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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Heart and Soul
Non classifié
701
Piano & claviers
Piano seul
232
Piano, Voix et Guitare
147
Piano Facile
82
Piano, Voix
62
Instruments en Do
50
1 Piano, 4 mains
18
Orgue
11
Piano grosses notes
5
Piano Quatuor: piano, violon, alto, violoncelle
5
Accompagnement Piano
3
Piano Trio: piano, violon, violoncelle
3
Piano Quintette: piano, 2 violons, alto, violoncelle
2
Clavier
1
2 Pianos, 4 mains
1
+ 9 instrumentations
Retracter
Guitares
Ligne De Mélodie, (Paroles) et Accords
35
Guitare notes et tablatures
27
Paroles et Accords
22
Guitare
14
Ukulele
13
Basse electrique
5
Piano, Guitare (duo)
2
3 Guitares (trio)
1
2 Guitares (duo)
1
+ 4 instrumentations
Retracter
Voix
Chorale SATB
135
Chorale 2 parties
42
Chorale 3 parties
39
Voix Alto, Piano
27
Voix Tenor
25
Voix Soprano
23
Voix Baryton, Piano
19
Chorale TTBB
16
Chorale SSAA
13
Voix duo, Piano
6
Chorale Unison
5
Voix Soprano, Piano
5
Voix seule
3
Pack Instrumental pour Chorale
3
Voix Tenor, Piano
2
Voix Mezzo-Soprano, Piano
2
Voix duo
1
Voix haute
1
+ 13 instrumentations
Retracter
Vents
Flûte traversière
52
Hautbois, Piano (duo)
48
Saxophone Alto et Piano
47
Clarinette
46
Quatuor de Saxophones: 4 saxophones
42
Saxophone Alto
39
Flûte traversière et Piano
39
Hautbois (partie séparée)
37
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
35
Clarinette et Piano
31
2 Flûtes traversières (duo)
31
Quintette de Saxophone: 5 saxophones
25
Flûte, Hautbois, Clarinette, Basson
25
2 Saxophones (duo)
20
2 Flûte à bec (duo)
18
Saxophone Tenor
18
2 Clarinettes (duo)
16
Saxophone Tenor et Piano
14
Saxophone
12
2 Hautbois (duo)
10
Hautbois, Clarinette (duo)
8
Hautbois
8
Hautbois, Basson (duo)
7
Clarinette, Basson (duo)
7
Flûte, Clarinette (duo)
7
Saxophone (partie séparée)
7
Flûte, Clarinette et Basson
6
Flûte, Violoncelle
5
Flûte, Hautbois (duo)
5
Clarinette, Violoncelle (duo)
5
Hautbois, Violoncelle
5
Flûte à bec Soprano
4
Flûte, Hautbois, Basson
4
Flûte, Hautbois, Clarinette (trio)
4
Clarinette, Violon (duo)
3
3 Saxophones (trio)
2
Hautbois, violon (duo)
2
Quintette de Flûte : 5 flûtes
2
Flûte, Hautbois, Piano (trio)
2
Flûte à bec Alto, Piano
2
Hautbois, Violoncelle et Piano
2
Saxophone Soprano et Piano
2
Flûte, Alto (duo)
2
Saxophone Baryton, Piano
2
Hautbois et alto (duo)
2
Flûte, Violon, Violoncelle et Piano
2
2 Hautbois, Piano
2
3 Clarinettes (trio)
2
2 Flûtes traversières, Piano
2
Ocarina
2
2 Clarinettes, Piano
2
Cor anglais, Piano
2
Flûte, Violon
2
Flûte, Violon, Piano
1
Instruments en Mib
1
Flûte, Clarinette, Piano (trio)
1
Quatuor de Clarinettes: 4 clarinettes
1
Quintette de Clarinettes: 5 clarinettes
1
Saxophone Soprano
1
Flûte, Trompette (duo)
1
Flûte, Trombone (duo)
1
Cor Anglais
1
Clarinette, Basson, Piano (trio)
1
Clarinette et Alto
1
Ensemble de Clarinettes
1
Clarinette, Alto et Piano (trio)
1
Flûte, Basson et Piano
1
Hautbois, Clarinette et Piano (Trio)
1
Clarinette, Violoncelle, Piano (trio)
1
Flûte à Bec
1
Flûte, Violoncelle, Piano (trio)
1
Hautbois, Flûte
1
+ 67 instrumentations
Retracter
Cuivres
Trombone
38
Trompette
36
Cor
34
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
33
Trombone et Piano
32
Cor et Piano
28
Tuba
27
Trompette, Piano
26
Tuba et Piano
22
Quatuor de Cuivres : 2 trompettes, trombone, tuba
18
2 Trompettes (duo)
13
Quatuor de Cuivres
12
2 Cors (duo)
11
Trompette, Trombone (duo)
8
2 Trombones (duo)
7
2 Tubas (duo)
6
Trompette, Cor (duo)
4
Cor, Violoncelle (duo)
3
2 Trompettes, Clavier (piano ou orgue)
2
2 Cors, Piano
2
Cor anglais, Piano
2
Trompette (partie séparée)
1
Trompette, Trombone, Piano
1
Cor Anglais
1
2 Euphoniums (duo)
1
Quatuor de cuivres: 4 trompettes
1
Instruments en Sib
1
+ 22 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
69
Violon
53
Violoncelle
46
Violon et Piano
44
Violoncelle, Piano
42
Alto, Piano
39
Alto seul
33
Violon, Violoncelle (duo)
30
Quintette à cordes: 2 violons, alto, violoncelle, basse
25
2 Violons (duo)
22
Contrebasse, Piano (duo)
21
Contre Basse
20
2 Violoncelles (duo)
14
Harpe
11
2 Altos (duo)
10
Violon, Alto (duo)
10
Alto (partie séparée)
8
Trio à Cordes: 2 violons, violoncelle
8
Trio à Cordes: violon, alto, violoncelle
7
Alto, Violoncelle (duo)
6
Quintette à cordes : 2 violons, alto et 2 violoncelles
6
2 Contrebasses (duo)
6
Violon, Basson (duo)
5
Harpe, Voix
4
Alto et Basson
3
Trio à Cordes: 2 violons, alto
3
2 Violoncelles, Piano
2
Violon, Guitare (duo)
2
2 Violons, Piano
2
Piano Trio: Violon, Alto, Piano
1
Violon, Clarinette, Piano (trio)
1
Autoharp
1
Contrebasse (partie séparée)
1
