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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Grant A
Sheetmusicplus
Non classifié
462
Piano & claviers
Piano seul
193
Piano Facile
126
Piano, Voix
94
Accompagnement Piano
63
Piano, Voix et Guitare
41
Instruments en Do
12
Orgue
11
Piano grosses notes
6
Piano Trio: piano, violon, violoncelle
6
1 Piano, 4 mains
5
Clavier
1
Piano Quatuor: piano, 2 violons, violoncelle
1
1 Piano, 6 mains
1
Accordéon
1
2 Pianos, 4 mains
1
+ 10 instrumentations
Retracter
Guitares
Ukulele
19
Guitare
9
Guitare notes et tablatures
9
Ligne De Mélodie, (Paroles) et Accords
6
Paroles et Accords
2
Banjo
2
4 Guitares (Quatuor)
1
Dulcimer
1
Ensemble de guitares
1
Guitare (partie séparée)
1
2 Dulcimers (duo)
1
+ 6 instrumentations
Retracter
Voix
Chorale SATB
204
Chorale 3 parties
56
Chorale TTBB
32
Chorale Unison
30
Chorale 2 parties
29
Chorale SSAA
20
Voix duo, Piano
10
Voix duo
6
Voix Soprano, Piano
4
Voix Alto, Piano
3
Voix Tenor, Piano
2
Pack Instrumental pour Chorale
2
Voix haute
2
Chorale
1
Voix Baryton, Piano
1
Chorale SSAATB A Cappella
1
Chorale SSATTB
1
Voix basse, Piano
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière et Piano
38
Ensemble de Flûtes
29
Clarinette et Piano
26
Ensemble de Clarinettes
24
2 Flûtes traversières (duo)
22
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
22
Flûte, Hautbois, Clarinette, Basson
20
Saxophone Tenor et Piano
19
2 Clarinettes (duo)
18
Saxophone Alto et Piano
16
Clarinette
14
Flûte traversière
14
Quatuor de Saxophones: 4 saxophones
14
Hautbois, Piano (duo)
12
Saxophone (partie séparée)
11
Quatuor de Clarinettes: 4 clarinettes
11
Flûte, Clarinette (duo)
9
Flûte, Clarinette, Piano (trio)
7
Saxophone Alto
7
Hautbois (partie séparée)
7
Quintette de Saxophone: 5 saxophones
6
Saxophone Tenor
6
Saxophone Soprano et Piano
6
2 Flûtes traversières, Piano
6
2 Saxophones (duo)
6
Flûte, Violon, Piano
6
Trio de Flûtes: 3 flûtes
5
Quatuor de Flûtes : 4 flûtes
5
Flûte, Basson et Piano
4
Clarinette, Violon (duo)
4
3 Clarinettes (trio)
3
Flûte, Hautbois, Clarinette (trio)
3
Ensemble de saxophones
3
Clarinette Basse, Piano
3
Clarinette (partie séparée)
2
Quintette de Clarinettes: 5 clarinettes
2
3 Saxophones (trio)
2
Flûte, Hautbois, Violon
2
Cor anglais, Piano
2
2 Clarinettes, Piano
2
Flute (partie séparée)
2
2 Hautbois (duo)
2
Flûte, Clarinette, Violon (trio)
2
Saxophone Baryton, Piano
1
Flûte à bec Soprano
1
Flûte, Hautbois (duo)
1
2 Saxophones, Piano
1
Quatuor de Flûtes à bec
1
Saxophone
1
Flûte, Violon
1
Hautbois
1
+ 46 instrumentations
Retracter
Cuivres
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
54
Ensemble de Trompettes
24
Trompette, Piano
20
Trompette
13
Trombone et Piano
13
Quatuor de Cuivres : 2 trompettes, trombone, tuba
12
Cor et Piano
10
Trombone
9
Cor
8
Ensemble de Trombones
6
Quatuor de Cuivres
6
Tuba
5
Ensemble de Cors
4
Trompette (partie séparée)
4
Euphonium
4
Cor (partie séparée)
3
Tuba et Piano
3
2 Trompettes (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
Quatuor de cuivres: 4 trombones
2
Cor anglais, Piano
2
Quatuor de cuivres: 4 cors
2
Trombone, Orgue
1
Tuba (partie séparée)
1
Euphonium, Piano (duo)
1
Trombone (partie séparée)
1
Quatuor de cuivres: 4 trompettes
1
Trombone et orchestre
1
2 Trombones (duo)
1
+ 24 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
53
Violon et Piano
27
2 Violons (duo)
23
Violon
20
Violoncelle, Piano
18
Alto, Piano
17
Violoncelle
15
Alto seul
12
Trio à Cordes: violon, alto, violoncelle
10
Harpe
9
Contrebasse, Piano (duo)
8
Violon, Violoncelle (duo)
8
Quintette à cordes: 2 violons, alto, violoncelle, basse
5
Piano Trio: Violon, Alto, Piano
4
Trio à Cordes: 2 violons, violoncelle
3
2 Violons, Piano
3
Alto (partie séparée)
2
Violon (partie séparée)
2
2 Altos (duo)
2
Violon, Guitare (duo)
2
Violon, Alto (duo)
2
Trio à cordes: 3 violins
2
4 Violoncelles
2
Violoncelle (partie séparée)
1
Trio à Cordes: 2 violons, alto
1
Contrebasse (partie séparée)
1
Quatuor à cordes : 4 altos
1
Violon, Clarinette, Piano (trio)
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Alto, Guitare (duo)
1
Alto, Violoncelle (duo)
1
2 Violoncelles (duo)
1
Contre Basse
1
Violon, Basson (duo)
1
+ 29 instrumentations
Retracter
Orchestre & Percussions
Cloches
305
Orchestre d'harmonie
55
Orchestre
33
Orchestre à Cordes
22
Ensemble de cuivres
11
Orchestre de chambre
9
Jazz combo
8
Ensemble Jazz
7
Fanfare
6
Ensemble de Percussions
4
Percussion (partie séparée)
3
Xylophone, Piano
1
Percussion
1
Batterie (partie séparée)
1
Timbales (partie séparée)
1
+ 10 instrumentations
Retracter
Autres
Instruments
ACCORDEON
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BOUZOUKI
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CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
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MEDIEVAL - RENAISSAN…
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METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
