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ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
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UKULELE
VIBRAPHONE
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Non classifié
270
Piano & claviers
Piano seul
113
Instruments en Do
53
Piano, Voix et Guitare
53
Piano, Voix
27
2 Pianos, 4 mains
21
Piano Facile
18
Orgue
12
Piano (partie séparée)
5
Piano Quatuor: piano, violon, alto, violoncelle
5
1 Piano, 4 mains
3
Accompagnement Piano
3
Accordéon
2
Piano Trio: piano, violon, violoncelle
2
1 Piano, 6 mains
1
Piano grosses notes
1
2 Pianos, 8 mains
1
+ 11 instrumentations
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Guitares
Guitare
20
Guitare notes et tablatures
18
Guitare (partie séparée)
10
Ligne De Mélodie, (Paroles) et Accords
7
Ukulele
6
Basse electrique
6
Paroles et Accords
2
Guitare, Violon, Violoncelle (trio)
1
Piano, Guitare (duo)
1
2 Guitares (duo)
1
4 Guitares (Quatuor)
1
Ensemble de guitares
1
+ 7 instrumentations
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Voix
Chorale SATB
54
Chorale 3 parties
16
Chorale 2 parties
9
Chorale TTBB
6
Chorale Unison
5
Chorale SSAA
4
Voix Soprano
3
Voix duo
3
Voix Baryton, Piano
2
Voix Alto, Piano
1
Voix seule
1
Voix moyenne, Piano
1
Voix basse, Piano
1
Voix haute
1
Voix duo, Piano
1
+ 10 instrumentations
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Vents
2 Saxophones (duo)
143
Saxophone, Clarinette (duo)
75
2 Clarinettes (duo)
67
Clarinette, Violon (duo)
50
2 Flûtes traversières (duo)
47
Clarinette, Trompette (duo)
42
2 Flûte à bec (duo)
40
Saxophone (partie séparée)
29
Hautbois, Flûte
27
2 Hautbois (duo)
26
Flûte, Violon
26
Flûte, Alto (duo)
26
Hautbois, Basson (duo)
26
Flûte, Saxophone (duo)
25
Hautbois, Clarinette (duo)
24
Flûte, Clarinette (duo)
23
Flûte, Trompette (duo)
22
Quatuor de Saxophones: 4 saxophones
22
Clarinette et Alto
21
Hautbois, Piano (duo)
12
Flûte traversière et Piano
11
Flûte, Hautbois, Clarinette, Basson
10
Clarinette et Piano
10
Quatuor de Clarinettes: 4 clarinettes
10
Clarinette, Trombone (duo)
10
Ensemble de saxophones
9
Saxophone Alto
9
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
8
Clarinette
8
Saxophone Soprano et Piano
7
Saxophone Alto et Piano
7
Flûte traversière
7
Saxophone Tenor
6
3 Clarinettes (trio)
6
Saxophone Tenor et Piano
6
Cor anglais, Piano
5
Flute (partie séparée)
5
Quatuor de Flûtes : 4 flûtes
4
Quintette de Saxophone: 5 saxophones
4
Hautbois (partie séparée)
3
Ensemble de Flûtes
3
Quintette de Clarinettes: 5 clarinettes
3
Clarinette Basse, Piano
3
Saxophone Baryton, Piano
2
Ensemble de Clarinettes
1
Flûte à bec Soprano, Piano
1
Flûte et Guitare
1
Clarinette, Basson (duo)
1
Clarinette, Guitare (duo)
1
3 Saxophones (trio)
1
Clarinette (partie séparée)
1
+ 46 instrumentations
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Cuivres
Trompette, Saxophone (duo)
54
2 Trombones (duo)
37
2 Trompettes (duo)
34
Trompette, Trombone (duo)
25
Trombone (partie séparée)
24
Trompette (partie séparée)
15
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
11
2 Euphoniums (duo)
10
Trombone et Piano
9
Trompette
9
Tuba (partie séparée)
5
Trompette, Piano
5
Quatuor de Cuivres : 2 trompettes, trombone, tuba
5
Cor et Piano
5
Cor (partie séparée)
5
Cor anglais, Piano
5
Trombone
4
Euphonium, Piano (duo)
4
Quatuor de cuivres: 4 cors
3
Cor
3
Tuba et Piano
2
Tuba
2
2 Cors (duo)
1
4 Tubas
1
Quatuor de Cuivres: 2 trompettes, Cor, trombone
1
Euphonium, Tuba (duo)
1
+ 21 instrumentations
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Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
60
Violon, Violoncelle (duo)
53
2 Violoncelles (duo)
33
Violon, Alto (duo)
31
Violon
30
2 Violons (duo)
25
2 Altos (duo)
25
Violon et Piano
21
Harpe
11
Violoncelle, Piano
10
Trio à Cordes: 2 violons, violoncelle
9
Trio à Cordes: violon, alto, violoncelle
9
Alto, Piano
8
Violoncelle
7
Contrebasse (partie séparée)
6
Alto seul
3
Alto, Violoncelle (duo)
3
Trio à Cordes: 3 violoncelles
2
Violon (partie séparée)
1
Alto (partie séparée)
1
4 Harpes
1
2 Violons, Piano
1
Contrebasse, Piano (duo)
1
Quatuor à cordes: 4 violons
1
4 Violoncelles
1
+ 20 instrumentations
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Orchestre & Percussions
Orchestre d'harmonie
118
Ensemble Jazz
23
Orchestre
15
Ensemble de cuivres
9
Orchestre à Cordes
6
Batterie (partie séparée)
5
Fanfare
4
Orchestre de chambre
4
Cloches
2
Percussion
1
Ensemble de Percussions
1
Vibraphone
1
Batterie
1
Orchestre, Violon
1
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Fantasy for Flute and Strings
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Orchestre de chambre
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AVANCÉ
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Adrian Dee
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Fantasy for Flute and Strings
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Adrian Dee
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee ...
