Page d'accueil
Parcourir Free-scores.com
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
Here Is Love
Non classifié
1 831
Piano & claviers
Piano seul
1 053
Piano, Voix
686
Piano, Voix et Guitare
619
Piano grosses notes
348
Piano Facile
225
Orgue
210
Instruments en Do
170
Accompagnement Piano
93
Piano Trio: piano, violon, violoncelle
43
2 Pianos, 4 mains
30
1 Piano, 4 mains
18
Piano (partie séparée)
9
Clavier
7
Piano Quatuor: piano, violon, alto, violoncelle
6
Accordéon
4
Piano Quatuor: piano, 2 violons, violoncelle
3
Orgue, Trompette (duo)
2
Piano Quintette: piano, 2 violons, alto, violoncelle
2
2 Pianos, 8 mains
1
Orgue, Piano (duo)
1
+ 15 instrumentations
Retracter
Guitares
Guitare
87
Guitare notes et tablatures
87
Ligne De Mélodie, (Paroles) et Accords
77
Basse electrique
27
Ukulele
22
Guitare (partie séparée)
21
Paroles et Accords
14
2 Guitares (duo)
12
4 Guitares (Quatuor)
11
Piano, Guitare (duo)
6
Dulcimer
5
Ensemble de guitares
4
3 Guitares (trio)
4
Mandoline
3
Banjo
3
2 Mandolines (duo)
2
+ 11 instrumentations
Retracter
Voix
Chorale SATB
768
Chorale 3 parties
242
Chorale 2 parties
139
Chorale TTBB
113
Chorale SSAA
86
Chorale Unison
73
Voix Alto, Piano
43
Voix duo, Piano
40
Pack Instrumental pour Chorale
37
Voix Tenor
32
Voix Baryton, Piano
27
Voix Tenor, Piano
27
Voix Soprano
26
Voix Soprano, Piano
24
Voix haute
23
Voix duo
18
Voix seule
10
Voix moyenne, Piano
6
Chorale
6
Voix basse, Piano
4
Voix Mezzo-Soprano, Piano
3
Chorale SSATTB
1
Chorale SSAATTBB
1
Soli, choeur mixte et accompagnement
1
+ 19 instrumentations
Retracter
Vents
2 Saxophones (duo)
253
Flûte traversière et Piano
201
Quatuor de Saxophones: 4 saxophones
153
Hautbois, Piano (duo)
149
2 Flûtes traversières (duo)
143
Clarinette et Piano
127
Saxophone Alto et Piano
124
Flûte, Hautbois, Clarinette, Basson
124
Saxophone, Clarinette (duo)
119
2 Clarinettes (duo)
116
Quintette à Vent: flûte, Hautbois, basson, clarinette, Cor
112
Clarinette
95
Flûte traversière
85
Clarinette, Violon (duo)
81
Saxophone (partie séparée)
81
Clarinette, Trompette (duo)
75
Saxophone Tenor et Piano
70
Flûte, Clarinette (duo)
59
Quatuor de Clarinettes: 4 clarinettes
58
Saxophone Soprano et Piano
49
Saxophone Alto
48
Hautbois, Basson (duo)
45
Clarinette et Alto
43
2 Hautbois (duo)
42
Saxophone Baryton, Piano
42
Hautbois, Clarinette (duo)
39
Hautbois (partie séparée)
38
Flûte, Alto (duo)
38
Flûte, Violon
36
Hautbois, Flûte
35
Flûte, Saxophone (duo)
35
Flûte, Trompette (duo)
32
Quintette de Saxophone: 5 saxophones
29
Flûte et Guitare
28
Quatuor de Flûtes : 4 flûtes
28
Saxophone Tenor
28
Ensemble de Flûtes
26
Hautbois
25
Quintette de Clarinettes: 5 clarinettes
25
Ensemble de Clarinettes
23
Cor anglais, Piano
21
Saxophone
19
3 Clarinettes (trio)
17
Clarinette, Guitare (duo)
17
Trio de Flûtes: 3 flûtes
16
Ensemble de saxophones
12
3 Saxophones (trio)
12
Flute (partie séparée)
11
Clarinette (partie séparée)
11
Flûte à bec Soprano
10
Flûte, Violon, Piano
10
Quatuor de Flûtes à bec
8
Flûte, Clarinette, Piano (trio)
8
Clarinette Basse, Piano
8
Ensemble De Flûte à bec
7
Flûte à bec Soprano, Piano
7
Quintette de Flûte : 5 flûtes
7
Saxophone Soprano
6
Flûte, Basson et Piano
6
Cor Anglais
6
2 Clarinettes, Piano
6
Hautbois, Clarinette, Basson (trio d'anches)
6
Flûte irlandaise
5
2 Flûtes traversières, Piano
5
Clarinette, Basson (duo)
5
Flûte à bec Tenor
4
Saxophone Baryton
4
2 Flûte à bec (duo)
4
Hautbois, Guitare (duo)
3
Flûte à Bec
3
5 Flûtes à bec
3
Flûte à bec Alto
3
Flûte à bec Alto, Piano
3
Cor anglais, Guitare (duo)
3
Flûte, Hautbois (duo)
3
Flute, harpe et violon
3
Harmonica
3
Clarinette, Violoncelle, Piano (trio)
3
Flûte, Violoncelle, Piano (trio)
3
Flûte, Alto et Piano
2
Flûte, Clarinette, Cor, Basson (Quartet)
2
Flûte, Violon, Violoncelle et Piano
2
Flûte, trombone et piano
2
Piccolo, Piano
2
Flûte, Hautbois, Clarinette (trio)
2
2 Saxophones, Piano
2
Flûte, Clarinette et Basson
2
Flûte, Violon et Violoncelle
2
Clarinette, Basson, Piano (trio)
2
Flûte, Violoncelle
2
Clarinette Basse
2
Flûte, Hautbois, Basson
2
Clarinette, Violoncelle (duo)
2
Clarinette, Alto et Piano (trio)
1
Cornemuse
1
2 Cors Anglais Et Pianoforte
1
Saxophone et Guitare
1
Hautbois, violon (duo)
1
Saxophone et Orgue
1
Clarinette, Trombone (duo)
1
2 Hautbois, Piano
1
2 Clarinettes, Basson
1
Clarinette, Harpe (duo)
1
Instruments en Mib
1
Flûte à Bec, Piano
1
Clarinette, trompette et piano
1
Flûte, Trombone (duo)
1
3 Flûtes à bec (trio)
1
Quintette de Clarinette: Clarinette, Quatuor à Cordes
1
+ 104 instrumentations
Retracter
Cuivres
Trombone et Piano
118
Trompette, Piano
109
Quatuor de Cuivres : 2 trompettes, trombone, tuba
102
Quintette de Cuivres: 2 trompettes, Cor, trombone, tuba
99
Trompette
90
Trompette, Saxophone (duo)
81
Cor et Piano
75
Trombone
68
Trombone (partie séparée)
60
Trompette (partie séparée)
57
Cor
50
2 Trompettes (duo)
50
Trompette, Trombone (duo)
45
2 Trombones (duo)
44
Tuba et Piano
39
Tuba
34
Quatuor de Cuivres
31
Cor anglais, Piano
21
Quatuor de Cuivres: 2 trompettes, Cor, trombone
15
Euphonium, Piano (duo)
12
2 Cors (duo)
11
Quatuor de cuivres: 4 trombones
11
Euphonium
6
Cor Anglais
6
Tuba (partie séparée)
6
Cor (partie séparée)
6
Ensemble de Trombones
6
Ensemble de Trompettes
6
Quatuor de cuivres: 4 cors
5
2 Euphoniums et 2 Tubas
3
Cor anglais, Guitare (duo)
