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TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
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PIANO & CLAVIERS
Piano seul
165
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83
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18
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18
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9
1 Piano, 4 mains
4
Accordéon
4
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2
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1
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1
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GUITARES
Guitare notes et tablatures
14
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10
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4
Dulcimer
4
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4
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2
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1
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1
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1
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1
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VOIX
Chorale SATB
72
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28
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12
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12
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9
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8
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5
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3
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2
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2
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1
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1
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1
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1
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1
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1
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VENTS
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296
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168
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128
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110
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93
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91
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64
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58
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56
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54
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53
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53
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52
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50
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47
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46
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38
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34
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32
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28
2 Flûtes traversières, Piano
27
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25
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24
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21
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16
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14
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11
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10
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8
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7
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7
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7
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7
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6
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5
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4
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3
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2
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2
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2
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1
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1
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1
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1
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1
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1
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1
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1
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1
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Flute (partie séparée)
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Cor Anglais
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CUIVRES
Trompette, Saxophone (duo)
114
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58
2 Trompettes (duo)
54
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53
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
34
Trompette, Piano
31
Trombone et Piano
26
Cor et Piano
19
Trompette
17
Tuba et Piano
13
Trombone
11
Quatuor de Cuivres
10
Cor
8
Quatuor de Cuivres : 2 trompettes, trombone, tuba
7
Cor anglais, Piano
6
Ensemble de Trombones
5
Tuba
5
Ensemble de Trompettes
4
3 Trompettes (trio)
3
Ensemble de Cors
3
Euphonium, Piano (duo)
3
Quatuor de Cuivres: 2 trompettes, Cor, trombone
3
Trompette (partie séparée)
2
2 Tubas (duo)
2
Quatuor de cuivres: 4 trompettes
1
Tuba (partie séparée)
1
Trombone (partie séparée)
1
Trombone, Orgue
1
Trompette, Euphonium (duo)
1
2 Cors (duo)
1
Quatuor de cuivres: 4 trombones
1
3 Trombones (trio)
1
Cor (partie séparée)
1
Euphonium
1
Cor Anglais
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CORDES
2 Altos (duo)
60
2 Violons (duo)
59
Violon, Alto (duo)
58
Violon, Violoncelle (duo)
56
2 Violoncelles (duo)
56
Violon et Piano
48
Alto, Piano
34
Violoncelle, Piano
32
Quatuor à cordes: 2 violons, alto, violoncelle
31
Harpe
23
Violon
20
Contrebasse, Piano (duo)
17
Violoncelle
16
Trio à Cordes: violon, alto, violoncelle
16
Alto seul
12
Violon (partie séparée)
4
Trio à cordes: 3 violins
4
Contre Basse
4
Alto (partie séparée)
3
Trio à Cordes: 2 violons, violoncelle
3
Violoncelle, Orgue
2
Piano Trio: Violon, Alto, Piano
2
Alto et Harpe
2
Contrebasse (partie séparée)
2
Quintette à cordes: 2 violons, 2 altos, violoncelle
2
Alto, Guitare (duo)
2
Trio à Cordes: 3 violoncelles
1
Ensemble de Violons
1
Quintette à cordes: 2 violons, alto, violoncelle, basse
1
Trio à cordes: 3 altos
1
Ensemble d'Altos
1
Alto, Orgue
1
Violon, Guitare (duo)
1
Violoncelle , Guitare (duo)
1
Harpe et mandoline
1
Flûte, Contrebasse (duo)
1
Violoncelle (partie séparée)
1
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PERCUSSIONS & ORCHESTRES
Orchestre d'harmonie
76
Fanfare