+ 28 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
73
Ensemble Jazz
12
Orchestre
11
Orchestre de chambre
5
Orchestre à Cordes
5
Ensemble de cuivres
3
Jazz combo
3
Cloches
2
Ensemble de Percussions
1
Xylophone
1
Fanfare
1
Batterie
1
+ 7 instrumentations
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--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
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LIVRES
LUTH
MANDOLINE
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POP ROCK - ROCK CLAS…
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Vous avez sélectionné:
Heart and Soul
Orchestre de chambre
Partitions à imprimer
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Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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George Frideric Handel
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Flavio Regis Cunha
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Händel: The Trumpet Shall
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Co...
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Chamber Orchestra - Level 4 - SKU: A0.1281935 By George Frideric Handel. By George Frideric Handel. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Festival,Sacred,Wedding. Score and Parts. 43 pages. Flavio Regis Cunha #873288. Published by Flavio Regis Cunha (A0.1281935). Händel: The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings (Bb)Experience the power of composition with the classic 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' composed by the masterful Georg Friedrich Händel. Brighten your church or school orchestra with the timeless beauty of this work. Professional orchestras can stand out with its unique combination of instruments and dazzling strings. Treat your audience to this masterpiece for a night that will not be forgotten. Get your sheet music today and create a moment in music history with 'The Trumpet Shall Sound for Bassoon, Trumpet in Bb, Bass Solo, Harpsichord and Strings' by Händel.🎵 Introducing a Musical Masterpiece: The Trumpet Shall Sound Sheet Music! 🎵Are you ready to elevate your church, school, or professional orchestra performances to new heights of grandeur? Look no further! Unveil the majestic beauty of Georg Friedrich Händel's timeless composition with our meticulously crafted sheet music for The Trumpet Shall Sound.🎶 Experience the Elegance:Imagine the resounding harmony of a Bassoon and a Trumpet in Bb, accompanied by a captivating Bass Solo, the enchanting tones of a Harpsichord, and the lush backdrop of Strings. This composition is a celebration of musical artistry that will captivate hearts and souls.🌟 Elevate Your Performance:Whether you're aiming for a heavenly church performance, an educational masterpiece at your school, or a captivating showcase by your professional orchestra, The Trumpet Shall Sound offers a perfect blend of elegance, energy, and emotion. Leave your audience in awe as you bring this iconic piece to life.🎻 Immerse in Musical History:Georg Friedrich Händel's compositions have stood the test of time, enchanting generations with their unparalleled beauty. Now, you have the opportunity to immerse yourself in this rich musical heritage and deliver a performance that resonates with every listener.📚 Our Sheet Music:With utmost care, our sheet music has been transcribed to ensure accuracy and authenticity, capturing every intricate nuance of Händel's original masterpiece. Each note, each crescendo, and each glorious moment has been preserved for you to bring to life.🔥 Stand Out with Excellence:Set your performance apart with The Trumpet Shall Sound. Let the passion of Händel's music course through your ensemble, creating a lasting impact that will be talked about for years to come.🎉 Join the Musical Journey:Bring together the majestic harmonies of Bassoon, Trumpet in Bb, Bass Solo, Harpsichord, and Strings in a symphonic experience that will leave your audience mesmerized. Elevate your church, school, or professional orchestra's performance and become part of a musical journey that transcends time.👉 Get your The Trumpet Shall Sound sheet music today and prepare to deliver a performance that echoes through the ages. Unleash the power of Händel's genius and create a musical memory that will be cherished forever.Visit our website now to get your copy and embark on a transformative musical adventure! 🎼🌠Get Your Sheet Music Now#MajesticHarmony #MusicalElegance #HändelMagic🎵 Let the trumpets sound, and let your performance resound with brilliance! 🎵Advanced Intermediate LevelFormat: Concert, 9 x 12 inches43 pages.