3
Bass Clef Instruments
3
Instruments en Sib
2
Trompette, Cor (duo)
2
Quatuor de cuivres: 4 trompettes
2
Trio de Cuivres
2
Trompette, Violoncelle et Piano
2
3 Euphoniums
2
3 Trompettes (trio)
1
2 Euphoniums (duo)
1
Trompette, Euphonium (duo)
1
2 Cors Anglais Et Pianoforte
1
Trompette, Violoncelle (duo)
1
3 Trombones (trio)
1
Trompette, Tuba (duo)
1
Ensemble de Cors
1
Ensemble de Tubas
1
2 Cors, Piano
1
Trombone, Violon (duo)
1
+ 44 instrumentations
Retracter
Cordes
Quatuor à cordes: 2 violons, alto, violoncelle
436
Violon et Piano
283
Harpe
154
Violoncelle, Piano
147
Alto, Piano
141
Violon
122
Violon, Violoncelle (duo)
120
Violoncelle
104
2 Violons (duo)
103
Violon, Alto (duo)
57
2 Violoncelles (duo)
57
2 Altos (duo)
55
Alto seul
54
Trio à Cordes: violon, alto, violoncelle
51
Trio à Cordes: 2 violons, violoncelle
41
Quintette à cordes: 2 violons, alto, violoncelle, basse
34
Contre Basse
21
Contrebasse, Piano (duo)
19
Alto (partie séparée)
18
Contrebasse (partie séparée)
16
Violon (partie séparée)
14
Piano Trio: Violon, Alto, Piano
11
Alto, Violoncelle (duo)
7
4 Violoncelles
7
2 Harpes (duo)
7
Violon, Guitare (duo)
7
Harpe, Voix
6
Violoncelle (partie séparée)
5
Trio à Cordes: 3 violoncelles
5
Violoncelle , Guitare (duo)
4
Harpe, Flûte (duo)
4
2 Violons, Piano
4
Trio à cordes: 3 altos
4
Trio à Cordes: 2 violons, alto
3
Trio à cordes: 3 violins
3
Quintette à cordes : 2 violons, alto et 2 violoncelles
2
2 Altos, Piano
2
Alto, Guitare (duo)
2
Harpe, Violon (duo)
2
Harpe et Piano
1
4 Contrebasses
1
Trio à cordes
1
Violoncelle, Orgue
1
Quintette à cordes: 2 violons, 2 altos, violoncelle
1
Quatuor à cordes : 4 altos
1
Alto et Basson
1
2 Violoncelles, Piano
1
Violoncelle, Contrebasse (duo)
1
Quatuor à cordes: 4 violons
1
Ensemble de Violoncelles
1
Violon, Basson (duo)
1
Violon, Clarinette, Piano (trio)
1
+ 47 instrumentations
Retracter
Orchestre & Percussions
Orchestre d'harmonie
366
Orchestre à Cordes
138
Ensemble Jazz
133
Orchestre
105
Ensemble de cuivres
68
Cloches
66
Orchestre de chambre
48
Fanfare
36
Jazz combo
17
Ensemble de Percussions
14
Batterie (partie séparée)
11
Marimba
10
Xylophone
5
Batterie
4
Xylophone, Piano
4
Percussion (partie séparée)
4
Instrumentation Flexible
2
Marimba, Piano (duo)
1
Orchestre, Violon
1
Ensemble d'École
1
Percussion
1
+ 16 instrumentations
Retracter
Autres
Instruments
ACCORDEON
ALTO
AUTRES INST…
BALALAIKA
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
BUGLE
CHANT - CHO…
CHARANGO
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
CONTREBASSE
COR
COR ANGLAIS
CORNEMUSE
CORNET
DOBRO - GUI…
DULCIMER
EUPHONIUM
FANFARE - B…
FLUTE
FLUTE A BEC
FLUTE A DIX…
FLUTE DE PA…
FORMATION M…
GUITARE
GUITARE PED…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH, THEOR…
MANDOLINE
MARIMBA
ORCHESTRE
ORGUE
OUD
PARTITIONS …
PAS DE PART…
PERCU. ORCH…
PERCUSSION
PIANO
SAXOPHONE
SYNTHE
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIELLE A RO…
VIOLE DE GA…
VIOLON
VIOLONCELLE
XYLOPHONE
Achats pour Musiciens
Partitions Numériques
Librairie Musicale
Matériel de musique
Idées cadeaux
Autres Services
Autres Services
Top 100
Annuaire Web
Portées musicales
Metronome
A propos de free-scores.com
€
€
EUR €
USD $
GBP £
CAD $
CNY ¥
English
Partitions Gratuites
1 236
Partitions Numériques
48
Librairie Musicale
2
Matériel de Musique
70
Partitions numériques
Accès après achat
Expédition postale
Téléchargement
← INSTRUMENTATIONS
TRI ET FILTRES
TRI ET FILTRES
Tri et filtres :
--INSTRUMENTS--
ACCORDEON
ALTO
AUTOHARPE
BANJO
BASSE
BASSON
BATTERIE
BOUZOUKI
CHORALE - CHAN…
CITHARE
CLAIRON
CLARINETTE
CLAVECIN
CLOCHES
COR
COR ANGLAIS
CORNEMUSE
CORNET
DEEJAY
DIDGERIDOO
DULCIMER
EUPHONIUM
FANFARE - BAND…
FLUTE A BEC
FLUTE DE PAN
FLUTE TRAVERSI…
FORMATION MUSI…
GUITARE
GUITARE LAP ST…
HARMONICA
HARPE
HAUTBOIS
LIVRES
LUTH
MANDOLINE
MARIMBA
OCARINA
ORCHESTRE
ORGUE
PERCUSSION
PIANO
SAXOPHONE
SYNTHETISEUR
TROMBONE
TROMPETTE
TUBA
UKULELE
VIBRAPHONE
VIOLON
VIOLONCELLE
XYLOPHONE
style (tous)
AFRICAIN
AMERICANA
ASIE
BLUEGRASS
BLUES
CELTIQUE - IRISH - S…
CHANSON FRANÇAISE
CHRISTIAN (contempor…
CLASSIQUE - BAROQUE …
COMEDIES MUSICALES -…
CONTEMPORAIN - 20-21…
CONTEMPORAIN - NEW A…
COUNTRY
EGLISE - SACRE
ENFANTS : EVEIL - IN…
FILM - TV
FILM WALT DISNEY
FINGERSTYLE - FINGER…
FLAMENCO
FOLK ROCK
FOLKLORE - TRADITION…
FUNK
GOSPEL - SPIRITUEL -…
HALLOWEEN
JAZZ
JAZZ MANOUCHE - SWIN…
JEUX VIDEOS
KLEZMER - JUIVE
LATIN - BOSSA - WORL…
LATIN POP ROCK
MARIAGE - AMOUR - BA…
MEDIEVAL - RENAISSAN…
METAL - HARD
METHODE : ACCORDS ET…
METHODE : ETUDES
METHODE : TECHNIQUES
NOËL
OLD TIME - EARLY ROC…
OPERA
PATRIOTIQUE
POLKA
POP ROCK - POP MUSIC
POP ROCK - ROCK CLAS…
POP ROCK - ROCK MODE…
PUNK
RAGTIME
REGGAE
SOUL - R&B - HIP HOP…
TANGO
THANKSGIVING
Vendeurs (tous)
Musicnotes
Note4Piano
Noviscore
Profs-edition
Quickpartitions
SheetMusicPlus
Tomplay
Virtualsheetmusic
Pertinence
Ventes
Prix - au +
Prix + au -
Nouveautes
A-Z
difficulté (tous)
débutant
facile
intermédiaire
avancé
expert
avec audio
avec vidéo
avec play-along
Vous avez sélectionné:
Here Is Love
Orchestre de chambre
Partitions à imprimer
48 partitions trouvées
<
1
26
Wedding Song (There Is Love)
#
Orchestre de chambre
#
FACILE
#
Paul Stookey
#
Karen D
#
Wedding Song
#
Karen D. Janiszewski
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 page...