76
Orchestre à Cordes
36
Ensemble de cuivres
17
Orchestre
13
Cloches
10
Xylophone, Piano
8
Ensemble Jazz
8
Orchestre de chambre
8
Batterie
3
Percussion (partie séparée)
2
Ensemble de Percussions
1
Timbales (partie séparée)
1
Xylophone
1
Percussion
1
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AUTRES
Vous avez sélectionné:
Half The Man
Orchestre de chambre
Partitions à imprimer
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Carson Cooman: Symphony No. 3, “Ave Maris Stella” (2005) for chamber orchestra, score only
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Co…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.533672 Composed by Carson Cooman. Contemporary,Sacred. Score and parts. 54 pages. Musik Fabrik Music Publishing #3037097. Published by Musik Fabrik Music Publishing (A0.533672). Symphony No. 3, “Ave Maris Stella†(2005) was written for the Duquesne ContemporaryEnsemble and is dedicated to composer David Stock. Throughout his career, Stock has beena tireless and generous advocate on behalf of new music and living composers. This work isdedicated to him in tribute – as both an important American composer and a significantcontributor to America’s contemporary musical life.The work’s basic source material is the plainchant Ave maris stella (“Hail, star of the seaâ€) –appropriate because of Duquesne’s standing and history as a Catholic university. When thecomposition of this work first began, the original plan was for a celebratory and vibrant piece.As the planning progressed, however, personal circumstances intervened and began to changethe work’s tone – becoming substantially bleaker and more obsessive.The title of the first movement, Pentimento, is defined as “an underlying image in a painting,as an earlier painting, that shows through when the top layer of paint has become transparentwith age.†The melodic and harmonic material for the movement is entirely drawn from theplainchant source, although it is completely transformed and covered up – as in a pentimento.At various points, one can begin to hear the original plainchant “peek out†in subtle ways.The opening section of the movement obsesses again and again on what sounds like a“beginning†– as though it is trying to begin again and again. After a brief bassoon cadenza, afast and driving section starts, marked “sinister.†After driving through a series oftransformations on the plainchant material, a bridge passage leads to further attempts at the“beginning†again. Finally, these attempts are given up, and the plainchant material (theunderlying layer) begins to show through quietly – in preparation for the next movement.In the second movement, Interrupted Motet, the plainchant theme is used in a morestraightforward fashion. After the opening declamatory statements, the following sectionsmove between more free developmental techniques, based on the first movement’stransformations, and “motet†sections – using cantus firmus methods and textures fromRenaissance music. The tone and palate is, however, much darker and more obsessive.There is a brooding ponderousness to these contrapuntal developments. The final motetsection ends in a rageful shout, the plainchant material is presented again in full force, and thepent-up energy dissipates to the close.FluteOboeClarinet in BbBass Clarinet in BbBassoonHorn in F/BbTrumpet in CTrombonePercussion (1 player):tubular bells, vibraphone(Percussionist needs one rosined bow for vibraphone.)PianoViolin IViolin IIViolaCelloContrabass(single strings)This is the score only. The complete parts and each seperate part are also available as seperate items.
$25.95
23.72 €
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Orchestre de chambre
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Carson Cooman
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Carson Cooman: Symphony No. 3, “Ave Maris Stella”
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Musik Fabrik Music Publishing
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SheetMusicPlus
Mysteries of the Macabre
Orchestre de chambre
Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - Digital Download…
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Solo-trumpet in C or Koloratursoprano and chamber orchestra - difficult - Digital Download SKU: S9.Q3051 Three aria from the opera Le Grand Macabre. Composed by Gyorgy Ligeti. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 9 minutes. Schott Music - Digital #Q3051. Published by Schott Music - Digital (S9.Q3051). English • German.I composed my opera Le Grand Macabre from 1974 to 1997. The Mysteries of the Macabre are arrangements of three coloratura arias of the chief of the “Secret Political Police†which have been arranged (beautifully!) for chamber ensemble by Elgar Howarth. My friend Howarth had conducted the world premiere of the opera in Stockholm in 1978 and some of the further productions. The half-nonsense text is an immediate – however more accurate – continuation of the idea of my works Aventures and Nouvelles Aventures, but there is no chromatics in the music any more.1 (auch Picc.) · 1 · 1 (auch Baßklar.) · 1 (auch Kontrafag.) – 1 · 1 · 1 (ad lib. auch Kontrabaßpos.) · 0 – P.S. (kl. Tr. · gr. Tr. · Tomt. · 4 Bong. · hg. Beck. · Beckenpaar · 4 Tempelbl. · Schellentr. · Crot. · Kast. · Tamt. · Glspl. · Mar. · Guero · Lotosfl. · 1 Blatt festes Pack-papier · Signalpf. · Trillerpf. · Woodbl.) – Klav. (auch Cel.) · Mand. – Str. (1 · 1 · 1 · 1 · 1).
$27.99
25.59 €
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Orchestre de chambre
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Gyorgy Ligeti
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Mysteries of the Macabre
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Schott Music - Digital
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SheetMusicPlus
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann St…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
3.65 €
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Orchestre de chambre
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Johann Strauss Jr
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Aaron Meier
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Olga-Polka, Op. 196
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Aaron Meier
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SheetMusicPlus
Introduction to "Das Fürstenkind" (The Little Prince)
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1175376 By Trevor Denyer. By…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1175376 By Trevor Denyer. By Franz Lehar. Arranged by Typeset by Trevor Denyer. 19th Century,Classical,Romantic Period. Score and Parts. 65 pages. Trevor Denyer #775533. Published by Trevor Denyer (A0.1175376). A little-performed, joyous piece by one of the under-appreciated Waltz Kings of Vienna. This is the introduction to an operetta which is full of light and shade and will start a concert (or second half) with just the right mindset!