$18.99
We Gather Together
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Orchestre de chambre
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INTERMÉDIAIRE
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Dutch Folk Song
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We Gather Together
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House of El Music
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.751295 Composed by Dutch Folk Song. Arranged by Brittany Thompson, Paul Thompson. Christian,Holiday,Sacred. Score ...
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Chamber Orchestra - Level 3 - SKU: A0.751295 Composed by Dutch Folk Song. Arranged by Brittany Thompson, Paul Thompson. Christian,Holiday,Sacred. Score and parts. 18 pages. House of El Music #6382005. Published by House of El Music (A0.751295). String Quartet and Harp will soothe your heart and soul with this calming Thanksgiving hymn.
$20.00
Playing Love
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Ennio Morricone
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Flavio Regis Cunha
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Playing Love
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Flavio Regis Cunha
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instruc...
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Chamber Orchestra - Level 4 - SKU: A0.1431197 Composed by Ennio Morricone. Arranged by Flavio Regis Cunha. Contemporary,Contest,Festival,Film/TV,Instructional,Wedding. 13 pages. Flavio Regis Cunha #1011659. Published by Flavio Regis Cunha (A0.1431197). Ennio Morricone: Playing Love English Horn Solo Version, Piano, and String Orchestra - Full Score and Parts Sheet MusicEnnio Morricone's Playing Love for English Horn Solo Version, Piano, and Orchestra, from the Giuseppe Tornatore Suite: Playing Love featured in The Legend of 1900, as performed by Yo-Yo Ma and Roma Sinfonietta Orchestra.For orchestras seeking to enrich their repertoire with a distinctive touch, Playing Love from the Giuseppe Tornatore Suite is a prime choice. Crafted by the virtuoso composer Ennio Morricone, this masterpiece is certain to captivate audiences. With its arrangement for English Horn Solo, Piano, and Orchestra, this exceptional composition provides everything necessary for an outstanding performance. Experience its enchanting beauty through Yo-Yo Ma's rendition or the majestic interpretation by the Roma Sinfonietta Orchestra. Stand out from the crowd and acquire this essential piece today!Level: Advanced IntermediateFormat: Concert, 9 x 12 inchesSize: 13 PagesScore and Orchestral PartsDuration: 2:00Instrumentation: English Horn Solo Version, Piano, and String OrchestraProgram NotesWelcome to the rendition of Ennio Morricone's exquisite suite, Playing Love, from The Legend of 1900. This composition is a fusion of classical and cinematic music, touching hearts and soothing souls. Its multiple layers evoke a range of emotions through intimate and powerful instrumentation. Soloists command attention as Violoncello and Piano entwine in a duet of love and tragedy, while the Orchestra carries the melody, grounding it in symphonic richness. Experience the emotive power of Playing Love as Morricone's captivating melodies breathe life into the tale of The Legend of 1900. Don't miss this unforgettable performance.
$49.99
Requiem
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Orchestre de chambre
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Harald Weiss
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Requiem
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Schott Music - Digital
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SheetMusicPlus
Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es war...