(+)
Chamber Orchestra - Level 2 - SKU: A0.865412 By Paul Stookey. By Paul Stookey. Arranged by Karen D. Janiszewski. Children,Folk. Score and parts. 25 pages. Karen D. Janiszewski #3073563. Published by Karen D. Janiszewski (A0.865412). This arrangement features a vocal soloist and bowed string quartet accompaniment. Beautiful string interludes separate each verse, will likely will take little rehearsal time for everyone to learn and is written in a comfortably singable key of Eb. Full score and individual parts included.
$12.99
Thérèse Brenet : Perles d'Ambre, vocalize for female voice and orchestra - score
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Therese Brenet
#
Thérèse Brenet :
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. ...
(+)
Chamber Orchestra - Level 4 - SKU: A0.532832 Composed by Therese Brenet. Contemporary. Score and parts. 29 pages. Musik Fabrik Music Publishing #45039. Published by Musik Fabrik Music Publishing (A0.532832). This work uses wordless-vocalize (singing on Ah, Oh or with the mouth closed, ad libitum). The vocal part is generally quite free, allowing the singer to express herself freely. The orchestration is for tymp/perc/vibra/hp/cel/harps/strings(minimum : 44222) Like a supple vine, the voice seems to unfold across the orchestra, with the warm expressive themes and shining strings, with the support of the harpsichord, the vibraphone and other percussion. Certainly, there is a coloristic note in the orchestral palette, but also a wish to combine the colors of the voice and the orchestra in different manners. Through this osmosis and through the tempo rubato suggested several times, by the absence of metronomic movements, the composer has tried to create music which breathes through freedom, suppleness and poetry, in the infinite spirals of beauty and love, outside of space and time.. The orchestral version of the work was recorded in 2014 with Isaure Equilez, mezzo-soprano and the National Polish Radio Orchestra under the direction of Paul Wehage The orchestral parts are available from the publisher on rental.
$19.95
Syzygy | Ethereal Chamber Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Fiona Cork
#
N/A
#
Syzygy | Ethereal Chamber Orch
#
Fiona Cork
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World....
(+)
Chamber Orchestra - Level 3 - SKU: A0.1133304 By Fiona Cork. By Fiona Cork. Arranged by N/A. Baroque,Chamber,Classical,Contemporary,Multicultural,World. Score and Parts. 22 pages. Fiona Cork #733457. Published by Fiona Cork (A0.1133304). Syzygy is an amalgam of four movements, all very different in feel, yet blended smoothly to paint a picture of the divine cosmos. With pronounced usage of the pentatonic scale, Syzygy invokes my personal love of Chinese orchestra (as well as some genre fusion to spice up the general aesthetic). I was sixteen when I wrote this, my first large-scale piece, and therefore was very fond of it; but I never got so big for my britches that I didn't ask for help. After the four-ish months I spent writing this, I revised it with several local music directors and composers, as well as personal friends who played specific instruments used in the score. _____________________________ syz·y·gy /ˈsizijē/ noun ASTRONOMY a conjunction or opposition, especially of the moon with the sun. the planets were aligned in syzygy a pair of connected or corresponding things. animus and anima represent a supreme pair of opposites, the syzygy.
$3.00
A Dream Is A Wish Your Heart Makes
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Linda Ronstadt
#
Demetrio Bonvecchio
#
A Dream Is A Wish Your Heart M
#
Demetrio Bonvecchio
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1500143 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Demetrio Bonvecchio. Film/...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1500143 By Linda Ronstadt. By Al Hoffman, Jerry Livingston, and Mack David. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 46 pages. Demetrio Bonvecchio (Db Music) #1076220. Published by Demetrio Bonvecchio (Db Music) (A0.1500143). A Dream Is A Wish Your Heart Makes, here arranged for Chamber Orchestra with Vocal Soloist, is one of the most famous songs ever written for a Disney movie.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio Bonvecchio[Score + Set of Parts included]Other Chamber Orchestra scores available: Bundle of Joy (from Inside Out) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Concert Version: Darwin: To Love the Earth - The Full Score - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Contemporain
#
Leslie Kleen
#
Concert Version: Darwin: To Lo
#
Music From Riverside
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Publish...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1004838 Composed by Leslie Kleen. Contemporary. Score and parts. 256 pages. Music From Riverside #4806269. Published by Music From Riverside (A0.1004838). Concert Version: Darwin: To Love the Earth is a concert musical (optional staging) about the life of Charles Darwin. This is an abbreviated version of the staged musical: Charles Darwin: To Love the Earth The main singing role is of Darwin himself, Henslow, and his wife, Emma, and sister Caroline. There are several speaking roles, and a chorus which is offstage. The words come from Darwin and letters from friends. It shows how he was successful in many ways but was always criticized which he had to endure. This is accompanied by a chamber orchestra: Piano, Flute, Oboe, Clarinet, Bassoon, French Horn, Violin, Viola, and Cello. The Full Score includes all musical numbers as well as spoken lines.
