. Other well-known works of Händel's include 'The Messiah', 'Water Music', and 'Music for the Royal Fireworks'. He was a master at combining various instruments and emotional elements to create enthralling music.Musical CharacteristicsThe 'Atalanta, HWV 35: Ouverture' is characterized as a light and airy composition, made up of a combination of a trumpet solo and chamber orchestra. The movement transitions from a gentle, unhurried 'Largo' into an energetic and lively 'Allegro'. The bright, steady tempo of the 'Allegro' creates a lively and captivating atmosphere. The trumpet solo and chamber orchestra complement each other wonderfully, resulting in an energetic and joyous musical journey. The Composition ItselfThe 'Atalanta, HWV 35: Ouverture' is presented here by trumpeter Alison Balson and conductor Trevor Pinnock and The English Concert. The piece begins with a wonderfully flavorful 'Largo' section, featuring Balson's ethereal, small touches of the trumpet as the orchestra gently sets the musical groundwork. This is soon followed by an equally uplifting 'Allegro'. Balson's trumpet solo is full of passion and energy, creating a bold and energetic atmosphere. As the chamber orchestra grows more intense, the piece builds to a thrilling conclusion. Programmatic InterpretationThe 'Atalanta, HWV 35: Ouverture' is based on the ancient Greek myth of Atalanta. In the myth, Atalanta is a swift and brave Princess who is challenged by a band of young suitors to a race. To the winners, she offers a prize of marriage. As we listen to Handel's composition, we can imagine the race beginning with the slow and steady 'Largo', as Atalanta calmly assesses the present, and takes her time to decide her path. As the 'Allegro' begins, we can feel her strength and power as she embarks on her journey, full of excitement and determination. As the piece builds, we can feel her courage and enthusiasm as she confronts the race ahead. Finally, we can picture Atalanta achieving success as the piece ends in jubilation.About the album 'Magic Trumpet'Sound the Trumpet is an album of glorious baroque music associated with royalty where Alison brings the music of the Purcell and Händel to life. collaboration between the English trumpetist, Alison Balson, the conductor and harpsichordist, Trevor Pinnock and the English Concert baroque soloists.
$39.99
Theme from "Finlandia"
#
Orchestre de chambre
#
DÉBUTANT
#
Jean Sibelius
#
Dario Argentesi
#
Theme from "Finlandia&quo
#
Dario Argentesi
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1492661 Composed by Jean Sibelius. Arranged by Dario Argentesi. 20th Century,Christmas,Classical,Folk,Multicultura...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1492661 Composed by Jean Sibelius. Arranged by Dario Argentesi. 20th Century,Christmas,Classical,Folk,Multicultural,World. 20 pages. Dario Argentesi #1069339. Published by Dario Argentesi (A0.1492661). Theme from Finlandia by Jean Sibelius, arranged for school orchestra (flute, alto sax, trumpet, mallets, percussions, guitar, piano, keyboard, strings).
$5.00
Pájaros (Birds) for solo flute and strings
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Adrienne Inglis
#
Pájaros
#
Adrienne Inglis
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (...
(+)
Chamber Orchestra - Level 4 - SKU: A0.953618 Composed by Adrienne Inglis (ASCAP). Contemporary,Latin,World. Score and parts. 42 pages. Adrienne Inglis (ASCAP) #4792829. Published by Adrienne Inglis (ASCAP) (A0.953618). Pájaros for solo flute and strings (2017) captures the springtime songs of many Texas Hill Country birds, including the beloved Golden-cheeked Warbler, and sets them to flirtatious Latin rhythms.As an avid bird lover, the composer sets some of her favorite bird songs to music in Pájaros for solo flute and strings. The birds featured in this piece nest every spring in the Hill Country of Texas, west of Austin. As daylight turns to dusk, the Bewick's Wren's tuneful song unfolds over an Argentine tango rhythm, accompanied by the Northern Cardinal, Lesser Goldfinch, and Northern Bobwhite. A Red-tailed Hawk startles all the songbirds into momentary silence. As they resume their singing, dusk fades into darkness and various insects start their incessant chirping. The mysterious Chuck-will's-widow sings its mournful call all night long, set here to a Venezuelan pasaje rhythm. When day breaks, the Golden-cheeked Warbler sings its two songs from the treetops to stake out its territory and attract a mate. The Cuban danzón provides the backdrop for its flirtatious tunes.Duration about 6:00.Recognition:Pájaros was selected as one of 55 finalists chosen from almost 2200 entries from 76 countries in the Kaleidoscope Chamber Orchestra 2018 Call for Scores.