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OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
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POP ROCK - ROCK CLAS…
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Grant A
SheetMusicPlus
Partitions à imprimer
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1
The Banshee and the Wish, An Opera in One Act, Full Score and Individual Parts
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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James Nathaniel Holland
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The Banshee and the Wish, An O
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James Nathaniel Holland
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. J...
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Chamber Orchestra - Level 4 - SKU: A0.730528 Composed by James Nathaniel Holland. Contemporary,Holiday,Musical/Show,Opera. Score and parts. 184 pages. James Nathaniel Holland #6295581. Published by James Nathaniel Holland (A0.730528). FULL SCORE AND INDIVIDUAL INSTRUMENT PARTS. Vocal Piano Score sold separately. Here American composer James Nathaniel Holland brings you The Banshee and the Wish is a tale based on an old Irish Legend with original libretto and 21st century music. A Irish soldier has lost his way home from the battlefields of World War I, and find a mysterious fairy maiden bathing and washing clothes in a river. He steals her comb knowing that she must grant any wish he desires. His wish is to return home. As always with the fairies, his wish is granted but with a catch. Accessible music for Soprano, Baritone and chamber orchestra. Score for: fl, ob, eh, clBb, bsn, hrn in F, timp/tri., hrp, and strings. Duration: 30 minutes.
$25.95
Piano Concerto No. 1 - SECOND movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Juan MarÃa Solare
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Piano Concerto No. 1 - SECOND
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical...
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Chamber Orchestra - Level 3 - SKU: A0.1197730 By Juan MarÃa Solare. By Juan MarÃa Solare. Arranged by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 64 pages. Juan Maria Solare #796911. Published by Juan Maria Solare (A0.1197730). Piano Concerto No. 1 - SECOND movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - FIRST movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - FIRST m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74...
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Chamber Orchestra - Level 3 - SKU: A0.1197728 By Juan MarÃa Solare. By Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 74 pages. Juan Maria Solare #796909. Published by Juan Maria Solare (A0.1197728). Juan MarÃa Solare: Piano Concerto No. 1 - FIRST movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HERE:https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049Video in YouTube (score follower)Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.
$33.00
Piano Concerto No. 1 - Score Only
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Orchestre de chambre
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INTERMÉDIAIRE
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Juan MarÃa Solare
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Piano Concerto No. 1 - Score O
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197642 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 77 pages. Juan Maria Solare #796823. Published by Juan Maria Solare (A0.1197642). Juan MarÃa Solare: Piano Concerto (No. 1)PARTSPiano Concerto No. 1 - FIRST movement [score and parts]https://www.sheetmusicplus.com/title/22466227?aff_id=565049https://www.sheetmusicplus.com/title/piano-concerto-no-1-first-movement-score-and-parts-digital-sheet-music/22466227?aff_id=565049https://www.sheetmusicplus.com/22466227?aff_id=565049Piano Concerto No. 1 - SECOND movement [score and parts]https://www.sheetmusicplus.com/title/22466231?aff_id=565049Piano Concerto No. 1 - THIRD movement [score and parts]https://www.sheetmusicplus.com/title/22466233?aff_id=565049Aesthetic reflections on the piano concertoDuring the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.1st movement - https://youtu.be/DNckBKzaWtc2nd movement - https://youtu.be/1Zy0ZbrdPJE3rd movement - https://youtu.be/dnYE9dWUEZg
$25.00
Piano Concerto No. 1 - THIRD movement [score and parts]
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Orchestre de chambre
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INTERMÉDIAIRE
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Contemporain
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Juan MarÃa Solare
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Piano Concerto No. 1 - THIRD m
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Juan Maria Solare
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Mar...
