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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Grá,
Non classifié
372
Piano & claviers
Piano, Voix
86
Piano seul
74
Orgue
29
Piano Facile
9
Piano, Voix et Guitare
8
Accordéon
7
Instruments en Do
7
Accompagnement Piano
5
Clavier
1
Orgue, Trompette (duo)
1
1 Piano, 4 mains
1
2 Pianos, 8 mains
1
2 Pianos, 4 mains
1
+ 8 instrumentations
Retracter
Guitares
Guitare
7
Ukulele
3
Ligne De Mélodie, (Paroles) et Accords
3
Mandoline
3
Bouzouki
1
Voix
Chorale SATB
63
Chorale 3 parties
13
Chorale TTBB
12
Voix seule
12
Voix duo, Piano
4
Chorale SSAATTBB
4
Voix Soprano, Piano
3
Voix basse, Piano
2
Chorale SSAA
2
Chorale 2 parties
2
Soli, choeur mixte et accompagnement
2
Chorale SSATB
1
Voix Tenor, Piano
1
Voix haute
1
+ 9 instrumentations
Retracter
Vents
2 Saxophones (duo)
11
Clarinette
7
Saxophone, Clarinette (duo)
6
Clarinette, Trompette (duo)
5
2 Flûtes traversières (duo)
5
2 Clarinettes (duo)
5
Instruments en Mib
4
Clarinette, Violon (duo)
4
Flûte traversière
4
Flûte, Violon
4
Ocarina
4
Quatuor de Flûtes à bec
3
Flûte à bec Soprano
3
Clarinette et Piano
3
Saxophone Alto
3
Quatuor de Clarinettes: 4 clarinettes
3
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
3
Flûte, Saxophone (duo)
3
Flûte, Alto (duo)
2
Saxophone
2
Saxophone (partie séparée)
2
Flûte, Trompette (duo)
2
Hautbois, Clarinette (duo)
2
2 Hautbois (duo)
2
Hautbois, Flûte
2
Clarinette et Alto
2
Hautbois, Basson (duo)
2
Flute, harpe et violon
2
Quatuor de Saxophones: 4 saxophones
1
2 Flûte à bec (duo)
1
Flûte, Hautbois (duo)
1
Flûte traversière, Basse continue
1
Flûte, Clarinette (duo)
1
Ensemble à vent
1
Quintette de Clarinettes: 5 clarinettes
1
Flûte à bec Alto, Piano
1
Flûte, Violoncelle
1
Flute (partie séparée)
1
Clarinette (partie séparée)
1
Saxophone Soprano et Piano
1
Hautbois, Piano (duo)
1
Ensemble de Flûtes
1
Flûte traversière et Piano
1
Flûte et Guitare
1
Saxophone Tenor
1
+ 40 instrumentations
Retracter
Cuivres
Quatuor de cuivres: 4 trombones
5
Instruments en Sib
4
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
4
Trompette, Saxophone (duo)
4
Trombone
3
2 Trompettes (duo)
2
2 Cors (duo)
2
Cor (partie séparée)
2
Quatuor de cuivres: 4 cors
2
Trompette, Trombone (duo)
2
2 Trombones (duo)
2
Quatuor de Cuivres : 2 trompettes, trombone, tuba
1
Euphonium, Tuba (duo)
1
+ 8 instrumentations
Retracter
Cordes
Violoncelle, Piano
12
Violon (partie séparée)
6
Violon et Piano
6
2 Violons (duo)
5
2 Violoncelles (duo)
5
Violon, Alto (duo)
4
Violon, Violoncelle (duo)
4
2 Altos (duo)
4
Quatuor à cordes: 2 violons, alto, violoncelle
3
Violon
3
Violoncelle, Orchestre
3
Alto, Violoncelle (duo)
2
Alto, Piano
1
Alto seul
1
Harpe
1
Alto (partie séparée)
1
Violoncelle (partie séparée)
1
Violon, Basse continue
1
Violoncelle
1
+ 14 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
53
Orchestre
28
Orchestre de chambre
22
Orchestre à Cordes
5
Ensemble de cuivres
4
Ensemble Jazz
4
Fanfare
1
Cloches
1
Piano et Orchestre
1
Orchestre, Violon
1
Ensemble de Percussions
1
+ 6 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
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Vous avez sélectionné:
Grá,
Orchestre de chambre
Partitions à imprimer
22 partitions trouvées
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1
Requiem
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Orchestre de chambre
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Hans Werner Henze
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Piano solo, concert trumpet and chamber orchestra - SKU: S9.Q3049 Neun geistliche Konzerte. Composed by Hans Werner Henze. This edition: study sc...
