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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Give It One: Score
Non classifié
503
Piano & claviers
Piano seul
240
Piano, Voix
64
Piano Facile
51
Piano, Voix et Guitare
34
Orgue
20
1 Piano, 4 mains
7
Piano Trio: piano, violon, violoncelle
5
Piano Quatuor: piano, violon, alto, violoncelle
4
2 Pianos, 4 mains
3
Accordéon
2
Accompagnement Piano
2
Clavecin
1
Instruments en Do
1
Piano Quatuor: piano, 2 violons, violoncelle
1
Orgue, Piano (duo)
1
+ 10 instrumentations
Retracter
Guitares
Guitare notes et tablatures
15
Guitare
14
4 Guitares (Quatuor)
10
2 Guitares (duo)
4
Ensemble de guitares
3
Ukulele
3
Basse electrique
3
3 Guitares (trio)
2
Banjo
2
Piano, Guitare (duo)
2
Ensemble de Ukulélés
1
Paroles et Accords
1
+ 7 instrumentations
Retracter
Voix
Chorale SATB
37
Chorale TTBB
5
Chorale 3 parties
5
Chorale Unison
4
Chorale SSAATTBB
3
Voix Soprano, Piano
3
Voix haute
2
Chorale SSATTB
2
Chorale 2 parties
2
Voix basse, Piano
1
Voix duo, Piano
1
Voix Alto, Piano
1
+ 7 instrumentations
Retracter
Vents
Ensemble de saxophones
33
Flûte traversière et Piano
28
Saxophone Alto et Piano
27
Quintette de Saxophone: 5 saxophones
24
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
19
2 Saxophones (duo)
19
Saxophone Tenor et Piano
18
Quatuor de Saxophones: 4 saxophones
17
Clarinette et Piano
16
2 Flûtes traversières (duo)
14
Hautbois, Piano (duo)
11
3 Saxophones (trio)
10
2 Clarinettes (duo)
10
Saxophone Soprano et Piano
10
Saxophone Baryton, Piano
8
Ensemble de Clarinettes
8
Ensemble de Flûtes
8
Flûte, Hautbois, Clarinette, Basson
7
Quintette de Clarinettes: 5 clarinettes
5
Quatuor de Clarinettes: 4 clarinettes
5
Flûte traversière
4
Quintette de Flûte : 5 flûtes
4
Saxophone, Clarinette (duo)
4
Flûte, Clarinette (duo)
4
Flûte et Guitare
4
Clarinette (partie séparée)
3
Cor anglais, Piano
3
Flûte, Hautbois, Clarinette (trio)
3
Trio de Flûtes: 3 flûtes
3
3 Clarinettes (trio)
3
2 Flûte à bec (duo)
3
Flûte, Hautbois (duo)
2
Clarinette, Basson (duo)
2
2 Hautbois (duo)
1
Flûte, Clarinette et Basson
1
Hautbois, Basson (duo)
1
Ensemble de Hautbois
1
Clarinette, Guitare (duo)
1
Flûte, Violoncelle, Piano (trio)
1
Saxophone et Orgue
1
Saxophone et Guitare
1
Saxophone et Harpe
1
Saxophone (partie séparée)
1
Flûte, Hautbois, Basson
1
Hautbois, Clarinette, Basson (trio d'anches)
1
Hautbois, Guitare (duo)
1
Flûte, Basson et Piano
1
Clarinette Basse, Piano
1
Flute (partie séparée)
1
Flûte, Violon, Piano
1
Quatuor de Flûtes : 4 flûtes
1
2 Saxophones, Piano
1
Quatuor de Flûtes à bec
1
Flûte à bec Tenor
1
Hautbois (partie séparée)
1
3 Flûtes à bec (trio)
1
Clarinette
1
Flûte à bec Alto, Piano
1
Flûte à bec Soprano
1
+ 54 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
52
Quatuor de Cuivres : 2 trompettes, trombone, tuba
44
Trombone et Piano
17
Quatuor de Cuivres
10
Ensemble de Trombones
10
Trompette, Piano
8
Quatuor de Cuivres: 2 trompettes, Cor, trombone
8
Ensemble de Trompettes
6
Cor et Piano
6
Trombone (partie séparée)
6
Trompette, Trombone (duo)
6
2 Trompettes (duo)
5
2 Trombones (duo)
5
Tuba et Piano
5
Ensemble de Cors
4
2 Cors (duo)
4
3 Trombones (trio)
3
Cor anglais, Piano
3
Quatuor de cuivres: 4 trombones
3
Trompette
3
4 Tubas
2
Trio de Cuivres
2
Trompette (partie séparée)
2
3 Trompettes (trio)
2
Quatuor de cuivres: 4 cors
2
2 Tubas (duo)
2
Cor et Orgue
1
Trombone, Cor (duo)
1
Quatuor de cuivres: 4 trompettes
1
Euphonium, Piano (duo)
1
3 Tubas (trio)
1
3 Cors (trio)
1
Cor (partie séparée)
1
Trombone, Orgue
1
Tuba et Orgue
1
2 Euphoniums (duo)
1
Trompette, Cor (duo)
1
Tuba (partie séparée)