$10.00
Charles Darwin: To Love The Earth - the full orchestral score - Score Only
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Leslie Kleen
#
#
Charles Darwin: To Love The Ea
#
Music From Riverside
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1004871 Composed by Leslie Kleen. Contemporary,Opera. Score and parts. 292 pages. Music From Riverside #6017817. P...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1004871 Composed by Leslie Kleen. Contemporary,Opera. Score and parts. 292 pages. Music From Riverside #6017817. Published by Music From Riverside (A0.1004871). Charles Darwin: To Love the Earth is a musical about the life of Charles Darwin. There are singing roles for two tenors, a baritone, an alto, and soprano, a chorus, and several speaking parts. It covers Darwin's life from his youth, through his Beagle voyage, his marriage, the death of his daughter, Annie, and to his death. This score includes all music and spoken lines.The small orchestra includes piano, flute, oboe, clarinet, bassoon, french horn, and strings.The musical lasts approximately two hours.A piano-vocal score and a choral score are also available.A Concert version which is an abbreviated version of this musical is also available.
$10.00
Were You There?
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Thomas Quigley
#
Thomas Quigley
#
Were You There?
#
Thomas Quigley
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1343102 By Thomas Quigley. By Spiritual. Arranged by Thomas Quigley. Christian,Religious. 38 pages. Thomas Quigley...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1343102 By Thomas Quigley. By Spiritual. Arranged by Thomas Quigley. Christian,Religious. 38 pages. Thomas Quigley #928616. Published by Thomas Quigley (A0.1343102). This is a sensitively crafted version of a well-loved Spiritual. Although the style is quite simple, the arrangement is very effective. The accessible parts merge beautifully with well chosen harmonies and it is ideal for a middle grade school or college orchestra to perform, either as a concert item or as an interlude at a religious service.
$59.95
Variations on a Rossini Theme op.Posth
#
Orchestre de chambre
#
Classique
#
Frederik François Chopin
#
James Strauss
#
Variations on a Rossini Theme
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33...
(+)
Chamber Orchestra - SKU: A0.1035224 Composed by Frederik François Chopin (1810-1949). Arranged by James Strauss. Romantic Period. Score and parts. 33 pages. James Strauss #5806027. Published by James Strauss (A0.1035224). Unless your name is Mozart, Mendelssohn or Korngold, the first compositional steps are always the hardest. Chopin was probably no older than 14 when he set to work on a set of variations for piano and flute. Already in love with opera, he decided on the happy- ending aria, Non più mesta (No longer sad) from Rossini’s opera Cinderella. As the curtain comes down, Cinderella gleefully warbles, No longer sad beside the fire shall I sit alone, singing; my long years of heartache were but a streak of lightning, a dream, a game. We are unsure what actually prompted Chopin to select this for his unique combination of flute and piano, but it was most likely written for the composer’s father who was a capable amateur flute player. In the end, the piece was probably dedicated to Józef Cichowski, a close friend of his fathers and an amateur flautist as well. We are indeed fortunate that this early piece of Chopin juvenilia has actually survived, as Jozef Nowakowski, one of the composer’s friends, kept the single manuscript copy as a memento. For one reason or another, the work did not appear in print until 1953. This charming and fluent set of variations presents the theme and four decorated versions of the original tune. Added triplet figuration enlivens the first variation, while the second relies on a florid bel canto style to embellish the theme. Rapid downward arpeggios propel variation three, and the concluding variant displays rapid staccato figuration. Stylistically, there is nothing in this composition to suggest Chopin’s hand. You certainly won’t hear Chopin’s fingerprint in the piano part, as all the interesting bits are given to the flute. In addition, it’s the only Chopin piano part that can comfortably be played by most amateurs. Clearly, the future poet of the piano had a long way to go! Here in a Flute and orchestra version.
$29.99
Claude Debussy: Sérénade for violin and 17 instrments, full score and solo part only (parts on ren
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Claude Debussy/Robert Orledge
#
Claude Debussy: Sér&eac
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pag...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1080705 Composed by Claude Debussy/Robert Orledge. 20th Century,Romantic Period,Standards. Score and parts. 30 pages. Musik Fabrik Music Publishing #4727447. Published by Musik Fabrik Music Publishing (A0.1080705). Instrumentation2 flûtes/2 flutescor anglais (doublant hautbois/doubling oboe)clarinette en La/clarinet in Abasson/bassooncor en Fa/horn in Fpercission (1 éxecutant - timbales (3)/cymbale suspendue, tambour de basque)/percussion (1 performer - timpani (3)/suspended cymbal, tambourine)harpe/harp9 cordes/9 strings (2.2.2.2.1)durée/duration: 5 minutes 30 secconds (environ/approx.) Une versions pour violon et piano ainsi qu’une version pour violon et orchestre (31CA(hb)23/2100/timb/perc/hpe/cordes)est également disponibile/A version for violin and piano as well as a version for violin and orchestra (31EH(ob)23/2100/timp/perc/strings) is also available.______________________Prmière: Edmond Agapian, violin with the Calagray (CA) Youth orchestra, cond. Gareth Jones, University of Calgary, 28 Janaury, 2011Première of the version for violin and 17 instruments: Frédéric Moisan, violin Orchestre 21 cond. Paolo Bellomio, Unveristy of Montreal, Canada, 2 March 2012Preface:In the early 1890s, Debussy composed the opening of a lyrical piece in E major for violin and piano, perhaps as a shorter companion piece for the violin Nocturne he was planning for the Belgian violinist Eugène Ysaÿe. After Debussy’s death in 1918, his second wife Emma often gave away sketch pages to performers or composers as memorials to her beloved husband , and this particular page was given to the Cuban born pianist and composer Joaquin Nin (1879-1949). It came up for sale in the catalogue of the British antiquarian dealer Lisa Cox in 2010 and although it might possibly be an early song for contralto and piano, the more dynamic idea in bar 12 strongly suggests the violin, especially as it begins on an open D string. Moreover, there is no text and in pieces of this length, Debussy usually wrote at least one word in, if only to remind himself where he had got to in any song. So my starting point was a complete 12-bar melody gently undulating in the violin’s lowest register over a sensual accompaniment, rising to a climax in bar 12 and giving me a contrasting idea that I could use as a link between sections and in the cadenza. As the B section (bars 14-26) derives directly from Debussy’s opening theme by metamorphosis, my own additions were restricted to the central section (bars 27-57) - comprising a new scherzando idea (C) and the more lyrical D (bars 36-46). C returns at bar 47, followed by the opening sections in reverse order, so that the Sérénade begins and ends with Debussy’s material and is cast in arch form (ABCDCBA). Robert OrledgeBrighton, 19 June 2019Robert Orledge was born in Bath in 1948 and educated at Clare College, Cambridge, where he gained his doctorate for his study of the composer Charles Kœchlin in 1973. Between 1971 and 1991 He rose from Lecturer to Professor in the Music Department of the University of Liverpool, publishing books on Gabriel Fauré, Claude Debussy, Charles Kœchlin and Erik Satie, as well as numerous articles, editions and reviews. As a historical musicologist, Professor Orledge specialized in the way composers composed, ,and since taking early retirement in 2004, he has concentrated on completing and orchestrating Debussy’s unfinished works, and especially his theatre projects. His completion of Debussy’s opera The Fall of the House of Usher (1908-17) was successfully premiered at the Bregenz Opera Festival in Austria in August 2006 and has since been performed in America, Portugal Germany and Holland, as well as being broadcast throughout Europe. A DVD of the Bregenz premier is available on Capriccio 93517, produced by Phylida Lloyd and conducted by Lawrence Foster. His completion of the Chinese ballet No-ja-li ou Le Palais du Silence (1914) was also premiered in 2006 in Los Angeles and ot.