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Chamber Orchestra - Level 3 - SKU: A0.1197732 Composed by Juan MarÃa Solare. 20th Century,Classical,Contemporary. Score and parts. 53 pages. Juan Maria Solare #796913. Published by Juan Maria Solare (A0.1197732). Piano Concerto No. 1 - THIRD movement [score and parts]Please find the other two movements - also in this platformThe full score (of the three movements) is also available independently HEREavailable HERE:(https://www.sheetmusicplus.com/title/piano-concerto-no-1-score-only-digital-sheet-music/22468631?aff_id=565049).Video in YouTube (score follower)Aesthetic reflections on the piano concerto (by Juan MarÃa Solare)During the eras of classicism and romanticism, a concerto was often conceived as a confrontation between a soloist, symbolising the individual, and the orchestra, representing society. Seen in this way, a concert reflects a value system that pits the individual against the group and poses a struggle of I against you. Surely this vehemence could be explained in a Beethovenian era when the concepts of human rights and individual freedom were fragile ideals.However, it is a different scale of values that my piano concerto tries to reflect: the idea of cooperation, of teamwork and of an orchestra as a living organism whose organs are not superior to one another, more vital than others, but fulfil different functions, qualitatively speaking.Every soloist plays a leading role, but this does not imply either subordination to the rest or denigration or subjugation of the rest. The fact that the soloist is sometimes in the foreground does not imply a victory over the others. The very concept of victory is meaningless here.At times, the soloist will fulfil a leadership role, at others he or she will underpin from passivity what is happening in the orchestra, intentionally from the shadows, as a grey eminence. And at other times - why not - he will question what the majority is doing.It is not a rough relationship of me against you, but there is also a we.The composition and orchestration of this piano concerto was made possible by a grant from the Senator for Culture of the Free Hanseatic City of Bremen. This work was funded by an artist's grant as part of the Bremen-Corona-Hilfen programme.The premiere by the orchestra of the Bremer Orchestergemeinschaft is scheduled for the beginning of 2024. Duration: 17 to 20 minutes.Full score available here
$33.00
Determination
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Orchestre de chambre
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INTERMÉDIAIRE
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Jeux Videos
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Toby Fox
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Grant Harville
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Determination
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Grant Harville
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1284710 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 26 pages. Grant Harville #8...
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Chamber Orchestra - Level 3 - SKU: A0.1284710 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 26 pages. Grant Harville #875788. Published by Grant Harville (A0.1284710). Determination from Undertale, arranged for chamber orchestra. A bit melancholy (it's the game over music), about 90 seconds long, it can be played separately but is probably best performed in conjunction with other selections from the video game. Soloistic part for oboe.Instrumentation: 2[1.pic]122 2000 1pc str (clarinet 2/bassoon 2 optional).
$49.99
It's Raining Somewhere Else
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Jeux Videos
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Toby Fox
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Grant Harville
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It's Raining Somewhere Else
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Grant Harville
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #8...
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Chamber Orchestra - Level 4 - SKU: A0.1285539 Composed by Toby Fox. Arranged by Grant Harville. Video Game. Score and Parts. 33 pages. Grant Harville #876644. Published by Grant Harville (A0.1285539). It's Raining Somewhere Else from Undertale, arranged for small orchestra. Like a chill jazz standard, it can be played separately or in conjunction with other selections from the video game. Solo parts for piano, percussion, trumpet, and trombone.Instrumentation: 0000 0230 4perc pf str.
$49.99
Quiet Times - Solo Flugelhorn Feature for Studio Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Richard Decker
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Quiet Times - Solo Flugelhorn
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Charles Decker Music Press
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker M...
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Chamber Orchestra - Level 4 - SKU: A0.817154 Composed by Richard Decker. 21st Century,Contemporary,Contest,Festival,Jazz,Pop. 41 pages. Charles Decker Music Press #5740917. Published by Charles Decker Music Press (A0.817154). This very accessible and moderately difficult original jazz-influenced, lush sounding ballad for studio orchestra featuring solo flugelhorn creates lasting memories for performers and audiences. New York State School Music News review: This slow ballad has an effective legato flow with remarkably colorful orchestration … a very original and playable creation. The audio file is an actual studio orchestra performance of the entire work and not a computer playback of the score. See also the piano reduction accompaniment for Quiet Times at Charles Decker Music Press. See 50+ homogeneous brass group editions for horn, trumpet and trombone ensembles and more than 70 mixed brass ensemble publications with Charles Decker Music Press at Sheet Music Plus for inexperienced to advanced musicians with music ranging from the Renaissance to contemporary new works for trios, quartets, quintets, brass choir and brass band. Many of the mixed brass ensemble editions include alternate and substitute parts being alternate C trumpet parts for B-flat trumpet parts, flugelhorn/trumpet substitute for horn, horn substitute for trombone and treble clef euphonium substitute for trombone. Check out our Music of Black Composers Series with Charles Decker Music Press at Sheet Music Plus with 25 arrangements for mixed brass ensembles ranging from early jazz to symphonic works with composers Samuel Coleridge-Taylor, R. Nathaniel Dett, William Grant Still, Will Marion Cook, James Reese Europe, James Johnson and others. All ensemble publications include recordings of the entire edition.
$18.95
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Classique
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
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Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
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