1
Trombone
1
+ 34 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
194
Violon, Violoncelle (duo)
144
Trio à Cordes: violon, alto, violoncelle
130
Violon
118
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
Harpe
18
Violon et Piano
16
Violoncelle, Piano
16
2 Violoncelles (duo)
13
Alto, Piano
12
Violon, Alto (duo)
8
2 Altos (duo)
7
2 Violons (duo)
7
Trio à Cordes: 2 violons, violoncelle
5
Quintette à cordes: 2 violons, 2 altos, violoncelle
4
4 Violoncelles
4
Violon (partie séparée)
3
Alto seul
3
Violoncelle , Guitare (duo)
3
Trio à Cordes: 3 violoncelles
3
Ensemble de Violons
2
Ensemble d'Altos
2
Violoncelle
2
Violoncelle, Contrebasse (duo)
1
Alto (partie séparée)
1
Violoncelle, Orchestre
1
Trio à cordes: 3 altos
1
Quatuor à cordes: 4 violons
1
Quatuor à cordes : 4 altos
1
Violon, Guitare (duo)
1
4 Contrebasses
1
Trio à Cordes: 2 violons, alto
1
Contrebasse, Piano (duo)
1
Harpe, Flûte (duo)
1
Trio à cordes: 3 violins
1
Alto et Harpe
1
4 Harpes
1
Contrebasse (partie séparée)
1
+ 33 instrumentations
Retracter
Orchestre & Percussions
Cloches
134
Orchestre à Cordes
110
Orchestre d'harmonie
84
Orchestre
54
Ensemble de cuivres
43
Ensemble Jazz
42
Orchestre de chambre
21
Fanfare
15
Jazz combo
8
Ensemble de Percussions
5
Percussion (partie séparée)
3
Batterie
2
Marimba
2
Piano et Orchestre
1
Quintette de Cuivres: autres combinaisons
1
Vibraphone
1
Orchestre, Violon
1
+ 12 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
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AMERICANA
ASIE
BLUEGRASS
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CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
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Give It One: Score
Orchestre de chambre
Partitions à imprimer
21 partitions trouvées
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1
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
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Orchestre de chambre
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AVANCÉ
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Carson Cooman
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Carson Cooman: The Acts of the
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
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Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
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Orchestre de chambre
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AVANCÉ
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Christian contemporain
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Musique Sacrée
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Carson Cooman
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Carson Cooman: Symphony No. 3,
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3...
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Chamber Orchestra - Level 5 - SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
TELEMANN – VIOLIN CONCERTO IN A MAJOR "THE FROGS", TWV 51:A4 (Score and parts in PDF)
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Orchestre de chambre
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AVANCÉ
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Classique
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Georg Philipp Telemann
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Sneakwood Editions
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TELEMANN – VIOLIN CONCER
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Sneakwood Editions
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 ...