$16.95
Clocks
#
Orchestre de chambre
#
FACILE
#
Coldplay
#
Timothy Sullivan
#
Clocks
#
SullivanWorks
#
SheetMusicPlus
Chamber Orchestra - Level 2 - SKU: A0.1502754 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Timothy Sullivan....
(+)
Chamber Orchestra - Level 2 - SKU: A0.1502754 By Coldplay. By Chris Martin, Guy Berryman, Jon Buckland, and Will Champion. Arranged by Timothy Sullivan. 21st Century,Contemporary,Contest,Festival,Pop,Rock. 40 pages. SullivanWorks #1077784. Published by SullivanWorks (A0.1502754). Here is the perfect piece for any school with a strings and band program! Clocks by Coldplay is a huge international hit with an unforgettable rhythmic/melodic riff that is as much fun to play as it is to listen to. Your students will love the music and learn from the challenge of mastering this song. You've heard it as a pop song or instrumental, now hear it as an ear-grabbing piece for orchestra! With a simple and very accessible instrumentation, any school could start rehearsals tomorrow!Instrumentation: Flute, Clarinet, Alto Sax, Tenor Sax, Trumpet, Horn, Trombone, Tuba, Piano and Drum kt.
$60.00
12 Variations on "Ah, vous dirai-je maman", K.265 for flute and orchestra
#
Orchestre de chambre
#
Classique
#
Wolfgang Amadeus Mozart
#
James Strauss
#
12 Variations on "Ah, vou
#
James Strauss
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and p...
(+)
Chamber Orchestra - SKU: A0.1035220 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Christmas,Classical,Easter,Holiday,Love. Score and parts. 37 pages. James Strauss #5298007. Published by James Strauss (A0.1035220). Twelve Variations on Ah vous dirai-je, Maman, K. 265/300e, is a piano composition by Wolfgang Amadeus Mozart, composed when he was around 25 years old (1781 or 1782). This piece consists of twelve variations on the French folk song Ah! vous dirai-je, Maman. The French melody first appeared in 1761, and has been used for many children's songs, such as Twinkle, Twinkle, Little Star, Baa, Baa, Black Sheep and the Alphabet Song.Here is an arrangement for flute and orchestra .
$29.00
Carson Cooman: The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audie
#
Orchestre de chambre
#
AVANCÉ
#
Carson Cooman
#
Carson Cooman: The Acts of the
#
Musik Fabrik Music Publishing
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music...
(+)
Chamber Orchestra - Level 5 - SKU: A0.533578 Composed by Carson Cooman. Christian,Contemporary,Spiritual. Score and parts. 189 pages. Musik Fabrik Music Publishing #3025409. Published by Musik Fabrik Music Publishing (A0.533578). The Acts of the Apostles (2009), an oratorio for baritone, chorus, congregation/audience, and chamber orchestra (piano, organ, strings-suggested minimum of 3.3.3.2.1),was commissioned by The Memorial Church at Harvard University. It is dedicated to Edward Elwyn Jones and theHarvard University Choir.The biblical books of Luke and Acts form a pair of documents from a single author and with a single audience (thelikely-metaphorical “Theophilusâ€), yet they are unusual for being composed in such contrasting genres. Luke’sgospel, using Mark as a primary source throughout, features a comparable literary style to that of the otherevangelists. Acts, by contrast, is a historical monograph that charts the birth of the Church with dramatic storiesabout—and speeches from—the apostles, painting a vivid, if not necessarily chronological, picture of their victoriesand struggles. As such, it is a book that provides excellent source material for a dramatic choral libretto of this scale.Although much of Acts is focused on the ministry of Saul/Paul, this oratorio draws most of its material from thefirst third of the book, prior to and including the conversion of Saul. In the Prologue, Christ’s ascension is narratedand—following an orchestral Sinfonia—the chorus sings words of Jesus from the Sermon on the Plain in Luke’sgospel that foreshadow many of the trials the apostles go on to face. The astounding account of Pentecost follows:here, words from the book of Ruth, customarily read on the feast of Shavuot (Pentecost), are included, telling thestory of a Moabite woman who converted to the Israelite faith—a parallel to the expansion of the Christian messageto all nations by the gift of the Holy Spirit. The Prayer for Boldness, quoting Psalm 2, asks God for protection fromthe threats of persecution that the apostles will now face.Stephen, regarded as the proto-martyr of the Christian Church, offers one of the most developed speeches in Acts,only a small portion of which is presented here. Full of scriptural references, including the quotation from Isaiah“Heaven is my throne…â€, the end of the narrative is remarkable for two reasons: firstly, Stephen’s final wordsmirror those of Christ on the cross in Luke’s gospel—where Jesus forgives his executioners and prays “Father, intoyour hands I commend my spirit†(Luke 23:46); secondly, Saul is specifically mentioned as one who approved ofStephen’s stoning, indicative of the redemptive possibilities of the Christian message.The account of the baptism of the Ethiopian eunuch here in the oratorio ends with the First Song of Isaiah—whilenot quoted in Acts, it seems a fitting conclusion to the scene as Philip and the eunuch were reading Isaiah together,and the canticle has often been associated by Christians with the rite of baptism. Similarly, the story of Saul’sConversion is followed here by a Christological poem found in Paul’s letter to the Philippians, though it is likely aquotation from an earlier source. It is often regarded as the earliest extant Christian hymn.The Acts of the Apostles concludes with Luke’s realistic assessment that in spite of Paul’s energetic evangelism manyremained unconvinced by the Christian message. At the heart of both Luke’s gospel and Acts is the tension betweenthe uniquely important role of the Jewish traditions that Jesus himself practiced and the expansion of the gospel togentiles, of whom Luke himself is one. It is appropriate, therefore, to follow Paul’s message of salvation to thegentiles with the Magnificat: a canticle that emphasizes the promises of God to the people of Israel throughouthistory.Three traditional hymn texts are found in the oratorio, each set congregationally to a pre-existing tune. The first,“Spirit of mercy, truth, and love†is an eighteenth century poem that e.
$25.95
Three Laments of Heloise for Chamber Orchestra
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Dosia McKay
#
Three Laments of Heloise for C
#
Gavia Music
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #572...