$30.00
27.43 €
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Orchestre de chambre
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Trevor Denyer
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Typeset by Trevor Denyer
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Introduction to "Das Fürstenkind"
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Trevor Denyer
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SheetMusicPlus
Finale for Beethoven's Violin Concerto in C major WoO 5
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig v…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.1004721 Composed by Ludwig van Beethoven. Arranged by Adrian Gagiu. Classical. Score and parts. 48 pages. Adrian Gagiu #6204599. Published by Adrian Gagiu (A0.1004721). Beethoven's Romance No. 1 in G major for violin and orchestra op. 40 (c. 1801) was transposed in C major, arranged in the new key and appropriate tempo, and expanded to form a rondo Finale fit for his unfinished Concerto in C major, of which only about a half of a clean copy of the first movement survived as WoO 5 (1791-1792). Also, a newly composed solo cadenza was now inserted. Almost surely, the Romance No. 2 in F major op. 50 (c. 1791?) was intended as the slow movement of the Concerto (it has virtually the same scoring as WoO 5, the manuscript bears no title, and there is a thematic relation to WoO 5). The Romance No. 1 in G major was probably intended as a replacement or alternate slow movement, but it is his only composition relatable to the Concerto fragment, so I adapted it as conjecture Finale for a complete performing version of the Concerto.
$15.00
13.71 €
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Orchestre de chambre
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Ludwig van Beethoven
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Adrian Gagiu
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Finale for Beethoven's Violin Concerto in C major WoO 5
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Adrian Gagiu
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SheetMusicPlus
Press Play
Orchestre de chambre
Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till Mac…
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Chamber Orchestra - Level 5 - Digital Download SKU: A0.1027496 Composed by Till MacIvor Meyn. 20th Century,Contemporary,Pop. Score and parts. 86 pages. Till MacIvor Meyn #550691. Published by Till MacIvor Meyn (A0.1027496). Submitted for 2015 Areon Flutes International Chamber Music Composition Competition, ‘Press Play’ was composed for internationally renowned bassoonist Scott Pool. When I was growing up in the 1980s, I had a rather large cassette tape collection with many different types of music; my friends and I spent much of our time browsing through each other’s sets and listening to diverse rock albums. ‘Press Play’ is designed to represent the format of an EP album, though the music contained is a mix of styles. Track 1 is a chorale-style introductory movement that features the bassoon in brief solo passages between the chordal string sections. Hit Single is basically a pop song for bassoon and strings. In Deep Cut, the instruments explore a slow contrapuntal texture; the title refers to an obscure type of track on an album that radio stations are less likely to air, except perhaps on late night shows. Deep Cut accelerates in the second half, and moves almost directly into Hidden Track, named for a type of song that some albums hide after all the popular songs are over. Hidden Track also features an acceleration from beginning to end, and has a style and format similar to process music.
$26.00
23.77 €
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Orchestre de chambre
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Till MacIvor Meyn
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Press Play
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Till MacIvor Meyn
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SheetMusicPlus
L'Après-midi d'un faun (2021) for soprano and string quartet
Orchestre de chambre
Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Ob…
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Chamber Orchestra - Level 4 - Digital Download SKU: A0.869867 Composed by Thomas Oboe Lee. 20th Century,Contemporary. Score and parts. 90 pages. Thomas Oboe Lee #6473889. Published by Thomas Oboe Lee (A0.869867). Everyone knows L'Après-midi d'un faun, right? Well, in the case of Debussy it was a tone poem for flute and orchestra. Mine is an actual setting of the Stéphane Mallarmé poem of the same title. Even though the entire poem is in the voice of the 'faun,' who is a male, albeit half human-half goat, I decided that because the poem is so beautiful and seductive a soprano voice would do the words justice. I divided the poem into five parts. 1. Ces nymphes, je les veux perpétuer ... 2. O bords siciliens d'un marécage ... 3. Tâche donc, instrument des fuites ... 4. O nymphes, regonflons des Souvenirs divers ... 5. Tant pis! vers le bonheur d'autres m'entraîneront ...
$9.99
9.13 €
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Orchestre de chambre
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Thomas Oboe Lee
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L'Après-midi d'un faun
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Thomas Oboe Lee
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