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Chamber Orchestra - Level 5 - SKU: A0.890767 Composed by Georg Philipp Telemann. Arranged by Sneakwood Editions. Baroque,Classical. Score and parts. 41 pages. Sneakwood Editions #4781035. Published by Sneakwood Editions (A0.890767). Edition based on Ms. D MÜu, ms. 775Score (20 pages) and Parts (friendly performance edition): Violino principale, Violin I, Violin II, Violin III, Viola, Violoncello and Harpsichord.The Violin Concerto in A major (TWV 51:A4), which has come to light only fairly recently, does not take as its musical model the song of the nightingale (as in ‘La Bizarre’ [TWV 55:G2]) or of the goldfinch (Vivaldi), but the croaking of the common frog, also called ‘Reling’ in certain regions of Germany, whence the concerto’s subtitle. Nothing better could be expected of a composer who found inspiration even in crows and in the out-of-tune playing of village musicians! Although this concerto, which the manuscript attributes to Telemann, bears traces of his personal style, other features, such as the exceptionally high solo part, leave room for doubt. At a structurally important point in the first movement the soloist produces no more than a succession of repeated notes, ‘a-a, a-a’, which infect the other parts as well. Of course, this is the vowel that the frog croaks, given a distinctive tone-colour by use of the open A string and stopped D string. But worse is to come. In the second ritornello the orchestral violins ‘forget’ the beginning of their theme, whilst the cello inappropriately pushes its way into the foreground. The setting of the second movement (Adagio), probably a moonlit stretch of shallow water, then audibly inspires a pair of courting frogs to make sweet music together. We are given the opportunity to rejoice in their croaking offspring in the concluding Menuet and its rapid Double. This movement entirely dispenses with concertante sounds of nature and thereby betrays its origins in the suite, where it always takes its accustomed place in Telemann’s music. If we knew that a satirist was at work in this ‘Relinge’ Concerto, someone who was deliberately exhibiting all these deviations from good taste, then we could infer with some certainty that the composer is indeed Telemann. Since his own concertos ‘smack of France’ (as he puts it in his autobiography of 1718), we may most likely credit him with permitting his not at all ‘sullen old heart’ a little joke at the expense of the relevant concertos of a certain Italian composer… – Peter Huth (trans. Charles Johnston)www.snakewoodeditions.com
$18.00
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Claude Debussy/Robert Orledge
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Claude Debussy: Sér&eac
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
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Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Thierry Pélicant: Concerto for Bassoon and Orchestra,orchestral score
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Orchestre de chambre
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AVANCÉ
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Contemporain
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Thierry Pélicant
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Thierry Pélicant: Conce
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Musik Fabrik Music Publishing
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SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music P...
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Chamber Orchestra - Level 5 - SKU: A0.534690 Composed by Thierry Pélicant. 20th Century,Contemporary. Score and parts. 96 pages. Musik Fabrik Music Publishing #6230969. Published by Musik Fabrik Music Publishing (A0.534690). A four-movement concerto for bassoon and orchestra (PIC22(CA)22/2100/Timp/2perc/strings) by the noted French composer. Duration is about 16 minutes. This file is the orchestral score only. The piano reduction and solo part. is also available for sale. The parts are on rental from the publisher. Thierry Pélicant was born in 1957 at Sainte-Adresse, France. After studying the organ and the horn, his meeting with Jean-Claude Hartemann, the Musical Director of the Opéra Comique in Paris lead him to decide to explore conducting. He was the student of Haremann for fifteen years. He is the Musical Director of the André Messager Orchestre and has also directed the Orchestre Philharmonique de l’Oise since 1980, one of the oldest French orchestras, since it was founded in 1750. A passionate supporter of French music, Pélicant reconstructed the Messe solennelle of L.V.A Boïeldieu and Te Deum of 1792 by Philidor and premièred and recorded the Suite Parnassienne, Massenet’s last work. At the same time, he has also served the music of our time in premièring or recording the works of Dazzi, Marchand, Braconnier, Bénard, Drouin, Preschez, etc. As a composer, musical grammar and stylistic debates only interest him from afar. As a true gourmet (since cooking is another of his passions), he strives to write the music that pleases him, that would be enjoyable to play and which would be enjoyable to hear, hopefully with real pleasure and in which he tries to express the emotions and the pleasant or surprising states of being which, to hime, these works are tied. Through this process, he has created concertos (for oboe, for bassoon, for organ, for contrabass), Escales & paysages, ma monumental literary concerto for narrator, piano and orchestra, composed with his friend Dominique Preschez, Operas (Histoires comme ça, Ribouldingue, Élise et le fantôme) ; With the poet Luis Porquet, he wrote the song cycle Ombre légère (for soprano, harp and orchestre), Rhapsodie du Havre (for tenor and chamber orchestra, a commission from the Forum de Normandie to commemorate the 500 years of the founding of the city Le Havre), Et de toi, Bethleem, Christmas oratorio for baritone, chorus and orchestra and, finally, commissioned by the Orchestre de l’Oise in honor of the centennial of the First World War 14, fresque de la Grande Guerre, for the tenor Daniel Gà lvez-Vallejo, children’s chorus and orchestra. In the area of chamber music, he has written a sonata for horn and piano, for the Festival de Giverny, Borée, (quintet for oboe and strings), Sextuor d’été, , and Milonga, (septet inspired by the World of Tango Music). Published in 2005, his novel Carnets de Walter Crane, explores the sufferings of a composer who has the obligation to write a string quartet ..