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Piano solo, concert trumpet and chamber orchestra - SKU: S9.Q3049 Neun geistliche Konzerte. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 70 minutes. Schott Music - Digital #Q3049. Published by Schott Music - Digital (S9.Q3049). Gesamtbesetzung: 2 (1. auch Picc., 2. auch Picc. u. Altfl.) * 1 * Engl. Hr. * 1 (auch Es-Klar.) * Bassklar. (auch Kb.-Klar.) * Sopransax. (auch Altsax. u. Baritonsax.) * 1 (auch Kfg.) - 2 * 2 * 2 Basstrp. * 1 * Basspos. (auch Kb.-Pos.) * 0 - P. S. (Trgl. * 3 hg. Beck. * Beckenpaar * 3 Tamt. * Tamb. * 3 Tomt. * Ruhrtr. * gr. Tr. [m. u. o. Beck.] * gr. Tr. * Donnerblech * Woodbl. * Tempelbl. * Matraca * Rute * Peitsche * Guiro * Ratsche * Mar. * Kast. * Flex. * Handgl. * Fingerzimb. * Trinidad Steel Drum * Rohrengl. * Glsp. * Vibr. * Marimba) (3 Spieler) - Hfe. * Cel. - Str. (4 * 0 * 3 * 3 * 1) Die geistlichen Konzerte konnen auch einzeln aufgefuhrt werden. The movements can also be played in any desired combination.Gesamtbesetzung: 2 (1. auch Picc., 2. auch Picc. u. Altfl.) · 1 · Engl. Hr. · 1 (auch Es-Klar.) · Bassklar. (auch Kb.-Klar.) · Sopransax. (auch Altsax. u. Baritonsax.) · 1 (auch Kfg.) - 2 · 2 · 2 Basstrp. · 1 · Basspos. (auch Kb.-Pos.) · 0 - P. S. (Trgl. · 3 hg. Beck. · Beckenpaar · 3 Tamt. · Tamb. · 3 Tomt. · Rührtr. · gr. Tr. [m. u. o. Beck.] · gr. Tr. · Donnerblech · Woodbl. · Tempelbl. · Matraca · Rute · Peitsche · Guiro · Ratsche · Mar. · Kast. · Flex. · Handgl. · Fingerzimb. · Trinidad Steel Drum · Röhrengl. · Glsp. · Vibr. · Marimba) (3 Spieler) - Hfe. · Cel. - Str. (4 · 0 · 3 · 3 · 1) Die geistlichen Konzerte können auch einzeln aufgeführt werden. The movements can also be played in any desired combination.
$55.99
Sinfonia 1 "Fogli" / Sinfonia 2 "Ricordanze"
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Orchestre de chambre
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Wilhelm Killmayer
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Sinfonia 1 "Fogli" /
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Schott Music - Digital
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SheetMusicPlus
Orchestra / chamber orchestra - SKU: S9.Q2710 Composed by Wilhelm Killmayer. This edition: study score. Music Of Our Time. Downloadable, Study score. Sc...