(+)
Chamber Orchestra - Level 4 - SKU: A0.876665 Composed by Dosia McKay. 20th Century,Contemporary,Renaissance. Score and parts. 81 pages. Gavia Music #57229. Published by Gavia Music (A0.876665). Three Laments of Heloise were inspired by the Letters of Abelard and Heloise, especially the character of Heloise, her crushing loss, self-denial, sacrifice, and forced conformity to the standards of medieval society. The first movement entitled Queens Envied Me My Joys is Heloise’s recollection of early days with Abelard. Every wife, every young girl desired you in absence and was on fire in your presence, writes Heloise. The pleasures of lovers which we shared have been too sweet… They are always there before my eyes, bringing with them awakened longings… The second movement If Not With You, My Heart Is Nowhere, expresses Heloise’s sense of abandonment by her lover. She writes to him: My heart was not in me but with you, and now, even more, if it is not with you it is nowhere; truly, without you I cannot exist. The third movement, My Most Wretched Soul, gives voice to Heloise’s continued struggle with her loss and the reality of the convent life. She does not see herself as a servant of God, but rather a hypocrite who remains pious on the outside and rages inwardly. Of all wretched women I am the most wretched, and amongst the unhappy I am unhappiest. How can it be called repentance for sins, however great the mortification of the flesh, if the mind still retains the will to sin and is on fire with its old desires? Modal scales and dance sequences give the Laments a Renaissance feel. Music theory students might appreciate the fact that the unifying element of the three movements is the interval of the 7th which appears very frequently in melodic and harmonic gestures and creates a feeling of ambiguity and of a lack of resolution. For chamber orchestra: Flute (or Piccolo), Oboe, Clarinet, Bassoon, Strings (Quintet, or 4,4,3,2,1, or larger), 2 Percussion: Frame Drum, Tambourine. Total duration 8:00. Possible transcriptions for period Renaissance instruments - please contact the composer. Composed in 2009. Copyright 2009 Dosia McKay / Gavia Music (ASCAP).
$100.00
The Christmas Song (chestnuts Roasting On An Open Fire)
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Nat Cole With N
#
Kyle Pudenz
#
The Christmas Song
#
ViolinVagabond Music
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classica...
(+)
Chamber Orchestra - Level 3 - SKU: A0.845993 By Nat Cole With N. Riddle Orch. By Mel Torme and Robert Wells. Arranged by Kyle Pudenz. Christmas,Classical,Holiday,Standards,Traditional. Score and parts. 22 pages. ViolinVagabond Music #6696667. Published by ViolinVagabond Music (A0.845993). There are over 500 arrangements of this tune for sale on this site, but there is exactly ONE reason you should choose this one over any of the rest of them. It is in THE KEY OF C!! As advertised, you will find absolutely no, none, zero, zilch, NADA! accidentals in the key signature. That said, the tune is pretty chromatic as you well know, so there will of course be ample accidentals, marked clearly & appropriately as needed. This key is a particularly good choice for a baritone (lower octave) or alto (higher octave) soloist, but would also work great with any sort of instrumental soloist as well. It's pretty much the version of this tune you know and love, with a nice little instrumental break right before the last verse. No frills, but the lines you need to hear are there.Difficulty level - A professional or college orchestra could sight read this at a glance. High schoolers might take a rehearsal or two, but can totally handle it as long as the concertmaster can grab a high F on that opening fermata.Performance time - 3 minutes, right on the nose (at which Jack Frost may or may not be nipping...)Questions? Feel free to contact me via my website, www.kylepudenz.com/ or on the 'Insta @theviolinvagabond.
$49.99
Beauty And The Beast
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Film/TV
#
Celine Dion & Peabo Bryson
#
Demetrio Bonvecchio
#
Beauty And The Beast
#
Demetrio Bonvecchio
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1501255 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Demetrio Bonvecchio. Film/TV,...
(+)
Chamber Orchestra - Level 4 - SKU: A0.1501255 By Celine Dion & Peabo Bryson. By Alan Menken and Howard Ashman. Arranged by Demetrio Bonvecchio. Film/TV,Pop. 50 pages. Demetrio Bonvecchio (Db Music) #1077214. Published by Demetrio Bonvecchio (Db Music) (A0.1501255). Beauty and the Beast, here arranged for Chamber Orchestra, is a very passionate and emotional song about lovers, that everybody loves and knows.I hope you will enjoy playing this piece as much as I loved arranging it.Demetrio BonvecchioScore + Set of Parts includedOther Chamber Orchestra scores available: Bundle Of Joy (from Inside Out) A Dream Is A Wish Your Heart Makes (from Cinderella) (with Vocal Soloist) When I Am Older (from Frozen 2) (with Vocal Soloist) Mary Poppins “A Symphonic Fantasy” Let It Go (from Frozen) (with Vocal Soloist) Go The Distance (from Hercules) (with Vocal Soloist) Beauty and the Beast (Duet) (with 2 Vocal Soloists)
$100.00
Concerto in D minor for Trumpet and Strings
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Allessandro Marcello
#
David Watson
#
Concerto in D minor for Trumpe
#
David E. Watson
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Wa...
(+)
Chamber Orchestra - Level 5 - SKU: A0.841054 Composed by Allessandro Marcello. Arranged by David Watson. Baroque. Score and parts. 39 pages. David E. Watson #3411169. Published by David E. Watson (A0.841054). Marcello's Oboe Concerto in D minor written in 1717 arranged for Trumpet. A challenging transcription due to the extended fast passages in the upper register, especially in the 3rd movement. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
Concerto in E flat for Trumpet and Orchestra
#
Orchestre de chambre
#
AVANCÉ
#
Classique
#
Vincenzo Bellini
#
David Watson
#
Concerto in E flat for Trumpet
#
David E. Watson
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E...
(+)
Chamber Orchestra - Level 5 - SKU: A0.841053 Composed by Vincenzo Bellini. Arranged by David Watson. Romantic Period. Score and parts. 78 pages. David E. Watson #3411167. Published by David E. Watson (A0.841053). Vuncenzo Bellini's Concerto in E flat, originally for Oboe. Written around 1820 it has been often noted for it's Operatic qualities and the use of Bel Canto Themes in the solo part. Included are parts for B flat Piccolo Trumpet and E flat Trumpet. I am always glad to get feedback and if there is a recording of your group playing one of my arrangements, I would love to hear it.
$29.90
The Hunt
#
Orchestre de chambre
#
AVANCÉ
#
Franco Esteve
#
The Hunt
#
Franco Esteve
#
SheetMusicPlus
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Publis...