$29.95
Perfect
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Pop musique
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Ed Sheeran
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Kováts István
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Perfect
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Kovats Istvan
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istva...
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Chamber Orchestra - Level 4 - SKU: A0.764295 By Ed Sheeran. By Ed Sheeran. Arranged by Kováts István. Pop. Score and parts. 10 pages. Kovats Istvan #3684133. Published by Kovats Istvan (A0.764295). First I've made an arrangement for my String Quartet, this is a version with solo Tenor-Saxophone and String Quartet accompaniment. The string parts have bowings, legatos, dynamics and rehearsal marks A, B, C, etc. to help and to speed up the learning process. Just count, respect the bow directions and You're done. It's a beautiful song and it sounds great with solo Saxophone. (mp3 sample is coming hopefully in the next days)Enjoy it!Tip: In the cello part the double notes can be ignored, if you want you can play only the lower notes (with doubles sounds much better, it worths studying a little more)For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$17.99
O Holy Night for Vocal Solo and/or String Quartet B-flat
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Adolphe-Charles Adam
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Kovats Istvan
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O Holy Night for Vocal Solo an
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Kovats Istvan
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 8 pages....
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Chamber Orchestra - Level 3 - SKU: A0.764307 Composed by Adolphe-Charles Adam. Arranged by Kovats Istvan. Christian,Christmas. Score and parts. 8 pages. Kovats Istvan #6645087. Published by Kovats Istvan (A0.764307). Beautiful Christmas song, for Vocal solo and String Quartet, intermediate level.It sounds great, enjoy it :)Tips:-If You don't have a singer, you can play just the String Quartet version from the instrumental parts.-I've added two viola parts, first with HIGHER pizzicatos, the second with LOWER pizzicatos, You can choose which one You like better.-If You need other transposition, check my scores, You may find what You need. If don't, please contact me on the link below, and I'll do it. For more info, contact, etc. visit my Facebook page here: https://www.facebook.com/kovatsmusicGive it a thumbs up, thanks :).
$4.99
Overture and Minuet in C major, based on Beethoven's sketches, op. 83
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Ludwig van Beethoven
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Adrian Gagiu
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Overture and Minuet in C major
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Adrian Gagiu
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Pu...
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Chamber Orchestra - Level 4 - SKU: A0.1415801 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. 190 pages. Adrian Gagiu #997496. Published by Adrian Gagiu (A0.1415801). Score and parts of a premiere realization of some of Beethoven's sketches for the first movement of another Symphony in C major before the First, dubbed 'No. 0' or Unv. 2 by some: 1. 'Overture' (Andante con moto - Allegro con brio), 2. Tempo di menuetto. Useful for people interested in Beethoven's sketches and for students of the Classical style. In 1794-1796, Beethoven made extensive concept sketches mostly for the first movement of this abortive symphony. The material is abundant and sometimes contradictory, as usual with his preliminary work, and he recycled later from this one only the main theme of the Finale of the completed Symphony No. 1. For this speculative realization, suggested by Mr. Armando Orlandi at the Centro Ricerche Musicali and dedicated to them, only the more promising sketches were utilized, and the slow introduction was assembled from the ones in cut time, while those in triple time make up now a Minuet. Virtually every bar of music here includes the sketches, also in the elaboration and coda of the 'overture', only with a few transpositions needed for assembling the sonata form and for the repeats in the Minuet. Obviously, Beethoven would have done it much differently, had he decided to continue working on this symphony, and the question remains regarding the utility of recycling material abandoned by some classical composer. However, this gives one an approximate idea of one of the many possibilities implied by the preliminary sketches for his Symphony 'No. 0'. Total duration 15 minutes. The mp3 audio clip is the first movement. Performing Rights Organization: SOCAN.