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Orchestra / chamber orchestra - SKU: S9.Q2710 Composed by Wilhelm Killmayer. This edition: study score. Music Of Our Time. Downloadable, Study score. Schott Music - Digital #Q2710. Published by Schott Music - Digital (S9.Q2710). Sinfonie 1 Fogli: 1 * 0 * 2 (2. auch Bassklar. in B) * 0 - 1 * 0 * 0 * 0 - P. S. (gr. Tr. * 4 Tomt. * Bong. * Tempelbl. * Glocke in G) - Hfe. * Klav. * Harm. * Mand. - Str. (6 * 6 * 4 * 4 * 3) Sinfonie 2 Ricordanze: 1 * 1 * 0 * 1 - 0 * 0 * 0 * 0 - Cemb. * Str. (6 * 0 * 2 * 1 * 1)Sinfonie 1 Fogli: 1 * 0 * 2 (2. auch Bassklar. in B) * 0 - 1 * 0 * 0 * 0 - P. S. (gr. Tr. * 4 Tomt. * Bong. * Tempelbl. * Glocke in G) - Hfe. * Klav. * Harm. * Mand. - Str. (6 * 6 * 4 * 4 * 3) Sinfonie 2 Ricordanze: 1 * 1 * 0 * 1 - 0 * 0 * 0 * 0 - Cemb. * Str. (6 * 0 * 2 * 1 * 1)Sinfonie 1 Fogli: 1 · 0 · 2 (2. auch Baßklar. in B) · 0 – 1 · 0 · 0 · 0 – P. S. (gr. Tr. · 4 Tomt. · Bong. · Tempelbl. · Glocke in G) – Hfe. · Klav. · Harm. · Mand. – Str. (6 · 6 · 4 · 4 · 3) Sinfonie 2 Ricordanze: 1 · 1 · 0 · 1 – 0 · 0 · 0 · 0 – Cemb. · Str. (6 · 0 · 2 · 1 · 1).
$19.99
Voie lactée ô sœur lumineuse
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Orchestre de chambre
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Hans Werner Henze
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Voie lactée ô s&o
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 0 · 1 · 1 - 1 · 1 · 1 · 0 - P. S. (Vibr. · Marimba · gr. hg. Beck. · 2 Tamt. · Tamb. · kl. Tr. · gr. Tr. Â...
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1 (auch Picc.) · 0 · 1 · 1 - 1 · 1 · 1 · 0 - P. S. (Vibr. · Marimba · gr. hg. Beck. · 2 Tamt. · Tamb. · kl. Tr. · gr. Tr. · Tempelbl. · Log Drums · Sistren · Crot. · Trinidad Steel Drum · Glsp.) (5 Spieler) - Cel. · Klav. - Str. (2 · 0 · 1 · 1 · 1) Chamber Orchestra - SKU: S9.Q5766 Abendmusik für einen alten Freund. Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 8 minutes. Schott Music - Digital #Q5766. Published by Schott Music - Digital (S9.Q5766).
$16.99
Scene
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Orchestre de chambre
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Hans-Juergen von Bose
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Scene
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Schott Music - Digital
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SheetMusicPlus
Chamber Orchestra - SKU: S9.Q308 Composed by Hans-Juergen von Bose. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 23...
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Chamber Orchestra - SKU: S9.Q308 Composed by Hans-Juergen von Bose. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 23 minutes. Schott Music - Digital #Q308. Published by Schott Music - Digital (S9.Q308). 1 (auch Picc. u. Altfl.) * 1 * 1 (auch Es-Klar. u. Bassklar.) * Sopransax. (auch Baritonsax. u. Bassklar.) * 1 (auch Kfg.) - 1 * 1 /trp. in D) * 1 * 1 - P.S. (3 Trgl. * 5 hg. Beck. * hg. Bronzeplatte * Hi-hat. * Tamt. * 5 Bong. * 5 Cong. * Tomt. * kl. Tr. * gr. Tr. * Mar. * Woodbl. * Clav. * Hyoshigi * Glspl. * Xyl. * Vibr. * Marim. * Woodbl. * Clav. * Maracas) (2 Spieler) - Hfe. * 2 Synth. (1. auch Klav.) - Str. (1 *1 * 2 * 2 * 2)1 (auch Picc. u. Altfl.) · 1 · 1 (auch Es-Klar. u. Bassklar.) · Sopransax. (auch Baritonsax. u. Bassklar.) · 1 (auch Kfg.) - 1 · 1 /trp. in D) · 1 · 1 - P.S. (3 Trgl. · 5 hg. Beck. · hg. Bronzeplatte · Hi-hat. · Tamt. · 5 Bong. · 5 Cong. · Tomt. · kl. Tr. · gr. Tr. · Mar. · Woodbl. · Clav. · Hyoshigi · Glspl. · Xyl. · Vibr. · Marim. · Woodbl. · Clav. · Maracas) (2 Spieler) - Hfe. · 2 Synth. (1. auch Klav.) - Str. (1 ·1 · 2 · 2 · 2).