$8.99
One Second to the Future - Guitar Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Brent C Robitaille
#
One Second to the Future - Gui
#
Brent C Robitaille
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1412646 By Brent C Robitaille. By Brent C Robitaille. 21st Century,Classical. 83 pages. Brent C Robitaille #994677. Published by Brent C Robitaille (A0.1412646). One Second to the Future (Guitar Orchestra) Composer: Brent Robitaille  • “One Second to the Future†is a two-movement piece for either a single or optional double guitar orchestra with four separate parts for electric guitar and classical guitar. Two optional steel string guitar and electric bass parts are available but may be substituted if these instruments are unavailable. The total score will be around 500 measures with a running time of approximately 12-15 minutes. The piece is quite approachable for intermediate-level guitarists, with the more challenging sections arranged for the 1st and 2nd parts of the electric and classical guitar. Three overhead mics from the stage will be used to spatialize the sound into a stereo or surround sound system.  • The first movement starts with a fixed audio shortwave recording from the Canadian time signal shortwave station CHU, gently fading in for approximately 20 seconds before the guitar orchestra begins with natural and artificial harmonics.  • The second fixed audio track gently enters around the 1:00-minute mark. This track was recorded using eight amplified and non-amplified guitars in altered tunings with eight separate microphones to integrate into stereo or surround sound. The guitar's open strings were left to vibrate sympathetically as the volume increased and struck on the headstock with various rubber and metal sticks, violin bows or paint brushes to get the strings vibrating. The resulting wave files were then imported into a sampling program and filtered into the overtone series with “C†as the fundamental, emphasising the first 14 partials. This recording will be used intermittently throughout the first movement, acting primarily as a background pad.   • At approximately 3:00 minutes into the first movement, the players are asked to use a glass or metal slide to tap out rhythms based on the international Morse code. Several other standard slide guitar techniques are also integrated into this section. See instructions in the score. The first movement ends with both fixed audio tracks fading away.  • The second movement integrates a more traditional guitar playing and composition approach. Its bulk is at a robust tempo of 160 bpm and uses several rhythmic and timbral techniques, including sul tasto, sul ponticello, harmonics, golpe, string snaps, and the further use of guitar slides.  • Midway through the second movement, a rallentando proceeds to a section indicated by the tempo mark “slow motion.†At this point, a third fixed audio recording of a single vibrating guitar string slowed down by 3000% will fade in. The orchestra is instructed to play with this recording in slow motion or approximately 30 bpm. See score for details. The orchestra eventually returns to the original tempo to finish the 2nd movement.  Technical Requirements • Three mono or stereo mics from the orchestra will be required and blended with the stereo or surround sound. • A standard guitar delay and distortion pedal for electric guitar parts one and two is required. • Glass and metal guitar slides are required.   To download the fixed audio tracks, go here: https://soundcloud.com/kalymi/sets/one-second-to-the-future-guitar-orchestra-fixed-audio-tracks For fixed audio track information and information, contact me at:info@brentrobitaille.com.
$75.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Balloon Ride
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
James Alexander Pavlic
#
Balloon Ride
#
James A. Pavlic
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Publish...