$100.00
Variations on a Rossini Theme op.Posth
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Orchestre de chambre
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Classique
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Frederik François Chopin
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James Strauss
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Variations on a Rossini Theme
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
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Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Halloween Prelude for Small Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Halloween
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Film/TV
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Mark Bisson
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Halloween Prelude for Small Or
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Mark Bisson
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by M...
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Chamber Orchestra - Level 3 - SKU: A0.900886 Composed by Mark Bisson. Film/TV,Halloween. Score and parts. 34 pages. Mark Bisson #3624157. Published by Mark Bisson (A0.900886). A short Concert piece for a school orchestra.I was trying to create a fun Halloween piece full of musical cliches. There is a tuba solo but this can be played by a trombone if necessary. I have also included the tuba part as an E flat bass part. I have included optional oboe parts (which can be covered either by clarinets or flutes) and an optional bassoon part. The piece may feel a little brass heavy due to there being 4 horn parts and 4 trumpet parts; this is a reflection of the instrumentalists I had at the time of composing it. It is, as usual, thickly scored so that it will still work even if you don’t have a full compliment of players. The Double bass part can be played on a bass guitar.PERFORMANCE AND PHOTOCOPYING I freely give my permission to make as many copies of parts etc. as needed and would be delighted to have any of my music performed (there is no charge) but please tell me how it went!
$6.99
Mozart: Masonic Funeral Music (Maurerische Trauermusik) KV 477 arr. for Standard Classical Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE
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Musique Sacrée
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Wolfgang Amadeus Mozart
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Giulio Castronovo
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Mozart: Masonic Funeral Music
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Giulio Castronovo
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship...
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Chamber Orchestra - Level 3 - SKU: A0.945803 Composed by Wolfgang Amadeus Mozart. Arranged by Giulio Castronovo. Classical,Contemporary,Praise & Worship,Sacred,Spiritual. Score and parts. 30 pages. Giulio Castronovo #6331823. Published by Giulio Castronovo (A0.945803). At the end of 1784 Mozart was for the first time admitted to a Viennese Masonic lodge. In 1785, he composed a Masonic funeral music. This short but extremely poignant work is often seen as a stepping-stone between the Great Mass in C minor and the Requiem. Although the C minor key gives the piece an unquestionable funereal character, its conclusion is serene, thanks to the final C major chord.Despite being considered one of Mozart's absolute masterpieces, it is rarely performed due to the uniqueness of its original orchestration: 2 Oboes, 1 Clarinet, 3 Basset Horns, 1 Contrabassoon, 2 Horns, Strings.This arrangement for Standard Classica Orchestra (2 Oboes, 2 Clarinets, 2 Bassoons, 2 Horns, Strings) makes the piece available to any standard chamber orchestra, recreating the color and the nuances of the original orchestration.
$59.90
Go The Distance
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Film/TV
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Michael Bolton
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Demetrio Bonvecchio
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Go The Distance
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Demetrio Bonvecchio
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages...
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Chamber Orchestra - Level 4 - SKU: A0.1500758 By Michael Bolton. By Alan Menken and David Zippel. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 52 pages. Demetrio Bonvecchio (Db Music) #1076837. Published by Demetrio Bonvecchio (Db Music) (A0.1500758). Go The Distance, here arranged for Chamber Orchestra, is a song I always wanted to arrange. With it's calming tones and energetic ending is a masterpiece from this memorable soundtrack. The piece ending is taken from the reprise of the song, which gives to it a grandioso ending.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Pathos Chorodia
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Hans Leo Hassler
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Robert Myers
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Pathos Chorodia
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WheatMyer Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Sco...
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Chamber Orchestra - Level 4 - SKU: A0.976709 Composed by Hans Leo Hassler (1601). Arranged by Robert Myers. 20th Century,Contemporary,Easter,Sacred. Score and parts. 25 pages. WheatMyer Music #4766879. Published by WheatMyer Music (A0.976709). PASSION CHORALE is the name given to a 1656 German tune which accompanies the words of the ancient hymn, O Sacred Head Now Wounded. This tune is clearly heard throughout this instrumental arrangement called Pathos Chorodia, which is a transliteration of the Greek for 'passion chorale.' I chose the Greek due to it being the common language of the First Century Near East with which the early Church was fluent. Although the familiar melody is heard clearly throughout, the setting will sound very foreign to most ears. In acknowledgment of the atonal origins of the pierrot ensemble, this arrangement embraces dissonance and chromaticism, and avoids clear statements of conventional harmony without, however, being altogether atonal. Thus, it is a most unusual setting of the tune, but one that poignantly paints the deep anguish expressed in the hymn text, the anguish of the crucifixion's witnesses. The music is simultaneously shocking and familiar, which seems a fitting way to present this familiar story in all its shocking horror.The music may be successfully performed with advanced high school or later musicians. It is not excessively technically demanding but will require artistic taste and expressiveness. It is good selection for chamber ensemble concerts and suited for either secular or sacred venues.