$47.99
Ein Landarzt
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Orchestre de chambre
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Hans Werner Henze
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Ein Landarzt
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Schott Music - Digital
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SheetMusicPlus
Soloists, children's choir and chamber orchestra - SKU: S9.Q3074 Rundfunkoper auf die Erzählung von Franz Kafka (revidierte Fassung 1994). Com...
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Soloists, children's choir and chamber orchestra - SKU: S9.Q3074 Rundfunkoper auf die Erzählung von Franz Kafka (revidierte Fassung 1994). Composed by Hans Werner Henze. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 40 minutes. Schott Music - Digital #Q3074. Published by Schott Music - Digital (S9.Q3074). German.1 (auch Picc.) * 1 * Engl. Hr. * 1 * Bassklar. * 1 * Kfg. - 2 * 2 * 1 * 1 - S. (P. * Trgl. * 2 Rohrengl. * hg. Beck. * Beckenpaar * Tamt. * 3 Tomt. * kl. Tr. * gr. Tr. [m. u. o. Beck.] * Clav. * Guiro * Trinidad steel-drums * Tempelbl. * Xyl. * Vibr. * Marimba) (3 Spieler) - Hfe. * 3 Klav. (1. u. 2. prap. Klav.) * Cel. * Org. - Str.1 (auch Picc.) · 1 · Engl. Hr. · 1 · Bassklar. · 1 · Kfg. – 2 · 2 · 1 · 1 – S. (P. · Trgl. · 2 Röhrengl. · hg. Beck. · Beckenpaar · Tamt. · 3 Tomt. · kl. Tr. · gr. Tr. [m. u. o. Beck.] · Clav. · Guiro · Trinidad steel-drums · Tempelbl. · Xyl. · Vibr. · Marimba) (3 Spieler) – Hfe. · 3 Klav. (1. u. 2. präp. Klav.) · Cel. · Org. – Str.
$40.99
Potpourri of three children's songs for Junior Strings with piano / Piano Quintet
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Orchestre de chambre
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DÉBUTANT
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Traditional children's music f
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Lauri Hämäläinen
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Potpourri of three children's
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Suomi Music
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SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri HämälÃ...
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Chamber Orchestra - Level 1 - SKU: A0.885866 Composed by Traditional children's music from America, France and Germany. Arranged by Lauri Hämäläinen. Children,Concert,Instructional,Standards. Score and parts. 19 pages. Suomi Music #6679227. Published by Suomi Music (A0.885866). Are you searching for music for junior string orchestra with piano soloist or piano quintet?The arrangements of 11 Children's Songs for Piano Quintet gives young string students the chance to play rhythmical variations of famous children's songs. The level is suitable for students who have basic understanding of tone production and can play in tune in the 1st position.The Potpourri includes the melodies of Mary Had a Little Lamb, Frère Jaques and Haschen in der Grübe.The music can be used in concerts where there will be kids in the audience, for example to get in new students for your own music school.Level of the music: easy, first positionDuration: 3 minThe music has been originally written for the music institutes in Espoo (Avonia Music Institute) and Helsinki (North-Western Music Insititute) where it has been used with concerts for the local kindergartens and projects with combined orchestras during the school year.
$9.99
German Spring Song Collection - 5 Concert Pieces - Multiplay - Part 3 Viola
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Instrumentation:
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German Spring Song Collection
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com...
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Chamber Orchestra - Level 3 - SKU: A0.568673 Arranged by Thomas Graf. Classical,Folk,World. Score and parts. 11 pages. Thomas Graf - the-hit-factory.com #3038961. Published by Thomas Graf - the-hit-factory.com (A0.568673). The perfect collection for you upcoming spring concerts: Five famous German Folksongs come along with fresh and colorful arrangements, including Canon passages, solos in all parts, challenging counterpoint, key, tempo and surprising rhythm changes – all based on beautiful old and worldwide well known melodies. Welcome Spring Time! These songs are included: Part I Kanon (Canon) Es tönen die Lieder, der Frühling kommt wieder/Im Märzen der Bauer Part II Alle Vöglein sind schon da Part III Der Mai ist gekommen Part IV Komm lieber Mai Part V Nun will der Lenz uns grüßen Total playtime: more than 13 minutes - Eight pages per part, printable as brochure Five different parts in all transpositions, you can buy score and all parts in a paket, find them on this website. Instrumentation: Part Listen to the recording - a challenge for your ensemble. Check out our latest uploads: http://www.sheetmusicplus.com/publishers/thomas-graf-the-hit-factory-com/smp-press/3001412+1303131?N... Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic Video: https://www.youtu.be/Uu5x2Jk48bw
$3.99
Conflusion - Suite - Wind Ensemble
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Orchestre de chambre
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INTERMÉDIAIRE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00
Conflusion - Suite - Woodwind Ensemble - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00
Scherzo
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Orchestre de chambre
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AVANCÉ
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Bertold Hummel
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Scherzo
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck...