(+)
Chamber Orchestra - Level 4 - SKU: A0.923339 Composed by James Alexander Pavlic. Contemporary. Score and parts. 88 pages. James A. Pavlic #8837. Published by James A. Pavlic (A0.923339). Are you ready for an exhilarating ride through the wild blue yonder and beyond? If the answer is yes, then look no further: Balloon Ride! It's lively melodies, lush string beds, and mesmerizing harmonies will keep you thoroughly engaged. As you are preparing for your journey, the escalating strings propel you forward and raise you up in the sky. Soon following, the wind gently keeps you afloat as the slight gusts (invoked by the escalating winds) push you forward and higher. Eventually, you hit a tornado (sporadic harmony changes) and snowstorm as you fighting for your life. Eventually, the sailing gets easier as you soon approach clear skies; and, the anticipation keeps rising as you eventually reach the home stretch. Would work great as an opening or closing to a concert. For performance, some sections may need to be slowed down maybe to make it less taxing on players. The key is momentum and minimal hand motion possibly for string parts. Scored for chamber orchestra. MP3 sample is included for your listening pleasure.
$18.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Requiem
#
Orchestre de chambre
#
Harald Weiss
#
Requiem
#
Schott Music - Digital
#
SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
(+)
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Love On Top
#
Orchestre de chambre
#
FACILE
#
Beyonce
#
Frances Dawson
#
Love On Top
#
Frances Dawson
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. 21st Century,Chi...
(+)
Chamber Orchestra - Level 2 - SKU: A0.1493775 By Beyonce. By Beyonce Knowles, Shea Taylor, and Terius Nash. Arranged by Frances Dawson. 21st Century,Children,Contemporary,Pop,R & B. 54 pages. Frances Dawson #1070438. Published by Frances Dawson (A0.1493775). 'Naughties nostalgia' A mash-up arrangement of 8 well known pop songs from the early 2000's for small chamber orchestra.-Strings, clarinet and flute. Songs include 'Bby'-Justin Beiber, 'Everybody in love'-JLS, 'Murder on the dancefloor'-Sophie Ellis-Bextor, 'About you now'-Sugarbabes, 'What makes you beautiful'-1D, 'Fight for this love'-Cheryl Cole, 'Umbrella'-Rhianna and 'Love on top'-Beyonce.This 6 min arrangent is perfect for youth and community music groups who want to play some fun pop music with thier classical instruments.
$49.99
Conflusion - Suite - Wind Ensemble
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Thomas Graf
#
Thomas Graf
#
Conflusion - Suite - Wind Ense
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
(+)
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Thomas Graf
#
Thomas Graf
#
Conflusion - Suite - Woodwind
#
Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Four Early Jazz Favourites from the USA for String Orchestra ''Jazz for 5 Strings Series''
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Joseph Eastburn Winner
#
Keith Terrett
#
Four Early Jazz Favourites fro
#
Keith Terrett
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,...
(+)
Chamber Orchestra - Level 3 - SKU: A0.747302 Composed by Joseph Eastburn Winner (1837-1918). Arranged by Keith Terrett. 20th Century,Jazz,Multicultural,World. 48 pages. Keith Terrett #1934279. Published by Keith Terrett (A0.747302). An arrangement of four popular jazz classics namely ''Little Brown Jug'', '' Frankie and Johnny'', ''Tin Roof Blues'' & the ''Battle Hymn of the Republic'' (Mine Eyes Have Seen the Glory). A great selection for your orchestra's next performance and not too difficult, the audience and players should enjoy the jazzy tunes presented in this arrangement. For more of my original music, great arrangements and all the national anthems of the world, check out my on-line stores: http://www.scoreexchange.com/profiles/keith_terret http://musicforalloccasions.org.uk http://www.sheetmusicplus.com/search?Ntt=keith+terrett Need an anthem fast? They are ALL in my store! All my anthem arrangements are also available for Orchestra, Recorders, Saxophones, Wind, Brass and Flexible band. If you need an anthem urgently for an instrumentation not in my store, let me know via e-mail, and I will arrange it for you FOC if possible! keithterrett@gmail.com Joseph Eastburn Winner (1837-1918), Trad, Composed by Paul Mares, Ben Pollack, Mel Stitzel, George Brunies and Leon Roppolo/Richard M. Jones?Composed by Julia Ward Howe (1819 – 1910).