$19.99
Cowboy Tales, for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bob Delfausse
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Cowboy Tales, for Chamber Orch
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Robert Delfausse
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089...
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Chamber Orchestra - Level 4 - SKU: A0.767001 Composed by Bob Delfausse. 20th Century,Concert,Folk. Score and parts. 179 pages. Robert Delfausse #6474089. Published by Robert Delfausse (A0.767001). This is a three-movement piece of program music, each movement describing in a general way settings and actions typical of life in the American west. I adapted it from my Brass Quintet No. 3, and found that the music lent itself beautifully to being expanded for this chamber orchestra: strings, single winds (flute, oboe, clarinet, bassoon, trumpet, horn, & trombone), two percussionists, and piano. Please give a listen to the full-length MP3 on this website. Duration: 12 minutes, 4 seconds.
$30.00
Samba Lele for Junior Strings or Piano Quintet
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Orchestre de chambre
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FACILE
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Traditional children's music f
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Lauri Hämäläinen
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Samba Lele for Junior Strings
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,...
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Chamber Orchestra - Level 2 - SKU: A0.885869 Composed by Traditional children's music from Brazil. Arranged by Lauri Hämäläinen. Children,Folk,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679235. Published by Suomi Music (A0.885869). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.05 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Orchestre de chambre
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DÉBUTANT
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Traditional children's music f
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Lauri Hämäläinen
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Potpourri of three children's
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri HämälÃ...
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Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Small Train for Piano Quartet or Junior Strings
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Orchestre de chambre
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DÉBUTANT
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Traditional children's song fr
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Lauri Hämäläinen
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Small Train for Piano Quartet
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Stand...
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Chamber Orchestra - Level 1 - SKU: A0.885867 Composed by Traditional children's song from Denmark. Arranged by Lauri Hämäläinen. Children,Standards. Score and parts. 19 pages. Suomi Music #6679213. Published by Suomi Music (A0.885867). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 2.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.The 11 Children's Songs are part of the Violin Friends music books for beginner and intermediate violin and viola students.
$9.99
Rati riti ralla for Junior String Orchestra or Piano Quintet
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Orchestre de chambre
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FACILE
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Traditional children's music f
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Lauri Hämäläinen
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Rati riti ralla for Junior Str
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Inst...
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Chamber Orchestra - Level 2 - SKU: A0.885873 Composed by Traditional children's music from Finland. Arranged by Lauri Hämäläinen. Children,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679259. Published by Suomi Music (A0.885873). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 1.50 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
Children's Carol - Chamber Orchestra by David Catherwood
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Orchestre de chambre
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INTERMÉDIAIRE
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Noël
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Johann Schulz
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David Catherwood
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Children's Carol - Chamber Orc
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Opus 3 Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.739407 Composed by Johann Schulz. Arranged by David Catherwood. Christmas. Score and parts. 18 pages. Opus 3 Music...
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Chamber Orchestra - Level 3 - SKU: A0.739407 Composed by Johann Schulz. Arranged by David Catherwood. Christmas. Score and parts. 18 pages. Opus 3 Music #3228843. Published by Opus 3 Music (A0.739407). This popular carol has been given a fresh new orchestration. Designed to be simple but effective for chamber orchestra it will still workwith as few as 8 players and its inclusion would enhance any carol concert or service.Parts are written for Flutes ( or Oboe) Clarinets, Trumpet, Horn (or Trombone) Violins, (Viola) Cello & Bass(Instruments in brackets - parts are provided but they are not essential)As well as a full score a keyboard/organ part is supplied which can be used if any instruments on the score are unavailable.Useful as a short instrumental piece to provide an interlude or contrast in a Choral Concert or perhaps to cover movement/scene change in a Nativity Play
$15.00
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Version intégrale
Give It One: Score