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Soprano, tenor, Knabensoprano, flugelhorn, mixed choir and chamber orchestra - SKU: S9.Q7038 Teil I: Schwarz vor Augen... · Teil II: ...und es ward Licht!. Composed by Harald Weiss. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 100' 0. Schott Music - Digital #Q7038. Published by Schott Music - Digital (S9.Q7038). Latin • German.On letting go(Concerning the selection of the texts) In the selection of the texts, I have allowed myself to be motivated and inspired by the concept of “letting goâ€. This appears to me to be one of the essential aspects of dying, but also of life itself. We humans cling far too strongly to successful achievements, whether they have to do with material or ideal values, or relationships of all kinds. We cannot and do not want to let go, almost as if our life depended on it. As we will have to practise the art of letting go at the latest during our hour of death, perhaps we could already make a start on this while we are still alive. Tagore describes this farewell with very simple but strikingly vivid imagery: “I will return the key of my doorâ€. I have set this text for tenor solo. Here I imagine, and have correspondingly noted in a certain passage of the score, that the protagonist finds himself as though “in an ocean†of voices in which he is however not drowning, but immersing himself in complete relaxation. The phenomenon of letting go is described even more simply and tersely in Psalm 90, verse 12: “So teach us to number our days, that we may apply our hearts unto wisdomâ€. This cannot be expressed more plainly.I have begun the requiem with a solo boy’s voice singing the beginning of this psalm on a single note, the note A. This in effect says it all. The work comes full circle at the culmination with a repeat of the psalm which subsequently leads into a resplendent “lux aeternaâ€. The intermediate texts of the Requiem which highlight the phenomenon of letting go in the widest spectrum of colours originate on the one hand from the Latin liturgy of the Messa da Requiem (In Paradisum, Libera me, Requiem aeternam, Mors stupebit) and on the other hand from poems by Joseph von Eichendorff, Hermann Hesse, Rabindranath Tagore and Rainer Maria Rilke.All texts have a distinctive positive element in common and view death as being an organic process within the great system of the universe, for example when Hermann Hesse writes: “Entreiß dich, Seele, nun der Zeit, entreiß dich deinen Sorgen und mache dich zum Flug bereit in den ersehnten Morgen†[“Tear yourself way , o soul, from time, tear yourself away from your sorrows and prepare yourself to fly away into the long-awaited morningâ€] and later: “Und die Seele unbewacht will in freien Flügen schweben, um im Zauberkreis der Nacht tief und tausendfach zu leben†[“And the unfettered soul strives to soar in free flight to live in the magic sphere of the night, deep and thousandfoldâ€]. Or Joseph von Eichendorff whose text evokes a distant song in his lines: “Und meine Seele spannte weit ihre Flügel aus. Flog durch die stillen Lande, als flöge sie nach Haus†[“And my soul spread its wings wide. Flew through the still country as if homeward bound.â€]Here a strong romantically tinged occidental resonance can be detected which is however also accompanied by a universal spirit going far beyond all cultures and religions. In the beginning was the sound Long before any sort of word or meaningful phrase was uttered by vocal chords, sounds, vibrations and tones already existed. This brings us back to the music. Both during my years of study and at subsequent periods, I had been an active participant in the world of contemporary music, both as percussionist and also as conductor and composer. My early scores had a somewhat adventurous appearance, filled with an abundance of small black dots: no rhythm could be too complicated, no register too extreme and no harmony too dissonant. I devoted myself intensely to the handling of different parameters which in serial music coexist in total equality: I also studied aleatory principles and so-called minimal music.I subsequently emigrated and took up residence in Spain from where I embarked on numerous travels over the years to India, Africa and South America. I spent repeated periods during this time as a resident in non-European countries. This meant that the currents of contemporary music swept past me vaguely and at a great distance. What I instead absorbed during this period were other completely new cultures in which I attempted to immerse myself as intensively as possible.I learned foreign languages and came into contact with musicians of all classes and styles who had a different cultural heritage than my own: I was intoxicated with the diversity of artistic potential.Nevertheless, the further I distanced myself from my own Western musical heritage, the more this returned insistently in my consciousness.The scene can be imagined of sitting somewhere in the middle of the Brazilian jungle surrounded by the wailing of Indians and out of the blue being provided with the opportunity to hear Beethoven’s late string quartets: this can be a heart-wrenching experience, akin to an identity crisis. This type of experience can also be described as cathartic. Whatever the circumstances, my “renewed†occupation with the “old†country would not permit me to return to the point at which I as an audacious young student had maltreated the musical parameters of so-called contemporary music. A completely different approach would be necessary: an extremely careful approach, inching my way gradually back into the Western world: an approach which would welcome tradition back into the fold, attempt to unfurl the petals and gently infuse this tradition with a breath of contemporary life.Although I am aware that I will not unleash a revolution or scandal with this approach, I am nevertheless confident as, with the musical vocabulary of this Requiem, I am travelling in an orbit in which no ballast or complex structures will be transported or intimated: on the contrary, I have attempted to form the message of the texts in music with the naivety of a “homecomerâ€. Harald WeissColonia de San PedroMarch 20091 (auch Altfl.) · 2 (2. auch Engl. Hr.) · 1 (auch Bassklar.) · 0 - 2 · Flhr. · 0 · 0 - P. S. (Glsp. · Röhrengl. · Gongs · Trgl. · Beck. · Tamt. · 2 Holzschlitztr. (oder Woodbl.) · Woodbl. · gr. Tr.) (3 Spieler) - Org. (Positiv) - Str. (4 · 4 · 4 · 4 · 2).
$55.99
Three Laments of Heloise for Chamber Orchestra
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Orchestre de chambre
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INTERMÉDIAIRE/AVANCÉ
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Dosia McKay
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Three Laments of Heloise for C
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Gavia Music
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
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Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
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Heart and Soul