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1 (auch Picc.) · 1 · 3 (3. auch Bassklar.) · 0 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) (2 Spieler) - Hfe. · Cel. - Str. (4 · 4 · 3 · 2 · 1) bassoon and chamber orchestra - difficult - SKU: S9.Q18577 Composed by Bertold Hummel. This edition: piano reduction with solo part. Bassoon Library. Ein Stück für Fagott und Kammerorchester. Downloadable, piano reduction with solo part. Op. 13e. Duration 4 minutes. Schott Music - Digital #Q18577. Published by Schott Music - Digital (S9.Q18577). Although Bertold Hummel composed this Scherzo for bassoon and chamber orchestra more than fifty years ago, the piece still captivates every listener with its youthful, carefree liveliness. Virtuoso and witty, it does justice to its title in every respect. It was created in 1957 upon commission of the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden. The solo part of the four-minute concert piece with the tempo indication 'allegro molto' was tailor-made by Hummel for the orchestra's principal bassoonist Helmut Böker. In addition to the hire material, a piano score with solo part is now available on sale.
$12.99
Fantasia bucolica
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Bertold Hummel
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Fantasia bucolica
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and ...
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1 · 1 · 2 · 1 - 1 · 1 · 0 · 0 - P. S. (Trgl. · 2 hg. Beck. · Gong · kl. Tr. · gr. Tr. m. Beck.) - Hfe. · Cel. - Str. viola and chamber orchestra - intermediate to advanced - SKU: S9.Q47336 For viola and chamber orchestra. Composed by Bertold Hummel. This edition: piano reduction with solo part. Viola Library. Downloadable, Piano reduction with solo part. Op. 13f. Duration 6 minutes. Schott Music - Digital #Q47336. Published by Schott Music - Digital (S9.Q47336). The Fantasia bucolica for viola and chamber orchestra Op. 13f (original title: Fantasy in D) was composed in 1956 in response to a commission from the Kleines Unterhaltungsorchester Südwestfunk Baden-Baden and was featured in a recording produced for SWF in Freiburg in the same year, performed by this orchestra and the soloist Hans Hasselmann and conducted by Willi Stech. The brief concert piece begins with a dreamy introduction by the solo viola which leads into a virtuoso central section before concluding with intimations of the initial section. A striking feature of this early work is the diverse employment of the percussion section in the orchestral instrumentation. Martin Hummel.
$12.99
Capriccio
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Orchestre de chambre
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Friedrich Zehm
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Capriccio
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - S. (Trgl. · 2 hg. Beck. · Hi-Hat · Tamb. · 3 Tomt. · kl. Tr. · gr. Tr. · Xyl. [oder Marim...
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1 · 1 · 1 · 1 - 1 · 1 · 0 · 0 - S. (Trgl. · 2 hg. Beck. · Hi-Hat · Tamb. · 3 Tomt. · kl. Tr. · gr. Tr. · Xyl. [oder Marimba]) (2 Spieler) - Str. percussion solo and chamber orchestra - SKU: S9.Q342 Composed by Friedrich Zehm. This edition: piano reduction with solo part. A battere. Downloadable, Piano reduction with solo part. Duration 16 minutes. Schott Music - Digital #Q342. Published by Schott Music - Digital (S9.Q342).
$21.99
Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Hfe. · Str. chamber orchestra - SKU: S9.Q16435 For chamber orchestra. Composed by Bertold Hummel. This edition: set of parts. Concertino. Downloadable, Set of parts. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16435. Published by Schott Music - Digital (S9.Q16435). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Concert Overture
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Orchestre de chambre
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Bertold Hummel
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Concert Overture
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Schott Music - Digital
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SheetMusicPlus
1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. T...