$17.99
Scaramouche
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Darius Milhaud
#
Clara Obsidian
#
Scaramouche
#
Clara Obsidian
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.871387 Composed by Darius Milhaud. Arranged by Clara Obsidian. Contemporary. Score and parts. 21 pages. Clara Obsi...
(+)
Chamber Orchestra - Level 4 - SKU: A0.871387 Composed by Darius Milhaud. Arranged by Clara Obsidian. Contemporary. Score and parts. 21 pages. Clara Obsidian #5997045. Published by Clara Obsidian (A0.871387). Scaramouche, op.165 is a suite in three movements written by the French composer Darius Milhaud . Under the same opus number exists in two different versions written around the same time: for two pianos (op.165b) and for saxophone and orchestra (op.165c, 1939 ), although the best known is the one for two pianos.This is the second movement, Modéré, a gentle and tranquil piece that has been rearranged for Alto Saxophone Solo and String Quartet Accompaniment.Full Score and Parts---------------
$12.99
BH013REC - Recorder Quartet Songs, Book 13 (>70 pages)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Carl Van Pevenage
#
BH013REC - Recorder Quartet So
#
Carl Van Pevenage
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.921172 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 98 pages. Carl Van Peve...
(+)
Chamber Orchestra - Level 3 - SKU: A0.921172 Composed by Carl Van Pevenage. Classical,Folk,Pop,Romantic Period. Score and parts. 98 pages. Carl Van Pevenage #3011791. Published by Carl Van Pevenage (A0.921172). The chansonnettes are easy songs of different styles (folk, classical, pop, romantic, Christmas carols, etc). This book contains 10 songs arranged for Recorder or String Quartets, but can be played by any SATB group with 4 the same or mixed instruments.. All sound is computer generated. Playing it, will bring the music to live.Song list:Chansonnette 121 Picure paints a thousand wordsChansonnette 122 To delicate to flyChansonnette 123 Le the cat out of the badChansonnette 124 Your guess is as good as mineChansonnette 125 Pastorale: In harmony with natureChansonnette 126 Once in a blue moonChansonnette 127 A gentle tapping at the windowChansonnette 128 Folk dance: The speedy spiky waltzChansonnette 129 Danno DannoChansonnette 130 A funny dance at the palace
$9.95
Bunny Rabbits for Chamber Orchestra - Score only in Tabloid format
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
David Warin Solomons
#
Bunny Rabbits for Chamber Orch
#
David Warin Solomons
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons...
(+)
Chamber Orchestra - Level 3 - SKU: A0.578875 Composed by David Warin Solomons. 20th Century,Contemporary. Score and parts. 7 pages. David Warin Solomons #1791985. Published by David Warin Solomons (A0.578875). This letter to my grandmother is a recollection of her final years in the 1970s. She suffered from Parkinsons and became very frustrated with the fact that her body simply didn't follow the commands of her brain. But she was always a very polite, gentle and yet determined person - others in this situation might have used swear words, but, when she found herself immobilised, my gran would simply shout Bunny Rabbits!. This would make us laugh and she would laugh along with us. The frustration is represented in the music by the Delians melodic fragment DEFGEDE (in the D Dorian mode) interrupted by the timpani, and eventually other instruments, repeating the frustrated bunny rabbits theme. Finally - following her Christian beliefs, her soul goes up to an afterlife in which she is released from the frustration and the bunny rabbits, who have a final grumble on brass and timpani and give way to an ethereal minor chord with a major sixth, as suggested by the Dorian mode. The sound sample here is an electronic preview. The piece was premiered on 30 January 2016 by the Octava Chamber Orchestra along with various other short movements composed by other members of the Delian Society as part of Delian Suite No 8.
$5.00
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Gent