(+)
Chamber Orchestra - Level 5 - SKU: A0.1011208 Composed by Franco Esteve. Contemporary,Film/TV. Score and parts. 17 pages. Franco Esteve #4601475. Published by Franco Esteve (A0.1011208). The Hunt is the title track to my modern, classical crossover, concept album, The Hunt. The Hunt is the hunt of life, hunting for health, for life, for happiness, for love, for ideas, for creativity, for success. The song represents the drive, the moving, the launch, that hope, that happiness, when you set out to do something in your life.From the album booklet (as it's a concept album, each song, though independent, has an overarching story):The effort has paid off. The day is here.The mood is happy. Success awaits. Let's go.Let's do it. It's sitting there for the taking.I'm in the zone. I'm in the flow. The huntress has shown me the bounty,and I'm ready to take it, to receive it, to enjoy it. I deserve it.Though it was written with larger groups in mind or small orchestras, keeping it in a way quite simple, it can most likely be played with 2 clarinets, a cello, and a trumpet. I can imagine it can work quite nicely with a school orchestra or any small ensemble, even if some might need to make some minor adjustments to how it's played. It's meant to be played in an upbeat and happy fashion, and the trumpet should be sexy and fun. It'll be fun to hear how others interpret it.The PDF includes the full score and all 4 individual parts (Clarinet, Clarinet Section in Bb, Cellos, Trumpet Section in Bb). The music is 2 minutes and 41 seconds (2:41).Thank you for your interest in my music. I hope y’all enjoy playing it as much as I did composing it.Don’t forget to keep up to date with everything Franco Esteve:Website: http://www.francoesteve.com/Facebook: https://www.facebook.com/seefrancoesteveTwitter: https://www.twitter.com/FrancoEsteveInstagram: https://www.instagram.com/seefrancoesteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BMy music is also available on all major, online music stores and streaming services, including:Bandcamp: https://francoesteve.bandcamp.comCDBaby: https://store.cdbaby.com/Artist/FrancoEsteveSpotify: https://open.spotify.com/artist/4VMSPHtolbzozjH4OY0I6BiTunes/Apple Music: https://itunes.apple.com/us/artist/franco-esteve/894690746I'm a BMI affiliated artist and you can contact me using the contact form at:http://www.francoesteve.com or through Facebook or Twitter. Thank you again and enjoy! :)
$9.99
Cornfield Chase
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Alex Gibson, Hans Zimmer, and
#
Dico
#
Cornfield Chase
#
Dico
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1254259 Composed by Alex Gibson, Hans Zimmer, and Ryan Rubin. Arranged by Dico. Film/TV,Wedding. Score and Parts. ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1254259 Composed by Alex Gibson, Hans Zimmer, and Ryan Rubin. Arranged by Dico. Film/TV,Wedding. Score and Parts. 30 pages. Dico #847833. Published by Dico (A0.1254259). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.CORNFIELD CHASE (Interstellar) - Would love be the connection to eternity? That is the question raised by the film Insterestellar, accompanied by this beautiful theme, here arranged for a small orchestra to be used in a wedding ceremony.INSTRUMENTATION - Flute / Oboe / Horn in F / Trumpet 1, 2 / Trombone 1, 2 / Percussion / Piano / Strings (-Viola).
$50.00
Cornfield Chase
#
Orchestre de chambre
#
INTERMÉDIAIRE
#
Alex Gibson, Hans Zimmer, and
#
Dico
#
Cornfield Chase
#
Dico Ferreira
#
SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.1254260 Composed by Alex Gibson, Hans Zimmer, and Ryan Rubin. Arranged by Dico. Film/TV,Wedding. Score and Parts. ...
(+)
Chamber Orchestra - Level 3 - SKU: A0.1254260 Composed by Alex Gibson, Hans Zimmer, and Ryan Rubin. Arranged by Dico. Film/TV,Wedding. Score and Parts. 30 pages. Dico Ferreira #847834. Published by Dico Ferreira (A0.1254260). WEDDING SERIES - a set of popular songs and wedding standards that I've been arranged for years (some aren't as standard, but still). The formations are varied, from duos to orchestras with chorus. Most are mixed/flexible sextets where some instruments can be replaced and, as a result, ensembles can be completely changed. Some arrangements have abbreviated versions (excerpts) and are in several keys to adapt to a wide range of voices. These options are available in my catalog.CORNFIELD CHASE (Interstellar) - Would love be the connection to eternity? That is the question raised by the film Insterestellar, accompanied by this beautiful theme, here arranged for a small orchestra to be used in a wedding ceremony.INSTRUMENTATION - Flute / Oboe / Horn in F / Trumpet 1, 2 / Trombone 1, 2 / Percussion / Piano / Strings (-Viola).
$50.00
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLO
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320978 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909423. Published by Suomi Music (A0.1320978). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE CELLOSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER CELLO STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellowmusicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASS
#
Orchestre de chambre
#
DÉBUTANT
#
Traditional
#
Lauri Hamalainen
#
11 CHILDREN'S SONGS FOR THE YO
#
Suomi Music
#
SheetMusicPlus
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditiona...
(+)
Chamber Orchestra - Level 1 - SKU: A0.1320976 Composed by Traditional. Arranged by Lauri Hamalainen. Chamber,Children,Classical,Instructional,Traditional. 28 pages. Suomi Music #909421. Published by Suomi Music (A0.1320976). 11 CHILDREN'S SONGS FOR THE YOUNG STARS ORCHESTRA: PART FOR THE DOUBLE BASSSEPARATE PART ON OPEN STRINGS FOR THE BEGINNER DOUBLE BASS STUDENTDo you want your beginner students to confidently create music and perform alongside moreexperienced peers, all while focusing exclusively on open strings?This special edition is tailor-made for young learners, offering simple, easy-to-follow notation,making it a perfect resource for children just starting to explore the world of string instruments.Focusing on the concept of open stringsâ€, this edition enables yourchild to seamlessly integrate into an orchestra and harmoniously play alongside fellow musicians.The Young Stars Edition comprises a delightful selection of beloved children's songs, expertlyadapted to suit the skills of beginner students of violin, viola, cello, and double bass. From timelesstunes like Itsy Bitsy Spider, Samba Lele, Old McDonald, Pippi Longstocking, Mary Had aLittle Lamb, to the multicultural medley of Potpourri and the delightful charm of FrèreJacques, your child will not only learn the fundamental techniques of playing string instrumentsbut also have an enjoyable experience with these cherished melodies.11 Children’s Songs For The Young Stars Orchestra supports building thriving string communities where inclusivity and a shared love for music unite children from all backgrounds. The individual parts can be accompanied by another string instrument, the piano, string quartet orstring orchestra.All Violin Friends music is easily learnable with the help of play-along videos on the Violin Friends YouTube Channel and mp3 backing tracks on SoundCloud and the Violin Friends homepage www.violinfriends.com.
$19.49
Concertino - for clarinet, mandolin and symphony orchestra
#
Orchestre de chambre
#
Klezmer
#
Ofer Ben-Amots
#
Concertino - for clarinet, man
#
The Composer's Own Press
#
SheetMusicPlus
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029....