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1 (auch Picc.) · 1 · 2 (2. auch Bassklar.) · 1 - 1 · 1 · 0 · 0 - P. S. (Xyl. · Trgl. · hg. Beck. · 2 Tomt. · 2 kl. Tr. · Mil. Tr. · gr. Tr. · 2 Tempelbl.) (2 Spieler) - Str. chamber orchestra - SKU: S9.Q16434 For chamber orchestra. Composed by Bertold Hummel. This edition: score. Concertino. Downloadable, score. Op. 13c. Duration 8 minutes. Schott Music - Digital #Q16434. Published by Schott Music - Digital (S9.Q16434). Despite the Concertante Overture being almost 60 years old, the piece nevertheless captures listeners through its young and carefree freshness. The string orchestra is joined by solo winds and percussion. Hummel's music is so colourful, vivid and powerful that the listener can immediately imagine how the curtain rises upon a play while this music is played. The differentiated score, with its chamber music layout, can be mastered by good amateur ensembles and music students.
$25.99
Mysteries of the Macabre
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Orchestre de chambre
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AVANCÉ
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by G...
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Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English • German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the “Secret Political Police†which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate – however more accurate – continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) · 1 · 1 (auch Baßklar.) · 1 (auch Kontrafag.) – 1 · 1 · 1 (ad lib. auch Kontrabaßpos.) · 0 – P.S. (kl. Tr. · gr. Tr. · Tomt. · 4 Bong. · hg. Beck. · Beckenpaar · 4 Tempelbl. · Schellentr. · Crot. · Kast. · Tamt. · Glspl. · Mar. · Guero · Lotosfl. · 1 Blatt festes Pack-papier · Signalpf. · Trillerpf. · Woodbl.) – Klav. (auch Cel.) · Mand. – Str. (1 · 1 · 1 · 1 · 1).
$27.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Chamber Music No. 7
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 7
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solo-Orgel, kl. Flöte, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), 2 Fagotte, Horn (in F), Trompete (in C, Posaune, Violoncelli, KontrabÃ...
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Solo-Orgel, kl. Flöte, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), 2 Fagotte, Horn (in F), Trompete (in C, Posaune, Violoncelli, Kontrabässe organ and chamber orchestra - SKU: S9.Q21371 For organ and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/2. Ernst Eulenburg & Co. GmbH - Digital #Q21371. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21371). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. But the title is misleading: The individual pieces actually have concertante soloistic features instead of submitting to chamber music traditions. Chamber Music No. 7 is centred on the organ. Written for the broadcaster Frankfurter Sender, the work took then virulent music recording and broadcasting problems on the radio into account in its instrumentation for chamber music and the elaboration of the musical setting. The scores are based on Vol. IV/3 (PHA 403) of the Hindemith Complete Edition, edited by Giselher Schubert.
$17.99
Chamber music No. 7
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Orchestre de chambre
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Paul Hindemith
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Chamber music No. 7
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Schott Music - Digital
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SheetMusicPlus
Kl. Flöte, gr. Flöte, Oboe, Klar. in B, Bass-Klar. in B, 2 Fag, Kontrafag., Horn in F, Trp. in C, Pos., Violoncelli, Kontrabässe Organ and Chamber Orch...
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Kl. Flöte, gr. Flöte, Oboe, Klar. in B, Bass-Klar. in B, 2 Fag, Kontrafag., Horn in F, Trp. in C, Pos., Violoncelli, Kontrabässe Organ and Chamber Orchestra - SKU: S9.Q1569 Concerto for Organ and Chamber orchestra. Composed by Paul Hindemith. This edition: solo part. Downloadable, Solo part. Op. 46/2. Duration 17 minutes. Schott Music - Digital #Q1569. Published by Schott Music - Digital (S9.Q1569).
$30.99
Chamber Music No. 6
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Orchestre de chambre
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Paul Hindemith
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Chamber Music No. 6
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Ernst Eulenburg & Co. GmbH - Digital
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SheetMusicPlus
Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, ...