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Chamber Orchestra - Level 5 - SKU: A0.817949 Composed by Adrian Dee. 21st Century,Chamber,Classical,Contemporary. Score and Parts. 97 pages. Adrian Dee #6682479. Published by Adrian Dee (A0.817949). I wrote Fantasy in the late spring of 2019. Before I could arrange a premier, the COVID-19 pandemic set in and everything stopped. I finally had the joy of premiering the piece on December 8, 2021, with my home team the Newport Symphony in Newport, Oregon, with Adam Flatt conducting. The audience was on their feet for both the matinee and the evening performances, so I guess they liked it! The piece is melodic, rhythmic, tonal, and just plain fun to play. It goes together easily. Each movement is about five and a half minutes, total play time about 17 minutes. It is appropriate for advanced student groups as well as professional groups. The first movement, Busy Day (Presto), makes repeated use of a four-note motif (G-F-A-D) and is a driving non-stop articulated melody. The second movement, Lullabye (Andante), opens and closes with the flute playing a brief cadenza, floating above an ambiguous chord in the strings. The bulk of the movement is a dovetailed hypnotic ostinato in the strings with a gentle rocking motion, and the simple flute melody above. The third movement, Wild Dreams (Presto), should be exactly that, wild and raucous, with heavy aggressive accents as indicated.For additional notes, see p. 2 of the PDF.The Youtube link above (Watch) is a recording I made at home in 2020 with my computer playing the string parts. This is the first movement, the second and third follow. It is my sincere hope that this piece will bring joy and exuberance for both the performers and the audience. Let me know if you schedule a performance; I’d love to hear what someone else does with it.adriandeeflute@gmail.com adriandee.com
$39.95
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Legacy for Chamber Orchestra
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Orchestre de chambre
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AVANCÉ
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Sy Brandon
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Legacy for Chamber Orchestra
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Sy Brandon
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Bra...
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Chamber Orchestra - Level 5 - SKU: A0.1453498 Composed by Sy Brandon. 21st Century,Contest,Festival. 235 pages. Sy Brandon #1032727. Published by Sy Brandon (A0.1453498). Legacy is a three-movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission in 2007 by the Washington Sinfonietta, Rufus Jones, conductor and rewritten for chamber orchestra in 2023. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate isquieted by a measure of repeated chords that could be the words, stop it! stop it now!” A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries brings the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressing the harshness of the climate. Colleen McCullough's book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato creating a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity. Score prints on legal size paper and parts on letter.
$40.00
Bach/Leytush - GOLDBERG VARIATIONS for Piano and Chamber Orchestra - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Classique
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Arkady Leytush
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Arkady Leytush
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Bach/Leytush - GOLDBERG VARIAT
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Arkady Leytush
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady ...
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Chamber Orchestra - Level 3 - SKU: A0.1174276 By Arkady Leytush. By I. S. Bach. Arranged by Arkady Leytush. Baroque. Score and parts. 325 pages. Arkady Leytush #774439. Published by Arkady Leytush (A0.1174276). Orchestra: Flute, Oboe, Clarinet in B, Bassoon, 2 Horns, Trumpet, Trombone, Violins 1st, Violins 2nd, Violas, Cellos, D. BassI have been thinking about the plan to make an orchestral transcription of Goldberg Variations for a long time, as one of the examples of collective music-making, where most of the work would be typical of the style of a piano concerto, and would also include chamber ensembles both with a pianist and solo. Total duration (with some repetitions) - 50 min. Some variations are played: Piano + Orchestra (1,2,3,4,6,8,10,11,12,14,16,18,20,21,24,25,26,27.28,29) Orchestra only (19, 30), Brass only (4), Wood winds only (9), Brass + Wood winds only (22), Piano + Soloists from the Orchestra (7, 15, 17) Piano only (13) Prelude-Aria (Theme) begins with the pianist and after 8 measures the orchestra gradually turns on. The same Postlude-Aria theme at the end of the composition has an inversion orchestration, when everyone starts playing together (Piano + Orchestra) and then the orchestra gradually stops playing and only one pianist remains.Audio (mp3) incudes excerpts of Variations ## 1,2,4,5,6,7,11,14,19,20,21,22,28,29,30.
$100.00
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