(+)
Chamber Orchestra - SKU: A0.944032 Composed by Ofer Ben-Amots. Contemporary,Jewish,World. Score and parts. 118 pages. The Composer's Own Press #4610029. Published by The Composer's Own Press (A0.944032). CONCERTINO, for Clarinet, Mandolin, and Orchestra CONCERTINO was officially commissioned in 2011 by the Geneva Chamber Orchestra. The composition explores the sound combination of two, seemingly opposing, instruments and sound characters: the clarinet and the mandolin. Thus, the three-movement work is a short double-concerto for clarinet and mandolin, accompanied by a chamber orchestra. The first movement, titled Psalm 148 and is a mixture of a coronation fanfare and a wild improvisatory-like dance. The music is based on the structure and ideas expressed in the 148th Psalm. For the transformation of this Psalmodic text into music I was concerned with two elements: first, the linguistic pulse of the ancient Biblical Hebrew gives the music its ever-changing meters and vibrant rhythms. The second element was the poetic concept presented in the text: Heaven vs. Earth, Universe vs. Planet, or Heights vs. Depths. The contrasting nature of these elements is described in the following verses: Hallelujah, Praise ye the LORD from the heavens; praise Him in the heights. (Psalm 148, verse 1) Praise the LORD from the earth, ye sea-monsters, and all deeps. (Psalm 148, verse 7) Finally, both Heaven and Earth join in praise together: Let them praise the name of the LORD, for His name alone is exalted; His glory is above the earth and heaven. (Psalm 148, verse 13) The musical expression of these contraries is reflected and the use of high-range and soprano instruments (flutes, clarinet, trumpets, violins) versus low-range instruments (trombone, bassoons, cellos and basses.) The second movement, Romacero Viejo (and old love song) is a slow, lyrical dirge-like melody in a Sephardic Judeo-spanish style. In this movement the mandolin plays in the manner of an Oud – a traditional pear-shaped Arabic lute. The harmony sits mostly on a single pedal note while the clarinet imitates the chant with rhythmically free ornatmental patterns. The third and final movement, Allegro con brio, is a festive klezmer dance with a traditional Bulgar (or Freylech) rhythm, where the regular 8/8 meter is constantly divided into the irregular count of: 3+3+2. In the middle of this movement the two soloists play a cadenza, which allows them to present their contrasting yet complementary instrumental characters. The movement is titled The Geneva Bulgar in honor of the City of Geneva and the wonderful memories I have been carrying with me ever since my time there as a young student at the Conservatoire de Musique. Total duration: ca. 23 min.Performance material by rental only! For demo recording, questions, or any additional information please e-mail Ofer Ben-Amots at: thecomposerspress@gmail.com
$54.00
In the Language of Meditation - Solo with Chamber Orchestra - PARTS
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Greg Bartholomew
#
In the Language of Meditation
#
Burke & Bagley
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke...
(+)
Chamber Orchestra - Level 4 - SKU: A0.787359 Composed by Greg Bartholomew. 20th Century,Concert,Contemporary,Standards. Score and parts. 77 pages. Burke & Bagley #3484367. Published by Burke & Bagley (A0.787359). In the Language of Mediation was composed in 2013 for viola & piano in memory of Ingrid Buschmann (1954 - 2013). For this arrangement for chamber orchestra the solo may be played on viola, clarinet or alto saxophone. The work takes on a simple, heartfelt aesthetic, reflecting Buschmann's brand of gentle kindness and her love of the natural world with singing clarinet lines and sparkling piano textures. - Andrew FriedmanIn three movements: 1. Observations from a Rooftop Garden (ca. 5'15)2. Contemplating a Mountain with Love (ca. 5')3. Reflecting on a Visit with Birds (ca. 3'30)This is a set of parts only. The score is available separately here: https://www.sheetmusicplus.com/title/20717179?aff_id=481336. Video: https://youtu.be/SEeWuBhO6vw?list=PLC467B58A453D766A .
$49.99
Olga-Polka, Op. 196 (arr. for string orchestra): Optional Percussion
#
Orchestre de chambre
#
INTERMÉDIAIRE/AVANCÉ
#
Classique
#
Johann Strauss Jr
#
Aaron Meier
#
Olga-Polka, Op. 196
#
Aaron Meier
#
SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aa...
(+)
Chamber Orchestra - Level 4 - SKU: A0.922640 Composed by Johann Strauss Jr. Arranged by Aaron Meier. Romantic Period,World. Score and parts. 1 pages. Aaron Meier #5792381. Published by Aaron Meier (A0.922640). Original by Johann Strauss II Reduction to String Orchestra by Aaron Meier Part: *Optional Percussion (snare drum, triangle, cymbals) True to the original work by Strauss, this reduction for string orchestra features the ornaments and mystical writing that defines Strauss' polkas. There are optional percussion parts to be added at the discretion of the ensemble, however even without percussion the ensemble will sound full (the percussion acts as an ornament). Difficulty: Intermediate-advanced - advanced (best-suited for advanced student ensembles) --- Performance Notes: • Approximate length: 3:30 minutes • 1st Violins: In m. 1, trill a half step from a D♠to a D♮ • 2nd Violins:  - At m. 42, divide players by 3, with 2 players playing line A and the remaining player playing line B  - At m. 72-75, emphasize the E♠in the div. • Snare Drum: The buzz roll needs to be quieter than how it is played in the midi recording (*see YouTube link ↓) History: The Olga-Polka itself owed its creation to a Russian royal wedding which took place in St. Petersburg on 28 August 1857. On that day, amid accompanying splendour, the music-loving Grand Duke Michail Nikolaievich (1832-1909), youngest brother of Tsar Alexander II, married Princess Caecilie of Baden (1839-91), daughter of Archduke Leopold of Baden. Johann Strauss, who at that time was giving a summer season of concerts in nearby Pavlovsk, used the opportunity occasioned by the event to enhance his already enviable popularity with the Russian royal family and composed the Caecilien-Polka in honour of the lovely young bride. Indeed, it is clear from a letter which Johann wrote in late July 1857 to Carl Haslinger, his publisher in Vienna, that the new polka had been prepared well in advance of the wedding (the fair copy of the full orchestral score made for the publisher's engraver is dated 9 August) and was enjoying success even before the royal couple's official engagement on 16August 1857. Sometime after performing the Caecilien-Polka in Pavlovsk, Johann despatched the work to the Austrian capital where his brother Josef conducted its Viennese première, together with that of Johann's waltz Telegraphische Depeschen (op. 195, Volume 28), at his own benefit concert in the Volksgartenon Sunday 18 October 1857. The Wiener Allgemeine Theaterzeitung (16.10.1857) remarked that both works have caused a sensation in St. Petersburg and are truly genial Viennese sounds full of verve and melody. Since tradition demanded that the German Princess Caecilie adopt a Russian name - Olga Feodorovna - before her marriage, so Johann's Caecilien-Polka also underwent a change of identity. On 8 December 1857 Carl Haslinger announced the publication of Strauss's Olga-Polka, on the title page of which is the inscription: Dedicated to her Imperial Highness Grand Duchess Olga, née Princess of Baden. It was under this title, too, that Johann himself first conducted the work in Vienna at a concert in the Volksgarten on 1 November 1857, shortly after his return from Russia. Reporting on this event, the Wiener Allgemeine Theaterzeitung (3.11.1857) observed: The 'Olga-Polka' is a most delightful, fragrant musical bouquet, full of fine, gracious rhythms. [excerpted from NAXOS Records] Kemp, Peter. Program Notes - About this Recording. NAXOS, 1993, www.naxos.com/mainsite/blurbs_reviews.asp?item_code=8.223232&catNum=223232&filetype=About%20.......... Accessed 5 June 2020.
$3.99
<
1
26
© 2000 - 2024
Accueil
-
Nouveautés
-
Compositeurs
Mentions légales
-
Version intégrale
Here Is Love