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Solo-Viola d'amore, gr. Flöte, Oboe, Klarinette (in B), Bassklarinette (in B), Fagott, Horn (in F), 2 Trompeten (in C, zweite Trompete ad libitum), Posaune, 3 Violoncelli, 2 Kontrabässe viola d'amore and chamber orchestra - SKU: S9.Q21080 For viola d'amore and chamber orchestra. Composed by Paul Hindemith. This edition: study score. Ernst Eulenburg - chamber music - Score. Eulenburg Miniature Scores. Downloadable, Study score. Op. 46/1. Ernst Eulenburg & Co. GmbH - Digital #Q21080. Published by Ernst Eulenburg & Co. GmbH - Digital (S9.Q21080). German • English.The chamber music works are among Hindemith's most successful instrumental works of the 1920s. At the world premiere of Chamber Music No. 1, the audience even demanded a repetition of the third and fourth movements. But the title is misleading: The individual pieces rather bear concertante and soloistic markings than bow to chamber music traditions. Chamber Music No. 6 focuses on the viola d'amore which, despite its virtuoso handling, is challenged by a few individual instruments separated from the orchestral setting. The scores are based on Volume IV/3 (PHA 403) of the Hindemith Complete Edition edited by Giselher Schubert.
$16.99
Violin Concerto
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Orchestre de chambre
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Wolfgang Fortner
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Violin Concerto
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Schott Music - Digital
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SheetMusicPlus
1 · 1 · 2 · 2 - 2 · 1 · 0 · 0 - P. S. (kl. Tr. · gr. Tr. m. Beck.) (2 ì Spieler) - Str. violin and large chamber orchestra - SKU: S9...
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1 · 1 · 2 · 2 - 2 · 1 · 0 · 0 - P. S. (kl. Tr. · gr. Tr. m. Beck.) (2 ì Spieler) - Str. violin and large chamber orchestra - SKU: S9.Q22670 Composed by Wolfgang Fortner. This edition: piano reduction with solo part. Downloadable, Piano reduction with solo part. Duration 23 minutes. Schott Music - Digital #Q22670. Published by Schott Music - Digital (S9.Q22670).
$40.99
Chamber music No. 3
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Orchestre de chambre
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Contemporain
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1 ·
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Chamber music No. 3
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Schott Music - Digital
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SheetMusicPlus
1 (gr. auch kl.) · 1 · 1 (auch Es-Klar.) · 1 – 1 · 1 · 1 · 0 – Str. (1 · 0 · 0 · 1 &middo...
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1 (gr. auch kl.) · 1 · 1 (auch Es-Klar.) · 1 – 1 · 1 · 1 · 0 – Str. (1 · 0 · 0 · 1 · 1) solo-cello, flute (Piccolo), oboe, clarinet (Bb and Eb), bassoon, horn (F), trumpet (C), trombone, violin, cello and double bass - Digital Download Für obligates Violoncello und 10 Solo-Instrumente. Composed by Paul Hindemith (1895-1963). This edition: study score. Ernst Eulenburg - Kammermusik - Partitur. Eulenburg Miniature Scores. Downloadable, Study score. Op. 36/2. Duration 17 minutes. Schott Music - Digital #Q21077. Published by Schott Music - Digital
$18.99
Fonogrammi
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Orchestre de chambre
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Krzysztof Penderecki
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Fonogrammi
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Schott Music - Digital
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SheetMusicPlus
Fl. (Picc. · gr. Fl. · Altfl.) - S. (Trgl. · 4 hg. Beck. · 2 Tamt. · Gl. · Kuhgl. · Handgl. · 2 Gongs · Flex. · Vibr. · Xylorim...
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Fl. (Picc. · gr. Fl. · Altfl.) - S. (Trgl. · 4 hg. Beck. · 2 Tamt. · Gl. · Kuhgl. · Handgl. · 2 Gongs · Flex. · Vibr. · Xylorimba) (4 Spieler) - Cel. · Cemb. · Harm. · Klav. - Str. (6 · 0 · 4 · 2 · 1) flute and chamber orchestra - SKU: S9.Q582008 For flute and chamber orchestra. Composed by Krzysztof Penderecki. Music Of Our Time. Downloadable, Score. Duration 7 minutes. Schott Music - Digital #Q582008. Published by Schott Music - Digital (S9.Q582008).
$12.99
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